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Scary Stories to Tell in the Dark Poster

Scary Stories to Tell in the Dark

Stories taken from true urban legends
2019 | 108m | English

(90798 votes)

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Popularity: 4 (history)

Details

Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.
Release Date: Aug 08, 2019
Director: André Øvredal
Writer: Dan Hageman, Kevin Hageman, Alvin Schwartz
Genres: Horror
Keywords based on novel or book, small town, scarecrow, halloween, haunted house, family secrets, urban legend, racism, high school friends, aspiring writer, draft dodger, 1960s, folk horror
Production Companies CBS Films, Entertainment One, 1212 Entertainment, Double Dare You, Rolling Hills, Hivemind, Starlight Culture Entertainment Group
Box Office Revenue: $104,545,505
Budget: $25,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Zoe Colletti Stella Nicholls
Dean Norris Roy Nicholls
Michael Garza Ramón Morales
Gabriel Rush Auggie Hilderbrandt
Gil Bellows Chief Turner
Natalie Ganzhorn Ruth Steinberg
Austin Abrams Tommy Milner
Austin Zajur Chuck Steinberg
Kathleen Pollard Sarah Bellows
Lorraine Toussaint Lou Lou
Deborah Pollitt Mrs. Steinberg
Victoria Fodor Mrs. Milner
Marie Ward Mrs. Hilderbrandt
Mark Steger Harold the Scarecrow / Pale Lady
Javier Botet Big Toe Corpse
Troy James Jangly Man
Will Corno Mechanic
Kyle Labine Deputy Hobbs
David Tompa Doctor
Karen Glave Claire Baptiste
Stephanie Belding Reception Nurse
Hume Baugh Deodat Bellows
Jane Moffat Delanie Bellows
Will Carr Ephraim Bellows
Amanda Smith Gertrude Bellows
Brandon Knox Harold Bellows
Rodrigo Fernandez-Stoll Drive-in Manager
Anna Fraser Actress
Alex Spencer Orderly #1
Matthew Smith Mr. Steinberg
Daniel Gravelle Letterman #1
Colton Gobbo Letterman #2
Ajanae Stephenson Lou Lou (8 Yrs.)
Divan Meyer Student (uncredited)
Lyndon B. Johnson Self (archive footage)
Richard Nixon Self (archive footage)
Walter Cronkite Self (archive footage)
Name Job
Patrick Larsgaard Editor
Patricia Larman Set Decoration
Ruth Myers Costume Designer
Regina Robb Production Manager
Myron Hoffert First Assistant Director
Brandt Gordon Art Direction
Etienne Gravrand Set Designer
Greg Chapman Sound Mixer
Glen Gauthier Sound Mixer
Jill Purdy Supervising Sound Editor
Tyler Whitam Sound Editor
Steve Hammond Foley Artist
Mary Arthurs Property Master
George Kraychyk Still Photographer
Roman Osin Director of Photography
David Brisbin Production Design
Anna Drubich Original Music Composer
Howard Paar Music Supervisor
Tyler Delben Second Assistant Director
Darren McGuire Stunt Coordinator
Sorin Popescu Set Designer
Colin Penman Makeup Department Head
Dug Rotstein Script Supervisor
Erika Schengili-Roberts Sound Mixer
J.R. Fountain Supervising Sound Editor
Andrew Tay Sound Re-Recording Mixer
Joe Dzuban Sound Designer
Steve Medeiros Sound Editor
Michael L. Hall Gaffer
Geoff Hill Special Effects Coordinator
Nic Osborne Second Unit Director
Dusty Reeves Art Department Coordinator
Jane Flanders Costume Supervisor
Jacqueline Robertson Cull Key Hair Stylist
Doug Lavender First Assistant "A" Camera
Mark Cyre First Assistant "B" Camera
Douglas Wilkinson Post Production Supervisor
Andrea Brown Assistant Makeup Artist
Alanna Dickie Contact Lens Technician
Jack Schuster Executive In Charge Of Post Production
Janine Fung Third Assistant Director
Mark Lukac First Assistant Director
Nicholas Müller-Osborne Second Unit Director
Everett Biggar Assistant Property Master
Heather Carlson Graphic Designer
David Gruer Set Decoration Buyer
Owain Harris Carpenter
Jonathan Kovacs Set Dresser
Ryan McCaffrey Set Dresser
Vincent Proce Concept Artist
Mauricio Ruiz Concept Artist
Tija Smith Props
Colin Hoult Second Unit Director of Photography
Rob Ballantyne Storyboard Artist
Mia Sturup Assistant Costume Designer
Trason Fernandes Key Makeup Artist
Cheryl Ross Assistant Hairstylist
Anton Van Rooyen "B" Camera Operator
Spencer Gray Digital Imaging Technician
Alexandra Anger Contact Lens Technician
Kevin Carter Contact Lens Painter
Shadi Enayati Post-Production Manager
Mario C. Cacioppo Assistant Director
Rory James Assistant Director
Missy Morris Third Assistant Director
Lauren Batcher Set Dresser
Steve Bryant Set Dresser
Linda Cheung Set Dresser
Alex Hadjiantoniou Storyboard Artist
John Hinz Set Dresser
Simon March Set Dresser
Alexander Narizni Set Dresser
Victor 'Chikko' Quon Key Scenic Artist
Theresa Shain Graphic Designer
Nicole Stephenson Assistant Property Master
Phillip Tellez Construction Coordinator
Bill Higley ADR Mixer
Ihor Kaniuk Sound Re-Recording Mixer
Claudia Pinto First Assistant Sound Editor
Michael Lee Taylor Boom Operator
Laura Kennedy Special Effects Technician
Ameya Adchule Digital Compositor
Barb Benoit Digital Compositor
Lucian Boicu Compositing Supervisor
Cristian Camaroschi CG Supervisor
Colleen Catton Compositor
Chris Hagfors Dahlmo Digital Compositor
Jyoti Bhalchandra Deshpande Visual Effects Production Manager
Bhardwaj Divyanshu Visual Effects
Peter C. Strange Set Dresser
German Camardella ADR Editor
Bobby Johanson ADR Mixer
Paul Lynch ADR Recordist
Jeffrey Roy ADR Mixer
Tyler Whitham Sound Effects Editor
Tim Phoenix Special Effects
Matthew Beightol Compositor
J. Alan Bradshaw CG Supervisor
Andrew Carruthers Visual Effects Coordinator
Yuting Chen Digital Compositor
Markus Dahlstrøm Digital Compositor
Sagar Dhondge Compositor
André Øvredal Director
Dan Hageman Screenplay
Kevin Hageman Screenplay
Rich Delia Casting Director
Marco Beltrami Original Music Composer
J. Miles Dale Unit Production Manager
Cliona Furey Hair Department Head
Mike Woroniuk Sound Re-Recording Mixer
Daniel McGraw Makeup Artist
Gilles Corbeil Steadicam Operator, "A" Camera Operator
Dennis Berardi Senior Visual Effects Supervisor
Patrick Melton Screenstory
Marcus Dunstan Screenstory
Guillermo del Toro Screenstory
Alvin Schwartz Book
Norman Lesperance Thanks
Laurel Thomson Production Executive
Jon Romano Production Executive
Name Title
Roberto Grande Executive Producer
Joshua Long Executive Producer
Zhitang Chen Co-Executive Producer
Jason F. Brown Producer
Elizabeth Grave Producer
Alex Ginno Executive Producer
Sean Daniel Producer
Guillermo del Toro Producer
J. Miles Dale Producer
Peter Luo Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 32 45 24
2024 5 37 58 27
2024 6 33 56 23
2024 7 48 79 30
2024 8 34 64 21
2024 9 29 37 23
2024 10 35 65 25
2024 11 31 54 19
2024 12 24 38 18
2025 1 24 37 17
2025 2 19 28 3
2025 3 9 32 2
2025 4 5 9 3
2025 5 4 10 2
2025 6 4 6 3
2025 7 2 3 2
2025 8 3 6 2
2025 9 5 9 3
2025 10 3 5 2

