 
  Popularity: 2 (history)
| Director: | Jerzy Skolimowski | 
|---|---|
| Writer: | Michael Austin, Jerzy Skolimowski, Robert Graves | 
| Staring: | 
| A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host. | |
| Release Date: | Jun 16, 1978 | 
|---|---|
| Director: | Jerzy Skolimowski | 
| Writer: | Michael Austin, Jerzy Skolimowski, Robert Graves | 
| Genres: | Horror, Mystery, Thriller | 
| Keywords | composer, small town, cricket, super power, based on short story, devon | 
| Production Companies | The Rank Organisation, National Film Trustee Company, National Film Finance Corporation (NFFC), Recorded Picture Company, Jeremy Thomas Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Alan Bates | Charles Crossley | 
| Susannah York | Rachel Fielding | 
| John Hurt | Anthony Fielding | 
| Robert Stephens | Chief Medical Officer | 
| Tim Curry | Robert Graves | 
| Julian Hough | Vicar | 
| Carol Drinkwater | Cobbler's Wife | 
| John Rees | Inspector | 
| Jim Broadbent | Fielder in Cowpat | 
| Susan Wooldridge | Harriet | 
| Nick Stringer | Cobbler | 
| Peter Benson | Harry the Shepherd | 
| Graham Kingsley Brown | Village Churchgoer (uncredited) | 
| Joanna Szczerbic | Cricket Umpire (uncredited) | 
| Name | Job | 
|---|---|
| Bob Hedges | Props | 
| Michael Austin | Screenplay | 
| Mike Molloy | Director of Photography | 
| Barrie Vince | Editor | 
| Patsy Pollock | Casting Director | 
| Simon Holland | Art Direction | 
| Jane Moscrop | Production Assistant | 
| Tony Hedges | Accountant | 
| Ann Skinner | Continuity | 
| Rupert Hine | Musician | 
| Michael Saxton | Assistant Editor | 
| Tim Jordan | Assistant Editor | 
| Sara Jolly | Assistant Editor | 
| William Diver | Assistant Editor | 
| Dave Paddon | Wardrobe Supervisor | 
| Martin Evans | Best Boy Electrician | 
| Terry Potter | Electrician | 
| Eamonn O'Keeffe | Focus Puller | 
| David Hughes | Electrician | 
| Laurie Frost | Camera Operator | 
| David Farrell | Still Photographer | 
| Nobby Cross | Gaffer | 
| Peter Butler | Dolly Grip | 
| Peter Biddle | Loader | 
| Nicolas Le Messurier | Sound Re-Recording Mixer | 
| Graham V. Hartstone | Sound Re-Recording Mixer | 
| John Ralph | Boom Operator | 
| Gordon K. McCallum | Sound Re-Recording Mixer | 
| Tony Jackson | Sound Mixer | 
| Michael Crouch | Dialogue Editor | 
| Alan Bell | Sound Editor | 
| Mike Bassett | Sound Assistant | 
| Adrian Start | Painter | 
| Peter Verard | Carpenter | 
| Keith Pain | Assistant Art Director | 
| John Leuenberger | Props | 
| W.C. 'Chunky' Huse | Property Master | 
| John Davey | Painter | 
| Peter Waller | Third Assistant Director | 
| Arnold Schulkes | Second Assistant Director | 
| Kip Gowans | First Assistant Director | 
| Joyce Herlihy | Production Manager | 
| Wally Schneiderman | Makeup Artist | 
| Betty Glasow | Hairdresser | 
| Bill Thornhill | Genetator Operator | 
| Jerzy Skolimowski | Screenplay, Director | 
| Robert Graves | Story | 
| Mary Selway | Casting Director | 
| Tony Banks | Original Music Composer | 
| Mike Rutherford | Original Music Composer | 
| Name | Title | 
|---|---|
| Michael Austin | Associate Producer | 
| Terry Glinwood | Executive Producer | 
| Jeremy Thomas | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 14 | 26 | 8 | 
| 2024 | 5 | 15 | 33 | 9 | 
| 2024 | 6 | 14 | 27 | 7 | 
| 2024 | 7 | 13 | 22 | 7 | 
| 2024 | 8 | 10 | 15 | 7 | 
| 2024 | 9 | 8 | 15 | 4 | 
| 2024 | 10 | 8 | 15 | 5 | 
| 2024 | 11 | 8 | 13 | 5 | 
| 2024 | 12 | 9 | 26 | 6 | 
| 2025 | 1 | 9 | 18 | 5 | 
| 2025 | 2 | 7 | 11 | 3 | 
| 2025 | 3 | 5 | 9 | 1 | 
| 2025 | 4 | 2 | 5 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
I remember seeing this when it first came out (1978) and thinking it a bit overblown. Just watched it again (2020) after it was featured in a list of films containing an English cricket match (a short list; The Go Between from the same period is another one, also with Alan Bates in a similar role) ... It now seems a bit better than I remembered despite some inconsistencies and plot holes. Alan Bates, for all his brooding lumbering around, never quite pulls off the surreal menace that the role of Crossley, the man with The Shout That Can Kill, demands. John Hurt as Anthony the philandering cuckold composer, seems unbelievably weak in the face of Crossley's invasion of his life, but that's what the role as written demands. Tim Curry as Robert Graves (not the real one!) listens to Crossley's tale with suitable wide-eyed innocence in the hut as they are scoring the locals versus loonies cricket match at the asylum. The cast features many well known English actors of the period, including Susannah York getting her nipples out as usual and a young Jim Broadbent ripping his kit off to prance about in his pants in the thunderstorm that terminates the match, and the film. The Devon locations are an added bonus. All in all an entertaining 90 minutes although not a great film by any means. (and there isn't that much cricket!). Worth 3/5 or 4/7 if you prefer a finer grained rating system)