Popularity: 3 (history)
Director: | Brandon Cronenberg |
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Writer: | Brandon Cronenberg |
Staring: |
Tasya Vos, an elite corporate assassin, uses brain-implant technology to take control of other people’s bodies to terminate high profile targets. As she sinks deeper into her latest assignment, Vos becomes trapped inside a mind that threatens to obliterate her. | |
Release Date: | Oct 02, 2020 |
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Director: | Brandon Cronenberg |
Writer: | Brandon Cronenberg |
Genres: | Science Fiction, Horror, Thriller |
Keywords | assassin, gun, hallucination, dystopia, mind control, possession, murder, gore, sanity, multiple stabbings, brutality, machine, tech noir, corporation, assassination attempt, mind possession, brain implant, body horror, mind parasite |
Production Companies | Rhombus Media, Ingenious Media, Téléfilm Canada, Arclight Films, Rook Films, Ontario Creates, Particular Crowd, Crave |
Box Office |
Revenue: $911,000
Budget: $2,500,000 |
Updates |
Updated: Oct 15, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Andrea Riseborough | Tasya Vos |
Christopher Abbott | Colin Tate |
Jennifer Jason Leigh | Girder |
Sean Bean | John Parse |
Tuppence Middleton | Ava Parse |
Rossif Sutherland | Michael Vos |
Kaniehtiio Horn | Reeta |
Raoul Bhaneja | Eddie |
Gage Graham-Arbuthnot | Ira Vos |
Gabrielle Graham | Holly |
Christopher Jacot | Reid Parse |
Hanneke Talbot | Katherine |
Deragh Campbell | Moira |
Ayesha Mansur Gonsalves | Martha |
Matthew Garlick | Elio |
Daniel Junghuan Park | Policeman |
Hrant Alianak | Lead Technician |
Rachael Crawford | Dr. Melis |
Kathy Maloney | Reporter |
Megan Vincent | Alice |
Danny Waugh | Patrick |
Dorren Lee | Tess |
Doug MacLeod | Alex Boyko |
Name | Job |
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Karim Hussain | Director of Photography |
Matthew Hannam | Editor, Title Designer |
Aline Gilmore | Costume Designer |
Lawrence Ng | Second Assistant Director |
Lori Fischburg | Production Manager |
Erin Norah Thompson | Production Coordinator |
Rory Knight-Jones | Visual Effects Producer |
Larissa Malarek | Third Assistant Director |
Shelby Lynn Black | Set Designer, First Assistant Art Direction |
John Bean | Lead Set Dresser |
Mike Genereux | Property Master |
Yoann Malnati | "A" Camera Operator, Steadicam Operator |
Brett Hurd | "B" Camera Operator |
Caitlin Cronenberg | Still Photographer |
Augustina Saygnavong | Second Assistant "A" Camera |
Ashley Binette | Second Assistant "B" Camera |
Rob Duckworth | Second Assistant "C" Camera |
Chris Monk | Best Boy Grip |
Brad Usher | Grip |
Amanda Matlovich | Still Photographer |
Blayne Badge | Electrician |
Mara Zigler | Costumer |
Rob Davidson | Sound Mix Technician |
Eric Harrison | Dailies Operator |
Johnathan Wei Dickinson | Digital Intermediate Editor |
Sydney Cowper | First Assistant Editor |
Amelia Chiarelli | ADR Recordist |
Bryan Jones | Visual Effects Supervisor |
Andrea Pirisi | VFX Editor |
Paola Maiorana | Digital Compositor |
Chris Hutchison | Lead Animator |
David Antonacci | Special Effects Technician |
Davide Losi | Sculptor |
Jonathan Williams | Rotoscoping Artist |
Jack Proops | Digital Compositor |
Will Taggart | Music Coordinator |
Ian Cole | Special Effects Technician |
Dan Martin | Makeup Designer, Special Effects Makeup Artist |
Rupert Lazarus | Production Design |
Derek Liscoumb | Special Effects Supervisor |
Kent McIntyre | Art Direction |
Sasha Pawluk | Special Effects Makeup Artist |
Danielle Depeyre | Script Supervisor |
Erika Lobko | Set Buyer |
Craig Harris | Set Dresser |
Rob Cotterill | First Assistant Director |
Brittany Morrison | Set Decoration |
Dorota Mitoraj | Key Makeup Artist |
Natasha Aresenault | Set Production Assistant |
Manh Hiep Pham | First Assistant Art Direction |
Carolyn Li | Second Assistant Art Director |
Rhiannon Dunets | Set Dresser |
Nika Belianina | On Set Props |
Craig Morgan | First Assistant "A" Camera |
Margaret Demchenko | First Assistant "B" Camera |
