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Piranha 3D Poster

Piranha 3D

There's something in the water.
2010 | 88m | English

(100888 votes)

TMDb IMDb

Popularity: 7 (history)

Director: Alexandre Aja
Writer: Josh Stolberg
Staring:
Details

Each year the population of sleepy Lake Victoria, Arizona explodes from 5,000 to 50,000 residents for the annual Spring Break celebration. But then, an earthquake opens an underwater chasm, releasing an enormous swarm of ancient Piranha that have been dormant for thousands of years, now with a taste for human flesh. This year, there's something more to worry about than the usual hangovers and complaints from locals, a new type of terror is about to be cut loose on Lake Victoria.
Release Date: Aug 20, 2010
Director: Alexandre Aja
Writer: Josh Stolberg
Genres: Comedy, Horror
Keywords grave, yacht, film in film, scuba diving, creature, piranha, spring break, man eating monster, aftercreditsstinger, ghoulish
Production Companies Atmosphere Entertainment MM, Chako Film Company, Dimension Films, Aja / Levasseur Productions
Box Office Revenue: $83,188,165
Budget: $24,000,000
Updates Updated: Aug 05, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Elisabeth Shue Julie Forester
Jerry O'Connell Derrick Jones
Steven R. McQueen Jake Forester
Jessica Szohr Kelly Driscoll
Kelly Brook Danni
Ving Rhames Deputy Fallon
Christopher Lloyd Mr. Goodman
Dina Meyer Paula Montellano
Riley Steele Crystal
Adam Scott Novak Radzinsky
Richard Dreyfuss Matthew Boyd
Devra Korwin Mrs. Goodman
Brooklynn Proulx Laura Forester
Sage Ryan Zane Forester
Cody Longo Todd Dupree
Ricardo Chavira Sam
Paul Scheer Andrew
Eli Roth Wet T-Shirt Host
Gianna Michaels Parasailing Girl
Ashlynn Brooke Cheerleader
Genevieve Alexandra Propeller Girl
Bonnie Morgan Sorority Girl (Inner-tube)
Greg Nicotero Boat Captain
Kym Stys Trampoline Girl #1
Nicole Randall Trampoline Girl #2
Heather Arthur Cheerleader (uncredited)
Chandra Bond Christian Protestor (uncredited)
Rossie Cottrell Hot Bikini Girl (uncredited)
Bria Roberts Teresa (uncredited)
Eva Pepaj Eva (uncredited)
Adel Marie Ruiz Sonya (uncredited)
Chantel Gonsalves Sorority Girl (uncredited)
Jake Garber Lifeguard (uncredited)
Sarah Wilson Spring Breaker (uncredited)
Tatjana Bluchel Spring Breaker (uncredited)
Victoria Paege Spring Breaker (uncredited)
J. Lyle Spring Breaker (uncredited)
Jesse Pruett Spring Break Party Student (uncredited)
Devanny Pinn Wild Wild Girl (uncredited)
Scarlett O'Neil Bikini Girl (uncredited)
Ryan McGonagle Drunk Guy (uncredited)
Lilith Fury Wet T-Shirt Girl (uncredited)
Shastina Eloff Wet T-Shirt Contestant (uncredited)
Name Job
Alexandre Aja Director
Robin Urdang Music Supervisor
Jessica Carpenter Costumer
Jo Caron Foley Recordist
Mike Bundlie Visual Effects
Derek Graf Stunts
Alex Madison Stunt Double
Malosi Leonard Stunts
Kym Stys Stunts
John Rottger Stunts
Sara Holden Stunts
Alyssa Weisberg Casting
Katherine James Makeup Department Head
Howard R. Campbell Lighting Technician
Emile Ghorayeb Visual Effects Editor
Michael Wandmacher Original Music Composer, Music Producer, Music Programmer
Gene Page Still Photographer
Frank R. Jimenez Jr. Rigging Gaffer
Tim Marshall Gaffer
