Popularity: 2 (history)
Director: | Matt Tyrnauer |
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Writer: | |
Staring: |
A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars. | |
Release Date: | Jul 27, 2018 |
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Director: | Matt Tyrnauer |
Writer: | |
Genres: | Documentary |
Keywords | biography, lgbt, gay theme |
Production Companies | Wavelength, Altimeter Films, Water's End Productions, Greenwich Entertainment |
Box Office |
Revenue: $176,236
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Scotty Bowers | Self |
William Mann | Self |
David Kuhn | Self |
Stephen Fry | Self |
Peter Bart | Self |
Lois Bowers | Self |
Matthew Hoffman | Self |
Paul Teetor | Self |
Jack Kimberling | Self |
Michael Childers | Self |
Lee Shook | Self |
Robert Hofler | Self |
Dian Hanson | Self |
Tony Charmoli | Self |
Paul LaMastra | Self |
Phyllis Bowers | Sef (voice) |
Dale Bowers | Self (voice) |
Liz Smith | Self |
Myke Dodge Weiskopf | Self |
Randolph Scott | Self (archive footage) |
Laurence Olivier | Self (archive footage) |
Ramon Novarro | Self (archive footage) |
Orry-Kelly | Self (archive footage) |
Vivien Leigh | Self (archive footage) |
Elsa Lanchester | Self (archive footage) |
Rock Hudson | Self (archive footage) |
J. Edgar Hoover | Self (archive footage) |
Katharine Hepburn | Self (archive footage) |
William Holden | Self (archive footage) |
Cary Grant | Self (archive footage) |
Whoopi Goldberg | Self (archive footage) |
Ava Gardner | Self (archive footage) |
Greta Garbo | Self (archive footage) |
Tom Ewell | Self (archive footage) |
Beach Dickerson | Self (archive footage) |
Bette Davis | Self (archive footage) |
George Cukor | Self (archive footage) |
Joseph I. Breen | Self (archive footage) |
Lauren Bacall | Self (archive footage) |
Jennifer Aniston | Self (archive footage) |
Judith Anderson | Self (archive footage) |
Walter Pidgeon | Self (archive footage) |
Cole Porter | Self (archive footage) |
Elvis Presley | Self (archive footage) |
Sherri Shepherd | Self (archive footage) |
Spencer Tracy | Self (archive footage) |
Lana Turner | Self (archive footage) |
Barbara Walters | Self (archive footage) |
Edwin B. Willis | Self (archive footage) |
Wallis Simpson | Self (archive footage) |
Name | Job |
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Graham High | Additional Camera |
Sean McElwee | Additional Camera |
Bob Eisenhardt | Editor |
Jane Antonia Cornish | Music |
Daniel Morfesis | Editor |
Grant Nellessen | Title Designer |
Dustin Bath | Sound Mixer |
Carlos Flood | Sound Mixer |
Ben Forman | Sound Mixer |
George Pereyra | Sound Editor |
Zach Seivers | Supervising Sound Editor |
Nicholas Albert | Additional Camera |
Troy Benjamin | Additional Camera |
Niles Harrison | Additional Camera |
Jonas Kord | Additional Camera |
Samantha Andre | Assistant Editor |
Peter R. Berg | Editorial Services |
Dave Chang | First Assistant Editor |
Kristopher Gee | Assistant Editor, Associate Editor |
Evan Houston | Assistant Editor |
Jaclyn Lee | Assistant Editor |
Christi Leftwich | Assistant Editor |
Timmy Seely | Assistant Editor |
Philip Welch | Assistant Editor |
Dan Bora | Score Engineer |
Lorenzo Castellarin | Orchestrator |
Nate Thor Odden | Assistant Music Supervisor |
Christine Greene Roe | Music Supervisor |
Akemi Abe | Graphic Novel Illustrator |
Jake Abrams | Assistant Production Manager |
Thanasi Andrianos | Assistant Production Manager |
Kate Coe | Archival Footage Research |
Bill Georgiou | Graphic Novel Illustrator |
Alex Gootter | Archival Footage Coordinator |
Kendall Hailey | Archival Footage Coordinator |
Jim Hosney | Archival Footage Research |
Matt Tyrnauer | Director |
Chris Dapkins | Director of Photography |
Name | Title |
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Tom Dolby | Executive Producer |
Graham High | Executive Producer |
Jenifer Westphal | Executive Producer |
Corey Reeser | Producer |
Jordan Abrams | Associate Producer |
Alice Bamford | Executive Producer |
Joni Benickes | Executive Producer |
Miles Benickes | Executive Producer |
Troy Benjamin | Co-Producer |
Josh Braun | Producer |
Lionel Friedberg | Executive Producer |
Jonas Kord | Associate Producer |
David Kuhn | Associate Producer |
Pierre Lagrange | Executive Producer |
Lynn Pincus | Executive Producer |
Alison Schnapp | Associate Producer |
Elliott Sernel | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 6 | 10 | 3 |
2024 | 5 | 8 | 12 | 4 |
2024 | 6 | 7 | 13 | 3 |
2024 | 7 | 9 | 23 | 4 |
2024 | 8 | 6 | 10 | 2 |
2024 | 9 | 4 | 6 | 2 |
2024 | 10 | 6 | 14 | 3 |
2024 | 11 | 5 | 14 | 3 |
2024 | 12 | 4 | 6 | 2 |
2025 | 1 | 4 | 10 | 2 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 2 | 4 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 1 |
Trending Position
“Scotty and the Secret History of Hollywood” wears a lot of hats, none of which quite fits. A salacious tell-all about the hidden sex lives of postwar movie stars; a peek at the underbelly of the repressive moral dictates of the studio system; a breezy biography of a self-described Hollywood prostit ... ute and procurer; and a psychosexual study of a possibly damaged victim of extreme childhood abuse. Only the last offers a clue to interpreting the movie’s more astonishing revelations and unprobed corners. Until then, Matt Tyrnauer’s gossipy portrait of Scotty Bowers, an impish nonagenarian and former Marine, listens without judgment as he describes decades of servicing the closeted hungers of stars like Rock Hudson and Katharine Hepburn, helped by an eager network of World War II buddies. Back then, in a couple of trailers behind a gas station on Hollywood Boulevard, $20 could buy just about anything. Meandering behind Mr. Bowers as he shares faded photographs of extravagantly endowed young men and prurient factoids about his famous “tricks” — cheekily illustrated with scenes from classic movies that read rather differently in hindsight — Mr. Tyrnauer surreptitiously hoses away the layers of dirt to reveal the fragility of his subject’s anything-goes hedonism. Benevolent hustler (he never took a cut of others’ action) or naughty fabulist — perhaps both — Mr. Bowers putters around his hoarded Hollywood Hills home and gazes into the hole in his patio deck as if searching for something lost long ago. Consequently, what starts out salty ends up as something sadder and more complicated. And when he unabashedly recalls a childhood rife with sexual encounters — which he insists were consensual — with adults, the camera fixes on his mile-wide grin and we wonder if his mission to meet the needs of others has somehow ignored his own.