Armed Response
No Retreat No Mercy
2017 | 93m | English
Popularity: 12 (history)
| Director: | John Stockwell |
|---|---|
| Writer: | Matt Savelloni |
| Staring: |
| The story follows a team of highly trained operatives who find themselves trapped inside an isolated military compound. | |
| Release Date: | Aug 04, 2017 |
|---|---|
| Director: | John Stockwell |
| Writer: | Matt Savelloni |
| Genres: | Action, Horror, Thriller |
| Keywords | |
| Production Companies | Voltage Pictures, WWE Studios, Saban Films, Erebus Pictures, Maandi Films |
| Box Office |
Revenue: $52,036
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Wesley Snipes | Isaac |
| Anne Heche | Riley |
| Dave Annable | Gabriel |
| Colby Lopez | Brett |
| Kyle Clements | Tyler |
| Eyas Younis | Saeed |
| Mo Gallini | Ahmadi |
| Chelle Ramos | O'Neill |
| Mike Seal | Rainer |
| Ariadne Joseph | Tilson |
| Mustafa Harris | Alex |
| Anthony Azizi | Akram |
| Gene Simmons | Male Suspect |
| John L. Armijo | |
| Morgan Roberts | Paul |
| Michael Krikorian | Thomas |
| Name | Job |
|---|---|
| John Stockwell | Director |
| J.C. Cantu | Casting |
| Kyle S. Plowden | Armorer |
| Owl Martin Dwyer | Set Decoration |
| Miguel Araujo | Dialogue Editor |
| Preston Schrag | Stunts |
| Met Salih | Stunts |
| Chuck Picerni Jr. | Stunt Coordinator |
| Vanessa Motta | Stunt Coordinator |
| Hans Marrero | Stunts |
| Tim Bell | Stunts |
| Matt Savelloni | Writer |
| Elia Cmiral | Music |
| Matthew Irving | Director of Photography |
| Christopher S. Capp | Editor |
| Elizabeth Coulon | Casting |
| Frank J. Zito III | Production Design |
| Dana Embree | Costume Design |
| Bryan W. Carpenter | Armorer |
| Alexander B. Hill | Script Supervisor |
| Shareen Chehade | Set Costumer |
| Luis Lopez DeVictoria | Camera Operator |
| Steve Acheson | Steadicam Operator |
| Eliza Morse | Still Photographer |
| Giovanni Bommarito | Dolly Grip |
| Brad Baker | First Assistant Camera |
| Mark A. Davis | Best Boy Electric |
| Ronnie LeBlanc | Lighting Technician |
| Matt Kutcher | Special Effects Supervisor |
| Dries Derycke | Visual Effects Editor |
| Chris Van Osselaer | Visual Effects Producer |
| Laurens Bekaert | Visual Effects Supervisor |
| Jack Bigelow | Boom Operator |
| James Fonnyadt | Sound Designer |
| Gregorio Gómez | Sound Effects Editor |
| Daniel Cardona | Sound Re-Recording Mixer |
| Kelly Cole | Sound Re-Recording Mixer |
| Bill Mellow | Supervising Sound Editor |
| Amber Cannon | Hair Department Head |
| Lesley Rodriguez | Key Makeup Artist |
| Natalie Christine Johnson | Makeup Department Head |
| Janna Roach | Property Master |
| Donnie Dean | Special Effects Coordinator |
| Wayne Rowe | Special Effects Coordinator |
| Elias Duhe Jr. | Special Effects Technician |
| Justin Kane Miller | Special Effects Technician |
| Juli Van Brown | Special Effects Technician |
| Alfonso Bresciani | Additional Still Photographer |
| Paul Rahfield | Digital Imaging Technician |
| Paul Charbonnet | Drone Operator |
| Josh Rogers | Drone Operator |
| Ian Campbell | Second Assistant Camera |
| James Roque Jr. | First Assistant Director |
| Amelia Chen Miley | Casting Assistant |
| Alicia Connelly | Extras Casting |
| Thayer Abaigael | Costumer |
| Heidi Bannon | Key Costumer |
| Illya Laney | Colorist |
| Brian Jackson Harris | EPK Editor |
| Trish Callais | Production Coordinator |
| Candace Mayfield | Location Manager |
| Jean Claude Leuyer | Stunt Double |
| Adam Horwitz | Stunts |
| Name | Title |
|---|---|
| Gene Simmons | Producer |
| Wesley Snipes | Producer |
| Michael J. Luisi | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 25 | 13 |
| 2024 | 5 | 16 | 25 | 12 |
| 2024 | 6 | 17 | 29 | 9 |
| 2024 | 7 | 18 | 33 | 9 |
| 2024 | 8 | 14 | 27 | 8 |
| 2024 | 9 | 10 | 14 | 7 |
| 2024 | 10 | 16 | 44 | 6 |
| 2024 | 11 | 11 | 27 | 6 |
| 2024 | 12 | 12 | 23 | 8 |
| 2025 | 1 | 13 | 22 | 8 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 5 | 7 | 2 |
| 2025 | 10 | 5 | 12 | 2 |
Trending Position
I'm always pleasantly surprised when a movie I was expecting to be a different genre takes a decidedly Horror turn. This is where the pleasant surprises end for Armed Response. You know what I hate? When the shrill elongated beep that's supposed to cause the characters immense pain, actually caus ... es pain to the audience. Well, Armed Response has that in spades. Seriously, have we not yet reached a place in filmmaking where we can indicate an intense noise other than that some bloody headache-inducing, ear-splitting 'EEEEEEEEEEEEE' they all use? Makes me want to turn off the movie immediately. Well, with Armed Response, I probably would have been better served if I had done just that. What a ridiculous 93 minutes that was. _Final rating:★½: - Boring/disappointing. Avoid where possible._
Woeful. <em>'Armed Response'</em> is, simply, a total mess. The entire plot makes little to no sense, while the casting, cinematography and dialogue are just as bad. Some of the effects are OK-ish and there are two decent deaths. Otherwise, it all makes for an insufferable 93 minutes. They att ... empt to mesh horror and thriller vibes but it just doesn't work, I didn't feel thrilled once and the horror is set up so poorly; despite a couple of alright ideas for the latter. Wesley Snipes is the all-star name attached to this, yet is bemusingly put into a back-up role behind Dave Annable. Why would you not utilise Snipes as your lead? WWE Studios have done far better. It only avoids the lowest rating from me due to there, somehow, being worse films out there.