Popularity: 7 (history)
| Director: | Jonathan Liebesman |
|---|---|
| Writer: | Christopher Bertolini |
| Staring: |
| When once distant UFOs become a terrifying threat and an alien invasion force begins attacking Earths major costal and riverside cities, a U.S Marine staff sergeant and his team are sent into battle only to find they must take it upon themselves to defeat an unknown enemy and protect what remains of Los Angeles. | |
| Release Date: | Mar 08, 2011 |
|---|---|
| Director: | Jonathan Liebesman |
| Writer: | Christopher Bertolini |
| Genres: | Action, Science Fiction |
| Keywords | saving the world, hero, marine corps, chaos, retirement, meteor, space invasion, alien, battlefield, survival, sergeant, los angeles, california, battle, alien invasion, u.s. marine, escapade, heroic mission, evil alien |
| Production Companies | Columbia Pictures, Original Film, Relativity Media |
| Box Office |
Revenue: $211,800,000
Budget: $70,000,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Aaron Eckhart | Michael Nantz |
| Ramón Rodríguez | William Martinez |
| Will Rothhaar | Cpl. Lee Imlay |
| Michael Peña | Joe Rincon |
| Bridget Moynahan | Michelle |
| Noel Fisher | Pfc. Shaun Lenihan |
| Joey King | Kirsten |
| Beth Keener | Kathy Martinez |
| Jessica Heap | Jessy |
| Cory Hardrict | Cpl. Jason Lockett |
| Jim Parrack | Peter Kerns |
| Gino Anthony Pesi | Cpl. Nick Stavrou |
| Ne-Yo | Kevin Harris |
| James Hiroyuki Liao | Steven Mottola |
| Adetokumboh M'Cormack | Corpsman Jibril Adukwu |
| Bryce Cass | Hector Rincon |
| Michelle Rodriguez | Elena Santos |
| Neil Brown Jr. | LCpl. Richard Guerrero |
| Taylor Handley | LCpl. Corey Simmons |
| Lucas Till | Cpl. Scott Grayston |
| Kenneth Brown Jr. | Cpl. Richard Oswald |
| Jadin Gould | Amy |
| Joe Chrest | 1st Sgt. John Roy |
| E. Roger Mitchell | Company Captain |
| Rus Blackwell | Lt. Col. K.N. Ritchie |
| Susie Abromeit | Amanda |
| Brandi Coleman | Cherise |
| David Jensen | Psychiatrist |
| Stacey Turner | Reporter on TV |
| Tom Hillmann | Reporter on TV |
| Lena Clark | Chris |
| Jamie Norwood | Flower Shop Employee |
| Todd Cochran | Command Hangar Marine |
| Nzinga Blake | Adukwu's Sister |
| Taryn Southern | Reporter on Beach |
| James D. Dever | Sgt. Major |
| Alex Aristidis | Beach Goer (uncredited) |
| Charlotte Biggs | Emergency Medical Tech. (uncredited) |
| Ava Bogle | Beach Girl 1 (uncredited) |
| Grant Case | Marine (uncredited) |
| Kurt Deville | Marine (uncredited) |
| Nick Jones Jr. | Marine (uncredited) |
| Phillip Lawrence | U.S. Marine (uncredited) |
| Keith Middlebrook | Steve Johinson (uncredited) |
| Courtney Munch | Marine Crew Chief |
| Jim Palmer | Crew Chief (uncredited) |
| Michelle Pierce | Shelly (uncredited) |
| Michael Wozniak | Beach Dude (uncredited) |
| Marlon Young | Sergeant Major (uncredited) |
| Name | Job |
|---|---|
| Christian Wagner | Editor |
| Andrew Neskoromny | Art Direction |
| Suzanne M.B. Chambliss | Set Costumer |
| Joe Chess | Additional Camera |
| Dan Cornwall | Gaffer |
| Josh Friz | Additional Photography |
| Jonathan Liebesman | Director |
| Sarah Monat | Foley Artist |
| Bob Kensinger | Set Decoration |
| Camille Argus | Costume Supervisor |
| Thomas Valentine | Supervising Art Director |
| Robert Troy | Dialogue Editor |
| Craig Jensen | Stunts |
| Kristopher Weaver | Lighting Technician |
| Kenneth Coblentz | Key Grip |
| Jeff Taylor | Second Assistant Camera |
| Rowland Egerton | Rigging Grip |
| Gary Cadow | Rigging Grip |
