Popularity: 1 (history)
Director: | Saul Dibb |
---|---|
Writer: | Vernon Bartlett, Simon Reade, R.C. Sherriff |
Staring: |
Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate. | |
Release Date: | Dec 14, 2017 |
---|---|
Director: | Saul Dibb |
Writer: | Vernon Bartlett, Simon Reade, R.C. Sherriff |
Genres: | Action, Drama, War |
Keywords | france, world war i, british army, army, alcoholism, alcoholic, trenches, 1910s |
Production Companies | BFI, uMedia, Anyway Productions, British Film Company, Good Deed Entertainment, Fluidity Films, Wales Screen, Metro International Entertainment, Third Wednesday Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Asa Butterfield | Raleigh |
Sam Claflin | Captain Stanhope |
Paul Bettany | Osborne |
Tom Sturridge | Hibbert |
Toby Jones | Mason |
Stephen Graham | Trotter |
Robert Glenister | The Colonel |
Theo Barklem-Biggs | Watson |
Miles Jupp | Hardy |
Oliver Dimsdale | Adjutant |
Jake Curran | Hammond |
Andy Gathergood | Sergeant Major C Troup |
Nicholas Agnew | Corporal Pincher |
Alaïs Lawson | Angele |
Jack Riddiford | Evans |
Rupert Wickham | General Raleigh |
Laurent Andruet | Jarvis |
Jack Holden | Bert |
Adam Colborne | Private Graham |
Derek Barr | Captain Reid |
Rose Reade | Margaret |
Eirik Bar | Ernst |
Elliot Balchin | Peters |
Will Adamsdale | Lieutenant Hamison |
Robert Glenister | Colonel |
Harry Jardine | Private Jarvis |
Tom Ward-Thomas | Subaltern |
Name | Job |
---|---|
Saul Dibb | Director |
Ros Hubbard | Casting |
Vernon Bartlett | Novel |
Matis Rei | Sound Effects Editor |
Natalie Holt | Original Music Composer |
Barnaby Smyth | Foley |
Laurie Rose | Director of Photography |
John Hubbard | Casting |
Andrius Davidenas | Stunts |
Hildur Guðnadóttir | Original Music Composer |
John Rafique | Special Effects Supervisor |
Lesley Noble | Makeup Supervisor |
Tony Kock | Visual Effects Coordinator |
Jelmen Palsterman | Visual Effects Supervisor |
Simon Pennequin | VFX Editor |
Libby Uppington | Set Decoration |
Al Green | Music Editor |
Tania Reddin | Editor |
Nick Gillespie | Camera Operator |
Simon Reade | Screenplay |
Paul Murphy | Gaffer |
Nick Wall | Still Photographer |
Mathias Schuster | Foley Editor |
Philip Barber | Art Direction |
Justin Dolby | Dialogue Editor |
Sarah Moore | Wardrobe Supervisor |
Robin Gerrard | Boom Operator |
Emma Pellan | Visual Effects Producer |
Steffan Hill | Still Photographer |
Phil Smith | Property Master |
Conal Palmer | Prosthetic Makeup Artist |
Sophie Pearson | Casting Assistant |
Roseann Samuel | Makeup Designer, Hair Designer |
Andrew Burford | Stunts |
Dean Forster | Stunt Coordinator |
Jessica Elise Evans | Assistant Production Coordinator |
Anwen Haf | Standby Art Director |
Lucy Fuest | Art Department Assistant |
Heather Crompton | First Assistant Camera |
Kevin McCurdy | Fight Choreographer |
James Layton | Steadicam Operator |
Ana Garrido | Script Supervisor |
Nick Rideout | Special Effects Supervisor |
Mark Kirby | Music Supervisor |
Anushia Nieradzik | Costume Design |
Kristian Milsted | Production Design |
Dafydd Parry | Boom Operator |
Rob Baker Ashton | Still Photographer |
R.C. Sherriff | Novel, Theatre Play |
Richard Cartwright | Armorer |
John Truckle | Best Boy Electric |
Bryn Thomas | Production Sound Mixer |
Andy Shelley | Supervising Sound Editor |
Andrew Bonner | Production Manager |
Geraldine Ditano | Production Accountant |
Dale Jordan Johnson | Graphic Designer |
Michael Curtis | Second Assistant Director |
Jonathan Stanley | Second Assistant Camera |
P.R. Smith | Property Master |
Anna Fusacchia | VFX Editor |
Laura Pettitt | Unit Publicist |
Marshall Leviten | Line Producer |
David Stafford | First Assistant Director |
Stephen Griffiths | Supervising Sound Editor |
Chris Morrison | Stunts |
Aneta Chalas | Production Coordinator |
Lisa Lloyd | Assistant Production Coordinator |
