Popularity: 5 (history)
Director: | Lasse Hallström, Joe Johnston |
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Writer: | Ashleigh Powell, Marius Petipa |
Staring: |
When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world. | |
Release Date: | Oct 26, 2018 |
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Director: | Lasse Hallström, Joe Johnston |
Writer: | Ashleigh Powell, Marius Petipa |
Genres: | Family, Fantasy, Adventure |
Keywords | magic, fairy tale, princess, betrayal, magical object, based on short story, christmas |
Production Companies | Walt Disney Pictures, The Mark Gordon Company |
Box Office |
Revenue: $173,961,069
Budget: $120,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mackenzie Foy | Clara Stahlbaum |
Jayden Fowora-Knight | Captain Phillip Hoffman |
Tom Sweet | Fritz Stahlbaum |
Keira Knightley | Sugar Plum Fairy |
Helen Mirren | Mother Ginger |
Morgan Freeman | Drosselmeyer |
Eugenio Derbez | Hawthorne |
Matthew Macfadyen | Benjamin Stahlbaum |
Richard E. Grant | Shiver |
Sergei Polunin | Sweets Cavalier |
Misty Copeland | Ballerina Princess |
Anna Madeley | Marie Stahlbaum |
Ellie Bamber | Louise Stahlbaum |
Jack Whitehall | Harlequin |
Omid Djalili | Cavalier |
Gustavo Dudamel | Conductor |
Nick Mohammed | Short Butler |
Charles Streeter | Tall Butler |
Craig Garner | Polichinelle Dancer |
Meera Syal | Cook |
Max Westwell | Flower Cavalier |
Aaron Smyth | Snow Cavalier |
Sophie Apollonia | Dancer |
Zoe Arshamian | Dancer |
Diogo Barbosa | Dancer |
Harris Bell | Dancer |
Julia Conway | Dancer |
James Butcher | Dancer |
Jonathan Caguioa | Dancer |
Lil Buck | The Mouse King (uncredited) |
Ocean Navarro | Fleur (uncredited) |
Gemma Wilks | Carol Singer (uncredited) |
Trent Owers | Head Throne Room Guard (uncredited) |
Bethany Harrison | Dancer |
Name | Job |
---|---|
Niall Moroney | Supervising Art Director |
Stuart Kearns | Supervising Art Director |
Vince Abbott | Senior Visual Effects Supervisor |
James Lewis | Art Direction |
Oscar Wright | Storyboard Artist |
Marie-France Henri | Digital Compositor |
Jenny Shircore | Hair Designer, Makeup Designer |
Max Wood | Visual Effects Supervisor |
Jeremy Johns | Unit Production Manager |
David Cain | Production Manager |
Nathan Grant | Stunt Double |
Alison Beckett | Post Production Supervisor |
David Massachi | Additional Editor |
Matthew Penry-Davey | First Assistant Director |
Charlie Reed | Second Assistant Director |
Rebecca Milton | Art Direction |
Karen Worley | Art Department Coordinator |
Claudio Campana | Assistant Art Director |
Tom Weaving | Art Direction |
Ella Daines-Smith | Production Coordinator |
David Ware | Production Secretary |
Kelly Johnson-Beaven | First Assistant Accountant |
Annie Gaudet | Post Production Accountant |
Alex Gladstone | Location Manager |
Lex Donovan | Location Manager |
Jill McCullough | Dialect Coach |
Aurelia Thomas | Location Manager |
Matt Risebrow | Assistant Location Manager |
Christopher Rand | First Assistant Editor |
Victoria Bate | Assistant Editor |
David Sinfield | Gaffer |
Conor Finlay | Electrician |
Roy Chapman | Property Master |
Russell Oxley | Scenic Artist |
Michael Barry | Sound Re-Recording Mixer |
Paul Hsu | Sound Re-Recording Mixer, Supervising Sound Editor |
Bill Sweeney | Foley Supervisor |
Michael Rivera | ADR Recordist |
Jim Weidman | Music Editor |
Peter Boyer | Orchestrator |
Cain Lee | Transportation Captain |
Tom White | Second Unit First Assistant Director |
Tom Brown | Music Arranger |
Chris Corbould | Special Effects Supervisor, Second Unit Director |
Savio Adarsh | Visual Effects Art Director |
Tim Blake | Art Direction |
Simon Brown | Sound |
Alexandra Magocsi | VFX Artist |
Lisa Chugg | Set Decoration |
David Boulton | ADR Mixer |
Sarah Greensmith | Department Administrator |
Nick Dent | Senior Generalist |
Davi Aquino | Foley Recordist |
Mike Butterfield | Effects Supervisor |
Emily Brockmann | Casting Associate |
Marc Weigert | Visual Effects Producer |
Dave Judge | Stunts |
Paige Chaytor | Production Supervisor |
Agis Pyrlis | Draughtsman |
Katy Schurr | Draughtsman |
Stephen Forrest-Smith | Storyboard Artist |
Georgia Grant | Art Department Assistant |