| Bruce Stubblefield | Dialogue Editor |
| Brice Reid | First Assistant Camera |
| Marvin Haven | Rigging Grip |
| Michael S. Endler | Assistant Camera |
| Penelope Helmer | Second Assistant Camera |
| David B. Nowell | Aerial Director of Photography |
| Jimi Ryan | Dolly Grip |
| Tom Fendley | Rigging Gaffer |
| Stan Hoyt | Lighting Technician |
| Peter D. Roome | First Assistant "B" Camera |
| Kevin Erb | Key Rigging Grip |
| L. Chris Strong | Rigging Grip |
| John Gregory Edwards | Electrician |
| Doug Bernard | Propmaker |
| Joshua Grow | 3D Coordinator |
| Philip Maldonado | Key Costumer |
| Stephen M. Rickert Jr. | Assistant Editor |
| Margaret Wren | Costume Assistant |
| Blake Le Vasseur | Special Effects Technician, Sculptor |
| Myeshea Baker | Set Costumer |
| Jeremy Johnson | Propmaker, Special Effects Technician |
| Colin Cunningham | Visual Effects |
| Geoff D.E. Scott | Visual Effects Supervisor |
| David Carriker | Visual Effects Supervisor |
| Molly Mikula | Set Designer |
| Matt Siner | Visual Effects Editor |
| Craig Fincannon | Casting |
| K. Emily Levine | Art Department Coordinator |
| Evan Schiff | Visual Effects Editor |
| Randall S. Coe | Construction Coordinator |
| Chris M. Jacobson | Sound Designer, Sound Effects Editor |
| Daniel R. Jennings | Set Designer |
| Tommy Tancharoen | Transportation Coordinator |
| Paul Stanwyck | Lead Painter |
| Sarah Wormsbecher | Visual Effects Producer |
| Ed Lipscomb | Location Manager |
| Andy Stevens | Visual Effects Editor |
| Jules Holdren | Key Hair Stylist |
| Krystal Kershaw | Makeup Artist |
| Lukas Ettlin | Director of Photography |
| Gary Tuers | Property Master |
| Christopher Bertolini | Writer |
| Peter Wenham | Production Design |
| Gloria Pasqua Casny | Hair Department Head |
| Jamie Hardt | Sound Effects Editor |
| Jeff Campbell | Visual Effects Supervisor |
| Jon Johnson | Supervising Sound Editor |
| Joe Lisanti | Music Editor |
| Everett Burrell | Visual Effects Supervisor |
| Anthony J. Henderson | Sculptor |
| Scott Thaler | Production Manager |
| Thierry Labbe | Leadman |
| Lori Harris | Set Costumer |
| Craig W. Smith | Visual Effects Editor |
| Brooke Ensign | Unit Publicist |
| Jann K. Engel | Set Designer |
| Paul Rabjohns | Music Editor |
| Jason Baldwin Stewart | Assistant Art Director |
| Stan Parks | Special Effects Coordinator |
| Harry Muller | Color Timer |
| Steve Buscaino | Makeup Artist |
| Karen Jarnecke | Production Supervisor |
| Lisa Mae Fincannon | Casting |
| T.J. McCall | Scenic Artist |
| Nicholas Davidoff | Additional Camera |
| Charlie Bradbury | Visual Effects Producer |
| Jennifer Mizener | Visual Effects Producer |
| Vincent Cirelli | Visual Effects Supervisor |
| Mairi Chisholm | Set Costumer |
| Brandon Schaafsma | Visual Effects Editor |
| Crystal Rainone | Script Supervisor |
| Artin Matousian | Systems Administrators & Support |
| Dawn Gilliam | Script Supervisor |
| David Giammarco | Sound Re-Recording Mixer |
| Shonta T. McCray | Set Costumer |
| George Macri | Visual Effects Producer |
| Crystal Woodford | Hairstylist |
| Leonard MacDonald | Makeup Artist |
| Jeremy Johnson | Digital Compositor |
| Kendrick Wallace | Visual Effects Producer |
| Phillip Joffrion | Set Dresser |
| Peter Giliberti | Animation Director |
| J.D. Imhof | Lighting Artist |
| Steve Griffith | Visual Effects Producer |
| Kim Ayers | Key Makeup Artist |
| Louise Hutchinson | Visual Effects Coordinator |
| Brian Pohl | Pre-Visualization Supervisor |
| Simon McGuire | Concept Artist |
