Popularity: 2 (history)
Director: | Garry Marshall |
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Writer: | Josann McGibbon, Sara Parriott |
Staring: |
Having already left three grooms at the altar, Maggie Carpenter is branded "the runaway bride" by jaded New York journalist Ike Graham. But, after his facts are called into question, Ike races to Maggie's hometown to save his reputation and report on her upcoming fourth trip down the aisle – during which he's convinced she'll run again. Though he's there on a muckraking mission, Ike can't help but fall for this breathtaking heartbreaker. | |
Release Date: | Jul 30, 1999 |
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Director: | Garry Marshall |
Writer: | Josann McGibbon, Sara Parriott |
Genres: | Comedy, Romance |
Keywords | small town, artist, self-discovery, just married, chase, reporter, wedding, relationship, wedding ceremony, screwball comedy, self identity, hair salon, cold feet, romantic |
Production Companies | Paramount Pictures, Lakeshore Entertainment, Touchstone Pictures, Interscope Communications |
Box Office |
Revenue: $309,500,000
Budget: $70,000,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Julia Roberts | Maggie Carpenter |
Richard Gere | Ike Graham |
Joan Cusack | Peggy Flemming |
Héctor Elizondo | Fisher |
Rita Wilson | Ellie Graham |
Paul Dooley | Walter Carpenter |
Christopher Meloni | Coach Bob Kelly |
Donal Logue | Priest Brian Norris |
Reg Rogers | George Swilling |
Yul Vazquez | Dead Head Gill Chavez |
Jane Morris | Mrs. Pressman |
Lisa Roberts Gillan | Elaine from Manhattan |
Kathleen Marshall | Cousin Cindy |
Jean Schertler | Grandma |
Tom Hines | Cory Flemming |
Tom Mason | Final Wedding Pastor |
Garrett Wright | Student Dennis |
Sela Ward | Pretty Bar Woman |
Marvin Braverman | T-Shirt Vendor |
Yvonne Pollack | T-Shirt Lady |
Joy Rosenthal | Limo Woman |
John Goldman | Construction Man |
Sandra Taylor | Model Shelby |
Thong Nguyen | Fashion Shoot Photographer |
Karen Stirgwolt | Office Worker Frances |
Lee McKenna | Mrs. Whittenmeyer |
Patrick Richwood | TV Host |
Marty Nadler | Traveling Salesman |
Allan Kent | Mr. Trout |
Kevin Murray | Pete |
James Richardson | Mr. Paxton |
Duncan Lam | Dragged Little Boy |
Laurie Metcalf | Betty Trout |
Larry Miller | Bartender |
Julie Paris | Reporter Murphy |
Dina Napoli | Reporter Dina |
Jacqui Allen | Reporter Jacqui |
Jack Hoffman | Reporter Jack |
Cheryl Frazel | Reporter Cheryl |
Tiffany Paulsen | Reporter Tiffany |
Gregg Goulet | Church Organist |
Shannon Wilcox | Luau Lady |
Diana Kent | Hula Girl |
Diane Frazen | Wedding Guest Diane |
Karla Pattur | Church Teacher Karla |
Linda Larkin | Gill's Girlfriend |
William Todd Crosby | Barbershop Quartet #1 |
Robert Lee Jones | Barbershop Quartet #2 |
Joseph Williams Andrews | Barbershop Quartet #3 |
Eugene Walker Jackson, Jr. | Barbershop Quartet #4 |
Garry Marshall | First Baseman in Softball (uncredited) |
Name | Job |
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Gretchen Rennell | Casting |
W. Steven Graham | Art Direction |
Ronald Batzdorff | Still Photographer |
John R. Manocchia | Rigging Gaffer |
Carol DePasquale | Script Supervisor |
Bruce Ericksen | Costume Supervisor |
Jennifer Nash | Music Editor |
Johnetta Boone | Assistant Costume Designer |
Jim Fitzpatrick | Sound Re-Recording Mixer |
Jason King | Sound Effects Editor |
David Feldman | Assistant Editor |
Ellen H. Schwartz | First Assistant Director |
Alecia LaRue | Production Supervisor |
Paul C. Babin | Camera Operator |
Charles E. McCarry | Set Designer |
Margaret Hilliard | Unit Production Manager |
Sandy O'Neill | Publicist |
Josann McGibbon | Writer, Novel |
Bruce Green | Editor |
Stephanie Carroll | Set Decoration |
Ellen Wolff | Production Coordinator |
David Olson | Music Editor |
Kathy Nelson | Music Supervisor |
Robert L. Sephton | Supervising Sound Editor |
J. Michael Muro | Steadicam Operator |
Joe Milner | Sound Effects Editor |
Myron Nettinga | Sound Re-Recording Mixer |
Thomas Minton | Set Designer |
Erin Kaufman | Assistant Production Coordinator |
Andrea Bottigliero | First Assistant Editor |
Marion Kolsby | Assistant Art Director |
Paul Kieran | Assistant Editor |
Maggie Murphy | Second Assistant Director |
Liza McDonald | Additional Editor |
Tabby Hanson | Stunts |
Michael E. Boyle | Stunts |
Jamie Sue Johnson | Stunts |
Peggy Nicholson | Key Hair Stylist |
Barbara Lacy | Key Makeup Artist |
Angel De Angelis | Hairstylist |
Jack Carpenter | Stunts |
Ian Fox | Second Unit Director of Photography |
Randy Houston Mercer | Key Makeup Artist |
Hallie D'Amore | Makeup Artist |
Carol Meikle | Hairstylist |
