Mary
2019 | 84m | English
Popularity: 4 (history)
| Director: | Michael Goi |
|---|---|
| Writer: | Anthony Jaswinski |
| Staring: |
| A struggling family buys an old ship at auction with high hopes of starting a charter business, only to discover her horrifying secrets on the isolated open waters. | |
| Release Date: | Sep 19, 2019 |
|---|---|
| Director: | Michael Goi |
| Writer: | Anthony Jaswinski |
| Genres: | Horror, Mystery |
| Keywords | yacht, curse, business, fear |
| Production Companies | Entertainment One, EMJAG Productions, Sierra/Affinity, Entertainment One Features, Tucker Tooley Entertainment |
| Box Office |
Revenue: $709,528
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Gary Oldman | David |
| Emily Mortimer | Sarah |
| Manuel Garcia-Rulfo | Mike |
| Owen Teague | Tommy |
| Jennifer Esposito | Detective Clarkson |
| Stefanie Scott | Lindsey |
| Chloe Perrin | Mary |
| Douglas Urbanski | Jay |
| Claire Byrne | Coast Guard Amber Jacoby |
| Michael Landes | Sanfree |
| Natalie Jean | The Pale Lady |
| Griffin Hood | Coast Guard Eric Pauls |
| Kathryn Kelly | Girl on Charter Boat |
| Name | Job |
|---|---|
| Michael Goi | Director of Photography, Director |
| Mary Vernieu | Casting |
| Taylor Stewart | Original Music Composer |
| Ben LeDoux | Second Assistant Director |
| Jason Habelow | Production Supervisor |
| Kara Lindstrom | Production Design |
| Elizabeth Boller | Art Direction |
| Leonard R. Spears | Set Decoration |
| Natalie Jean | Stunts |
| Eric L. Beason | Editor |
| D. Scott Lumpkin | Line Producer, Unit Production Manager |
| Christopher Kulikowski | Post Production Supervisor |
| John Rezner | Set Dresser |
| Jeff Etheridge | Script Supervisor |
| Courtney Jarrell | Key Makeup Artist, Makeup Artist |
| Lauren Kelly | Hairstylist |
| Steven A. Saltzman | Music Editor |
| Paul Round | Visual Effects Supervisor |
| Karol Urban | Dialogue Editor |
| Anthony Jaswinski | Screenplay |
| Jeff Betancourt | Editor |
| Brooklyn Proctor | Stunt Double |
| Damien Lubiak | Unit Production Manager |
| Pablo Gambetta | Second Second Assistant Director |
| Jason Saucier | On Set Dresser |
| Lauren Thomas | Makeup Department Head |
| Carrie Sims | Key Makeup Artist, Makeup Artist |
| Donna Spahn | Hair Department Head |
| Toby Sells | Special Effects Makeup Artist |
| Martin Lake | Visual Effects Producer |
| Roland N. Thai | Sound Effects Editor |
| Lindsay Graham Ahanonu | Casting |
| Savanna Grace Yawn | Stunt Double |
| Sara Hall | Costume Design |
| Greg Hale | Second Assistant Director, First Assistant Director |
| Georgia Robles | Production Supervisor |
| Jake Rezner | Set Dresser |
| Stephanie Durkac | Costume Supervisor |
| Suzy Laney | Assistant Makeup Artist |
| Chelsea Barber | Additional Hairstylist |
| Drew Jones | Visual Effects Supervisor |
| David Kitchens | Sound Supervisor |
| George Haddad | Sound Effects Editor |
| Heather Hayes | Stunt Double |
| Steven Urban | Sound Effects Editor |
| Marty Eli Schwartz | First Assistant Director |
| Lex D. Geddings | Stunt Coordinator |
| Aden Stay | Stunt Coordinator |
| John Rottger | Stunt Coordinator |
| David Tattersall | Additional Director of Photography |
| Brett Murray | Production Sound Mixer |
| David Barber | Supervising Sound Editor |
| Andrew Grush | Original Music Composer |
| Bruce E. Merlin | Special Effects Technician |
| Name | Title |
|---|---|
| Tucker Tooley | Producer |
| Marty Eli Schwartz | Co-Producer |
| Douglas Urbanski | Executive Producer |
| Alexandra Milchan | Producer |
| Scott Lambert | Producer |
| Greg Renker | Executive Producer |
| Anthony Jaswinski | Executive Producer |
| Earl Mason McGowin | Producer |
| Jeff Betancourt | Co-Executive Producer |
| D. Scott Lumpkin | Producer |
| Jason Barhydt | Executive Producer |
| Lara Thompson | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 30 | 13 |
| 2024 | 5 | 20 | 35 | 13 |
| 2024 | 6 | 17 | 43 | 9 |
| 2024 | 7 | 16 | 28 | 9 |
| 2024 | 8 | 15 | 30 | 8 |
| 2024 | 9 | 8 | 12 | 6 |
| 2024 | 10 | 12 | 28 | 6 |
| 2024 | 11 | 10 | 21 | 6 |
| 2024 | 12 | 12 | 25 | 6 |
| 2025 | 1 | 11 | 21 | 7 |
| 2025 | 2 | 9 | 16 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
Ruuz
3.0
Hard to understand how this went so wrong. Almost every single development feels like out of all the options available to the momentum of the story, whichever is the worst possible choice is the one that _Mary_ goes with. Over and over and over. I mean you've got Acadamy Award Winning Gary Oldman ** ... literally** on deck here, in what on paper is actually a very cool premise. I even have a predisposed fondness for boat movies. How was this not even "just okay"? _Final rating:★½: - Boring/disappointing. Avoid where possible._
Jun 23, 2021