Adam Craig | First Assistant "C" Camera |
Mike Sokoluk | Key Grip |
Chris LeBlanc | Grip |
Johnny Askwith | "C" Camera Operator |
Benjamin Martin Cocher | Epk Camera Operator |
Jayme Hutchinson | Dolly Grip |
Loreen Ruddock | Gaffer |
Jeremy Jemec | Best Boy Electric |
Deirdre Bowen | Casting |
Scott Wales | Generator Operator |
Martin Pavey | Sound Designer, Supervising Sound Editor |
Joey Watson | Set Supervisor |
Debra Way | Assistant Hairstylist |
Kirk Middleton | Key Special Effects |
Kelly Gilbert | Production Accountant |
Frank Biasi | Digital Intermediate Editor |
Margaret Hutz | Digital Imaging Technician |
Nikki Ruck | Dialogue Editor |
Ben Cross | Foley Mixer |
Sam Hudecki | Main Title Designer |
Jamie Harris | VFX Editor |
Haakon Gustavsen | Digital Compositor |
Andrés Talegón | Digital Compositor |
Ian Neil | Music Supervisor |
Spencer Wowk | Special Effects Technician |
Don Anderson | Electrician |
Pam Dixon | Casting |
Ken Porter | Boom Operator |
Phillip Stall | Sound Mixer |
Rivkah Weisdorf | Truck Supervisor |
Tracy Bentley | Assistant Makeup Artist |
Phil Carvalho | Construction Coordinator |
Christopher Warre Smets | Epk Producer |
Christopher Richards | Casting Associate |
Jim Troy | Generator Operator |
Kim Forrest | Assistant Costume Designer |
Sara Brzozowski | Costumer |
Renee Chan | Key Hair Stylist |
Ryan O'Connell | Head Carpenter |
Elsa Scruton | Transportation Coordinator |
Hashim Alsaraf | Post Production Supervisor |
Jim Fleming | Digital Intermediate Colorist |
Darcy Arthurs | Digital Intermediate Producer |
Grace Lan | Digital Intermediate |
Ian Waggott | Foley Artist |
Mauricio Cuencas | Visual Effects Coordinator |
Brandon Cronenberg | Writer, Director |
Jim Williams | Original Music Composer |
Murray Barber | Visual Effects Supervisor |
Andrew Starke | Post Production Supervisor |
Name | Title |
---|---|
Kevin Krikst | Producer |
Niv Fichman | Producer |
Fraser Ash | Producer |
Gary Hamilton | Executive Producer |
Daniel Negret | Executive Producer |
Ying Ye | Executive Producer |
Noah Segal | Executive Producer |
Steve Solomos | Co-Producer |
David U. Lee | Executive Producer |
Ryan Hamilton | Executive Producer |
Steven Squillante | Executive Producer |
Rob Cotterill | Supervising Producer |
Vaishali Mistry | Executive Producer |
Tony Roman | Executive Producer |
Adrian Love | Executive Producer |
Andrew Starke | Producer |
Dave Bishop | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 68 | 22 |
2024 | 5 | 78 | 110 | 65 |
2024 | 6 | 50 | 86 | 31 |
2024 | 7 | 28 | 49 | 18 |
2024 | 8 | 25 | 59 | 14 |
2024 | 9 | 16 | 21 | 12 |
2024 | 10 | 25 | 61 | 13 |
2024 | 11 | 18 | 35 | 9 |
2024 | 12 | 18 | 36 | 13 |
2025 | 1 | 22 | 40 | 14 |
2025 | 2 | 15 | 22 | 4 |
2025 | 3 | 8 | 25 | 2 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 4 | 9 | 3 |
2025 | 6 | 2 | 5 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 2 | 4 | 1 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 453 | 513 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 867 | 905 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 997 | 997 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 620 | 750 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 574 | 711 |
The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, h ... ave a lasting resonance. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror
I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick. The acti ... ng is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination. There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative, While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King. All of which is nothing but a bonus for horror fans.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances ... from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020. From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time. Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half. In the end, it's still one of my favorite horror films of the year. Rating: B+