Popularity: 7 (history)
| Director: | Alexandre Aja |
|---|---|
| Writer: | Josh Stolberg |
| Staring: |
| Each year the population of sleepy Lake Victoria, Arizona explodes from 5,000 to 50,000 residents for the annual Spring Break celebration. But then, an earthquake opens an underwater chasm, releasing an enormous swarm of ancient Piranha that have been dormant for thousands of years, now with a taste for human flesh. This year, there's something more to worry about than the usual hangovers and complaints from locals, a new type of terror is about to be cut loose on Lake Victoria. | |
| Release Date: | Aug 20, 2010 |
|---|---|
| Director: | Alexandre Aja |
| Writer: | Josh Stolberg |
| Genres: | Comedy, Horror |
| Keywords | grave, yacht, film in film, scuba diving, creature, piranha, spring break, man eating monster, aftercreditsstinger, ghoulish |
| Production Companies | Atmosphere Entertainment MM, Chako Film Company, Dimension Films, Aja / Levasseur Productions |
| Box Office |
Revenue: $83,188,165
Budget: $24,000,000 |
| Updates |
Updated: Aug 05, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elisabeth Shue | Julie Forester |
| Jerry O'Connell | Derrick Jones |
| Steven R. McQueen | Jake Forester |
| Jessica Szohr | Kelly Driscoll |
| Kelly Brook | Danni |
| Ving Rhames | Deputy Fallon |
| Christopher Lloyd | Mr. Goodman |
| Dina Meyer | Paula Montellano |
| Riley Steele | Crystal |
| Adam Scott | Novak Radzinsky |
| Richard Dreyfuss | Matthew Boyd |
| Devra Korwin | Mrs. Goodman |
| Brooklynn Proulx | Laura Forester |
| Sage Ryan | Zane Forester |
| Cody Longo | Todd Dupree |
| Ricardo Chavira | Sam |
| Paul Scheer | Andrew |
| Eli Roth | Wet T-Shirt Host |
| Gianna Michaels | Parasailing Girl |
| Ashlynn Brooke | Cheerleader |
| Genevieve Alexandra | Propeller Girl |
| Bonnie Morgan | Sorority Girl (Inner-tube) |
| Greg Nicotero | Boat Captain |
| Kym Stys | Trampoline Girl #1 |
| Nicole Randall | Trampoline Girl #2 |
| Heather Arthur | Cheerleader (uncredited) |
| Chandra Bond | Christian Protestor (uncredited) |
| Rossie Cottrell | Hot Bikini Girl (uncredited) |
| Bria Roberts | Teresa (uncredited) |
| Eva Pepaj | Eva (uncredited) |
| Adel Marie Ruiz | Sonya (uncredited) |
| Chantel Gonsalves | Sorority Girl (uncredited) |
| Jake Garber | Lifeguard (uncredited) |
| Sarah Wilson | Spring Breaker (uncredited) |
| Tatjana Bluchel | Spring Breaker (uncredited) |
| Victoria Paege | Spring Breaker (uncredited) |
| J. Lyle | Spring Breaker (uncredited) |
| Jesse Pruett | Spring Break Party Student (uncredited) |
| Devanny Pinn | Wild Wild Girl (uncredited) |
| Scarlett O'Neil | Bikini Girl (uncredited) |
| Ryan McGonagle | Drunk Guy (uncredited) |
| Lilith Fury | Wet T-Shirt Girl (uncredited) |
| Shastina Eloff | Wet T-Shirt Contestant (uncredited) |
| Name | Job |
|---|---|
| Alexandre Aja | Director |
| Robin Urdang | Music Supervisor |
| Jessica Carpenter | Costumer |
| Jo Caron | Foley Recordist |
| Mike Bundlie | Visual Effects |
| Derek Graf | Stunts |
| Alex Madison | Stunt Double |
| Malosi Leonard | Stunts |
| Kym Stys | Stunts |
| John Rottger | Stunts |
| Sara Holden | Stunts |
| Alyssa Weisberg | Casting |
| Katherine James | Makeup Department Head |
| Howard R. Campbell | Lighting Technician |
| Emile Ghorayeb | Visual Effects Editor |
| Michael Wandmacher | Original Music Composer, Music Producer, Music Programmer |
| Gene Page | Still Photographer |
| Frank R. Jimenez Jr. | Rigging Gaffer |
| Tim Marshall | Gaffer |
| Kathleen Keller | Production Coordinator |
| Paul Parsons | First Assistant Editor |
| Byron Wong | First Assistant Editor |
| Nava R. Sadan | Costume Supervisor |
| Marisa Frantz | Art Direction |
| Clark Hunter | Production Design |
| Marcia Calosio | Set Decoration |
| Jordan Fuller | Graphic Designer, Art Department Assistant |
| Becky Herron | Art Department Coordinator |