Maudie Andrews | Assistant Set Decoration |
Rohan Harris | Scenic Artist |
Sunita Singh | Costume Coordinator |
Maurizio Torti | Costume Set Supervisor |
Michael Goosen | Production Controller |
Rhys Ifan | Art Direction |
Elaine Kusmishko | Art Direction |
Charlotte Leatherhead | Assistant Art Director |
Danny Clark | Draughtsman |
Jamie Shakespeare | Draughtsman |
Laura Grant | Graphic Designer |
Tony Chance | Storyboard Artist |
Auguste Rahmberg | Art Department Assistant |
Satarupa Bradley | Scenic Artist |
Maria Salcher | Costume Coordinator |
Jessie Gelpke | Key Costumer |
Hannah Edwards | Makeup & Hair |
Michael Hancock | Makeup Artist |
Jason Ewart | Steadicam Operator, Camera Operator |
Huw Arthur | Standby Art Director |
Hazel Keane | Assistant Art Director |
Chantelle Valentine | Draughtsman |
Chris Kitisakkul | Graphic Designer |
Giles Asbury | Storyboard Artist |
Chelsea Davison | Art Department Assistant |
Lucie Ryan | Set Decorating Coordinator |
Clare Spragge | Costume Supervisor |
David Otzen | Key Costumer |
Jessie Metcalf | Wardrobe Master |
Marc Pilcher | Makeup & Hair |
Lucy Allen | Makeup & Hair Assistant |
Sarah Kelly | Makeup & Hair |
Deena Adair | Hairstylist |
Daniel Lillie | Camera Loader |
David Rist | Dolly Grip |
Howard Bevan | First Assistant Sound Editor |
Sam Sorbie | Assistant Production Coordinator |
James DiMarco | Production Accountant |
Karen Birtchnell | Payroll Accountant |
Jason Dully | Second Assistant Camera |
Kevin Fraser | Key Grip |
Alex Fraser | Dolly Grip |
Jo Beckett | Script Supervisor |
Aisling Cheesman | Production Secretary |
Becky Maxwell | Production Accountant |
James Farthing | Assistant Accountant |
Olivia Grant | Casting Assistant |
Damon Crane | Location Manager |
Anne Mouli Castillo | Assistant Location Manager |
James Lesage | Assistant Editor |
Thomas Lane | Assistant Editor |
Dave Brennan | Best Boy Electric |
Mark Joiner | Electrician |
Mark Kimber | Assistant Property Master |
Peter Manger | Greensman |
Scott Millan | Sound Re-Recording Mixer |
Eliza Paley | Supervising Sound Editor |
Blake Leyh | Sound Designer |
Wyatt Sprague | Sound Effects Editor |
Dave Paterson | Sound Effects Editor |
Rachel Chancey | Foley Editor |
Angela Organ | Assistant Sound Editor |
Jenna Dalla Riva | Foley Recordist |
George A. Lara | Foley Mixer |
Gibran Farrah | ADR Mixer |
Kristin Catuogno | ADR Recordist |
David Olson | Music Editor |
Jon Kull | Orchestrator |
Rachel Kennedy | Unit Publicist |
Joshua Darby | Transportation Coordinator |
Peter Talbot | Second Unit Director of Photography |
Daniel Wannberg | First Assistant Camera |
Paul Snell | Second Assistant Camera |
Anthony Benjamin | Best Boy Grip |
John Midgley | Production Sound Mixer |
Rosie McArthur | Location Coordinator |
Scott Clements | Assistant Editor |
Jane Renaud | Post Production Coordinator |
Harlon Haveland | Electrician |
Aaron Keating | Electrician |
Robert Voysey | Construction Foreman |
Steve Lee-Loveday | Sculptor |
Jac Rubenstein | Dialogue Editor |
Lawrence Zipf | Sound Designer |
Kris Fenske | Sound Effects Editor |
Paul Urmson | Sound Designer |
Eugene Gearty | Sound Designer |
Allan Zaleski | Sound Effects Editor |
Michael McMenomy | Foley Editor |
Frank Kern | Foley Editor |
Ja-Ann Wang | Assistant Sound Editor |
Andy Malcolm | Foley Artist |
Chelsea Body | Foley Recordist |
Mark Appleby | ADR Mixer |
Justine Baker | ADR Recordist |
Pete Anthony | Orchestrator |
Laurie Sparham | Still Photographer |
Rick Chefalas | Assistant Sound Editor |
Eric Potter | Sound Recordist |
Sandra Fox | Foley Artist |
Marko Costanzo | Foley Artist |
Bobby Johanson | ADR Mixer |
Lasse Hallström | Director |
E. T. A. Hoffmann | Short Story, Creator |
Ashleigh Powell | Screenplay, Screenstory |
Lucy Bevan | Casting |
Joe Johnston | Director |
Guy Hendrix Dyas | Production Design |
Jenny Beavan | Costume Design |
Linus Sandgren | Director of Photography |
Stuart Levy | Film Processor, Editor |
Adam Basil | Stunts |
Rachelle Beinart | Stunts |
Hayley Saywell | Stunts |
Marius Petipa | Original Story |
Gustavo Dudamel | Conductor |
Larry Franco | Unit Production Manager |
Liam Scarlett | Choreographer |
