Popularity: 4 (history)
| Director: | Don Michael Paul |
|---|---|
| Writer: | Tony Giglio, Don Michael Paul, Paul W. S. Anderson |
| Staring: |
| Black Ops specialist Connor Gibson infiltrates a maximum security prison to take down legendary driver Frankenstein in a violent and brutal car race. | |
| Release Date: | Oct 02, 2018 |
|---|---|
| Director: | Don Michael Paul |
| Writer: | Tony Giglio, Don Michael Paul, Paul W. S. Anderson |
| Genres: | Action, Science Fiction, Thriller |
| Keywords | prison, car race, sequel, street race, infiltration, death game |
| Production Companies | Capital Arts Entertainment, UFO International Productions, Universal 1440 Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Velizar Bagarov | Boom Operator |
| Kess Bonnet | Production Design |
| Emil Gigov | Art Direction |
| Yovko Dogandjiiski | Special Effects Supervisor |
| Atanas Peichev | Sound Mixer |
| Sofia Rakova | Special Effects, Props |
| Alexander Dimitrov | Dolly Grip, Grip |
| Alexei Karagyaur | Art Direction |
| Gary Oldroyd | Post Production Consulting, Visual Effects Supervisor |
| Tony Giglio | Story, Screenplay |
| Vladimir Yossifov | Costume Design |
| Mike Elliott | Assistant Director |
| Vanick Moradian | Editor |
| Mariana Love | Key Hair Stylist |
| Natasha Roth | Assistant Production Coordinator, Production Accountant |
| Ludmil Ivanov | Special Effects, Prosthetic Supervisor |
| Yanko Ushatov | Line Producer |
| Milena Karova | Production Coordinator |
| Maria Mladenova | Costume Design |
| George Engel | Executive In Charge Of Production |
| Nikola Prodanov | Assistant Costume Designer |
| Radoslava Kostova | Art Department Coordinator |
| Martin Chichov | Camera Operator |
| Georgi Raykov | Camera Operator |
| Arta Tozzi | Set Decoration |
| Anastas Nedelchev | Construction Manager, Construction Coordinator |
| Kiril Kurtov | Grip |
| Georgi Petrov Yakimov | Costume Supervisor |
| Gillian Hawser | Casting |
| Kristina Sakizli | Third Assistant Director |
| Bea Stoykova | Producer's Assistant |
| Yavor Denev | Painter |
| Vasil Stefanov | Digital Imaging Technician |
| Emiliyan Atanasov | Camera Operator |
| Natalia Kirilova | Graphic Designer |
| Peter Krumov | Carpenter |
| Martin Genchev | Props |
| Asen Bozilov | Assistant Set Decoration |
| Krasimir Rizov | Draughtsman |
| Stoyan Doychev | Painter |
| Jesse Eagle | Camera Operator |
| Kiril Valchanov | Steadicam Operator |
| Borislav Anchev | Grip |
| Borislav Hristov | Carpenter |
| Angel Balakchiyski | Camera Operator |
| Delyan Kaloyanov | Digital Imaging Technician |
| Lonnie A. Mathes | Assistant Editor |
| Gregg Garvin | Colorist |
| Charlie Variyski | Supervising Editor |
| Mihaela Gavanozova | Painter |
| Nikolai Nikolov | Graphic Designer |
| Vasil Galabov | Key Grip |
| Estitxu Martinez de Albeniz | Camera Trainee |
| Yasen Denev | Concept Artist |
| Milen Ivanov | Hairstylist |
| Bistra Kechedjieva | Assistant Makeup Artist |
| Atanas Temnilov | Makeup & Hair Assistant |
| Valentin Valov | Special Effects Makeup Artist |
| Ivan Mitov | First Assistant Director |
| Asya Chakarova | Second Assistant Director |
| Ivan Kotsev | Second Unit First Assistant Director |
| Marin Diimitrov | Assistant Property Master |
| Asen Dimitrov | Property Master |
| Borislav Bogdanov | Set Dresser |
| Petar Kamenov | Ager/Dyer |
| Ivailo Mitov | Ager/Dyer |
| Mihaela Padeva | Ager/Dyer |
| Vladislav Todorov | Ager/Dyer |
| Vyarka Sirkova | Key Costumer |
| Yordanka Orlova | Seamstress |
| Yuliya Stoikova | Seamstress |
| Nadya Dobrikova | Set Costumer |
| Anna Filipova | Set Costumer |
| Stoyan Terziev | Tailor |
| Lyudmil Nikolov | Prosthetics |
| Trayan Brankov | Special Effects Technician |
| Peter Nikolov | Special Effects Technician |
| Stefania Velichkova | Script Supervisor |
| Katharine Duke | First Assistant Accountant |
| Rumyana Dyulgerska | Payroll Accountant |
| Sophia Hedlund | Production Executive |
| Miroslav Stoilov | First Assistant "A" Camera |
