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One, Two, Three Poster

One, Two, Three

Billy Wilder's Explosive New Comedy
1961 | 109m | English

(24630 votes)

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Popularity: 1 (history)

Details

In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.
Release Date: Dec 15, 1961
Director: Billy Wilder
Writer: Billy Wilder, I. A. L. Diamond
Genres: Comedy
Keywords berlin, germany, prison, capitalism, clerk, cold war, capitalist, soviet union, iron curtain, totalitarian regime, pregnancy, east berlin, west berlin, wedding, american abroad, heiress, daughter of the boss, baffled, cheerful, coca-cola
Production Companies The Mirisch Company, Pyramid Productions
Box Office Revenue: $4,000,000
Budget: $3,000,000
Updates Updated: Feb 05, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
James Cagney C.R. MacNamara
Horst Buchholz Otto Ludwig Piffl
Pamela Tiffin Scarlett Hazeltine
Arlene Francis Phyllis MacNamara
Liselotte Pulver Fräulein Ingeborg
Hanns Lothar Schlemmer
Howard St. John Wendell P. Hazeltine
Leon Askin Peripetchikoff
Ralf Wolter Borodenko
Karl Lieffen Fritz
Hubert von Meyerinck Count von Droste Schattenburg
Loïs Bolton Melanie Hazeltine
Peter Capell Mishkin
Til Kiwe Reporter
Henning Schlüter Dr. Bauer
Karl Ludwig Lindt Zeidlitz
Red Buttons MP Sergeant (uncredited)
Christine Allen Cindy MacNamara (uncredited)
John Allen Tommy MacNamara (uncredited)
John Banner Krause / Haberdasher (voice) (uncredited)
Max Buchsbaum Tailor (uncredited)
Werner Buttler East German Policeman (uncredited)
Paul Bös Krause (uncredited)
Josef Coesfeld Hairdresser (uncredited)
Siegfried Dornbusch East German Policeman (uncredited)
Gernot Duda Suitcase Salesman (uncredited)
Otto Friebel Interrogator (uncredited)
Friedrich Hollaender Conductor at Grand Hotel (uncredited)
Rose Renée Roth Berta (uncredited)
Sig Ruman Count von Droste Schattenburg (voice) (uncredited)
Helmut Schmid East German Policeman (uncredited)
Jaspar von Oertzen Haberdasher (uncredited)
Name Job
Billy Wilder Screenplay, Director
Daniel L. Fapp Director of Photography
I. A. L. Diamond Screenplay
Daniel Mandell Editor
Tom Pevsner Assistant Director
André Previn Conductor
Ferenc Molnár Theatre Play
Milt Rice Special Effects
Werner Fischer Production Manager
Richard Carruth Music Editor
Conrad von Molo Production Supervisor
Lothar Winkler Still Photographer
William A. Calihan Jr. Production Manager
Del Harris Sound Effects Editor
André Smagghe Second Unit Director
May Wale Brown Continuity
Alexandre Trauner Art Direction
Basil Fenton-Smith Sound
Name Title
Billy Wilder Producer
I. A. L. Diamond Associate Producer
Doane Harrison Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 15 24 9
2024 5 17 26 11
2024 6 17 29 9
2024 7 17 26 12
2024 8 12 19 8
2024 9 10 14 6
2024 10 14 28 8
2024 11 11 23 7
2024 12 11 22 6
2025 1 13 18 9
2025 2 10 14 3
2025 3 5 13 1
2025 4 2 3 1
2025 5 1 4 1
2025 6 1 3 1
2025 7 1 1 0
2025 8 1 2 0
2025 9 3 3 2
2025 10 3 4 2
2025 11 3 5 1
2025 12 2 4 1
2026 1 3 5 1
2026 2 2 5 0
2026 3 1 1 0

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Reviews

John Chard
4.0

Amazing Cagney performance in a film that has no resonance now. C.R. MacNamara is the head of Coca-Cola's bottling interests in Germany, he is a forceful man who wants to be all that he can be. He hopes to be the head of European operations for the company and is well on his way until the teenage ... daughter of Coca-Cola big wig Wendell P. Hazeltine shows up and he is asked to baby-sit her for a two week trip thru the continent. I wish I could have been around to watch this on its release in 1961, for I'm sure I would of laughed my head off at the relevant jokes of the time. Full of communist bluster dialogue and jokes in keeping with the times, One, Two, Three has all the trademarks of a classic Billy Wilder/I.A.L. Diamond picture. Yet viewing it now, one finds that the jokes are tired and weary, and although the frenetic pace of the film is incredible {it really is like a scattergun exploding upon the viewers senses}, the film is something of an archaic oddity. Boasting a quite brilliant performance from James Cagney, the picture is never less than watchable, but the advent of time means the film is stuck firmly in 1961, regardless of the fine work from lead man and director alike. 6/10

May 16, 2024