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Runaway Bride Poster

Runaway Bride

Catch her if you can.
1999 | 116m | English

(108775 votes)

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Popularity: 2 (history)

Details

Having already left three grooms at the altar, Maggie Carpenter is branded "the runaway bride" by jaded New York journalist Ike Graham. But, after his facts are called into question, Ike races to Maggie's hometown to save his reputation and report on her upcoming fourth trip down the aisle – during which he's convinced she'll run again. Though he's there on a muckraking mission, Ike can't help but fall for this breathtaking heartbreaker.
Release Date: Jul 30, 1999
Director: Garry Marshall
Writer: Josann McGibbon, Sara Parriott
Genres: Comedy, Romance
Keywords small town, artist, self-discovery, just married, chase, reporter, wedding, relationship, wedding ceremony, screwball comedy, self identity, hair salon, cold feet, romantic
Production Companies Paramount Pictures, Lakeshore Entertainment, Touchstone Pictures, Interscope Communications
Box Office Revenue: $309,500,000
Budget: $70,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Julia Roberts Maggie Carpenter
Richard Gere Ike Graham
Joan Cusack Peggy Flemming
Héctor Elizondo Fisher
Rita Wilson Ellie Graham
Paul Dooley Walter Carpenter
Christopher Meloni Coach Bob Kelly
Donal Logue Priest Brian Norris
Reg Rogers George Swilling
Yul Vazquez Dead Head Gill Chavez
Jane Morris Mrs. Pressman
Lisa Roberts Gillan Elaine from Manhattan
Kathleen Marshall Cousin Cindy
Jean Schertler Grandma
Tom Hines Cory Flemming
Tom Mason Final Wedding Pastor
Garrett Wright Student Dennis
Sela Ward Pretty Bar Woman
Marvin Braverman T-Shirt Vendor
Yvonne Pollack T-Shirt Lady
Joy Rosenthal Limo Woman
John Goldman Construction Man
Sandra Taylor Model Shelby
Thong Nguyen Fashion Shoot Photographer
Karen Stirgwolt Office Worker Frances
Lee McKenna Mrs. Whittenmeyer
Patrick Richwood TV Host
Marty Nadler Traveling Salesman
Allan Kent Mr. Trout
Kevin Murray Pete
James Richardson Mr. Paxton
Duncan Lam Dragged Little Boy
Laurie Metcalf Betty Trout
Larry Miller Bartender
Julie Paris Reporter Murphy
Dina Napoli Reporter Dina
Jacqui Allen Reporter Jacqui
Jack Hoffman Reporter Jack
Cheryl Frazel Reporter Cheryl
Tiffany Paulsen Reporter Tiffany
Gregg Goulet Church Organist
Shannon Wilcox Luau Lady
Diana Kent Hula Girl
Diane Frazen Wedding Guest Diane
Karla Pattur Church Teacher Karla
Linda Larkin Gill's Girlfriend
William Todd Crosby Barbershop Quartet #1
Robert Lee Jones Barbershop Quartet #2
Joseph Williams Andrews Barbershop Quartet #3
Eugene Walker Jackson, Jr. Barbershop Quartet #4
Garry Marshall First Baseman in Softball (uncredited)
Name Job
Gretchen Rennell Casting
W. Steven Graham Art Direction
Ronald Batzdorff Still Photographer
John R. Manocchia Rigging Gaffer
Carol DePasquale Script Supervisor
Bruce Ericksen Costume Supervisor
Jennifer Nash Music Editor
Johnetta Boone Assistant Costume Designer
Jim Fitzpatrick Sound Re-Recording Mixer
Jason King Sound Effects Editor
David Feldman Assistant Editor
Ellen H. Schwartz First Assistant Director
Alecia LaRue Production Supervisor
Paul C. Babin Camera Operator
Charles E. McCarry Set Designer
Margaret Hilliard Unit Production Manager
Sandy O'Neill Publicist
Josann McGibbon Writer, Novel
Bruce Green Editor
Stephanie Carroll Set Decoration
Ellen Wolff Production Coordinator
David Olson Music Editor
Kathy Nelson Music Supervisor
Robert L. Sephton Supervising Sound Editor
J. Michael Muro Steadicam Operator
Joe Milner Sound Effects Editor
Myron Nettinga Sound Re-Recording Mixer
Thomas Minton Set Designer
Erin Kaufman Assistant Production Coordinator
Andrea Bottigliero First Assistant Editor
Marion Kolsby Assistant Art Director
Paul Kieran Assistant Editor
Maggie Murphy Second Assistant Director
Liza McDonald Additional Editor
Tabby Hanson Stunts
Michael E. Boyle Stunts
Jamie Sue Johnson Stunts
Peggy Nicholson Key Hair Stylist
Barbara Lacy Key Makeup Artist
Angel De Angelis Hairstylist
Jack Carpenter Stunts
Ian Fox Second Unit Director of Photography
Randy Houston Mercer Key Makeup Artist
Hallie D'Amore Makeup Artist
Carol Meikle Hairstylist
James Newton Howard Original Music Composer
Mark Friedberg Production Design
Gary Combs Stunt Coordinator
Gary C. Bourgeois Sound Re-Recording Mixer
Scott Marshall Second Unit Director
Audrey Wells Additional Writing
Marguerite Happy Stunts
Garry Marshall Director
Stuart Dryburgh Director of Photography
Tommy Harper Second Second Assistant Director
Sara Parriott Writer
Albert Wolsky Costume Designer
Name Title
Robert W. Cort Producer
Richard S. Wright Co-Producer
Karen Stirgwolt Co-Producer
Ted Tannebaum Executive Producer
Scott Kroopf Producer
Gary Lucchesi Executive Producer
Mario Iscovich Co-Producer
David Madden Executive Producer
Ellen H. Schwartz Co-Producer
Tom Rosenberg Producer
Ted Field Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 50 22
2024 5 38 80 23
2024 6 26 37 15
2024 7 29 42 19
2024 8 28 50 18
2024 9 20 27 15
2024 10 21 37 14
2024 11 20 31 14
2024 12 25 56 16
2025 1 25 50 16
2025 2 18 33 4
2025 3 7 23 2
2025 4 5 10 2
2025 5 4 11 3
2025 6 4 8 3
2025 7 3 5 2
2025 8 3 3 2
2025 9 3 4 2
2025 10 3 4 2

