Popularity: 10 (history)
Director: | Greg Strause, Colin Strause |
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Writer: | Shane Salerno |
Staring: |
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation. | |
Release Date: | Dec 25, 2007 |
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Director: | Greg Strause, Colin Strause |
Writer: | Shane Salerno |
Genres: | Action, Science Fiction, Horror, Thriller |
Keywords | predator, hybrid, colorado, national guard, morgue, alien, creature, alien possession, triangle, infestation, crossover, dubious, ridiculous |
Production Companies | 20th Century Fox, Brandywine Productions, Dune Entertainment, Davis Entertainment |
Box Office |
Revenue: $130,290,885
Budget: $40,000,000 |
Updates |
Updated: Aug 12, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
Greg Strause | Director, Visual Effects Supervisor |
Frank Smathers | Foley Supervisor |
Rhys Williams | Stunts |
Melissa R. Stubbs | Stunts |
Gerald Paetz | Stunts |
Jon Kralt | Stunts |
Corry Glass | Stunts |
Lani Gelera | Stunts |
Marny Eng | Stunts |
Duane Dickinson | Stunts |
John DeSantis | Stunts |
Daniel Cudmore | Stunts |
Laura Lee Connery | Stunts |
Mike Ching | Stunts |
Doug Chapman | Stunts |
Simon Burnett | Stunts |
Rob 'Sluggo' Boyce | Stunts |
Loyd Bateman | Stunts |
Carolyn Anderson | Stunts |
Colin Strause | Visual Effects Supervisor, Director |
Brian Tyler | Original Music Composer |
Daniel Pearl | Director of Photography |
Dan O'Bannon | Characters |
Ronald Shusett | Characters |
Ron Bartlett | Sound Re-Recording Mixer |
Doug Hemphill | Sound Re-Recording Mixer |
J.J. Makaro | Stunt Coordinator |
Mindy Marin | Casting |
James Bamford | Stunts |
Jeff Habberstad | Second Unit Director |
John Thomas | Characters |
Caitlin McKenna | ADR Voice Casting |
Yasamin Ismaili | Visual Effects Coordinator |
Dan Zimmerman | Editor |
Heike Brandstatter | Casting |
Coreen Mayrs | Casting |
Andrew Neskoromny | Production Design |
Angus Strathie | Costume Design |
Jim Thomas | Characters |
Sharon Thompson | Art Department Coordinator |
Matthew Pomerantz | Construction Coordinator |
John Beatty | Construction Coordinator |
Chris Beach | Set Designer |
Niki Charalambopoulo | Scenic Artist |
Renee Dundas | Scenic Artist |
Janette Hyland | Scenic Artist |
Roderick MacDonald | Scenic Artist |
Ryan Ostiguy | Scenic Artist |
Giovanni Pasqua | Scenic Artist |
Camar Sterling | Scenic Artist |
Martina Javorova | Assistant Art Director |
Jessee J. Clarkson | Sculptor |
Andrew Li | Assistant Art Director |
Jack Gauvreau | Sculptor |
Jim Brookshire | Supervising Sound Editor |
Jay Wilkinson | Supervising Sound Editor |
Tony Lazarowich | Special Effects Coordinator |
Ryan Chavez | Visual Effects Editor |
Mohsen Eletreby | Visual Effects Editor |
Rob Hodgson | Visual Effects Supervisor |
Eric Mises-Rosenfeld | Visual Effects Supervisor |
Kendrick Wallace | Visual Effects Producer |
James Dittiger | Still Photographer |
Stuart Haggerty | Gaffer |
Niall Fraser | Best Boy Electric |
Wayne MacConnell | Camera Operator |
Don Reddy | Camera Operator |
Ian Seabrook | Underwater Camera |
Joe Lisanti | Music Editor |
Sylvia Nablo | Transportation Coordinator |
S. Steven Sach | Location Manager |
Hans Bjerno | Aerial Director of Photography, Helicopter Camera |
Leonard F.W. Green | Digital Effects Supervisor |
Kelly Moon | Script Supervisor |
Jena Niquidet | Production Coordinator |
Patrick Ramsay | Sound mixer |
Helen Jarvis | Supervising Art Director |
Terry Weaver | Property Master |
Eric Flickinger | Sound Recordist |
John T. Cucci | Foley Artist |
Dan O'Connell | Foley Artist |
Benjamin Beardwood | Dialogue Editor |
Warren Carr | Unit Production Manager |
Paul Deason | Unit Production Manager |