Kathleen Keller Production Coordinator
Paul Parsons First Assistant Editor
Byron Wong First Assistant Editor
Nava R. Sadan Costume Supervisor
Marisa Frantz Art Direction
Clark Hunter Production Design
Marcia Calosio Set Decoration
Jordan Fuller Graphic Designer, Art Department Assistant
Becky Herron Art Department Coordinator
Bill Holmquist Construction Coordinator
Kristen Spinning Graphic Designer
Sage Emmett Connell Leadman
Scott Buckwald Property Master
Toby Cook Propmaker
Kenneth Heimer Propmaker
Terry Kempf Propmaker
Larry D. Koszakovszky Propmaker
Aaron Newton Propmaker
Karl Swauger Propmaker
Benjamin Ireland Props
Austin M. James Props
Sarah Sprawls Set Decoration Buyer
Ricardo Guillermo Set Designer
Vicki Dittemore Set Dresser
Ted Sorensen Set Dresser
Jeffrey Sacino Hair Department Head
Henry Soyos Key Hair Stylist
Loretta James-Demasi Key Makeup Artist
Art Anthony Makeup Artist
Michael St. Hilaire "A" Camera Operator
Robert Settlemire Assistant Camera
Wayne Marshall Best Boy Electric
Joshua Anderson Best Boy Electric
Stephen L. Whitcomb Camera Loader
Kris Krosskove Second Unit Director of Photography
John Stewart Electrician
Ron Waters Electrician
Paul Santoni First Assistant Camera
Scott Ronnow First Assistant Camera
Jay Coolidge Grip
Corey Erwin Grip
Fred Gibson Grip
Ron Stafford Grip
Jarrod Wilson Grip
Dan Reilly Key Grip
Quinton Reilly Key Grip
Russell Beard Lighting Technician
Greg Harris Lighting Technician
Jon McGinty Lighting Technician
Scott Medcalf Lighting Technician
Robert S. Nielsen Lighting Technician
Shermagne Umali Lighting Technician, Craft Service
Liam Sinnott Second Assistant Camera
Bryan Fletchall Techno Crane Operator
Peter Manno Underwater Camera
Peter Zuccarini Underwater Director of Photography
Jimmi Lyon Underwater Gaffer
Lance Jay Velazco Video Assist Operator
Baxter Editor
Aidan Stanford Color Timer
Nicolae Ilies Digital Colorist
Serge Harvey Digital Intermediate Editor
Carl S.G. Moore Digital Intermediate Producer
Brandon Balin Supervising Editor
Tiffe Fermaint Costume Assistant
Gina G. Aller Costumer
Darren Clark Costumer
Sabine Huber Costumer
Maggie McFarland Costumer
Robin Borman-Wizan Costumer
Melanie Hocking Costumer
Lorenzo Hearns Jr. Key Costumer
Patty Nazari Seamstress
Matt Chase Set Costumer
Chris Bowe Casting Associate
Rebecca Gushin Casting Associate
Scotty Atkins Extras Casting
Joshua Erwin Extras Casting Assistant
Faith Hibbs-Clark Local Casting
Don Waller Animation Supervisor
Harry Walton Senior Animator
Andy Stallabrass ADR Recordist
Viateur Paiement ADR Supervisor
Maxime Potvin Assistant Foley Artist
Kate Jesse Boom Operator
Guy Pelletier Dialogue Editor
Guy Francoeur Foley Artist
Lise Wedlock Foley Artist
Christian Rivest Sound Designer
Ian Herzon Sound Effects Editor
Antoine Morin Sound Effects Editor
Jean-François Sauvé Sound Effects Editor
Michael B. Koff Sound Mixer
Marcel Pothier Supervising Sound Editor
Caius Man Special Effects Coordinator
Matt Kutcher Special Effects Supervisor
Tom M. Baltazar Special Effects Technician
Robert Benavidez Special Effects Technician
Donnie Dean Special Effects Technician
Terrence Dembowski Special Effects Technician
Edward Gettis Special Effects Technician