| Bill Holmquist | Construction Coordinator |
| Kristen Spinning | Graphic Designer |
| Sage Emmett Connell | Leadman |
| Scott Buckwald | Property Master |
| Toby Cook | Propmaker |
| Kenneth Heimer | Propmaker |
| Terry Kempf | Propmaker |
| Larry D. Koszakovszky | Propmaker |
| Aaron Newton | Propmaker |
| Karl Swauger | Propmaker |
| Benjamin Ireland | Props |
| Austin M. James | Props |
| Sarah Sprawls | Set Decoration Buyer |
| Ricardo Guillermo | Set Designer |
| Vicki Dittemore | Set Dresser |
| Ted Sorensen | Set Dresser |
| Jeffrey Sacino | Hair Department Head |
| Henry Soyos | Key Hair Stylist |
| Loretta James-Demasi | Key Makeup Artist |
| Art Anthony | Makeup Artist |
| Michael St. Hilaire | "A" Camera Operator |
| Robert Settlemire | Assistant Camera |
| Wayne Marshall | Best Boy Electric |
| Joshua Anderson | Best Boy Electric |
| Stephen L. Whitcomb | Camera Loader |
| Kris Krosskove | Second Unit Director of Photography |
| John Stewart | Electrician |
| Ron Waters | Electrician |
| Paul Santoni | First Assistant Camera |
| Scott Ronnow | First Assistant Camera |
| Jay Coolidge | Grip |
| Corey Erwin | Grip |
| Fred Gibson | Grip |
| Ron Stafford | Grip |
| Jarrod Wilson | Grip |
| Dan Reilly | Key Grip |
| Quinton Reilly | Key Grip |
| Russell Beard | Lighting Technician |
| Greg Harris | Lighting Technician |
| Jon McGinty | Lighting Technician |
| Scott Medcalf | Lighting Technician |
| Robert S. Nielsen | Lighting Technician |
| Shermagne Umali | Lighting Technician, Craft Service |
| Liam Sinnott | Second Assistant Camera |
| Bryan Fletchall | Techno Crane Operator |
| Peter Manno | Underwater Camera |
| Peter Zuccarini | Underwater Director of Photography |
| Jimmi Lyon | Underwater Gaffer |
| Lance Jay Velazco | Video Assist Operator |
| Baxter | Editor |
| Aidan Stanford | Color Timer |
| Nicolae Ilies | Digital Colorist |
| Serge Harvey | Digital Intermediate Editor |
| Carl S.G. Moore | Digital Intermediate Producer |
| Brandon Balin | Supervising Editor |
| Tiffe Fermaint | Costume Assistant |
| Gina G. Aller | Costumer |
| Darren Clark | Costumer |
| Sabine Huber | Costumer |
| Maggie McFarland | Costumer |
| Robin Borman-Wizan | Costumer |
| Melanie Hocking | Costumer |
| Lorenzo Hearns Jr. | Key Costumer |
| Patty Nazari | Seamstress |
| Matt Chase | Set Costumer |
| Chris Bowe | Casting Associate |
| Rebecca Gushin | Casting Associate |
| Scotty Atkins | Extras Casting |
| Joshua Erwin | Extras Casting Assistant |
| Faith Hibbs-Clark | Local Casting |
| Don Waller | Animation Supervisor |
| Harry Walton | Senior Animator |
| Andy Stallabrass | ADR Recordist |
| Viateur Paiement | ADR Supervisor |
| Maxime Potvin | Assistant Foley Artist |
| Kate Jesse | Boom Operator |
| Guy Pelletier | Dialogue Editor |
| Guy Francoeur | Foley Artist |
| Lise Wedlock | Foley Artist |
| Christian Rivest | Sound Designer |
| Ian Herzon | Sound Effects Editor |
| Antoine Morin | Sound Effects Editor |
| Jean-François Sauvé | Sound Effects Editor |
| Michael B. Koff | Sound Mixer |
| Marcel Pothier | Supervising Sound Editor |
| Caius Man | Special Effects Coordinator |
| Matt Kutcher | Special Effects Supervisor |
| Tom M. Baltazar | Special Effects Technician |
| Robert Benavidez | Special Effects Technician |
| Donnie Dean | Special Effects Technician |
| Terrence Dembowski | Special Effects Technician |
| Edward Gettis | Special Effects Technician |
| Roy Goode | Special Effects Technician |
| Matthew James Kutcher | Special Effects Technician |
| Kyle A. Wasserman | Special Effects Technician |
| Thomas Zell | Special Effects Technician |
| Damian Isherwood | 3D Generalist |
| Luca Giorgio | CG Artist |
| Sean Lewkiw | CG Supervisor |
| Blair Tennessy | CG Supervisor |
| Andrew Honacker | CG Supervisor |
| Laurent Taillefer | CG Supervisor |
| Charles Rose | CG Supervisor |
| Shane Cook | Compositing Supervisor |
| Scott Riopelle | Compositing Supervisor |
