Popularity: 5 (history)
Director: | Wes Anderson |
---|---|
Writer: | Wes Anderson, Kunichi Nomura, Roman Coppola, Jason Schwartzman |
Staring: |
In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island used as a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet. | |
Release Date: | Mar 23, 2018 |
---|---|
Director: | Wes Anderson |
Writer: | Wes Anderson, Kunichi Nomura, Roman Coppola, Jason Schwartzman |
Genres: | Animation, Comedy, Adventure |
Keywords | japan, island, stop motion, dog, garbage dump, pets, witty, vibrant |
Production Companies | Scott Rudin Productions, Studio Babelsberg, Indian Paintbrush, American Empirical Pictures |
Box Office |
Revenue: $64,337,744
Budget: $62,770,198 |
Updates |
Updated: Aug 03, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bryan Cranston | Chief (voice) |
Koyu Rankin | Atari Kobayashi (voice) |
Bob Balaban | King (voice) |
Edward Norton | Rex (voice) |
Bill Murray | Boss (voice) |
Jeff Goldblum | Duke (voice) |
Kunichi Nomura | Mayor Kobayashi (voice) |
Fisher Stevens | Scrap (voice) |
Akira Takayama | Major Domo (voice) |
Greta Gerwig | Tracy Walker (voice) |
Ken Watanabe | Head Surgeon (voice) |
Frances McDormand | Interpreter Nelson (voice) |
Nijiro Murakami | Editor Hiroshi (voice) |
Harvey Keitel | Gondo (voice) |
Liev Schreiber | Spots (voice) |
Scarlett Johansson | Nutmeg (voice) |
Tilda Swinton | Oracle (voice) |
Akira Ito | Professor Watanabe (voice) |
F. Murray Abraham | Jupiter (voice) |
Courtney B. Vance | Narrator (voice) |
Yoko Ono | Assistant-Scientist Yoko-ono (voice) |
Mari Natsuki | Auntie (voice) |
Yojiro Noda | News Anchor (voice) |
Frank Wood | Simul-Translate Machine (voice) |
Roman Coppola | Igor (voice) |
Anjelica Huston | Mute Poodle (voice) |
Kara Hayward | Peppermint (voice) |
Satoshi Yamazaki | Taiko Drummer (voice) |
Gen Ueda | Taiko Drummer (voice) |
Ryuhei Matsuda | Junior Scientist 4 / Bartender (voice) |
Jun Takahashi | Mission Control Drone Pilot (voice) |
Edward Bursch | Owl (voice) |
Luli Shioi | Mission Control Technician (voice) |
Erica Dorn | Mission Control Technician (voice) |
Chinami Narikawa | Mission Control Technician (voice) |
Chris Benz | Aboriginal Dog (voice) |
Alex Orman | Aboriginal Dog (voice) |
J. Wurster | Aboriginal Dog (voice) |
Jake Ryan | Junior-Interpreter Ernie (voice) |
Takayuki Yamada | Junior Scientist 1 (voice) |
Kozue Akimoto | Junior Scientist 2 (voice) |
Shota Matsuda | Junior Scientist 3 (voice) |
Kiyotaka Mizukoshi | Election Night Tabulator (voice) |
Elaiza Ikeda | Punk Girl (voice) |
Ryuhei Nakadai | Surgical Assistant (voice) |
Shin Mononobe | Surgical Assistant (voice) |
Ikunosuke | Daily Manifesto Student (voice) |
Taichi Kodama | Daily Manifesto Student (voice) |
Karin Okoso | Daily Manifesto Student (voice) |
Name | Job |
---|---|
Wes Anderson | Director, Screenplay, Story |
Simon Rhodes | Scoring Mixer |
Rob Millard | Animation |
Edward Bursch | Editor |
Paul Harrod | Production Design |
Ralph Foster | Editor |
Curt Enderle | Art Direction |
Cristina Acuña | Set Dresser |
David Greenbaum | Production Director |
Wayne Lemmer | Sound Re-Recording Mixer, Supervising Sound Editor |
Molly Cooper | Consulting Producer |
Angela Poschet | Production Supervisor |
Gisela Evert | Post Production Supervisor |
Alex Moffat | Third Assistant Director |
Francesca Alberigi | Third Assistant Director |
Alan Halls | Third Assistant Director |
James Emmott | First Assistant Director |
Emily Stevens | Third Assistant Director |
Kevin Timon Hill | Assistant Art Director |
Gwenn Germain | Animation Director |
Duncan Gist | 2D Artist |
Mark Lacey | Second Assistant Director |
Pamela Pifferi | Production Assistant |
Aya Suzuki | Senior Animator |
Mark Waring | Animation Director |
Randall Poster | Music Supervisor |
Jason Stalman | Lead Animator |
Tim Ledbury | Senior Visual Effects Supervisor |
Tobias Fouracre | Animation Supervisor |
Yann McCullough | Music Editor |
Conrad Pope | Conductor, Orchestrator |
Asa Shoul | Digital Intermediate Colorist |
Jay Clarke | Storyboard Artist |
Chuck Duke | Key Animation |
Danail Kraev | Key Animation |