Roy Goode Special Effects Technician
Matthew James Kutcher Special Effects Technician
Kyle A. Wasserman Special Effects Technician
Thomas Zell Special Effects Technician
Damian Isherwood 3D Generalist
Luca Giorgio CG Artist
Sean Lewkiw CG Supervisor
Blair Tennessy CG Supervisor
Andrew Honacker CG Supervisor
Laurent Taillefer CG Supervisor
Charles Rose CG Supervisor
Shane Cook Compositing Supervisor
Scott Riopelle Compositing Supervisor
Eric Doiron Compositing Supervisor
Art Karkus Compositor
Adam Klein Compositor
Christian Moreton Compositor
Tristan Zerafa Compositor
Martin Hall Compositor
Eddie Englander Compositor
Joseph Spadaro Effects Supervisor
William R. Wright Lead Animator
James Chretien Lighting Artist
Oded Raz Lighting Artist
Chris Paizis Matchmove Supervisor
Ronn Brown Matte Painter
Slav Kravchenko Matte Painter
Edward Grad Matte Painter
SeungJang 'Jack' Kim Modelling Supervisor
Erin Nicholson Modelling Supervisor
Ken Busick Stereoscopic Supervisor
Shant Jordan Stereoscopic Supervisor
Leo Vezzali Stereoscopic Supervisor
Quimet Delgado Visual Effects
Amit Dhawal Visual Effects
Michael Gaiser Visual Effects
Chris Holmes Visual Effects
Alvaro Sanint Visual Effects
Ahmed Shehata Visual Effects
Scott Simmons Visual Effects
Scott Singer Visual Effects
Adam O'Brien-Locke Visual Effects Coordinator
Sean Hoessli Visual Effects Coordinator
Shalena Oxley-Butler Visual Effects Coordinator
Melanie Callaghan Visual Effects Coordinator
Cynthia Crimmins Visual Effects Coordinator
Joey Bonander Visual Effects Coordinator
Sue Len Quon Visual Effects Editor
Brandon Schaafsma Visual Effects Editor
Dipesh Mistry Visual Effects Editor
Andrew E. Tilles Visual Effects Producer
Stephen Menzies Visual Effects Producer
George Macri Visual Effects Producer
Kristofer Cross Production Assistant, Visual Effects Production Assistant
Megan Shields Production Assistant, Visual Effects Production Assistant
Douglas Melville Visual Effects Production Manager
Matt Jacobs Visual Effects Supervisor
Derek Wentworth Visual Effects Supervisor
Nicholas Boughen Visual Effects Supervisor
Olcun Tan Visual Effects Supervisor
Thomas Tannenberger Visual Effects Supervisor
Michael Wile Visual Effects Supervisor
Sylvain Theroux Visual Effects Supervisor
Marco Recuay Visual Effects Supervisor
Colin Davies Visual Effects Supervisor
Rocco Passionino Visual Effects Supervisor
Frederic Fortin Visual Effects Technical Director
Cris Rankin Animal Coordinator
Kathleen Holland Animal Wrangler
Alexander T. Carey Assistant Production Coordinator
Nicole Pelner Assistant Production Coordinator
Noe Carillo Craft Service
Fernando Castillo Craft Service
Dominic Sbardella Craft Service
Gregg Singer Craft Service
Richard Till Craft Service
Amanda Curry First Assistant Accountant
Jeff Edwards Mechanical Designer
Jimmy O'Connell Marine Coordinator
Todd Taylor Marine Coordinator
Denyse Rossi Payroll Accountant
Stephanie Wescott Payroll Accountant
RoJeanne Herbel Post Production Accountant
Leah Holmes Post Production Accountant
Maia November Post Production Assistant
Kyle Schaberg Post Production Assistant
Guillaume Poulin Post Production Assistant
Matthew K. Grigsby Production Accountant