| Eric Doiron | Compositing Supervisor |
| Art Karkus | Compositor |
| Adam Klein | Compositor |
| Christian Moreton | Compositor |
| Tristan Zerafa | Compositor |
| Martin Hall | Compositor |
| Eddie Englander | Compositor |
| Joseph Spadaro | Effects Supervisor |
| William R. Wright | Lead Animator |
| James Chretien | Lighting Artist |
| Oded Raz | Lighting Artist |
| Chris Paizis | Matchmove Supervisor |
| Ronn Brown | Matte Painter |
| Slav Kravchenko | Matte Painter |
| Edward Grad | Matte Painter |
| SeungJang 'Jack' Kim | Modelling Supervisor |
| Erin Nicholson | Modelling Supervisor |
| Ken Busick | Stereoscopic Supervisor |
| Shant Jordan | Stereoscopic Supervisor |
| Leo Vezzali | Stereoscopic Supervisor |
| Quimet Delgado | Visual Effects |
| Amit Dhawal | Visual Effects |
| Michael Gaiser | Visual Effects |
| Chris Holmes | Visual Effects |
| Alvaro Sanint | Visual Effects |
| Ahmed Shehata | Visual Effects |
| Scott Simmons | Visual Effects |
| Scott Singer | Visual Effects |
| Adam O'Brien-Locke | Visual Effects Coordinator |
| Sean Hoessli | Visual Effects Coordinator |
| Shalena Oxley-Butler | Visual Effects Coordinator |
| Melanie Callaghan | Visual Effects Coordinator |
| Cynthia Crimmins | Visual Effects Coordinator |
| Joey Bonander | Visual Effects Coordinator |
| Sue Len Quon | Visual Effects Editor |
| Brandon Schaafsma | Visual Effects Editor |
| Dipesh Mistry | Visual Effects Editor |
| Andrew E. Tilles | Visual Effects Producer |
| Stephen Menzies | Visual Effects Producer |
| George Macri | Visual Effects Producer |
| Kristofer Cross | Production Assistant, Visual Effects Production Assistant |
| Megan Shields | Production Assistant, Visual Effects Production Assistant |
| Douglas Melville | Visual Effects Production Manager |
| Matt Jacobs | Visual Effects Supervisor |
| Derek Wentworth | Visual Effects Supervisor |
| Nicholas Boughen | Visual Effects Supervisor |
| Olcun Tan | Visual Effects Supervisor |
| Thomas Tannenberger | Visual Effects Supervisor |
| Michael Wile | Visual Effects Supervisor |
| Sylvain Theroux | Visual Effects Supervisor |
| Marco Recuay | Visual Effects Supervisor |
| Colin Davies | Visual Effects Supervisor |
| Rocco Passionino | Visual Effects Supervisor |
| Frederic Fortin | Visual Effects Technical Director |
| Cris Rankin | Animal Coordinator |
| Kathleen Holland | Animal Wrangler |
| Alexander T. Carey | Assistant Production Coordinator |
| Nicole Pelner | Assistant Production Coordinator |
| Noe Carillo | Craft Service |
| Fernando Castillo | Craft Service |
| Dominic Sbardella | Craft Service |
| Gregg Singer | Craft Service |
| Richard Till | Craft Service |
| Amanda Curry | First Assistant Accountant |
| Jeff Edwards | Mechanical Designer |
| Jimmy O'Connell | Marine Coordinator |
| Todd Taylor | Marine Coordinator |
| Denyse Rossi | Payroll Accountant |
| Stephanie Wescott | Payroll Accountant |
| RoJeanne Herbel | Post Production Accountant |
| Leah Holmes | Post Production Accountant |
| Maia November | Post Production Assistant |
| Kyle Schaberg | Post Production Assistant |
| Guillaume Poulin | Post Production Assistant |
| Matthew K. Grigsby | Production Accountant |
| Lee D. Andrews | Production Assistant |
| Sage Asteak | Production Assistant |
| Samantha Brooks | Production Assistant |
| Miles Burke | Production Assistant |
| Jonathan Cousimano | Production Assistant |
| Stephanie Fugleberg | Production Assistant |
| P.J. Germain | Production Assistant |
| C.J. Izzo | Production Assistant |
| Matt Kyhn | Production Assistant |
| Theo Madla | Production Assistant |
| Hector Primero | Production Assistant |
| Victor Primero | Production Assistant |
| Holly Titchen | Production Assistant |
| Michael D. Witman | Production Assistant |
| Billy Bonifield | Production Coordinator |
| Rosa Dias | Production Secretary |
| Judi Townsend | Script Supervisor |