Steve Warne | Key Animation |
Daniel Abalo | Animation |
Tucker Barrie | Animation |
Frej Bengtsson | Animation |
Thiago Calçado | Animation |
Anthony Farquhar-Smith | Animation |
Daniel Gill | Animation |
Michael Hughes | Animation |
Sergio Lara Jimenez | Animation |
Max Martin | Animation |
Andy Shackleford | Animation |
Marcos Valín | Animation |
Luke George | Animation |
Quentin Haberham | Animation |
Reuben Loane | Animation |
Kecy Salangad | Animation |
Sam Turner | Animation |
Hannah Wright | Animation |
Adam Watts | Animation |
Roddy MacDonald | Art Department Manager |
Carl Sprague | Assistant Art Director |
Caitlin Fraser | Art Department Coordinator |
Félicie Haymoz | Character Designer |
Turlo Griffin | Concept Artist |
Victor Georgiev | Concept Artist, Matte Painter |
Katren Wood | Concept Artist |
Richard Hardy | Draughtsman |
Chris Lees | Draughtsman |
Albert McCausland | Draughtsman |
Sarah Notley | Draughtsman |
Chris Peters | Draughtsman |
Sarah Priest | Draughtsman |
Hattie Storey | Draughtsman |
Chantelle Valentine | Draughtsman |
Sophie Lockwood | Draughtsman |
Annie Atkins | Graphic Designer |
Chinami Narikawa | Graphic Designer |
Ina Thuresson | Graphic Designer |
Molly Rosenblatt | Production Illustrator |
Tomomi Maezawa | Graphic Designer |
Mio Yokota | Graphic Designer |
Caitlin Jedski | Graphic Designer |
Jeff Kryvicky | Title Designer |
Bonnie Vannucci | Modeling |
Charlotte Henery | Modeling |
Anna Yates | Modeling |
Paul Persighetti | Modeling |
Fabrice Faivre | Animation Technical Director |
Geoff King | Animation |
Laura Nailor | Animation |
Andrea Simonti | Animation |
Adam Zygadlo | Compositor |
Karen Rodrigues | Production Coordinator |
Sophie Peacock | Assistant Production Coordinator |
Viviana Cabral | Assistant Production Coordinator |
Daniel Parslow | Third Assistant Director |
J. Caitlin Ringness | Script Supervisor |
Henry Russell Bergstein | Casting Associate |
Stephanie Holbrook | Casting Associate |
Fry Martin | Production Accountant |
Emma Fuller | First Assistant Accountant |
Mehdi Abbaspour | First Assistant Accountant |
Mark Swaffield | Camera Operator |
James Lewis | Lighting Camera |
Malcolm Hadley | Lighting Camera |
Max Williams | Lighting Camera |
Özlem Aktürk | Assistant Camera |
Siwan Hughes | Assistant Camera |
Kathrin Woodtli | Assistant Camera |
Charlotte Northam | Assistant Camera |
Toby Farrar | Gaffer |
Gary Welch | Electrician |
Paulo Fernandes | Electrician |
Daniel Ansell | Electrician |
Max Milner | Electrician |
Ray Lewis | Still Photographer |
Valérie Sadoun | Still Photographer |
John Addis | Associate Editor |
David Quinn | Assistant Editor |
Samuel Clough | Assistant Editor |
Eiko Emersleben | Assistant Editor |
Lev Kolobov | Visual Effects Supervisor |
Catherine Duncan | Visual Effects Producer |
Lucy Benson | Visual Effects Editor |
Robin Huffer | CG Artist |
Claudio Tassone | CG Artist |
Qian Han | Compositing Lead |
Martin Hjalmarsson | Compositing Lead |
Erik Schneider | Compositing Lead |
Keith Jones | Compositing Lead |
Steve Baine | Foley Artist |
Peter Persaud | Foley Recordist |
Gina Wark | Assistant Foley Artist |
Robbie Scott | Sound Mix Technician |
Rachel Park | Sound Mix Technician |
Candela Palencia | Sound Mix Technician |
Alan Pritt | Digital Intermediate Producer |
Joanna Burt | Post Production Coordinator |
Xavier Forcioli | Executive Music Producer |
Robin Baynton | Music Editor |
Meghan Currier | Music Coordinator |
Adam Stockhausen | Production Design |
Alexandre Desplat | Original Music Composer |
Douglas Aibel | Casting |
Kunichi Nomura | Casting, Story |
Chris Scarabosio | Sound Re-Recording Mixer, Supervising Sound Editor |
Andrew Weisblum | Supervising Film Editor |
Roman Coppola | Story |
Jason Schwartzman | Story |
Barney Pilling | Additional Editing |
Rachel Larsen | Animation |
Anna Mantzaris | Animation |
Carla Pereira Docampo | Animation |
Tristan Oliver | Director of Photography |
Anthony Elworthy | Lead Animator |
Kim Keukeleire | Lead Animator |
Erica Dorn | Title Designer, Graphic Designer |
Tim Allen | Key Animation |
Matias Liebrecht | Key Animation |