Trending Position


Year Month High Avg
2025 10 644 858
Year Month High Avg
2025 4 993 993

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Reviews

msbreviews
6.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. How ... ever, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed. It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started. André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself… It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough. The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie. Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating. All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes. However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it! Rating: B-

Jun 23, 2021
maketheSWITCH
6.0

There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there ... ’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you

Jun 23, 2021
Ruuz
5.0

I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the ... story feels disconnected and for me had an unsatisfying resolution. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Jun 23, 2021
brightonguy
N/A

I have no idea why I was expecting an anthology before I started watching this film. Anyway, it doesn’t matter. While I dislike the increasingly high number of horror films which take place in 1960s/70s/80s nowadays, I still enjoyed watching this one. Surprisingly, each scary scene in the film is ... better than the one before, which makes the film better as you keep watching it. Would I watch it again? Yes. Would I make my friends watch it? Why not?

Jun 23, 2021
repojack
7.0

Most "Haunted House" attraction movies are horrible. "Haunt" is the rare exception. The directors also wrote "The Quiet Place" and Eli Roth was involved. Regardless, this is a slick Halloween thriller. ...

Jun 23, 2021
repojack
7.0

For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/ ... writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.

Jun 23, 2021
repojack
7.0

For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/ ... writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.

Jun 23, 2021
MonsterMartha
6.0

I had high expectations for this movie. The books means so much to me. I found them when I was a lonely kid in School who was picked on and what day went to the library and found a book called scary stories to tell in the dark. I fell in love with the stories due to my Macabre nature. I've always he ... ld all three books in the series close to my heart. However this movie didn't really bring what the books bring which is a sentence of sheer terror. I felt like there weren't enough scary moments. There wasn't enough short stories. It felt like we were focused on the one girl's story and her tacked on love interest. I did love the few scary moments it did have and the one gross one with the big toe. I just felt like it needed more and could have done more. It's not a horrible movie it just feels like it's not finished and like it wasn't enough.

Jul 26, 2022
Geronimo1967
6.0

It must be old age but 2019 has produced half a dozen so-called "horror" films that are about as terrifying as running out of milk. This has one of the better, though still pretty derivative, storylines; and at times can be quite dark, but the use of teenagers as the conduits for the fear just isn't ... convincing. The plot, such as it is, is remarkably forgettable and the effects rely heavily on (admittedly some very effective) sound editing. Won't have your quivering unless you're sitting in a draft....

May 29, 2024