| Derick Broderman | Propmaker |
| Adam Jewett | Visual Effects Coordinator |
| Winston Helgason | Visual Effects Supervisor |
| Chris Grantz | Set Dresser |
| Sherri Hamilton | Assistant Hairstylist |
| Jongju Lee | 3D Animator |
| Kenneth Sayers | Set Dresser |
| Daniel Chavez | Visual Effects Coordinator |
| Dave Olivares | Visual Effects Technical Director |
| Ricardo F. Delgado | Storyboard Artist |
| Erin Nicholson | Modelling Supervisor |
| Tom Ashburn | Standby Painter |
| Robin Harlan | Foley Artist |
| William D. Wynn | Dolly Grip |
| Todd Thompson | Rigging Grip |
| David J. Lukinovich Jr. | Electrician |
| Marvin Wright | Lighting Technician |
| Dale Fowler | Best Boy Electric |
| Humberto Recio | Electrician |
| Mike 'Chewie' Pappas | Electrician |
| Quinn Grove | Best Boy Grip |
| Brent Egan | Second Assistant Camera |
| Kurt Grossi | Key Grip |
| Max Patrucco | Rigging Grip |
| Danny Horne | Second Assistant Camera |
| Gordon Thomas | Set Dresser |
| Janette Luttrell | Props |
| Jeremy F. Butler | Animation Supervisor |
| Julie Gueydan | Construction Buyer |
| Phillip Norwood | Storyboard Artist |
| Stephen Pepper | Compositing Supervisor |
| John B. Clarey III | Construction Foreman |
| Anthony Zwartouw | CG Supervisor |
| John Polyson | Visual Effects Editor |
| Dipesh Mistry | Visual Effects Editor |
| Kathleen Kat Holton | Construction Buyer |
| Robin Scott Graham | Compositing Supervisor |
| Kevin O'Neil | Second Second Assistant Director |
| Floyd B. Sterling | Assistant Property Master |
| Joey Kent | Set Dresser |
| Catherine Hughes | Visual Effects Coordinator |
| Catherine Liu | Visual Effects Coordinator |
| Charles Bodenheimer | Painter |
| Richard Bennett | Storyboard Artist |
| Carrie Richardson | Visual Effects Production Manager |
| Paul Gerrard | Concept Artist |
| Kent Richard | Additional Hairstylist |
| Sheri Patterson | Visual Effects Production Manager |
| Matthew L. Crowson | Set Dresser |
| Jon Grinberg | Visual Effects Editor |
| James Selph | Rigging Grip |
| Hans Bjerno | Aerial Director of Photography |
| Bruce Jackson | Lighting Technician |
| Jimmy E. Jensen | First Assistant "A" Camera |
| Justin Seyb | Electrician |
| Scott Calcagno | Rigging Grip |
| Jonathan Morrill | Electrician |
| Jonathan Robinson | Camera Loader |
| Jack Reeves | Painter |
| Jeremy Drake | Makeup Effects |
| Dennis McHugh | VFX Director of Photography |
| Michael Wynn | Painter |
| Nadav Ehrlich | 3D Animator |
| Justin Johnson | Digital Effects Supervisor |
| Will Eastin | Graphic Designer |
| Oliver Arnold | Lighting Supervisor |
| Joel Sevilla | Lead Animator |
| Bill Kunin | Visual Effects Supervisor |
| Ted Haigh | Graphic Designer |
| Nicholas Elwell | Visual Effects Coordinator |
| Dan Dixon | CG Supervisor |
| Sonda L. Rowland | Painter |
| Erika Rice | Set Dressing Buyer |
| Destin M. Hebert | Props |
| Keith Sellers | Visual Effects Supervisor |
| Ember Soberman | Painter |
| Paul Wojdylo | Lighting Artist |
| Bryan Godwin | Visual Effects Supervisor |
| Joel Watts Jr. | Painter |
| Nathaniel Larouche | CG Supervisor |
| Simon Webber | Concept Artist |
| Gregory T. Geniusz | Set Dresser |
| Dave Akes | Carpenter |
| Katie Godwin | Visual Effects Coordinator |
| Kevin McCullough | Assistant Property Master |
| Noel Rideout | Set Dresser |
| Luca Giorgio | CG Artist |
| Eric Doiron | Compositing Supervisor |
| Ty Landry | Set Dresser |
| Kevin Elam | Visual Effects Producer |
| Robert McKinnon | Concept Artist |
| Bill Walters | Set Dresser |