Andy Biddle | Animation |
Elie Chapuis | Animation |
Cesar Diaz Melendez | Animation |
Marjolaine Parot | Animation |
Name | Title |
---|---|
Octavia Peissel | Co-Producer |
John Peet | Associate Producer |
Wes Anderson | Producer |
Jeremy Dawson | Producer |
Steven M. Rales | Producer |
Scott Rudin | Producer |
Carl Woebcken | Executive Producer |
Henning Molfenter | Executive Producer |
Christoph Fisser | Executive Producer |
Eli Bush | Executive Producer |
Ben Adler | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Animated Feature | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 41 | 62 | 28 |
2024 | 5 | 64 | 77 | 51 |
2024 | 6 | 42 | 59 | 22 |
2024 | 7 | 45 | 95 | 26 |
2024 | 8 | 29 | 37 | 23 |
2024 | 9 | 45 | 80 | 31 |
2024 | 10 | 43 | 71 | 27 |
2024 | 11 | 28 | 55 | 21 |
2024 | 12 | 28 | 51 | 20 |
2025 | 1 | 29 | 46 | 21 |
2025 | 2 | 21 | 28 | 5 |
2025 | 3 | 10 | 31 | 2 |
2025 | 4 | 7 | 13 | 3 |
2025 | 5 | 5 | 14 | 3 |
2025 | 6 | 6 | 8 | 4 |
2025 | 7 | 5 | 8 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 6 | 4 |
2025 | 10 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 172 | 657 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 172 | 541 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 325 | 694 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 267 | 718 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 478 | 760 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 556 | 808 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 392 | 704 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 288 | 739 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 383 | 753 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 438 | 736 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 754 | 831 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 665 | 764 |
I was very fond of _Fantastic Mr. Fox_, Wes Anderson's first stop-motion animated faire. _Isle of Dogs_ less so. It's most certainly not a bad movie, but my expectations were pretty midling and, personally, they were not met. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work a ... s a whole._
Now as someone with a bit of an hate/hate relationship with man’s best friend, the idea of rounding them all up and shoving them on an island where nobody needs to worry about abandoned bags of their crap littering the place up sounded quite appealing. “Atari”, however, doesn’t share my disdain for ... these smelly critters and so decides that he is going to try and track down his own mutt after it had been deposited onto the “Isle of Dogs”. He is the adopted son of the hereditary mayor “Kobayashi” of this Japanese community and so when his attempt to retrieve his long lost pal goes a bit awry, the authorities mobilise gadgets galore to try to return him to civilisation. Meantime he has fallen in with a disparate pack of hounds who are determined to help him find his erstwhile companion - and it’s soon a race against time before his dad plucks him back alone for some proper delousing. Of course, as he bonds with his new friends he discovers all about the deadly disease that was responsible for their incarceration in the first place and concluding that a vaccine might be in order, decides it is time to confront his old man and get these flea-ridden mongrels back marauding our streets again. This is quite possibly my favourite Wes Anderson film as it marries some quirkily effective animations with some solid characterisations and a really quite enjoyable story of curiosity, teamwork and loyalty. Along the way, there is plenty of detail from the surrounding imagery and plays on words and phrases to only thinly veil criticism of not just the not so subliminal concept of product placement itself, but of many of the products it places, too. The writing keeps the plot moving along entertainingly and though I usually don’t much like films that personify dogs (even Disney ones) this is a compact and frequently quite funny review of mankind’s attitudes to their pets. If only we put half this energy and dedication into looking out for each other! Good fun.