James Newton Howard | Original Music Composer |
Mark Friedberg | Production Design |
Gary Combs | Stunt Coordinator |
Gary C. Bourgeois | Sound Re-Recording Mixer |
Scott Marshall | Second Unit Director |
Audrey Wells | Additional Writing |
Marguerite Happy | Stunts |
Garry Marshall | Director |
Stuart Dryburgh | Director of Photography |
Tommy Harper | Second Second Assistant Director |
Sara Parriott | Writer |
Albert Wolsky | Costume Designer |
Name | Title |
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Robert W. Cort | Producer |
Richard S. Wright | Co-Producer |
Karen Stirgwolt | Co-Producer |
Ted Tannebaum | Executive Producer |
Scott Kroopf | Producer |
Gary Lucchesi | Executive Producer |
Mario Iscovich | Co-Producer |
David Madden | Executive Producer |
Ellen H. Schwartz | Co-Producer |
Tom Rosenberg | Producer |
Ted Field | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 50 | 22 |
2024 | 5 | 38 | 80 | 23 |
2024 | 6 | 26 | 37 | 15 |
2024 | 7 | 29 | 42 | 19 |
2024 | 8 | 28 | 50 | 18 |
2024 | 9 | 20 | 27 | 15 |
2024 | 10 | 21 | 37 | 14 |
2024 | 11 | 20 | 31 | 14 |
2024 | 12 | 25 | 56 | 16 |
2025 | 1 | 25 | 50 | 16 |
2025 | 2 | 18 | 33 | 4 |
2025 | 3 | 7 | 23 | 2 |
2025 | 4 | 5 | 10 | 2 |
2025 | 5 | 4 | 11 | 3 |
2025 | 6 | 4 | 8 | 3 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 3 | 3 | 2 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 898 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 944 | 944 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 889 | 889 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 670 | 670 |
**A pretty decent movie, which bets everything on average and family comedy.** As I've had occasion to say in other reviews I've written, I'm not particularly fond of romantic comedies, although I believe I can appreciate quality and value when they're there. During the pandemic, when we were all ... shut up at home against our will (I handled it well, but I had friends on the verge of a nervous breakdown), a friend of mine spoke to me about this film and said he didn't like it at all, because it gave viewers a negative message, trivializing the act of leaving someone at the altar. At the time, I thought it was strange, but I ended up not seeing the movie. I saw it now, and I tend not to agree with my esteemed friend. The script begins with a disagreement between a woman from a small town and a writer and journalist from the big city, when the latter writes, in his newspaper column, about her and the succession of fiancés she has already abandoned at the altar. Obviously offended, she responds to the article, causing him to lose his position at the newspaper. Of course, he doesn't give up: he goes to that city and decides to investigate her. The rapprochement between the two will eventually lead them to an unlikely romance. In fact, I think my friend took the film too seriously. Anyone with intelligence understands the difference between a joke and something serious, so I don't think anyone will take the movie seriously. Also, the movie was released in 1999, and we are in 2022… in the present times, who is the couple that thinks about getting married? There are, of course, but they are few in a world where jobs, homes and romantic relationships are less planned to last a lifetime (it's one of the problems of the modern world, in my opinion, but it's the truth). The film relies heavily on the performances of Julia Roberts and Richard Gere, who we've already seen together in great shape in “Pretty Woman”. Personally, I liked "Pretty Woman" a lot more, as the characters were much more palatable. Here, we essentially have a duel of egos between two stubborn people who will eventually see the good in each other. There is also a very high degree of predictability in the story told, but this is one of the recurring problems in romantic comedies, where characters almost invariably end up at the altar. Despite all this, the work of Gere and Roberts is quite satisfying and will be able to please the fans of the genre. On a technical level, the film doesn't stand out or bet particularly, preferring to play it safe and keep a very conventional aesthetic and look. It's almost like the dish of the day in that cafeteria where we have lunch every day, after work: made to be cheap and to please most customers. So we have sets, costumes and filming locations that are simply regular, standard cinematography and a bland soundtrack. The film stretches the script, there are pacing problems and moments when the film falls asleep due to sheer lack of subject matter. Much better is the design of the dialogues, quite witty and well-written.