Lee D. Andrews Production Assistant
Sage Asteak Production Assistant
Samantha Brooks Production Assistant
Miles Burke Production Assistant
Jonathan Cousimano Production Assistant
Stephanie Fugleberg Production Assistant
P.J. Germain Production Assistant
C.J. Izzo Production Assistant
Matt Kyhn Production Assistant
Theo Madla Production Assistant
Hector Primero Production Assistant
Victor Primero Production Assistant
Holly Titchen Production Assistant
Michael D. Witman Production Assistant
Billy Bonifield Production Coordinator
Rosa Dias Production Secretary
Judi Townsend Script Supervisor
Nicole Garcea Script Supervisor
Betty Hugo Script Supervisor
John P. Martin Second Assistant Accountant
Scott Corser Security
Richie Elson Set Production Assistant
Carey Field Set Production Assistant
Hiro Taniguchi Set Production Assistant
Eric Moody Stand In
Brittney Morton Stand In
Linda Stanley Studio Teacher
Roxann Langlois Travel Coordinator
Susie Bench Conductor
Joshua Winget Music Editor
Rip Murray First Assistant Director
Dennis Burrell First Assistant Director
Mark Devendorf Producer's Assistant
Aaron Chiesa VFX Artist
Jeffrey G. Barnett Stunts
Jennifer Brusciano Utility Stunts
Szilvia Gogh Stunt Double
Chris Papajohn Utility Stunts
Suzanne Reid Stunt Double
Shaun Vickers Utility Stunts
Cody Weselis Utility Stunts
Heather Arthur Stunts
Michael H. Barnett Stunts
Erica Day Stunts
Kris A. Jeffrey Stunts
Nathalie Tremblay Digital Compositor
Dan Webb Stunts
Josh Stolberg Writer
Sanja Milković Hays Costume Design
Joel Fletcher Animation
John R. Leonetti Director of Photography
Neville Page Creature Design
Mark Meyers "B" Camera Operator
Irena Stepić Key Costumer
Charley Medigovich Casting Associate
Mark A. Lanza ADR Supervisor
Niketa Roman Visual Effects Coordinator
Kevin O'Neill Visual Effects Supervisor
Jessica Harbeck Utility Stunts
Nicole Randall Stunt Double
Heidi Pascoe Utility Stunts
Alicia Vela-Bailey Stunt Double
Jonathan Arthur Stunt Double
Ashley Cusato Utility Stunts
Clay Cullen Stunts
Christian J. Fletcher Utility Stunts
Alex Daniels Stunt Coordinator
Tanner Gill Stunt Double
Chad Guerrero Utility Stunts
Mandy Kowalski Utility Stunts
Kim Robert Koscki Stunt Double
Dorian Kingi Utility Stunts
Tom McComas Stunt Double
James Mitchell-Clyde Utility Stunts
Tara Rice Utility Stunts
Austin Priester Utility Stunts
Tim Soergel Utility Stunts
Michael Trisler Utility Stunts
Webster P. Whinery Jr. Utility Stunts
Jeremy Fitzgerald Stunts
Eli Roth Thanks
Craig Kuehne VFX Artist
Grégory Levasseur Second Unit Director
Martin Pinsonnault Sound Designer
Jeff 'JJ' Dashnaw Stunts
Brian Keaulana Utility Stunts
Michael Li Utility Stunts
Name Title
Bob Weinstein Executive Producer
Alexandre Aja Producer
Mark Canton Producer
Grégory Levasseur Producer
Harvey Weinstein Executive Producer
Hisako Tsukuba Executive Producer
Marc Toberoff Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 60 37
2024 5 50 69 36
2024 6 54 74 37
2024 7 60 91 43
2024 8 56 91 31
2024 9 35 46 28
2024 10 49 100 26
2024 11 41 60 28
2024 12 37 66 27
2025 1 38 57 27
2025 2 27 45 5
2025 3 10 34 2
2025 4 6 10 3
2025 5 6 11 4
2025 6 5 8 3
2025 7 4 5 4
2025 8 5 5 4
2025 9 5 7 3
2025 10 5 8 4

