Popularity: 6 (history)
| Director: | Sofia Coppola |
|---|---|
| Writer: | Sofia Coppola, Thomas Cullinan |
| Staring: |
| During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events. | |
| Release Date: | Jun 23, 2017 |
|---|---|
| Director: | Sofia Coppola |
| Writer: | Sofia Coppola, Thomas Cullinan |
| Genres: | Drama |
| Keywords | based on novel or book, remake, sexual tension, period drama, union soldier, virginia, american civil war, woman director, confederacy, 19th century, girls' school |
| Production Companies | American Zoetrope |
| Box Office |
Revenue: $27,869,129
Budget: $10,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Colin Farrell | Corporal McBurney |
| Nicole Kidman | Miss Martha |
| Kirsten Dunst | Edwina |
| Elle Fanning | Alicia |
| Oona Laurence | Amy |
| Angourie Rice | Jane |
| Addison Riecke | Marie |
| Emma Howard | Emily |
| Wayne Pére | Captain |
| Matt Story | Confederate Soldier |
| Joel Albin | Cavalry Man |
| Eric Ian | Confederate Soldier (uncredited) |
| Name | Job |
|---|---|
| Philippe Le Sourd | Director of Photography |
| Tony Ward | Hair Department Head |
| Heikki Kossi | Foley Artist |
| Lloyd Pitts | Stunt Double |
| Christian Mazzalai | Original Music Composer |
| Laurent Brancowitz | Original Music Composer |
| Deck d'Arcy | Original Music Composer |
| Thomas Mars | Original Music Composer |
| Albert Maltz | Original Film Writer |
| Nicole Daniels | Casting |
| Anne Ross | Production Design |
| Courtney Bright | Casting |
| Stacey Battat | Costume Design |
| Batou Chandler | Location Manager |
| Amy Beth Silver | Set Decoration |
| Robert Ortiz | Unit Production Manager |
| Jeff Robinson | Post Production Supervisor |
| Sasha Vitelli | Script Supervisor |
| Bernadette Gonzales | Production Coordinator |
| Jennifer Dehghan | Art Direction |
| Dave Kelsey | Set Designer |
| Paul B. Uddo | First Assistant Director |
| Richard Beggs | Sound Designer |
| Steve Lonano | Second Assistant Director |
| Kimberly Amacker | Key Makeup Artist |
| Shandra Page | Hair Department Head |
| Roy Waldspurger | Sound Re-Recording Mixer |
| Adam Walls | Makeup Effects |
| Michael A. Ainsworth | Construction Foreman |
| Chuck Stringer | Construction Coordinator |
| Scott Calcagno | Rigging Grip |
| Frankie Jones | Rigging Grip |
| Colette Delacroix | Seamstress |
| Jen Wasson | Costume Supervisor |
| Mia Goff | Makeup Artist |
| Corey Erwin | Best Boy Electric |
| Letitia Hoaas | Studio Teacher |
| Mauricio Ruiz | Concept Artist |
| Bobby Johanson | ADR Mixer |
| Diane Slattery | Unit Publicist |
| Alice Alward | Assistant Art Director |
| Vic Keatley | Rigging Gaffer |
| Jade Maggio | Rigging Grip |
| Elizabeth Himelstein | Dialect Coach |
| Tony Martinez | ADR Editor |
| Zachary A. Schwartz | First Assistant Editor |
| Elvis Jones | Makeup Effects |
| Michael S. Martin | Property Master |
| Jorin Ostroska | Assistant Property Master |
| Pietu Korhonen | Foley Mixer |
| Lee McLemore | Best Boy Grip |
| Patty Spinale | Key Costumer |
| Jennifer Brown | Set Medic |
| Robert Guillot | Propmaker |
| Ben Rothstein | Still Photographer |
| Julia Shirar | Supervising Dialogue Editor |
| Gerald Autin | Dolly Grip |
| Bob Bates | Gaffer |
| Rachel Grissom | Boom Operator |
| Bryce Marshall | Second Assistant "A" Camera |
| Lilik Antonyan | Tailor |
| Lawrnell Bell-Rattler | Hairstylist |
| Mik Kastner | Pyrotechnician |
| Austin Alward | First Assistant "B" Camera |
| Hector Rodriguez | First Assistant "A" Camera |
| Stacy Kelly | Makeup Department Head |
| Michael A. Johnson | Leadman |
| Heather Gross | Foley Editor |
| Michael Rivera | ADR Recordist |
| Ian Lynch | Camera Operator |
| Aurora Knox | Seamstress |
| Odile Gilbert | Hair Designer |
| Jeff Galpin | Stunt Coordinator |
| T. Nick Leon | Key Grip |
| Donald Roth | Rigging Grip |
| Irene Kamp | Original Film Writer |
| Sofia Coppola | Screenplay, Director |
| Thomas Cullinan | Novel |
| Sarah Flack | Editor |
| Name | Title |
|---|---|
| Francis Ford Coppola | Executive Producer |
| Robert Ortiz | Executive Producer |
| Anne Ross | Executive Producer |
| Youree Henley | Producer |
| Sofia Coppola | Producer |
| Roman Coppola | Executive Producer |
| Fred Roos | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Cannes Film Festival | Best Supporting Actress | Nicole Kidman | Won |
| Cannes Film Festival | Best Supporting Actress | Elle Fanning | Nominated |
| Cannes Film Festival | Best Supporting Actress | Kirsten Dunst | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 46 | 14 |
| 2024 | 5 | 31 | 56 | 21 |
| 2024 | 6 | 24 | 33 | 18 |
| 2024 | 7 | 27 | 46 | 16 |
| 2024 | 8 | 22 | 37 | 15 |
| 2024 | 9 | 23 | 39 | 14 |
| 2024 | 10 | 27 | 56 | 14 |
| 2024 | 11 | 19 | 32 | 13 |
| 2024 | 12 | 17 | 24 | 12 |
| 2025 | 1 | 20 | 36 | 14 |
| 2025 | 2 | 13 | 23 | 3 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 4 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 7 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 970 | 970 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 930 | 930 |
**The lust and the destruction!** I neither read the book, nor seen the original film. It was a small slice of the American civil war. But did not focused on the actual war. A fictional drama that followed an injured soldier who sheltered in a girls school was looked after well by the stayed back ... teachers and students. While he was recovering, fallen in love with one of the women. But everybody else too had a little crush on him since he's the one man around. That causes a bump, following a twist in the tale, all comes to halt. A simple and nice drama. Best picks for the roles. But Kristen Dunst did not sync-in with the rest of the girls. Nice clothings too, a perfect recreation of the mid 19th century. I enjoyed it, good for watching at once, but I bet those who watched both the version would go for the old one. Especially for Clint Eastwood. Though Colin Ferrell was not bad in this. Not the best film from Sofia Coppola compared with her others, definitely not worst either. **7/10**
A well acted Civil War drama, but one that perhaps would have played better on the stage of a theatre than the screen of a cinema. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...