 
  Popularity: 5 (history)
| Director: | Anna Foerster | 
|---|---|
| Writer: | Maggie Cohn, Jack Stanley | 
| Staring: | 
| A young girl is kidnapped during a powerful storm. Her mother joins forces with her mysterious neighbour to set off in pursuit of the kidnapper. Their journey will test their limits and expose the dark secrets of their past. | |
| Release Date: | Sep 23, 2022 | 
|---|---|
| Director: | Anna Foerster | 
| Writer: | Maggie Cohn, Jack Stanley | 
| Genres: | Action, Thriller | 
| Keywords | island, rain, forest, storm, loner, child kidnapping | 
| Production Companies | Bad Robot | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Allison Janney | Lou | 
| Jurnee Smollett | Hannah | 
| Logan Marshall-Green | Philip | 
| Ridley Asha Bateman | Vee | 
| Matt Craven | Sheriff Rankin | 
| Greyston Holt | Chris | 
| Daniel Bernhardt | Tony | 
| RJ Fetherstonhaugh | Gerry | 
| Andres Collantes | Deputy Torres | 
| Marci T. House | Agent Lee | 
| Toby Levins | Agent Hampton | 
| Jaycie Dotin | Bank Teller | 
| Roman Mitichyan | Iranian Abductor | 
| Name | Job | 
|---|---|
| Maggie Cohn | Screenplay, Story | 
| Michael McDonough | Director of Photography | 
| Paul Tothill | Editor | 
| Elizabeth Wilcox | Set Decoration | 
| Suzie Klimack | Special Effects Makeup Artist | 
| Kathryn Munroe | Special Effects Makeup Artist | 
| Erin Boyd | Set Decoration | 
| Werner Pretorius | Makeup Effects Designer, Makeup Designer | 
| Benjamin Cairns | Second Assistant Director | 
| Greg Orloff | Sound Re-Recording Mixer | 
| Tateum Kohut | Sound Re-Recording Mixer | 
| Paul Benjamin | Special Effects Coordinator | 
| Jon Campfens | Visual Effects Supervisor | 
| Andrey Drogobetski | Visual Effects Supervisor | 
| Luca Saviotti | Visual Effects Supervisor | 
| Adiam Haddish Asrat | Stunt Double | 
| Aimey Beer | Stunt Double | 
| Lloyd Cunningham | Utility Stunts | 
| Rob Fournier | Stunts | 
| Gainaële Royer | Stunt Double | 
| Shannon Saunders | Stunt Double | 
| John Clothier | "A" Camera Operator | 
| Stuart Haggerty | Gaffer | 
| Ian R. C. Levine | "C" Camera Operator | 
| Charles Scott IV | Music Supervisor | 
| Jack Stanley | Screenplay | 
| Matt Evans | Editor | 
| Brent Thomas | Production Design | 
| Tish Monaghan | Costume Design | 
| Caitlin Groves | Special Effects Key Makeup Artist | 
| Dorothee Deichmann | Key Makeup Artist | 
| James Bitonti | First Assistant Director | 
| Joel Cyr | Third Assistant Director | 
| Sean McCormack | Supervising Sound Editor | 
| Mark Noda | Sound Mixer | 
| Mark Bortolotto | Visual Effects Supervisor | 
| Kunal Ghosh Dastider | Visual Effects Supervisor | 
| Beau Parsons | Visual Effects Producer | 
| Scott MacDonald | "B" Camera Operator | 
| Liane Hentscher | Still Photographer | 
| John Trapman | Aerial Director of Photography | 
| Joecy Shepherd | Script Supervisor | 
| Anna Foerster | Director | 
| Nima Fakhrara | Original Music Composer | 
| Rich Delia | Casting | 
| Daniel Bernhardt | Fight Choreographer | 
| Robyn Ledoux | Third Assistant Director | 
| Kelsey Andries | Stunt Double | 
| Nick Benseman | Stunts | 
| Kevin Fortin | Stunt Double | 
| Linda Kessler | Stunt Double | 
| Rochelle Okoye | Stunt Double | 
| Dan Shea | Stunt Coordinator | 
| Nicholas Verdi | Utility Stunts | 
| Name | Title | 
|---|---|
| Jon Cohen | Producer | 
| Brendan Ferguson | Executive Producer | 
| J.J. Abrams | Producer | 
| Hannah Minghella | Producer | 
| Allison Janney | Executive Producer | 
| Braden Aftergood | Executive Producer | 
| Lindsey Weber | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 47 | 21 | 
| 2024 | 5 | 33 | 63 | 20 | 
| 2024 | 6 | 31 | 61 | 19 | 
| 2024 | 7 | 25 | 39 | 18 | 
| 2024 | 8 | 26 | 42 | 15 | 
| 2024 | 9 | 17 | 19 | 12 | 
| 2024 | 10 | 20 | 37 | 14 | 
| 2024 | 11 | 21 | 36 | 13 | 
| 2024 | 12 | 18 | 32 | 13 | 
| 2025 | 1 | 20 | 35 | 14 | 
| 2025 | 2 | 16 | 23 | 3 | 
| 2025 | 3 | 6 | 20 | 1 | 
| 2025 | 4 | 3 | 4 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 5 | 2 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2022-edition/ "Lou focuses on an admittedly generic kidnapping story, but Allison Janney and Jurnee Smollett's incredibly captivating performances tremendously elevate the formulaic screenplay. Given the lac ... k of advertising and the low budget, Michael McDonough's cinematography exceeds expectations, providing a much more interesting viewing due to the excellent control of the camera and the surrounding environment. The clean editing helps with the few yet violent fight sequences in a film driven by the two protagonists and their respective arcs. The third act risks it all by "toying" with the audience's intellect, but it's still a decent watch." Rating: B-
I don’t watch thrillers as a rule, so I will not try to compare it to others in that genre. I gave this a try only because of Allison Janney, who first impressed me in West Wing and later in Mom. Of course, this is a different breed of character for her altogether. In a few ways the movie stuck c ... lose to the formula of the restrictive thriller genre: the supervillain who is always one step ahead until near the end, the fight scenes where any one blow would knock out a real person, scenes from the past filling in where character development leaves off, and plot twists I could see coming yards away. But the movie had a couple of surprises for me, the body count wasn’t as high as usual, and Janney put in her usual strong performance, so I stayed with it until the end, as did my wife, who enjoys thrillers even less than I do. So I guess that speaks volumes for Lou in the end.
**Lou didn’t disappoint but didn’t impress. Not memorable or captivating, but not a horrible movie to have on in the background while doing something else.** Lou is a decent but forgettable action drama with a surprisingly good cast but a script that lets everyone down and characters that are jus ... t unbelievable. Lou is the Netflix version of Nobody without the humor or fight choreography. Lou is a former CIA operative in hiding that steps in to help her neighbors when a child is kidnapped. Bad guys get shot. Bad Guys get stabbed. Stuff gets blown up. All that should equal a good movie, and it almost does but doesn’t quite make it. Lou isn’t bad, but it’s nothing new and doesn’t do what has been done before, as well as those who have already done it.