Trending Position


Year Month High Avg
2025 10 639 689
Year Month High Avg
2025 9 639 836
Year Month High Avg
2025 8 211 610
Year Month High Avg
2025 7 309 782
Year Month High Avg
2025 6 536 739
Year Month High Avg
2025 5 687 862
Year Month High Avg
2025 4 695 801
Year Month High Avg
2025 3 924 924
Year Month High Avg
2025 1 538 844
Year Month High Avg
2024 11 787 844
Year Month High Avg
2024 8 813 868

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Reviews

Ruuz
5.0

When evil, inbred, cannibal, devilish, prehistoric, underground piranha are unleashed on the tiny town of Lake Victoria during "Spring Break", the outcome is all rather predictable. Babes, bikinis, boobs, bums, blood, bazulco and bad acting. Run from a budget of $24M the film has almost no actors ... of note in lead roles. Although there is a cameo from Eli Roth (_Inglourious Basterds_), which is always cool. What we have here, is a virtually flawless example of stupid fun. There's no point in trying to evaluate a film like _Piranha 3D_ on factors like good taste, because it goes out of its way to smash these conventions apart. The film has this crazy energy about it from beginning to end. It also however, is the perfect example of why 3D is so fucking unnecessary. And though I appreciate how forward the film is, that doesn't make it strictly speaking good. It's part creature-feature, part horror-comedy, but it doesn't stand up in a thrill sense to actual monster movies like _Anaconda_ or _King Kong_, and it doesn't stand up in a humour sense to actual horror comedy like _Shaun of the Dead_ or _Dead Snow_, but it sort of takes off on its own in a passable manner. Though it's kiiinda humorous, the film is mostly just "fun", as opposed to "funny". The script seems cobbled together with a couple of different half assed plot points, but several half ass plots taped together is better than just one half assed plot trying to hold its own and ending up looking like no plot at all. Exploitation has never really been A-grade material, and even though the "suspension of disbelief" thing that films are supposed to have as a general rule, is sort of... not here, _Piranha 3D_ still manages to somehow get this piece of crap off the ground. I watched it at about 2am with a male friend of mine who has very similar taste and sense of humour to me, and that's pretty much got to be the best possible setting to watch it in. The CG gore is ridiculous, the 3D focus is ridiculous, the film itself is just fucking ridiculous. But brainless is great sometimes, just don't make a habit of thinking that you can get away with bad exploitation, and calling it Black Comedy, once or twice is fine, but soon it just looks like you're aiming for cult, and getting lazy. -Gimly

Jun 23, 2021
Dark Jedi
4.0

This is the 2010 remake of the old classic. The original is pretty much crap so I bought this one solely based on the fact that it has been getting unusually good reviews from both critics as well as viewers. I have to say that I am at loss as to why. There are loads of much better films in the act ... ion/horror/fantasy genre’s that, at least the so called “critics” totally hammer. Why the hell this trash got so good scores is beyond me. The female acting consists of showing off your boobs then get eaten. The male acting consists of being an asshole, get your dick eaten, then get the rest eaten. The main “event” is a contrived scene when the main asshole get his dick bitten off and the piranhas eat it and spit it out again under water. I’m sure the 3D effects made it even more ridiculous than in 2d. I usually have rather high tolerance for poor acting and bad scripts when it comes to otherwise effects and gore loaded films but most of this film I was just thinking, “what the f... is this shit!”. Most of the film was just scenes stashed on top of each other designed to show of 3D effects with boobs and various ways a human could get eaten. This is a typical example of why 3D is bad for the movie industry.

