 
  Popularity: 2 (history)
| Director: | Jeff Gillen, Alan Ormsby | 
|---|---|
| Writer: | Alan Ormsby | 
| Staring: | 
| A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein. | |
| Release Date: | Feb 02, 1974 | 
|---|---|
| Director: | Jeff Gillen, Alan Ormsby | 
| Writer: | Alan Ormsby | 
| Genres: | Horror, Crime, Thriller | 
| Keywords | wisconsin, necrophilia, murder, dark comedy, serial killer, reporter, slasher, dead mother, cannibal, incest, farmer, psychotic | 
| Production Companies | American International Pictures, Karr International Pictures | 
| Box Office | Revenue: $0 Budget: $200,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Roberts Blossom | Ezra Cobb | 
| Cosette Lee | Ma Cobb | 
| Leslie Carlson | Tom Sims | 
| Robert Warner | Harlon Kootz | 
| Marcia Diamond | Jenny Kootz | 
| Brian Smeagle | Brad Kootz | 
| Arlene Gillen | Miss Johnson | 
| Robert McHeady | Sheriff | 
| Marian Waldman | Maureen Selby | 
| Micki Moore | Mary | 
| Pat Orr | Sally | 
| Name | Job | 
|---|---|
| Jeff Gillen | Director | 
| Alan Ormsby | Screenplay, Makeup Artist, Director | 
| Tom Savini | Makeup Artist | 
| Stompin' Tom Connors | Music | 
| Jack McGowan | Director of Photography | 
| Carl Zittrer | Original Music Composer | 
| Albert Fisher | Art Direction | 
| Jerome Bergson | Makeup Artist | 
| Elizabeth Leroy | Costume Design | 
| Dennie Judson | Production Manager | 
| Martin L. Gillen | Second Assistant Director | 
| Ken Goch | First Assistant Director | 
| James B. Clark | Property Master | 
| Gary Goch | Sound | 
| Austin Grimaldi | Sound Mixer | 
| Joe Grimaldi | Sound Mixer | 
| Abe Menka | Boom Operator | 
| Brigitte Sarthou | Sound Editor | 
| John McGowan | Assistant Camera | 
| Michael McGowan | Camera Operator | 
| Don Piel | Camera Operator | 
| Waldron Van Houten | Gaffer | 
| Sandra Marley | Script Supervisor | 
| Name | Title | 
|---|---|
| Peter James | Executive Producer | 
| Bob Clark | Producer | 
| Tom Karr | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 21 | 6 | 
| 2024 | 5 | 15 | 25 | 9 | 
| 2024 | 6 | 11 | 21 | 6 | 
| 2024 | 7 | 14 | 19 | 8 | 
| 2024 | 8 | 12 | 19 | 7 | 
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| 2024 | 11 | 8 | 11 | 6 | 
| 2024 | 12 | 8 | 10 | 6 | 
| 2025 | 1 | 10 | 15 | 7 | 
| 2025 | 2 | 8 | 11 | 3 | 
| 2025 | 3 | 5 | 13 | 2 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 2 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 568 | 753 | 
Mama? Mama? Deranged is brought to us by Alan Ormsby and Jeff Gillen. It's a telling of the Ed Gein story, the Plainfield Ghoul who in the 1950s shocked small town Americana to its very core. The names have been changed to, protect, well no that's not true, it's a product of its time is why, b ... ut this is an Ed Gein film, and it's a troubling and worthy piece of art in equal measure. Certain instances have been spruced up for poetic licence, but the core essence of Gein and his madness exists wholesale. Roberts Blossom plays Gein (as Ezra Cobb), a man so tied to his mama's apron strings that when she leaves the mortal coil he refuses to acknowledge said fact. Cue grave robbing, morbid scenario settings and murder. Operating on a low budget, Gillen and Ormsby do a sterling job of not letting their film come off as cheap exploitation. Tom Savini's effects work is a little crude when viewed now (he would become a legend in his field soon afterwards), but this unfurls in stylish and professional manner. With great acting by Blossoms, nifty camera work, a dark sense of humour and a chilling underplaying of key scenes leading the way, this is a fine entry in the serial killer movie pantheon. 7/10