| Nicole Garcea | Script Supervisor |
| Betty Hugo | Script Supervisor |
| John P. Martin | Second Assistant Accountant |
| Scott Corser | Security |
| Richie Elson | Set Production Assistant |
| Carey Field | Set Production Assistant |
| Hiro Taniguchi | Set Production Assistant |
| Eric Moody | Stand In |
| Brittney Morton | Stand In |
| Linda Stanley | Studio Teacher |
| Roxann Langlois | Travel Coordinator |
| Susie Bench | Conductor |
| Joshua Winget | Music Editor |
| Rip Murray | First Assistant Director |
| Dennis Burrell | First Assistant Director |
| Mark Devendorf | Producer's Assistant |
| Aaron Chiesa | VFX Artist |
| Jeffrey G. Barnett | Stunts |
| Jennifer Brusciano | Utility Stunts |
| Szilvia Gogh | Stunt Double |
| Chris Papajohn | Utility Stunts |
| Suzanne Reid | Stunt Double |
| Shaun Vickers | Utility Stunts |
| Cody Weselis | Utility Stunts |
| Heather Arthur | Stunts |
| Michael H. Barnett | Stunts |
| Erica Day | Stunts |
| Kris A. Jeffrey | Stunts |
| Nathalie Tremblay | Digital Compositor |
| Dan Webb | Stunts |
| Josh Stolberg | Writer |
| Sanja Milković Hays | Costume Design |
| Joel Fletcher | Animation |
| John R. Leonetti | Director of Photography |
| Neville Page | Creature Design |
| Mark Meyers | "B" Camera Operator |
| Irena Stepić | Key Costumer |
| Charley Medigovich | Casting Associate |
| Mark A. Lanza | ADR Supervisor |
| Niketa Roman | Visual Effects Coordinator |
| Kevin O'Neill | Visual Effects Supervisor |
| Jessica Harbeck | Utility Stunts |
| Nicole Randall | Stunt Double |
| Heidi Pascoe | Utility Stunts |
| Alicia Vela-Bailey | Stunt Double |
| Jonathan Arthur | Stunt Double |
| Ashley Cusato | Utility Stunts |
| Clay Cullen | Stunts |
| Christian J. Fletcher | Utility Stunts |
| Alex Daniels | Stunt Coordinator |
| Tanner Gill | Stunt Double |
| Chad Guerrero | Utility Stunts |
| Mandy Kowalski | Utility Stunts |
| Kim Robert Koscki | Stunt Double |
| Dorian Kingi | Utility Stunts |
| Tom McComas | Stunt Double |
| James Mitchell-Clyde | Utility Stunts |
| Tara Rice | Utility Stunts |
| Austin Priester | Utility Stunts |
| Tim Soergel | Utility Stunts |
| Michael Trisler | Utility Stunts |
| Webster P. Whinery Jr. | Utility Stunts |
| Jeremy Fitzgerald | Stunts |
| Eli Roth | Thanks |
| Craig Kuehne | VFX Artist |
| Grégory Levasseur | Second Unit Director |
| Martin Pinsonnault | Sound Designer |
| Jeff 'JJ' Dashnaw | Stunts |
| Brian Keaulana | Utility Stunts |
| Michael Li | Utility Stunts |
| Name | Title |
|---|---|
| Bob Weinstein | Executive Producer |
| Alexandre Aja | Producer |
| Mark Canton | Producer |
| Grégory Levasseur | Producer |
| Harvey Weinstein | Executive Producer |
| Hisako Tsukuba | Executive Producer |
| Marc Toberoff | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 48 | 60 | 37 |
| 2024 | 5 | 50 | 69 | 36 |
| 2024 | 6 | 54 | 74 | 37 |
| 2024 | 7 | 60 | 91 | 43 |
| 2024 | 8 | 56 | 91 | 31 |
| 2024 | 9 | 35 | 46 | 28 |
| 2024 | 10 | 49 | 100 | 26 |
| 2024 | 11 | 41 | 60 | 28 |
| 2024 | 12 | 37 | 66 | 27 |
| 2025 | 1 | 38 | 57 | 27 |
| 2025 | 2 | 27 | 45 | 5 |
| 2025 | 3 | 10 | 34 | 2 |
| 2025 | 4 | 6 | 10 | 3 |
| 2025 | 5 | 6 | 11 | 4 |
| 2025 | 6 | 5 | 8 | 3 |
| 2025 | 7 | 4 | 5 | 4 |
| 2025 | 8 | 5 | 5 | 4 |
| 2025 | 9 | 5 | 7 | 3 |
| 2025 | 10 | 5 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 639 | 689 |
| Year | Month | High | Avg |
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| 2025 | 9 | 639 | 836 |
| Year | Month | High | Avg |
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| 2025 | 8 | 211 | 610 |
| Year | Month | High | Avg |
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| 2025 | 7 | 309 | 782 |
| Year | Month | High | Avg |
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| 2025 | 6 | 536 | 739 |
| Year | Month | High | Avg |
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| 2025 | 5 | 687 | 862 |