Rachel Garlick | Storyboard Artist |
Kingsley Hoskins | Third Assistant Director |
Rico Bam | Camera Trainee |
David J. Bremner | Key Grip |
Name | Title |
---|---|
Adrian Politowski | Executive Producer |
Gilles Waterkeyn | Executive Producer |
Bastien Sirodot | Executive Producer |
Simon Reade | Producer |
Guy de Beaujeu | Producer |
Will Machin | Executive Producer |
Mary Burke | Executive Producer |
Christian Eisenbeiss | Executive Producer |
David Grindley | Executive Producer |
Natalie Brenner | Executive Producer |
Charles Auty | Executive Producer |
Ivan Dunleavy | Executive Producer |
Sue de Beauvoir | Executive Producer |
Aaron Hartley | Executive Producer |
Sam Parker | Executive Producer |
Steve Milne | Executive Producer |
Robert Norris | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 25 | 12 |
2024 | 5 | 20 | 30 | 10 |
2024 | 6 | 17 | 31 | 8 |
2024 | 7 | 22 | 54 | 11 |
2024 | 8 | 15 | 27 | 9 |
2024 | 9 | 9 | 19 | 5 |
2024 | 10 | 14 | 25 | 6 |
2024 | 11 | 13 | 26 | 6 |
2024 | 12 | 12 | 20 | 7 |
2025 | 1 | 12 | 21 | 7 |
2025 | 2 | 9 | 14 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 8 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 3 | 1 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 3 | 0 |
2025 | 10 | 1 | 2 | 1 |
Trending Position
I wouldn’t have thought it was possible to make a movie that takes place mostly in a World War I trench and dugout could hold my attention as well as Journey’s End did. Except perhaps for the excesses of Captain Stanhope’s temper and demeanor, the ensemble cast does well with the realistic dialogue. ... There is an element of an ominous Greek tragedy taking place, and a couple of developments I saw coming a mile off, but that didn’t detract from my appreciation of the story and how it was told. The knowledge of the attack that was due reminded me of Hitchcock’s comment that suspense wasn’t having a bomb explode in a movie; suspense was not knowing if it would explode. The attack when it came was almost an anticlimax. It makes me interested in how this was handled as a play with the limitations of scenes on a stage. I see there are versions online, so I may check one of them out.
This isn't so much a war movie, as a movie about the impact of waiting! It features a strong and emotional performance from Sam Claflin ("Capt. Stanhope") as the borderline alcoholic who leads a platoon of squaddies in a trench in France in the Spring of 1918. They know a raid is coming - either by ... them, or from the opposing Bosch - but they don't know when, and so live in a heightened state of alertness and fear that challenges the wits of even the most robust of characters. The constancy of the peril has worn him down, however, and "Stanhope" is now not particularly robust - his mental fortitude is challenged above and beyond as he tries to motivate and manage the men under is command. The remainder of his outfit, including his deputy Paul Bethany ("Uncle") who tries his best to support his friend through the daily trauma as well as to inspire and support the other officers and men, and a very green Asa Butterfield ("Raleigh") try to hold things together as the inevitable tragedy looms larger by the hour. This is not an action film; indeed precious little warfare actually happens; it is much more of a poignant psychological, at times intimate evaluation of the unimaginable stress put on human beings by uncertainty, cold and apprehension; as well as of their determination, honesty and team spirit that hits home well when you are sitting in an armchair at home. Saul Dibb manages to build the tension well, and the insight into this trench warfare environment he delivers is genuinely touching. The sound could be better, though - it's difficult to hear the dialogue at times, but that's an incidental criticism of a well scored, good film.