Popularity: 2 (history)
| Director: | Kevin Fair |
|---|---|
| Writer: | Teena Booth, Charlaine Harris |
| Staring: |
| Aurora Teagarden and her boyfriend Martin are thrilled when they get an unexpected visit from his niece and her new baby. Their excitement is short lived when his niece disappears and the baby is left behind. Once again, Aurora finds herself drawn into a deadly investigation as she risks it all to help Martin reunite with his family. | |
| Release Date: | May 21, 2017 |
|---|---|
| Director: | Kevin Fair |
| Writer: | Teena Booth, Charlaine Harris |
| Genres: | Drama, Crime, Mystery, TV Movie |
| Keywords | |
| Production Companies | Lighthouse Pictures, Muse Entertainment, Head First Productions, iCandy Production |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Candace Cameron Bure | Aurora Teagarden |
| Yannick Bisson | Martin Bartell |
| Marilu Henner | Aida Teagarden |
| Lexa Doig | Sally Allison |
| Miranda Frigon | Detective Lynn Leggit-Smith |
| Peter Benson | Detective Arthur Smith |
| Bruce Dawson | John Queensland |
| Ellie Harvie | Lillian Tibbett |
| Carly McKillip | Regina Walker |
| Andrew Francis | Rory Brown |
| Jessica Heafey | Margaret Granberry |
| Keenan Tracey | Jason Dall |
| Michael Antonakos | Luther Granberry |
| Jennifer Copping | Cathy Davis |
| Catherine Lough Haggquist | Terry Sternholz |
| Venus Terzo | Bobbie Sunday |
| Sebastian Stewart | Craig Walker |
| Terence Kelly | Mr. Walker |
| Brenda Matthews | Mrs. Walker |
| Brad Harder | Officer Heard |
| Ramon Terrell | Alan Perkins |
| Joel Montgrand | Bartender |
| Name | Job |
|---|---|
| Teena Booth | Writer |
| Ron Stannett | Director of Photography |
| Michael Nemirsky | Production Design |
| Ron Yoshida | Editor |
| Candice Elzinga | Casting |
| Lindsay Pilkey | Key Makeup Artist |
| Christine McLeod | Dialogue Editor |
| Adam Sharpe | ADR Mixer |
| Shane Nasmith | Dolly Grip |
| Owen Pinchin | Lighting Technician |
| Amanda Christmas | Set Decoration |
| Barbara Gregusova | Costume Design |
| Jesse Minty | Key Hair Stylist |
| Michelle Samuels | Production Manager |
| Natalie Fiteni | Third Assistant Director |
| Kelly Marcusson | Second Assistant Director |
| Claude M. Pavel | Second Assistant Director |
| Kevin Speckmaier | First Assistant Director |
| Corey Barefoot | Set Dresser |
| Tiana Bozarth | Set Dresser |
| Arlene Craig | Property Master |
| Sean Fidler | Set Dresser |
| Paige Harvey | Assistant Property Master |
| Red McGrath | Assistant Set Decoration |
| Mark Angly | Sound Re-Recording Mixer |
| Rob Coxford | Sound Re-Recording Mixer |
| Matt Dawson | Sound Supervisor, Sound Re-Recording Mixer |
| Dario DiSanto | Foley Editor |
| Darryl Isaacs | Assistant Sound Editor |
| Ben McDonald | Sound Mixer |
| Mike Paprocki | Sound Designer |
| Tony Rodney | Assistant Sound Editor |
| Shane Shemko | Foley Artist |
| Elaine Stef | Foley Artist |
| Tom Suski | Boom Operator |
| Robert Musnicki | Special Effects Coordinator |
| Brett Keyes | Visual Effects Supervisor |
| Ivette Hernandez | Stunt Driver |
| David Dolsen | Still Photographer |
| Nathan Easterbrook | Lighting Technician |
| Dallas Groening | Lighting Technician |
| Timothy Hedgecock | Gaffer |
| Tammy Jones | Steadicam Operator, "B" Camera Operator |
| Damian Kliman | Best Boy Electric |
| Tyler Meehan | First Assistant "B" Camera |
| Bettina Strauss | Still Photographer |
| Jonathan Yip | First Assistant "A" Camera |
| Martin Gregus | Assistant Costume Designer, Costume Set Supervisor |
| Andrea Dixon | Colorist |
| Lianne Oelke | Assistant Editor |
| Dave Stephens | Music Editor |
| Jessica L. Randall | Script Supervisor |
| Joey Setter | Production Coordinator |
| Rico Mielnicki | Location Manager |
| Robert Amar | Assistant Location Manager |
| Jason Traversy | Assistant Location Manager |
| Mark Lunn | "A" Camera Operator |
| Dan Funk | Second Assistant "A" Camera |
| Jerry Wang | Second Assistant "B" Camera |
| Jason Kwan | Digital Imaging Technician |
| Dereck Dell | Set Dresser |
| Chantal Rangeley-Davies | Set Dresser |
| Elena Gregusova | Truck Costumer |
| Jessica Crippen | Assistant Makeup Artist |
| Bree Spencer | Assistant Hairstylist |
| Johnny Walker | Key Grip |
| Max Walker | Grip |
| Tracy Smith-Kolisnyk | Assistant Production Coordinator |
| Trudi Thorwaldson | Production Accountant |
| Mai-Britt Kotzman | Payroll Accountant |
| Aidan Heatley | Assistant Accountant |
| Dean Fitzpatrick | Transportation Coordinator |
| Brett Taylor | Transportation Captain |
| Sean Hanlin | Security Coordinator |
| Martina Smyth | Casting Assistant |
| Stephanie Boeke | Extras Casting |
| Koah Kruse | Post Production Supervisor |