| Kaloyan Nedelchev | First Assistant "B" Camera |
| Mihail Kotev | First Assistant "C" Camera |
| Vladislav Mateev | First Assistant "D" Camera |
| Iordan Borissov | Second Assistant "A" Camera |
| Liudmil Donchev | Second Assistant "C" Camera |
| Radoi Nikolov | Second Assistant "D" Camera |
| Borislav Belberov | Second Assistant Camera |
| Nikolay Gerjikov | Digital Compositor |
| Stefan Rachev | Digital Compositor |
| Milan Stoyanov | Digital Compositor |
| Stephen Wilson | Digital Compositor |
| Stanimir Angelov | VFX Artist |
| Konstantin Dimitrov | VFX Artist |
| Rumen Kirov | VFX Artist |
| Martin Marchev | VFX Artist |
| Venelin Marinov | VFX Artist |
| Kalin Mihaylov | VFX Artist |
| Kalin Stoyanov | VFX Artist |
| Sabina Yordanova | VFX Artist |
| Travis Dultz | VFX Editor |
| Miik Dinko | ADR Mixer |
| Colin Rogers | Foley Mixer |
| Trevor Metz | Sound Effects Editor |
| Greg Orloff | Sound Re-Recording Mixer |
| Georgi Georgiev | Construction Buyer |
| Nikolay Atanasov | Visual Effects Supervisor |
| Melissa Reese | Theme Song Performance |
| Don Michael Paul | Director, Screenplay |
| Paul W. S. Anderson | Story, Characters |
| Jan Glaser | Casting |
| Stanimir Stamatov | Stunt Coordinator, Second Unit, Second Unit Director |
| Georgi Dimitrov | Stunt Coordinator |
| Radoslav Parvanov | Choreographer |
| JR Esposito | Casting, Third Assistant Director |
| Share Stallings | Studio Teachers |
| Kalin Kerin | Stunt Driver |
| Alexander Krumov | Director of Photography |
| V.W. Scheich | Visual Effects Producer |
| John Gilbert | Additional Editor |
| Teodor Tzolov | Stunts |
| Frederik Wiedmann | Original Music Composer |
| Bryan Mantia | Theme Song Performance |
| David Roth | Transportation Captain |
| Name | Title |
|---|---|
| Greg Holstein | Producer |
| Phillip J. Roth | Co-Producer |
| Mike Elliott | Producer |
| Paul W. S. Anderson | Executive Producer |
| Jeremy Bolt | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 59 | 28 |
| 2024 | 5 | 49 | 62 | 29 |
| 2024 | 6 | 40 | 64 | 27 |
| 2024 | 7 | 47 | 70 | 30 |
| 2024 | 8 | 34 | 47 | 25 |
| 2024 | 9 | 32 | 61 | 21 |
| 2024 | 10 | 39 | 71 | 25 |
| 2024 | 11 | 40 | 52 | 28 |
| 2024 | 12 | 35 | 53 | 27 |
| 2025 | 1 | 35 | 49 | 23 |
| 2025 | 2 | 24 | 35 | 5 |
| 2025 | 3 | 16 | 41 | 3 |
| 2025 | 4 | 6 | 8 | 4 |
| 2025 | 5 | 4 | 7 | 2 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 4 | 4 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 7 | 8 | 6 |
| 2025 | 10 | 6 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 517 | 824 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 963 | 963 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 590 | 764 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 652 | 826 |
There is some decent fun to be found in _Beyond Anarchy_. It's more _Escape from LA_ than it is _Death Race 2000_, but still an entry in the franchise, which brings me to the core problem of Beyond Anarchy: Is it even really a _Death Race_ movie? The answer is yes, but to go beyond that an ask: Shou ... ld it have been a _Death Race_ movie? The answer's probably no. As I said to begin with, I had some fun with the movie, but the things that kept bringing it down were its awkward, half-hearted attatchments to the movies in the series that had gone before it. If they had have abandoned those sentiments completely, it probably would have made a better viewing experience, but then, if that had been the case, how could you call it _Death Race 4_? The opposite approach probably would have worked too, having Beyond Anarchy be an actual sequel that follows _Death Race 3_ and what came before in a way that makes sense, but then, it couldn't have been even close to the movie that we got. Instead we have _Beyond Anarchy's_ sequel-limbo status, a movie that I don't regret watching, but that also can't really work for people who are fans of the _Death Race_ franchise, or for people who have never even seen a Death Race movie. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._