| Joe Harkins | CG Supervisor |
| J. Michael Haynie | First Assistant Director |
| Kenneth Brown | Propmaker |
| John Kay | 3D Animator |
| Chris Radcliffe | Senior Modeller |
| Shayna Markowitz | Casting Assistant |
| Adam M. Duthie | Assistant Editor |
| Ryan Farris | Boom Operator |
| Devin Johnson | Assistant Sound Editor |
| Ira Goldklang | Legal Services |
| Lorenzo Hearns Jr. | Costumer |
| David Heffler | Production Secretary |
| Tracey Dundas | Costumer |
| Robin Batherson | Extras Casting |
| Vanessa Lapato | Supervising ADR Editor |
| Sandy Gendler | Foley Editor |
| Mark Fincannon | Casting |
| Richard Oswald | Second Assistant Director |
| Eduardo Vaisman | Visual Effects Editor |
| H Haden Hammond | Sequence Supervisor |
| Nicole LaBranche | Art Department Coordinator |
| Chad Harris | Set Dresser |
| David Sewell | 2D Supervisor |
| Richard Sutherland | CG Supervisor |
| TyRuben Ellingson | Conceptual Design |
| Ryan Andersen | Visual Effects Production Assistant |
| Edward Joyner | Draughtsman |
| Rachel Nowik | Set Decorating Coordinator |
| Raphael A. Pimentel | Animation Supervisor |
| Ted Lao | Visual Effects Production Manager |
| Donna Chance | Key Costumer |
| David Rosenbloom | Additional Editor |
| Zahida Bacchus | Digital Intermediate Producer |
| Mo Henry | Negative Cutter |
| Meghan Cornay | Costume Assistant |
| Wayne Eaton | Special Effects Technician |
| Jane Ryder | Seamstress |
| Aaron Brock | First Assistant Editor |
| Melissa Reed | Costumer |
| Tannis Vallely | Casting Associate |
| Howard London | ADR Mixer |
| Ellen Porter | Production Coordinator |
| Ryan Juggler | Assistant Sound Editor |
| Kim LeBrane | 3D Coordinator |
| Shane Strickman | Visual Effects Coordinator |
| Christian Cordella | Costume Illustrator |
| Brad Sokol | Assistant Sound Editor |
| Phillip Kimsey | Assistant Editor |
| Gayle Merindino | Costumer |
| Edward Allen | Production Accountant |
| Debra Zane | Casting |
| Sanja Milković Hays | Costume Design |
| Chris L. Spellman | Art Direction |
| Paul Massey | Sound Re-Recording Mixer |
| Craig Barron | Visual Effects Supervisor |
| Ben Shepherd | Visual Effects Supervisor |
| Joey Box | Stunt Coordinator |
| Joel Harlow | Makeup Department Head |
| Keii Johnston | Stunts |
| Brian Tyler | Original Music Composer |
| Casey Adams | Stunts |
| Kelli Barksdale | Stunts, Stunt Double |
| Daniel Arrias | Stunts |
| Shane Geraghty | Stunts |
| Jessica Harbeck | Stunts |
| Courtney Munch | Stunts |
| Lisa Hoyle | Stunt Double |
| Jordu Schell | Creature Design |
| Colin Strause | Visual Effects Designer |
| Greg Strause | Visual Effects Designer |
| Tara Feldstein Bennett | Casting Associate |
| Darcel White Moreno | Extras Casting Assistant |
| Leigh Folsom Boyd | Additional Editor |
| Michael Tronick | Additional Editor |
| Cliff Fleming | Aerial Coordinator |
| Chris Palermo | Stunts |
| Zack Duhame | Stunt Double |
| Jim Robin | Driver |
| Bruce McCleery | Second Unit Director of Photography |
| Mara LePere-Schloop | Assistant Art Director |
| Paul N.J. Ottosson | Supervising Sound Editor, Sound Designer |
| Lucas Bielan | Camera Operator |
| BJ McDonnell | Steadicam Operator, Camera Operator |
| Randy K. Singer | Foley Mixer |
| Name | Title |
|---|---|
| Neal H. Moritz | Producer |
| Lisa Rodgers | Associate Producer |
| Ori Marmur | Producer |
| David Greenblatt | Executive Producer |
| Jeffrey Chernov | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 44 | 53 | 32 |
| 2024 | 5 | 42 | 57 | 28 |
