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Journey's End Poster

Journey's End

Innocence Lost... Courage Found
2017 | 108m | English

(12049 votes)

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Popularity: 1 (history)

Details

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.
Release Date: Dec 14, 2017
Director: Saul Dibb
Writer: Vernon Bartlett, Simon Reade, R.C. Sherriff
Genres: Action, Drama, War
Keywords france, world war i, british army, army, alcoholism, alcoholic, trenches, 1910s
Production Companies BFI, uMedia, Anyway Productions, British Film Company, Good Deed Entertainment, Fluidity Films, Wales Screen, Metro International Entertainment, Third Wednesday Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Asa Butterfield Raleigh
Sam Claflin Captain Stanhope
Paul Bettany Osborne
Tom Sturridge Hibbert
Toby Jones Mason
Stephen Graham Trotter
Robert Glenister The Colonel
Theo Barklem-Biggs Watson
Miles Jupp Hardy
Oliver Dimsdale Adjutant
Jake Curran Hammond
Andy Gathergood Sergeant Major C Troup
Nicholas Agnew Corporal Pincher
Alaïs Lawson Angele
Jack Riddiford Evans
Rupert Wickham General Raleigh
Laurent Andruet Jarvis
Jack Holden Bert
Adam Colborne Private Graham
Derek Barr Captain Reid
Rose Reade Margaret
Eirik Bar Ernst
Elliot Balchin Peters
Will Adamsdale Lieutenant Hamison
Robert Glenister Colonel
Harry Jardine Private Jarvis
Tom Ward-Thomas Subaltern
Name Job
Saul Dibb Director
Ros Hubbard Casting
Vernon Bartlett Novel
Matis Rei Sound Effects Editor
Natalie Holt Original Music Composer
Barnaby Smyth Foley
Laurie Rose Director of Photography
John Hubbard Casting
Andrius Davidenas Stunts
Hildur Guðnadóttir Original Music Composer
John Rafique Special Effects Supervisor
Lesley Noble Makeup Supervisor
Tony Kock Visual Effects Coordinator
Jelmen Palsterman Visual Effects Supervisor
Simon Pennequin VFX Editor
Libby Uppington Set Decoration
Al Green Music Editor
Tania Reddin Editor
Nick Gillespie Camera Operator
Simon Reade Screenplay
Paul Murphy Gaffer
Nick Wall Still Photographer
Mathias Schuster Foley Editor
Philip Barber Art Direction
Justin Dolby Dialogue Editor
Sarah Moore Wardrobe Supervisor
Robin Gerrard Boom Operator
Emma Pellan Visual Effects Producer
Steffan Hill Still Photographer
Phil Smith Property Master
Conal Palmer Prosthetic Makeup Artist
Sophie Pearson Casting Assistant
Roseann Samuel Makeup Designer, Hair Designer
Andrew Burford Stunts
Dean Forster Stunt Coordinator
Jessica Elise Evans Assistant Production Coordinator
Anwen Haf Standby Art Director
Lucy Fuest Art Department Assistant
Heather Crompton First Assistant Camera
Kevin McCurdy Fight Choreographer
James Layton Steadicam Operator
Ana Garrido Script Supervisor
Nick Rideout Special Effects Supervisor
Mark Kirby Music Supervisor
Anushia Nieradzik Costume Design
Kristian Milsted Production Design
Dafydd Parry Boom Operator
Rob Baker Ashton Still Photographer
R.C. Sherriff Novel, Theatre Play
Richard Cartwright Armorer
John Truckle Best Boy Electric
Bryn Thomas Production Sound Mixer
Andy Shelley Supervising Sound Editor
Andrew Bonner Production Manager
Geraldine Ditano Production Accountant
Dale Jordan Johnson Graphic Designer
Michael Curtis Second Assistant Director
Jonathan Stanley Second Assistant Camera
P.R. Smith Property Master
Anna Fusacchia VFX Editor
Laura Pettitt Unit Publicist
Marshall Leviten Line Producer
David Stafford First Assistant Director
Stephen Griffiths Supervising Sound Editor
Chris Morrison Stunts
Aneta Chalas Production Coordinator
Lisa Lloyd Assistant Production Coordinator
Rachel Garlick Storyboard Artist
Kingsley Hoskins Third Assistant Director
Rico Bam Camera Trainee
David J. Bremner Key Grip
Name Title
Adrian Politowski Executive Producer
Gilles Waterkeyn Executive Producer
Bastien Sirodot Executive Producer
Simon Reade Producer
Guy de Beaujeu Producer
Will Machin Executive Producer
Mary Burke Executive Producer
Christian Eisenbeiss Executive Producer
David Grindley Executive Producer
Natalie Brenner Executive Producer
Charles Auty Executive Producer
Ivan Dunleavy Executive Producer
Sue de Beauvoir Executive Producer
Aaron Hartley Executive Producer
Sam Parker Executive Producer
Steve Milne Executive Producer
Robert Norris Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
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2024 5 20 30 10
2024 6 17 31 8
2024 7 22 54 11
2024 8 15 27 9
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2025 1 12 21 7
2025 2 9 14 3
2025 3 5 15 1
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2025 9 2 3 0
2025 10 1 2 1

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Reviews

narrator56
8.0

I wouldn’t have thought it was possible to make a movie that takes place mostly in a World War I trench and dugout could hold my attention as well as Journey’s End did. Except perhaps for the excesses of Captain Stanhope’s temper and demeanor, the ensemble cast does well with the realistic dialogue. ... There is an element of an ominous Greek tragedy taking place, and a couple of developments I saw coming a mile off, but that didn’t detract from my appreciation of the story and how it was told. The knowledge of the attack that was due reminded me of Hitchcock’s comment that suspense wasn’t having a bomb explode in a movie; suspense was not knowing if it would explode. The attack when it came was almost an anticlimax. It makes me interested in how this was handled as a play with the limitations of scenes on a stage. I see there are versions online, so I may check one of them out.

Jan 30, 2022
Geronimo1967
7.0

This isn't so much a war movie, as a movie about the impact of waiting! It features a strong and emotional performance from Sam Claflin ("Capt. Stanhope") as the borderline alcoholic who leads a platoon of squaddies in a trench in France in the Spring of 1918. They know a raid is coming - either by ... them, or from the opposing Bosch - but they don't know when, and so live in a heightened state of alertness and fear that challenges the wits of even the most robust of characters. The constancy of the peril has worn him down, however, and "Stanhope" is now not particularly robust - his mental fortitude is challenged above and beyond as he tries to motivate and manage the men under is command. The remainder of his outfit, including his deputy Paul Bethany ("Uncle") who tries his best to support his friend through the daily trauma as well as to inspire and support the other officers and men, and a very green Asa Butterfield ("Raleigh") try to hold things together as the inevitable tragedy looms larger by the hour. This is not an action film; indeed precious little warfare actually happens; it is much more of a poignant psychological, at times intimate evaluation of the unimaginable stress put on human beings by uncertainty, cold and apprehension; as well as of their determination, honesty and team spirit that hits home well when you are sitting in an armchair at home. Saul Dibb manages to build the tension well, and the insight into this trench warfare environment he delivers is genuinely touching. The sound could be better, though - it's difficult to hear the dialogue at times, but that's an incidental criticism of a well scored, good film.

Mar 28, 2022