| Year | Month | High | Avg |
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| 2025 | 4 | 695 | 801 |
| Year | Month | High | Avg |
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| 2025 | 3 | 924 | 924 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 538 | 844 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 787 | 844 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 813 | 868 |
When evil, inbred, cannibal, devilish, prehistoric, underground piranha are unleashed on the tiny town of Lake Victoria during "Spring Break", the outcome is all rather predictable. Babes, bikinis, boobs, bums, blood, bazulco and bad acting. Run from a budget of $24M the film has almost no actors ... of note in lead roles. Although there is a cameo from Eli Roth (_Inglourious Basterds_), which is always cool. What we have here, is a virtually flawless example of stupid fun. There's no point in trying to evaluate a film like _Piranha 3D_ on factors like good taste, because it goes out of its way to smash these conventions apart. The film has this crazy energy about it from beginning to end. It also however, is the perfect example of why 3D is so fucking unnecessary. And though I appreciate how forward the film is, that doesn't make it strictly speaking good. It's part creature-feature, part horror-comedy, but it doesn't stand up in a thrill sense to actual monster movies like _Anaconda_ or _King Kong_, and it doesn't stand up in a humour sense to actual horror comedy like _Shaun of the Dead_ or _Dead Snow_, but it sort of takes off on its own in a passable manner. Though it's kiiinda humorous, the film is mostly just "fun", as opposed to "funny". The script seems cobbled together with a couple of different half assed plot points, but several half ass plots taped together is better than just one half assed plot trying to hold its own and ending up looking like no plot at all. Exploitation has never really been A-grade material, and even though the "suspension of disbelief" thing that films are supposed to have as a general rule, is sort of... not here, _Piranha 3D_ still manages to somehow get this piece of crap off the ground. I watched it at about 2am with a male friend of mine who has very similar taste and sense of humour to me, and that's pretty much got to be the best possible setting to watch it in. The CG gore is ridiculous, the 3D focus is ridiculous, the film itself is just fucking ridiculous. But brainless is great sometimes, just don't make a habit of thinking that you can get away with bad exploitation, and calling it Black Comedy, once or twice is fine, but soon it just looks like you're aiming for cult, and getting lazy. -Gimly
This is the 2010 remake of the old classic. The original is pretty much crap so I bought this one solely based on the fact that it has been getting unusually good reviews from both critics as well as viewers. I have to say that I am at loss as to why. There are loads of much better films in the act ... ion/horror/fantasy genre’s that, at least the so called “critics” totally hammer. Why the hell this trash got so good scores is beyond me. The female acting consists of showing off your boobs then get eaten. The male acting consists of being an asshole, get your dick eaten, then get the rest eaten. The main “event” is a contrived scene when the main asshole get his dick bitten off and the piranhas eat it and spit it out again under water. I’m sure the 3D effects made it even more ridiculous than in 2d. I usually have rather high tolerance for poor acting and bad scripts when it comes to otherwise effects and gore loaded films but most of this film I was just thinking, “what the f... is this shit!”. Most of the film was just scenes stashed on top of each other designed to show of 3D effects with boobs and various ways a human could get eaten. This is a typical example of why 3D is bad for the movie industry.