| 2024 | 6 | 45 | 74 | 28 |
| 2024 | 7 | 46 | 79 | 27 |
| 2024 | 8 | 36 | 60 | 22 |
| 2024 | 9 | 31 | 41 | 23 |
| 2024 | 10 | 35 | 72 | 18 |
| 2024 | 11 | 32 | 53 | 22 |
| 2024 | 12 | 33 | 65 | 21 |
| 2025 | 1 | 32 | 44 | 24 |
| 2025 | 2 | 25 | 37 | 5 |
| 2025 | 3 | 9 | 33 | 2 |
| 2025 | 4 | 6 | 11 | 4 |
| 2025 | 5 | 5 | 11 | 4 |
| 2025 | 6 | 5 | 7 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 4 |
| 2025 | 9 | 6 | 7 | 5 |
| 2025 | 10 | 5 | 8 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 849 | 849 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 911 | 911 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 461 | 659 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 560 | 738 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 488 | 727 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 960 | 960 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 603 | 717 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 328 | 719 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 602 | 762 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 995 | 995 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 944 | 944 |
When it comes to violent film - I'm divided. I don't go out of my way to watch movies about actual, historical battles, because I know that real people died (or were physically or mentally crippled); sons and daughters, sisters and brothers, mothers and fathers . . . even children. The prospect ... of of reliving those tragic (even if heroic) deaths is too painful for me. And yet, give me an alien invasion and I'm "all up in that". I find the fantasy of war exciting, and yet I have to be aware of how such films glorify violence; glorify war. I'm conflicted, enjoying this guilty pleasure. I'm a little surprised by the low rating. Have there been too many movies of this sort? a burnout by the viewing public? A burnout - when it comes to war? Another sign that we might be a war-weary nation / world? As for me, I don't watch a lot of flicks, so I'm not "burnt out" when it comes to military action films. So, this was not "same-o, same-o" for me. I thought the script was impressively tight. That applies to character development as well; quick snap-shot profiles; a glance, a nod and you had pretty much all you needed to know about this or that character. I'm not a fan of the "shaky-cam", but I thought it was well employed in some of the battle scenes. I've never been in such a situation, but I think the camera gave us that sense of heart-pounding, out of control terror that being shot at and bombed can produce; often no knowing even where the fire is coming from as you hunker down and question your very soul. Yes, this is a familiar theme - seasoned tough old lifer in charge of a bunch of kids - typical of many such films (Heartbreak Ridge comes to mind; many more). I wonder, also, if there is more of a connection with military vets; something the civilian population can never really get (no offense; just fact; I served but never got shot at)? From my experience, I thought the military portrayal was pretty spot on (military gear, tactics, fallibility, rank, age differences, rancor, "I got your 6", sense of duty and dedication to mission; never give up, never surrender). Predictable formula script? sure, in some ways, but I found plenty of surprises as well. Maybe if I watched this sort of film all the time, I'd be as cynical as many here. I really enjoyed this film (gave it 8/10; probably would have given it 7 1/2, but it deserves better than what I see others giving it). Recent revelations from sources such Bigelow and Elizondo, have all but confirmed that we are being visited by aliens. And, who knows, maybe they will decide to harvest our water before we contaminate it any further, as we creep and crawl closer and closer to our own nuclear annihilation.
