Who's That Knocking at My Door
Mean Streets was just around the corner.
1968 | 90m | English
Popularity: 0.5 (history)
| Director: | Martin Scorsese |
|---|---|
| Writer: | Martin Scorsese |
| Staring: |
| A Catholic New Yorker falls in love with a girl and wants to marry her, but he struggles to accept her past and what it means for their future. | |
| Release Date: | Sep 13, 1968 |
|---|---|
| Director: | Martin Scorsese |
| Writer: | Martin Scorsese |
| Genres: | Drama, Romance |
| Keywords | catholic guilt, italian american |
| Production Companies | Trimod Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Harvey Keitel | J.R. |
| Zina Bethune | The Girl |
| Anne Collette | Girl in Dream |
| Lennard Kuras | Joey |
| Michael Scala | Sally Gaga |
| Harry Northup | Harry |
| Tsuai Yu-Lan | Girl in Dream |
| Saskia Holleman | Girl in Dream |
| Bill Minkin | Iggy at Party |
| Philip Carlson | Boy in Copake |
| Wendy Russell | Gaga's Girl |
| Robert Uricola | Boy with Gun |
| Susan Wood | Girl at Party |
| Marissa Mathes | Girl at Party |
| Catherine Scorsese | Mother |
| Victor Magnotta | Boy in Fight |
| Paul DeBonde | Boy in Fight |
| Martin Scorsese | Gangster (uncredited) |
| Name | Job |
|---|---|
| Martin Scorsese | Director, Screenplay, Writer |
| Thelma Schoonmaker | Editor |
| Mardik Martin | Assistant Director |
| Michael Wadleigh | Director of Photography |
| Betzi Manoogian | Additional Dialogue |
| Barbara Battle | Production Manager |
| Victor Magnotta | Set Designer |
| Neal Walder | Still Photographer |
| Chuck Shipley | Still Photographer |
| John Binder | Sound |
| Jim Datri | Sound |
| Richard H. Coll | Director of Photography |
| Name | Title |
|---|---|
| Joseph Weill | Producer |
| Betzi Manoogian | Producer |
| Haig Manoogian | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 16 | 6 |
| 2024 | 5 | 13 | 22 | 8 |
| 2024 | 6 | 12 | 22 | 7 |
| 2024 | 7 | 12 | 24 | 8 |
| 2024 | 8 | 10 | 22 | 7 |
| 2024 | 9 | 8 | 11 | 6 |
| 2024 | 10 | 13 | 25 | 5 |
| 2024 | 11 | 9 | 17 | 5 |
| 2024 | 12 | 9 | 19 | 5 |
| 2025 | 1 | 8 | 10 | 5 |
| 2025 | 2 | 6 | 10 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
Trending Position
I was into it early on, but <em>'Who’s That Knocking at My Door'</em> lost me the longer it went on to be honest. This 1967 movie is notable for being Martin Scorsese's feature directorial debut and Harvey Keitel's film acting bow. For me, that's where the interest stops sadly. I did like Keitel ... and Zina Bethune across the opening portion of the 85 or so minutes, for example their chemistry and dialogue works well. However, by the end the way Scorsese decided to play didn't really work for me personally. I don't actually mind how the story literally ends, imperfectly as it is, it just more so how events get to that point, the whole vibe just felt different and I didn't find it as watchable as what preceded.