Adam Kirley | Stunt Coordinator |
Chelsea Mather | Stunt Double |
Paul Hirsch | Additional Editor |
Goro Koyama | Foley Artist |
Mark DeSimone | ADR Mixer |
Doc Kane | ADR Mixer |
Dann Fink | ADR Voice Casting |
Bruce Winant | ADR Voice Casting |
Jeff Atmajian | Orchestrator |
Philip Klein | Orchestrator |
James Newton Howard | Original Music Composer |
Olly Tellett | First Assistant "B" Camera |
Simon Finney | "B" Camera Operator |
Sheen Wei Yap | CG Supervisor |
Ben Wright | Stunts |
Joe Fugallo | Other |
Name | Title |
---|---|
Marc Weigert | Co-Producer |
Jeremy Johns | Co-Producer |
Alison Beckett | Co-Producer |
Linda Goldstein Knowlton | Executive Producer |
Sara Smith | Executive Producer |
Larry Franco | Producer |
Mark Gordon | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 36 | 48 | 25 |
2024 | 5 | 38 | 49 | 22 |
2024 | 6 | 35 | 57 | 21 |
2024 | 7 | 42 | 75 | 26 |
2024 | 8 | 34 | 70 | 19 |
2024 | 9 | 24 | 59 | 14 |
2024 | 10 | 32 | 68 | 18 |
2024 | 11 | 33 | 56 | 23 |
2024 | 12 | 46 | 71 | 32 |
2025 | 1 | 32 | 46 | 24 |
2025 | 2 | 24 | 39 | 5 |
2025 | 3 | 9 | 27 | 1 |
2025 | 4 | 6 | 9 | 3 |
2025 | 5 | 4 | 10 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 818 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 908 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 949 | 949 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 805 | 880 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 844 | 844 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 784 | 808 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 719 | 780 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 735 | 837 |
Okay so this was not my first choice to see this movie but I admit I did it and I wasn't actually too pissed off I did It made me smile and feel all christmasy like I totally recommend you don't count this out yet it's a great trip To the cinema ...
Not necessarily bad, just pretty lame. <em>'The Nutcracker and the Four Realms'</em> is a harmless and simple film, fine I guess for the festive period. As a whole, though, it isn't good - despite neat effects and a couple of big names. Keira Knightley (Sugar Plum), Helen Mirren (Mother Ginger ... ) and Morgan Freeman (Drosselmeyer) are familiar faces and are enjoyable on a base level, but their characters are rather forgettable. Mackenzie Foy (Clara) and Jayden Fowora-Knight (Philip) are decent together, while Jack Whitehall (Harlequin) and Omid Djalili (Cavalier) are smart casts - if underused. It's the plot that lets this down, it just all makes for underwhelming viewing - I, personally, never got into it. The beats of the story are quite predictable, especially the main twist. As noted though, the special effects are pleasant enough - as is the Xmas vibe it sets throughout. Very meh. You could watch worse, mind.
When "Clara" (Mackenzie Foy) follows a mysterious golden thread she finds herself in a magical kingdom that it turns out - from her new "Nutcracker" friend "Capt. Philip" (Jayden Fowora-Knight) - is ruled by her mother! This is confirmed by the great and the good at her castle, whereupon she must an ... nounce that her mother is no more. Does that make her queen? Well there are certainly a few flies in that particular ointment and it falls to the young girl and her brave military friend to thwart a plan to usurp the kingdom and restore peace and tranquility. This has had the full Disney treatment: it looks stunning, costumes and sets and visual effects all complemented well by a James Newton Howard score that draws occasionally on Tchaikovsky's original themes. Thing is, though, the rest of the narrative is all over the shop. The characterisations are muddled and derivative with Keira Knightley's seriously hammed-up "Sugar Plum" straight of the "Hunger Games" and Dame Helen Mirren's "Mother Ginger" featuring all too sparingly to rescue this rambling and disappointing story. The eagle-eyed amongst us might spot Richard E. Grant and about half way through, there is quite a charming ballet sequence but sadly the gist of this film is really lacking. Unfortunately, lots of style but little of substance here. Looks good, though.