| Darlene Choo | Post Production Coordinator |
| Jay Harada | Online Editor |
| Jay Cheetham | Sound Editor |
| Kevin Morales | Foley Mixer |
| Charlaine Harris | Novel |
| Kevin Fair | Director |
| Cassandra Ebner | Stunts, Stunt Double |
| Lars Grant | Stunts |
| Landon Jackle | Stunt Double |
| Paul Wu | Stunt Coordinator |
| Jonathan Shore | Post Production Supervisor |
| Jeff Tymoschuk | Original Music Composer |
| Josh Rohrback | Generator Operator |
| Name | Title |
|---|---|
| Shawn Williamson | Executive Producer |
| Charlaine Harris | Executive Producer |
| Candace Cameron Bure | Executive Producer |
| Joel S. Rice | Executive Producer |
| Michael Prupas | Executive Producer |
| Jamie Goehring | Producer |
| Trevor McWhinney | Producer |
| Jim Head | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 10 | 13 | 8 |
| 2024 | 5 | 13 | 24 | 7 |
| 2024 | 6 | 10 | 16 | 5 |
| 2024 | 7 | 11 | 30 | 5 |
| 2024 | 8 | 8 | 12 | 4 |
| 2024 | 9 | 7 | 10 | 5 |
| 2024 | 10 | 12 | 26 | 6 |
| 2024 | 11 | 8 | 22 | 5 |
| 2024 | 12 | 7 | 15 | 5 |
| 2025 | 1 | 8 | 14 | 5 |
| 2025 | 2 | 6 | 9 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 1 | 2 | 1 |
Trending Position
**Mystery baby.** The sixth in the Aurora Teagarden Mystery film series made for television. The final film for now, until the next one comes out. Based on the book named 'A Fool and His Honey'. Fourth director to helm a film in the franchise. So far I've enjoyed all the films. They all were dece ... nt, as I say, for the small screen standards. Produced for Hallmark channel, surely the target audience is women. But the whole family can enjoy them, I meant including kids, since it has less violence. Surely a nice storyline for a literature. The film too was not bad, but it depends on the viewers. For instance, if you take me, I've seen many similar films. I'm not talking about crime solving themes, but this same platform with different characters, locations and a style of narration. That's why it is a television film, aimed for those viewers who are less familiar with the thematic. But I appreciate the effort. The production quality to the writing, music, performances, all were better. Especially the Hallmark's common cliché, the romance had got ridden. You will be happy for that if you are a male audience. Another case where Aurora did not choose, but it chose her. It was slightly different than all the previous ones. Because she did not know what she's looking for. A young woman with a newborn baby had come to her house saying she's her boyfriend's niece. But the twist was a few moments later, she went missing and a stranger dead on her front porch. The baby was left behind. It was closely linked case, due to her relationship with Martin. It's good that way, because intensifies the atmosphere and no room for mistakes. > ❝Did you come with an instruction book? Because I am very good with books.❞ There was a basic flaw. It was where the whole platform constructed on. Only at the end you will realise that. That it all would have been solved easily by those involved in it, before dragging Aurora and others into it. Even if it is in a life threatening situation. Because of what we predict, those possibilities, the theories, particularly against those people, are not strong enough. It was those young people, who wrongly handled the situation. That's why the original source material rightly titled, calling a fool. Everything's about the baby. The baby gives the reason for this story, and also to solve the mystery. From the opening to the mid- section, it was a nice film. They did all they could improvise the narration, but the end was average. The film flourished only for its suspense. The answers were all the time in front of us, in front of Aurora. The writers just dragged it with the kind of character design, with somewhat a convincing reason. The romance parts, either it was Aurora and Martin or Aida and John, did not go anywhere. Joining hands, doing the investigation, that's one way to improve their relationship. This is not the best in the series. At least better than the previous one. A new director, though nothing much has changed. The regular cast steered it with their best. It was a better film series than I'd anticipated. I had a nice time with them in the last one and a half weeks. The Hallmark Movies & Mysteries giving a new dimensional entertainment for the home audience. I mean, can you name a few crime/murder mystery titles with rating General. I don't know when the next one is coming out, but looking forward to it. In the meantime, I would suggest it, but not for all. Just lower your expectation and enjoy it. **7/10**