Click here for a video version of this review: https://youtu.be/kdUtKcM4rJA _Battle: Los Angeles_ is a 2011 film that Wikipedia describes as a “military science fiction apocalyptic action film”. That’s a lot of genres mashed into one movie, but boy do they pull it off. So what’s this all about th ... en? Here’s the official description: _The Earth is attacked by unknown forces. As people everywhere watch the world's great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. It's up to a Marine staff sergeant and his new platoon to draw a line in the sand as they take on an enemy unlike any they've ever encountered before._ I originally saw this in a theatre when it came out, and just like back then, this second viewing was a real good time. What I think makes this so good is that while this is basically a sci-fi movie about an alien invasion, what makes it stand out from the crowd is that it's put together like a war movie. Much like _Monsters: Dark Continent_ and _Dog Soldiers_ this is a soldier movie with aliens, not an alien movie with soldiers. This is quite a big difference. There are some familiar faces in this, there's Aaron Eckhart, Michelle Rodriguez, Michael Pena, and a very young Joey King. Everyone is in good form, but this isn't a star power movie, its a blow your hair back action film. The story itself is pretty simple. Their first mission is to get to a police station and rescue some civilians. On the way there its full of urban warfare like you’ve seen on many videos from overseas in YouTube videos, but this time it’s in America amongst a very familiar looking urban environment. The focus then shifts to a search and destroy mission and it all winds up to an action packed finale. Adding to the chaos all along the way was the film-makers choice to not give you a super clear look at the enemy. It adds another level of tension to it all. This is a great turn off your brain type movie that cracks along at a good pace and has lots to entertain you all the way through.
**Battle: Los Angeles is a grounded and well-done invasion movie that tells its story with a realism unique to the genre.** Battle: Los Angeles is excellent! I am baffled by the low Rotten Tomatoes score and bad reviews. Battle: Los Angeles tells a gritty and realistic story of what it might actu ... ally look like if otherworldly extraterrestrials invaded. There aren’t any larger-than-life characters like in Independence Day - just courageous soldiers fighting to save the lives of everyone they hold dear. The realism makes this movie feel like Black Hawk Down with aliens. Even with this film being over a decade old, the clever use of CGI doesn’t feel overly dated and looks better than many films today. Aaron Eckhart leads these heroic marines with a strong, authentic, powerful performance anchoring the rest of the cast and the movie. Battle: Los Angeles has its flaws, but this war/sci-fi blend is done in a way, unlike any other invasion film. Don’t get caught up in the reviews. If you enjoy alien movies and invasion films, give this movie a shot.
Most underrated film ever. ...
It’s criminal how underrated Battle LA really is. ...
Brilliant and full of action! ...