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The Man on the Eiffel Tower Poster

The Man on the Eiffel Tower

PARIS... GAY, ALLURING... MASKING A STRANGE ADVENTURE!
1949 | 97m | English

(1140 votes)

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Popularity: 5 (history)

Details

A down-and-out student is hired to kill a wealthy woman. When someone else is suspected of the crime, the student taunts police until they realize that they may have to wrong man.
Release Date: Dec 12, 1949
Director: Burgess Meredith
Writer: Harry Brown, Georges Simenon
Genres: Thriller
Keywords paris, france, murder, eiffel tower, paris, maigret, adaptation
Production Companies RKO Radio Pictures, A & T Film Productions, Inc.
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
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Full Credits

Name Character
Charles Laughton Inspector Jules Maigret
Franchot Tone Johann Radek
Burgess Meredith Joseph Heurtin
Robert Hutton Bill Kirby
Jean Wallace Edna Wallace
Patricia Roc Helen Kirby
Belita Gisella Heurtin
George Thorpe Comelieu
William Phipps Janvier
William Cottrell Moers
Chaz Chase Waiter
Wilfrid Hyde-White Professor Grollet
Howard Vernon Inspector (uncredited)
Name Job
Harry Brown Screenplay
Louis Sackin Editor
Burgess Meredith Director
Georges Simenon Novel
Stanley Cortez Director of Photography
Name Title
Irving Allen Producer
Franchot Tone Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 7 2
2024 5 8 17 3
2024 6 7 15 3
2024 7 8 17 4
2024 8 6 10 3
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2024 12 4 8 2
2025 1 5 9 2
2025 2 3 6 1
2025 3 2 4 1
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2025 7 1 2 0
2025 8 1 3 0
2025 9 3 3 2
2025 10 3 6 2

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Reviews

Geronimo1967
6.0

It's unfortunate that the "Ansco" colour film used on this 1949 adaptation of Georges Simenon's novel "A Battle of Nerves" has made much of this rather dreary crime caper feel as if you are watching it through yellow cellophane. Despite Charles Laughton being quite decent in the role of the famous d ... etective "Maigret" trying to track down a murderer and an extortionist, the thing just bumbles along for far too long peppered with far too many protracted establishing shots and way too much score. Director and co-star Burgess Meredith has lost much of his sense of objectivity or proportion as the story pondersouly creeps to a conclusion that involves the truly insipid Franchot Tone as the caviar sandwich loving "Radek". The book is complex and detailed, this is lacklustre and almost amateur in it's presentation - and but for the considerable skill of the star, it would struggle to be anything more than a post-war Parisian tourist video. I'm glad I watched it, but couldn't say I'd recommend it to any but fans of soulless sepia cinema.

Jul 09, 2022