Chris Dowell | Post Production Supervisor |
Drew Locke | Unit Manager |
David McKimmie | Post Production Supervisor |
Tarnya Cook | Third Assistant Director |
Kathy Houghton | Second Assistant Director |
Katherine Keizer | Additional Third Assistant Director |
Janine Law | Second Assistant Director |
Jennifer Nelson | Third Assistant Director |
Jody Ryan | Third Assistant Director |
Ken Shane | First Assistant Director |
Adam J. Piechnik | Background Casting Director |
Ian C. Ballard | First Assistant Hairstylist |
Beth Boxall | First Assistant Makeup Artist |
Linda Jones | Key Hair Stylist |
Debra Wiebe | Key Hair Stylist |
Jayne Dancose | Key Makeup Artist |
Sally Barnes | Key Makeup Artist |
Lori West | Art Department Assistant |
Brian Epp | Assistant Property Master |
Kevin Tomecek | Construction Buyer |
Dale Menzies | Construction Foreman |
Shane Salerno | Screenplay |
Sally Hudson | Graphic Designer |
Kevin Clark | Greensman |
David Valentine | Property Master |
Simon Haywood-Anderson | Set Dresser |
Richard Bennett | Storyboard Artist |
Danelle Davenport | Storyboard Artist |
John Cluff | Pyrotechnician |
Matt Almas | Best Boy Grip |
Lee Gibeau | Best Boy Grip |
Peter Wilke | Camera Operator |
Neil McBride | Dolly Grip |
Russell Hawkes | Dolly Grip |
Todd Hlagi | Dolly Grip |
Reg Gole | First Assistant Camera |
Simon Jori | First Assistant Camera |
Sandes Ashe | First Assistant Camera |
Sean Elliott | First Assistant Camera |
David S. Warner | Gaffer |
Roger Bailey | Generator Operator |
Monty Black | Generator Operator |
Keith Flanagan | Grip |
Wally Nygren | Grip |
Carlos Avilila | Grip |
Tony Whiteside | Key Grip |
John Le Roy | Key Grip |
Peter Pacula | Key Rigging Grip |
Jordan Johnson | Lighting Technician |
Kris Tobiasson | Lighting Technician |
Rod Haney | Rigging Grip |
Cole Koehler | Second Assistant Camera |
Richard Sinclair | Second Assistant Camera |
Thomas Yardley | Second Assistant Camera |
Sasha Proctor | Second Assistant Camera |
Leigh Jenkins | Second Assistant Camera |
David McKnight | Video Assist Operator |
Casey MacIntyre | Video Assist Operator |
Kenny Becker | Color Timer |
Curtis Lindersmith | Digital Intermediate Editor |
Loan Phan | Digital Intermediate Producer |
Stephanie Denatale | Editorial Production Assistant |
Steven Flegel | Editorial Production Assistant |
Ian Silverstein | First Assistant Editor |
Kirk Moses | First Assistant Editor |
Gary Burritt | Negative Cutter |
Sandra J. Blackie | Costume Coordinator |
Petra Bergholz | Costumer |
Sarah Haddleton | Costumer |
Charis Tillson | Costumer |
Heather Rupert | Costumer |
Kieu Nguyen | Seamstress |
Nora Bautista | Seamstress |
Gloria Chan | Seamstress |
Petra Wright | Seamstress |
Christa Richards | Seamstress |
John Denison | Truck Costumer |
Marnie Ander | Truck Costumer |
Meagan Lopez | Casting Assistant |
Trica Thompson | Casting Assistant |
Andrea Brown | Extras Casting |
Brad McLaughlin | Animation |
Joshua Cordes | Animation Supervisor |
Bill Kunin | Compositing Supervisor |
Laura Sevilla | Compositing Supervisor |
Eric Almeras | Digital Compositor |
Mathias Frodin | Digital Compositor |
Vinh Nguyen | Digital Compositor |
Hirofumi Takeda | Digital Compositor |
Go Woon Choi | Modeling |
Tamer Eldib | Modeling |
Atsushi Imamura | Modeling |
Justin Louis | Modeling |
Chris Radcliffe | Modeling |
Chun Seong Ng | Modeling |
Miguel A. Guerrero | Modeling |
Tanissa Potrovitza Schoen | Pre-Visualization Coordinator |
Bryce Brecheisen | Visual Effects Coordinator |
Jeff Atherton | Visual Effects Coordinator |
Katie Spinelli | Visual Effects Coordinator |
Ryan Zuttermeister | Visual Effects Coordinator |
William H.D. Marlett | Visual Effects Coordinator |
David Penikas | Animatronics Supervisor |