May 16, 2024
John Chard
7.0

Piranha hunt in packs - not for protection, but for overwhelming force. Actually many of today's younger multiplex goers hunt in packs, they know what they like and they know how to have a good time with even the most crude or banal movie. I don't mean that as an insult, it's just indicative of t ... he film market available to them, it's the reason why films like this here Piranha remake/re-imaging/re-jig exists and makes money. Even "spawning" a franchise on occasions. Alexandre Aja's Piranha 3D is a complete machine gun of a movie, it knew exactly how to sell tickets at the box office. Even before the 3D was used as a selling point, the word down the grapevine was the promise of lithe bodies in beach wear and loads of CGI killer fish shredding the hell out of a whole community. And that's exactly what is delivered, only with extras that see considerable nudity in the mammary areas and Elisabeth Shue and Ving Rhames kicking buttocks. It's all very bloody, even lurid and exploitive, while it's difficult to know if you are meant to laugh, scream or do something that Russ Meyer would endorse? But, and I say this as a middle aged old fart, there is so much fun to be had here if you are prepared to unscrew your head and take out your brain. Strap yourselves in Piranha 3D haters, your grandchildren might just be enjoying in the future: Piranha 27: Sexy Mechanoid Bimbos Fight Back. But will they hate themselves in the morning? 7/10

May 16, 2024
tmdb28039023
1.0

In 1975, Richard Dreyfuss starred in Jaws; 35 years later he had a cameo in Piranha. His connection to the first film is obviously the only reason he’s in the second, wherein he’s killed off before his name even appears in the opening credits. Dreyfuss is not alone, though; Elisabeth Shue and Vi ... ng Rhames also get to whore themselves out. In the latter's case, there was never any danger that Piranha would result in another hand-me-down acting award for Jack Lemmon; on the other hand, Rhames has easily the best scene in the entire movie — using an outboard motor in a way that would make Ash Williams proud. But I'm getting ahead of myself; Shue and Rhames first have to find the remains of Dreyfuss, then capture a piranha which they take to Christopher Lloyd (in full Doc Brown mode), who identifies it as a species that has been extinct for two million years (according to the subtitles, Lloyd calls it the "regional piranha," but he may actually be saying "original"; either way it doesn’t matter because neither term makes sense). An earthquake released the piranhas from an underground lake, or some such bullshit. Q: "How could they survive for so long cut off from the surface?" A: "Cannibalism. They must have fought each other to survive.” Until, presumably, there could be only one. Piranha MacLeod? Well, that would actually explain their apparent immortality. Piranha is supposed to be a comedy — or, specifically, it's a remake of a parody of Jaws released three years after Jaws and 32 before this one. In other words, this material was so diluted it was almost homeopathic. Shue and Rhames are big fish in a small pond here — kinda like those poor Sea World orcas (I know they’re mammals; you get the idea, though); as such, the only emotion they inspire in the audience is pity over their career choices. Only Jerry O'Connell, in a role no doubt based on Joe Francis (of Girls Gone Wild infamy), moves as if he's in his own element — ​​because he is; he knows exactly, having been in several others of the same ilk, what kind of movie this is, and navigates it accordingly.

Sep 15, 2022
r96sk
6.0

<em>'Piranha 3D'</em> does attempt something a bit different to the film it remakes (unlike the 1995 redo) and parts are decent (e.g. the gore), though all things considered it's not a movie I'd wanna revisit. It isn't as concise or as fun as Joe Dante's flick, the effects aren't the most convincing ... either. The 3D portions are funny to see all these years later (in 2D, obvs). I was never a fan of that format, so I'm glad it never stuck around - pure gimmick. Going back to the effects, the piranha's usage and design underwhelm. I also said this in my review of the 1978 flick's sequel, but: less is more. The cast are alright. Elisabeth Shue is the clear standout, her character is actually quite cool in terms of what she does and how she handles herself; not a female character that is only there for their looks, like most are here to be frank. Elsewhere, Steven R. McQueen is solid too. Interesting to see the involvement of Kelly Brook, someone I know from her work away from film; smart casting, to be fair. Away from those, Jessica Szohr is decent, though Jerry O'Connell is rubbish. Adam Scott, Ving Rhames and Christopher Lloyd also appear, Richard Dreyfuss too. It is better than the other 'follow-ups' to the original and I didn't find it to be absolutely bad, so I guess it merits small praise for that. Still, not one I'd recommend.

Feb 24, 2025