Piranha hunt in packs - not for protection, but for overwhelming force. Actually many of today's younger multiplex goers hunt in packs, they know what they like and they know how to have a good time with even the most crude or banal movie. I don't mean that as an insult, it's just indicative of t ... he film market available to them, it's the reason why films like this here Piranha remake/re-imaging/re-jig exists and makes money. Even "spawning" a franchise on occasions. Alexandre Aja's Piranha 3D is a complete machine gun of a movie, it knew exactly how to sell tickets at the box office. Even before the 3D was used as a selling point, the word down the grapevine was the promise of lithe bodies in beach wear and loads of CGI killer fish shredding the hell out of a whole community. And that's exactly what is delivered, only with extras that see considerable nudity in the mammary areas and Elisabeth Shue and Ving Rhames kicking buttocks. It's all very bloody, even lurid and exploitive, while it's difficult to know if you are meant to laugh, scream or do something that Russ Meyer would endorse? But, and I say this as a middle aged old fart, there is so much fun to be had here if you are prepared to unscrew your head and take out your brain. Strap yourselves in Piranha 3D haters, your grandchildren might just be enjoying in the future: Piranha 27: Sexy Mechanoid Bimbos Fight Back. But will they hate themselves in the morning? 7/10
In 1975, Richard Dreyfuss starred in Jaws; 35 years later he had a cameo in Piranha. His connection to the first film is obviously the only reason he’s in the second, wherein he’s killed off before his name even appears in the opening credits. Dreyfuss is not alone, though; Elisabeth Shue and Vi ... ng Rhames also get to whore themselves out. In the latter's case, there was never any danger that Piranha would result in another hand-me-down acting award for Jack Lemmon; on the other hand, Rhames has easily the best scene in the entire movie — using an outboard motor in a way that would make Ash Williams proud. But I'm getting ahead of myself; Shue and Rhames first have to find the remains of Dreyfuss, then capture a piranha which they take to Christopher Lloyd (in full Doc Brown mode), who identifies it as a species that has been extinct for two million years (according to the subtitles, Lloyd calls it the "regional piranha," but he may actually be saying "original"; either way it doesn’t matter because neither term makes sense). An earthquake released the piranhas from an underground lake, or some such bullshit. Q: "How could they survive for so long cut off from the surface?" A: "Cannibalism. They must have fought each other to survive.” Until, presumably, there could be only one. Piranha MacLeod? Well, that would actually explain their apparent immortality. Piranha is supposed to be a comedy — or, specifically, it's a remake of a parody of Jaws released three years after Jaws and 32 before this one. In other words, this material was so diluted it was almost homeopathic. Shue and Rhames are big fish in a small pond here — kinda like those poor Sea World orcas (I know they’re mammals; you get the idea, though); as such, the only emotion they inspire in the audience is pity over their career choices. Only Jerry O'Connell, in a role no doubt based on Joe Francis (of Girls Gone Wild infamy), moves as if he's in his own element — because he is; he knows exactly, having been in several others of the same ilk, what kind of movie this is, and navigates it accordingly.
<em>'Piranha 3D'</em> does attempt something a bit different to the film it remakes (unlike the 1995 redo) and parts are decent (e.g. the gore), though all things considered it's not a movie I'd wanna revisit. It isn't as concise or as fun as Joe Dante's flick, the effects aren't the most convincing ... either. The 3D portions are funny to see all these years later (in 2D, obvs). I was never a fan of that format, so I'm glad it never stuck around - pure gimmick. Going back to the effects, the piranha's usage and design underwhelm. I also said this in my review of the 1978 flick's sequel, but: less is more. The cast are alright. Elisabeth Shue is the clear standout, her character is actually quite cool in terms of what she does and how she handles herself; not a female character that is only there for their looks, like most are here to be frank. Elsewhere, Steven R. McQueen is solid too. Interesting to see the involvement of Kelly Brook, someone I know from her work away from film; smart casting, to be fair. Away from those, Jessica Szohr is decent, though Jerry O'Connell is rubbish. Adam Scott, Ving Rhames and Christopher Lloyd also appear, Richard Dreyfuss too. It is better than the other 'follow-ups' to the original and I didn't find it to be absolutely bad, so I guess it merits small praise for that. Still, not one I'd recommend.