Derek Casari | ADR Engineer |
Jan Petrov | ADR Recordist |
Jason P. Dass | Assistant Sound Editor |
Ken Lee | Boom Operator |
Naan Spiess | Cableman |
Skip Longfellow | First Assistant Sound Editor |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
Greg Hannas | Sound Assistant |
Simon Coke | Sound Effects Editor |
Jason Crosby | Marine Coordinator |
Jim Filippone | Aerial Coordinator |
Ryan Steacy | Armorer |
Rob Fournier | Armorer |
Jason Bogard | Production Accountant |
Ali Pounder | Production Secretary |
Fleur Western | Production Secretary |
Dixie Cutler | Unit Publicist |
Eli Zagoudakis | Stunts |
Raymond Sammel | Stunts |
Jeffrey C. Robinson | Stunts |
Reg Milne | Stunts |
Cody Laudan | Stunt Double |
Michael Langlois | Stunts |
Trevor Jones | Stunts |
Dave Hospes | Stunt Coordinator |
Andrew Michael Hill | Stunts |
Caroline Field | Stunts |
Austin Dunn | Stunts |
Mike Desabrais | Stunts |
Colby Chartrand | Stunts |
Mia Carriconde | Stunts |
Yves Cameron | Stunts |
Trevor Addie | Stunts |
Lloyd Adams | Stunts |
Chris Wells | CG Supervisor |
Shane Vieau | Set Decoration |
Trinh Tran | Production Assistant, Editorial Production Assistant |
Lars P. Winther | First Assistant Director |
Name | Title |
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John Davis | Producer |
David Giler | Producer |
Walter Hill | Producer |
Paul Deason | Executive Producer |
Robbie Brenner | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 54 | 67 | 44 |
2024 | 5 | 57 | 110 | 41 |
2024 | 6 | 53 | 81 | 36 |
2024 | 7 | 68 | 95 | 35 |
2024 | 8 | 110 | 225 | 48 |
2024 | 9 | 96 | 145 | 75 |
2024 | 10 | 106 | 170 | 67 |
2024 | 11 | 64 | 82 | 51 |
2024 | 12 | 56 | 87 | 43 |
2025 | 1 | 63 | 80 | 47 |
2025 | 2 | 49 | 66 | 8 |
2025 | 3 | 14 | 51 | 3 |
2025 | 4 | 10 | 18 | 6 |
2025 | 5 | 11 | 20 | 7 |
2025 | 6 | 9 | 12 | 7 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 8 | 13 | 5 |
2025 | 9 | 12 | 14 | 10 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 298 | 640 |
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2025 | 8 | 223 | 632 |
Year | Month | High | Avg |
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2025 | 7 | 338 | 651 |
Year | Month | High | Avg |
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2025 | 6 | 146 | 547 |
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2025 | 5 | 248 | 711 |
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2025 | 4 | 162 | 693 |
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2025 | 3 | 186 | 706 |
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2025 | 2 | 226 | 697 |
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2025 | 1 | 260 | 633 |
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2024 | 12 | 259 | 693 |
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2024 | 11 | 190 | 678 |
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2024 | 10 | 191 | 498 |
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2024 | 9 | 230 | 516 |
Year | Month | High | Avg |
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2024 | 8 | 73 | 345 |
Remember when chest busters were scary? This stinks, it really does, and this coming from a man who owns and loves many a cheese filled B/Z movie. Although I would in no way say that AVP: Alien vs. Predator (2004) was a good movie, I have a tiny soft spot and found it watchable at least, this ha ... ck job makes that film seem like the pinnacle of creature feature nirvana. A Predator ship encounters problems on board by way of a newly born predator/alien hybrid, it crash lands on Earth (America) and thus Requiem is born as face huggers go crazy, aliens run amok, predator fights back, and the cast of genre stereotypes kill or be killed, the end! All the makers have done here (apart from attempting to kill off the franchise it seems) is splice together various staples from the other films in the series. Be it the settings or confrontations, they have just upped the blood quota, the film has no substance what so ever. Characters so dense and unlikeable you root for the monsters by way of having no choice, dumb teens in angst, Rambo mom, ex-convict trying to do good, you name it and chances are you have seen it in other rubbish murder death kill movies. There is gore galore which I'm sure will appease the easily pleased, and in one particularly monstrous scene involving a pregnant woman, a sequence for the squeamish to chat on the playground about come Monday morning. But you honestly would be better off watching some cheap no budget slasher film from the 70s, because unlike the money backed hack directors here, they had an excuse back then. Drek 1/10
Out of all the _Alien_ and _Predator_ franchise, a series stretching out for nearly 40 years, a cultural phenomenon that has wormed its way into all manner of media, and has produced no less than eleven official movie entries, _Aliens vs Predator: Requiem_ is the worst. It's so blatantly obviously t ... he worst that I don't think any _Alien_ or _Predator_ or even _Alien vs Predator_ movie that we ever see from now until the end of time will ever unseat it as the worst. _Final rating:★½: - Boring/disappointing. Avoid where possible._
So if you recall the last scene from the first AVP film (2004) you will know that the "Predator" ship is carrying an unwelcome passenger. Well, it manages to run rampage forcing the ship to crash-land in Colorado. A nicely wooded area where the two races can pick up their unfettered hostility with e ... nthusiasm. An added bonus for our hungry visitors is a local community of humans ripe for the eating. Maybe 90% of this is either filmed in the dark, or in dark and dingy interiors and that does nothing for the menace of the film, nor does it make it enjoyable to watch. The human actors are pretty mediocre delivering a dialogue that was clearly of little importance when it came to the commissioning of this completely unnecessary and unrewarding sequel; indeed I found myself very much in the corner of whatsoever wanted to make a feast of these rather uninspiring, hormonal, teenagers who are delivering a pizza one minute, then wielding a pump-action shotgun whilst driving a tank the next. Sci-fi is, of course, meant to be far-fetched, but this is just a beastie too far and the ending just ridiculous (if, mercifully, quite, quite final!). This gift stopped giving long ago, let's hope we can recall the glories of Arnie and Sigourney and let this nonsense just RIP.
Remarkably dull. I wouldn't say any part of me utterly disliked watching <em>'Aliens vs Predator: Requiem'</em>, though it has to be said that it is not a good film at all - it's almost impressive how uninteresting it all is. Thankfully it is relatively short at round 90 minutes, any longer and I ... may have hated it. The main negative I hold is the lighting, or lack thereof. It's such a visually dark movie, so much so that you can barely tell the two titanic creatures apart at most times. There's also a supposed-to-be cool reveal at the conclusion, yet you can barely see who they are revealing. Very odd choice. The plot and its characters are extremely forgettable, it's just a standard monster(s) attacks small town flick - something we've all seen before. Think <em>'Eight Legged Freaks'</em>, but worse. As for those onscreen, John Ortiz is the standout, though only if I had to pick someone. The whole story with the Howard brothers is so mundane and poorly portrayed. A rightly panned movie. The worst work of either franchise.