Popularity: 3 (history)
| Director: | Paul Schrader |
|---|---|
| Writer: | Paul Schrader |
| Staring: |
| A conservative Midwest businessman ventures into the sordid underworld of pornography in search of his runaway teenage daughter who’s making hardcore films in the pits of Los Angeles. | |
| Release Date: | Feb 09, 1979 |
|---|---|
| Director: | Paul Schrader |
| Writer: | Paul Schrader |
| Genres: | Drama, Crime, Mystery |
| Keywords | pornography, runaway, michigan, peep show, snuff, daughter, father, los angeles, california, porn industry, subculture, private detective, missing child, sex industry, search for daughter, snuff film, calvinist, calvinism |
| Production Companies | Columbia Pictures, A-Team |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| George C. Scott | Jake VanDorn |
| Peter Boyle | Andy Mast |
| Season Hubley | Niki |
| Dick Sargent | Wes DeJong |
| Leonard Gaines | Ramada |
| Dave Nichols | Kurt |
| Gary Graham | Tod |
| Larry Block | Detective Burrows |
| Marc Alaimo | Ratan |
| Leslie Ackerman | Felice |
| Charlotte McGinnis | Beatrice |
| Ilah Davis | Kristen VanDorn |
| Paul Marin | Joe VanDorn |
| Will Walker | Jism Jim |
| Hal Williams | Big Dick Blaque |
| Bob Bishop | Stud #1 |
| Tim Dial | Stud #2 |
| Roy London | Jim Rucker |
| Bibi Besch | Mary |
| Tracey Walter | Male Teller |
| Bobby Kosser | Film Director |
| Stephen P. Dunn | Film Cameraman |
| Jean Allison | Mrs. Steensma |
| Reb Brown | Manager |
| James Helder | John VanDorn |
| Dave Thompson | Willem |
| John Otte | Grandfather VanDorn |
| Janet Simpson | Anne DeJong |
| Karen Kruer | Marsha DeJong |
| Henry Vandenbroek | Reverend VanTil |
| Linda Smith | Hope |
| Mary McFerren | “Free Press” Teller |
| Judith Ransdell | Ramada’s Secretary |
| Linda Morell | 'Les Girls' Woman |
| Gigi Vorgan | Teenage Girl |
| Michael Hatch | Nephew #1 |
| David Hockenberry | Nephew #2 |
| Joseph Prus | Bill |
| Jean Reed Bahle | Ruth |
| Reinder Vantil | Man at Piano |
| Dee Ann Johnston | Bar Maid |
| Janice Carroll | Waitress |
| Mark Natuzzi | Barker #1 |
| Al Cingolani | Barker #2 |
| Cherilyn Parsons | Girl at Convention |
| Tracey Ratley | Hostess |
| Antonio Esparza | Teenage Mexican |
| Linda Cremeans | Stewardess |
| Ed Begley Jr. | Soldier |
| Stewart Steinberg | Man in Seersucker Suit |
| Serena | Terry (uncredited) |
| Name | Job |
|---|---|
| Paul Schrader | Writer, Director |
| Michael Chapman | Director of Photography |
| Paul Sylbert | Production Design |
| Gordon Daniel | Sound Effects Editor |
| Tom Rolf | Editor |
| Bruce Weintraub | Set Decoration |
| Gilbert D. Marchant | Sound Effects Editor |
| Vic Ramos | Casting |
| Kim C. Friese | Second Assistant Director |
| Edward Aiona | Property Master |
| Jerry Luthart | Construction Foreman |
| Fletcher Bryant | Stunts |
| Dustin Blauvelt | First Assistant Camera |
| Robert E. Gaynor | Dolly Grip |
| Joe R. Marquette Jr. | Camera Operator |
| Bob West | Grip |
| Nancy Pulk McTyre | Casting Assistant |
| G. Tony Scarano | Wardrobe Supervisor |
| Del Acevedo | Makeup Artist |
| Ian MacGregor-Scott | Sound Effects Editor |
| Vivian McAteer | Hairstylist |
| Richard Hashimoto | Assistant Director |
| Kevin Chambers | Swing |
| Daniel Loren May | Leadman |
| Doug Dale | Electrician |
| Cary Griffith | Key Grip |
| John Seckar | Electrician |
| Wynn Hammer | Still Photographer |
| Tina Real | Extras Casting |
| Jacqueline Cambas | Assistant Editor |
| Paul Casella Jr. | Transportation Coordinator |
| Edwin O'Donovan | Art Direction |
| Shinichi Yamazaki | Music Editor |
| John G. Wilson | Unit Production Manager |
| Joe Acord | Construction Coordinator |
| Paul De Santis | Props |
| Bud Maffett | Sound Mixer |
| Alan S. Blauvelt | Second Assistant Camera |
| Bob M. Farnsworth | Best Boy Grip |
| Bill Krattiger | Best Boy Electric |
| Don Stott | Gaffer |
| Tony Rivetti Sr. | First Assistant "B" Camera |
| Alice Rush | Wardrobe Supervisor |
| Paul Pav | Location Manager |
| Saul Kahan | Publicist |
| Robert Fernandez | Sound Mixer |
| Betsy Norton | Script Supervisor |
| Dianne E. Collins | Publicist |
| Walter Goss | Sound Mixer |
| Rob Miller | Music |
| Michael Minkler | Sound Mixer |
| Jill Fraser | Music |
| Dean Smith | Stunts |
| Jack Nitzsche | Original Music Composer |
| William Dear | Second Unit Director of Photography |
| Name | Title |
|---|---|
| Buzz Feitshans | Producer |
| John Milius | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 28 | 11 |
| 2024 | 5 | 21 | 43 | 13 |
| 2024 | 6 | 17 | 30 | 9 |
| 2024 | 7 | 17 | 28 | 10 |
| 2024 | 8 | 16 | 34 | 11 |
| 2024 | 9 | 10 | 17 | 6 |
| 2024 | 10 | 13 | 29 | 5 |
| 2024 | 11 | 11 | 25 | 6 |
| 2024 | 12 | 12 | 30 | 8 |
| 2025 | 1 | 13 | 25 | 6 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 3 | 7 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 1 | 4 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
Nobody makes it. Nobody shows it. Nobody sees it. It's like it doesn't even exist. Hardcore is written and directed by Paul Schrader and stars George C. Scott, Peter Boyle, Season Hubley, Dick Sargent and Leonard Gaines. Music is by Jack Nitzsche and cinematography by Michael Chapman. Plot has ... Scott as a Michigan businessman whose daughter disappears after a church group trip to California. Venturing out to California in search of her, he hires a sleazy private investigator (Boyle) and quickly finds that his daughter has fallen into the seedy X-Rated world of pornography. It's a very mixed bag, one minute it's over the top with unbelievable scenarios, the next it's potent, impressive and heart breaking. The battle between religious faith and the sins of the flesh is loud and broad, which does however give the pic its intellectual stimulation, something which one feels fights off the charges of this being exploitation trash. There's also the noir angles to savour for the so inclined, the trawl through a seedy underworld inhabited by deviants and damaged waifs is riveting by way of the portrayals. Scott's character also has classic noir tendencies, he goes from homely religious business man to the point where he has to become one of the venal to find the answers he so desperately needs. Behind the scenes thigs were not the best, with the usual artistic differences bubbling away, and this is never more evident then with the weak finale. It reeks of a compromise, a failure to really drive a stake through the hearts of the viewers. The promised horror never arrives, a true classic noir finale jettisoned in favour of candy coated heroics. Shame that, but this is still a fascinating and powerful pic. 7/10