 
  Popularity: 2 (history)
| Director: | Theodore Melfi | 
|---|---|
| Writer: | Matt Harris | 
| Staring: | 
| A woman adjusting to life after a loss contends with a feisty bird that's taken over her garden — and a husband who's struggling to find a way forward. | |
| Release Date: | Sep 17, 2021 | 
|---|---|
| Director: | Theodore Melfi | 
| Writer: | Matt Harris | 
| Genres: | Drama | 
| Keywords | marriage, friendship, loss, grief | 
| Production Companies | Entertainment One, Boies/Schiller Film Group, Limelight | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 10, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Melissa McCarthy | Lilly Maynard | 
| Chris O'Dowd | Jack Maynard | 
| Kevin Kline | Dr. Larry Fine | 
| Timothy Olyphant | Travis Delp | 
| Daveed Diggs | Ben | 
| Skyler Gisondo | Dickey | 
| Laura Harrier | Sherri | 
| Kimberly Quinn | Regina | 
| Loretta Devine | Velma | 
| Jesse García | Hector | 
| Edi Patterson | Margie | 
| Emily Tremaine | Alice | 
| Rosalind Chao | Fawn | 
| Ravi Kapoor | Dr. Manmohan | 
| Don McManus | Big Daddy | 
| Owen Atlas | Howie | 
| Name | Job | 
|---|---|
| Theodore Melfi | Director | 
| Matt Harris | Screenplay | 
| Susie DeSanto | Costume Design | 
| Stephanie Hamilton | Production Design | 
| Peter Teschner | Editor | 
| Jessica Shorten | Art Direction | 
| Lizzie Boyle | Set Decoration | 
| Tiphanie Baum | Key Hair Stylist | 
| Cindy Escalante | Key Makeup Artist | 
| Kerry Mendenhall | Hair Department Head | 
| Michelle Sfarzo | Makeup Artist | 
| Erin Wooldridge | Key Makeup Artist | 
| Matthew Nicolay | Sound Mixer | 
| Taylor Flinn | Sound Effects Editor | 
| Mike Horton | Foley Artist | 
| Wayne Lemmer | Sound Re-Recording Mixer | 
| Walter Spencer | Foley Supervisor | 
| Dirk Stout | Boom Operator | 
| Justin Bursch | Executive In Charge Of Production | 
| Nancy Kirhoffer | Post Production Producer | 
| Michelle Wade Byrd | Casting | 
| Matthew Friedman | Editor | 
| Michael G. Cruz | Location Scout | 
| Mark R. Byers | Special Effects Supervisor | 
| Ken Rudell | Special Effects Supervisor | 
| Steve Sosner | Special Effects Technician | 
| Lycee Anaya | Compositor | 
| Jon Balcome | CG Supervisor | 
| Spencer Hecox | Visual Effects Supervisor | 
| Iskra Nacheva | Visual Effects Producer | 
| Adam Pere | Visual Effects Producer | 
| Ben Sumner | Visual Effects | 
| Kimberly Greene | Makeup Department Head | 
| Mary Vernieu | Casting | 
| Meegan E. Godfrey | Stunts | 
| Luci Romberg | Stunt Coordinator | 
| Katie Rowe | Stunts | 
| Zach Hamelton | Visual Effects Coordinator | 
| Joshua LaCross | Visual Effects Supervisor | 
| Matt Lathrom | Visual Effects Supervisor | 
| Benjamin Wallfisch | Original Music Composer | 
| Hopper Stone | Still Photographer | 
| Lawrence Sher | Cinematography | 
| Tess Castro | Music Coordinator | 
| Julia Michels | Music Supervisor | 
| David J. Krystal | Orchestrator | 
| Name | Title | 
|---|---|
| Theodore Melfi | Producer | 
| Dylan Sellers | Producer | 
| Zack Schiller | Executive Producer | 
| Alex Dong | Executive Producer | 
| C.J. Barbato | Associate Producer | 
| Gabby Revilla Lugo | Executive Producer | 
| Trisha Wilson | Associate Producer | 
| Tyler Zacharia | Executive Producer | 
| Kimberly Quinn | Producer | 
| David Boies III | Executive Producer | 
| Zev Foreman | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 17 | 30 | 9 | 
| 2024 | 5 | 21 | 36 | 14 | 
| 2024 | 6 | 17 | 28 | 10 | 
| 2024 | 7 | 18 | 28 | 11 | 
| 2024 | 8 | 15 | 28 | 8 | 
| 2024 | 9 | 11 | 15 | 8 | 
| 2024 | 10 | 14 | 25 | 8 | 
| 2024 | 11 | 12 | 29 | 7 | 
| 2024 | 12 | 11 | 19 | 8 | 
| 2025 | 1 | 13 | 28 | 7 | 
| 2025 | 2 | 8 | 12 | 3 | 
| 2025 | 3 | 5 | 13 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 0 | 
| 2025 | 8 | 1 | 1 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Full Analysis at https://www.spotamovie.com/ - **Intro**- The Starling is an American movie released in 2021. It belongs to the category of drama, and it lasts for one hour and forty-two minutes. The Starling let us connect with nature and rediscover the inner desire of love and life that we sometim ... es lose because of unfortunate events. We recommend watching the movie because it reminds us how fragile and strong we are at the same time. And to increase your strength, let us guide you through this story. - **The Story** - Lilly and Jack are a couple full of dreams and love for their baby Katie. But, unfortunately, due to a tragic event, their lives change, taking paths unthinkable for them. Life has the power to surprise us when we forget how something terrible but natural can easily break us. Therefore Lilly and Jack begin a personal journey among the paths of grieving, mental health and life to, hopefully, find a new destination. Interesting characters will try to support them. Among them, one is definitely unexpected but efficacious. Will Lilly and Jack be able to find their life again? Who is this mysterious character? And what is it going to teach us? - **Full Analysis** and Insights at https://www.spotamovie.com/the-starling-2021-movie-recommendation-and-analysis/
WHenever I see Melissa McCarthy in another non-comedic role, I get more and more impressed. She is still great at physical humor and delivering funny or ironic lines, but there are layers to her performances now. Her anger, frustration, sadness, all feel real to me. This movie could easily have been ... rated 6 stars by me with the wrong actress playing the role. Chris O’Dowd’s role is thankless at first; he gives a one-note performance because that is what the plot calls for. The man is entrenched in guilt and depression, so there he is. But later in the movie he is called upon to develop gradually as a character, and he quickly matches Ms. McCarthy’s textured performance. The supporting cast mostly are right on the mark as well. I don’t want to overstate it; this is not destined to be in my top ten movies ever, but it is pretty darn good and I would not change the TV if this comes on while I am cruising channels.