Trending Position


Year Month High Avg
2025 7 898 908
Year Month High Avg
2025 6 944 944
Year Month High Avg
2025 5 889 889
Year Month High Avg
2025 3 670 670

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Reviews

FilipeManuelNeto
5.0

**A pretty decent movie, which bets everything on average and family comedy.** As I've had occasion to say in other reviews I've written, I'm not particularly fond of romantic comedies, although I believe I can appreciate quality and value when they're there. During the pandemic, when we were all ... shut up at home against our will (I handled it well, but I had friends on the verge of a nervous breakdown), a friend of mine spoke to me about this film and said he didn't like it at all, because it gave viewers a negative message, trivializing the act of leaving someone at the altar. At the time, I thought it was strange, but I ended up not seeing the movie. I saw it now, and I tend not to agree with my esteemed friend. The script begins with a disagreement between a woman from a small town and a writer and journalist from the big city, when the latter writes, in his newspaper column, about her and the succession of fiancés she has already abandoned at the altar. Obviously offended, she responds to the article, causing him to lose his position at the newspaper. Of course, he doesn't give up: he goes to that city and decides to investigate her. The rapprochement between the two will eventually lead them to an unlikely romance. In fact, I think my friend took the film too seriously. Anyone with intelligence understands the difference between a joke and something serious, so I don't think anyone will take the movie seriously. Also, the movie was released in 1999, and we are in 2022… in the present times, who is the couple that thinks about getting married? There are, of course, but they are few in a world where jobs, homes and romantic relationships are less planned to last a lifetime (it's one of the problems of the modern world, in my opinion, but it's the truth). The film relies heavily on the performances of Julia Roberts and Richard Gere, who we've already seen together in great shape in “Pretty Woman”. Personally, I liked "Pretty Woman" a lot more, as the characters were much more palatable. Here, we essentially have a duel of egos between two stubborn people who will eventually see the good in each other. There is also a very high degree of predictability in the story told, but this is one of the recurring problems in romantic comedies, where characters almost invariably end up at the altar. Despite all this, the work of Gere and Roberts is quite satisfying and will be able to please the fans of the genre. On a technical level, the film doesn't stand out or bet particularly, preferring to play it safe and keep a very conventional aesthetic and look. It's almost like the dish of the day in that cafeteria where we have lunch every day, after work: made to be cheap and to please most customers. So we have sets, costumes and filming locations that are simply regular, standard cinematography and a bland soundtrack. The film stretches the script, there are pacing problems and moments when the film falls asleep due to sheer lack of subject matter. Much better is the design of the dialogues, quite witty and well-written.

Oct 24, 2022