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The Mitchells vs. the Machines Poster

The Mitchells vs. the Machines

Saving the world can be a trip.
2021 | 110m | English

(138163 votes)

TMDb IMDb

Popularity: 5 (history)

Details

A quirky, dysfunctional family's road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity's unlikeliest last hope.
Release Date: Apr 22, 2021
Director: Jeff Rowe, Mike Rianda
Writer: Jeff Rowe, Mike Rianda
Genres: Animation, Comedy, Adventure
Keywords man vs machine, technology, dysfunctional family, family relationships, family drama, father daughter conflict, evil robot
Production Companies Columbia Pictures, Sony Pictures Animation, One Cool Films, Lord Miller
Box Office Revenue: $0
Budget: $75,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Abbi Jacobson Katie / Dog Cop (voice)
Danny McBride Rick (voice)
Maya Rudolph Linda (voice)
Mike Rianda Aaron / Furbies / Talking Dog / Wifi Enthusiast (voice)
Eric André Mark (voice)
Olivia Colman PAL (voice)
Fred Armisen Deborahbot 5000 (voice)
Beck Bennett Eric / PAL Max Robots (voice)
Chrissy Teigen Hailey Posey (voice)
John Legend Jim Posey (voice)
Charlyne Yi Abbey Posey (voice)
Blake Griffin PAL Max Prime (voice)
Conan O'Brien Glaxxon 5000 (voice)
Doug the Pug Monchi (voice)
Melissa Sturm Sarge / Melissa (Woman In Pod) (voice)
Doug Nicholas Hamburger Boy / Smart-Racket 5000-S Series (voice)
Madeleine McGraw Young Katie (voice)
Ellen Wightman Baby Katie (voice)
Sasheer Zamata Jade (voice)
Elle Mills Hanna (voice)
Alex Hirsch Dirk (voice)
Jay Pharoah Noah (voice)
Natalie Canizares Catherine (Food Blogger) (voice)
Jeff Rowe Man Who Loves Fun (voice)
Zeno Robinson Sean (Unboxer) (voice)
Grey DeLisle Stagehand (voice)
Will Allegra Water Fountain Man (voice)
Alison Rich Jill (Woman In Pod) (voice)
Natalia del Riego Additional Voices (voice)
Libby Thomas Dickey Additional Voices (voice)
Kerry Gutierrez Additional Voices (voice)
Todd Hansen Additional Voices (voice)
Lex Lang Additional Voices (voice)
Greg Levitan Additional Voices (voice)
Griffin McElroy Additional Voices (voice)
Caitlin McKenna Additional Voices (voice)
Andrew Morgado Additional Voices (voice)
Illya Owens Additional Voices (voice)
Juan Pacheco Additional Voices (voice)
Ashley Peldon Additional Voices (voice)
Jim Pirri Additional Voices (voice)
Michelle Ruff Additional Voices (voice)
Justin Shenkarow Additional Voices (voice)
Shane Sweet Additional Voices (voice)
Brittanny Tuerpe Additional Voices (voice)
Alana Webster Additional Voices (voice)
Jason Linere-White Additional Voices (voice)
Lisa Wilhoit Additional Voices (voice)
Adam Wylie Additional Voices (voice)
Name Job
Guillermo Martinez Head of Story
Thanawat Khantrum Animation
Brandon Jeffords Story Artist
Matt Braly Storyboard Artist
Alan Tyler Additional Music
John Pospisil Sound Designer
Kier Lehman Music Supervisor
Peter Szilagyi Script Coordinator
Brittany N. Grooms Casting
Mary Hidalgo Additional Casting
Ian Whittaker Set Decoration
Nobuteru Sasagawa Character Designer
Alice Lemma Character Designer
Fabien Mense Character Designer
Christopher Wright Character Designer
James A. Castillo Character Designer
Todd Hansen Additional Editor
Doug Nicholas Additional Editor
Tony Ferdidand Associate Editor
R. Collin Wightman Associate Editor
T.J. Young Associate Editor
Bret Allen First Assistant Editor
Arin Mathern Assistant Editor
Katie Greathouse Music Editor
Jun'ya Otake Animation
Kellan Jett Visual Development
Nick Bradshaw Visual Development
John Butiu Visual Development
Peter Chan Visual Development
Arthur Fong Visual Development
Matthew Divito Visual Development
Rocky Curby Visual Development
Jayse Hansen Visual Development
Faris Hermiz Visual Development
Michael Isaak Visual Development
Yashar Kassai Visual Development
Alex Konstad Visual Development
Garrett Lee Visual Development
Ryan Lang Visual Development
Tiffany Lam Visual Development
Sylvain Marc Visual Development
Lizzie Nichols Visual Development
Lily Nishita Visual Development
Brittany Shively Visual Development
Michael V. Schroeder Visual Development
Jake Panian Visual Development
Ian Worrel Visual Development
Juan Couto Animation
Joe Darko Lead Animator
Federico Abib Lead Animator
Emmanuel Gatera Lead Animator
Nicholas Georgeou Lead Animator
Earl Brawley Lead Animator
Lindsey Butterworth Langston Lead Animator
Martin Sen Lead Animator
David Wesch Lead Animator
Bobby Taylor Lead Animator
Adam Sarophim Lead Animator
Chelsea Gordon-Ratzlaff Lead Animator
Robin George Lead Animator
Alan Hawkins Head of Animation
Jocelyn Cofer Supervising Animator
Chad Ellis Supervising Animator
Tim Kallok Supervising Animator
Nick Kondo Supervising Animator
Rohini Kumar Supervising Animator
Toby Pedersen Supervising Animator
Jose Luis Llado Porquer Supervising Animator
JP Welsh Animation
Mario Richard Animation
Kelsey Wagner Supervising Animator
Matt Shepherd Supervising Animator
Tim Rudder Supervising Animator
Dylan Reid Supervising Animator
Kevin Herron Animation
Tristan Jeanbourquin Animation
Yuko Ikeda Animation
Chaeyeon Lee Animation
Sejin Lee Animation
Jenny Sining Li Animation
Robert Lehman Animation
Dave Mah Animation
Minseok Lee Animation
Julius Kwan Animation
Aleksandar Kolev Animation
Seongbae Jeong Animation
Ina Marczinczik Animation
Hanung Lee Animation
JD Walsh Animation
Mikey Wong Animation
Mitchell Yeager Animation
Vaskinta Atika Animation
Hanna Cho Story Artist
Myke Bakich Story Artist
Koko Wing Hei Chou Story Artist
Justin Hunt Story Artist
Rachel Kral Story Artist
Quinne Larsen Story Artist
Ben Mansfield Story Artist
Andrew James Ross Story Artist
Vitaliy Strokous Story Artist
Caitlin VanArsdale Story Artist
Ray Xu Story Artist
Kasey Fagerquist Story Artist
Arthur D. Noda Editor
Jeff Rowe Writer, Co-Director
Mike Rianda Writer, Director
Michael Semanick Sound Re-Recording Mixer
Mark Mothersbaugh Original Music Composer
Michael Lasker Visual Effects Supervisor
Greg Levitan Editor
Lindsey Olivares Production Design, Character Designer
Rich Turner Head of Layout
Toby Wilson Art Direction
Tamara Hunter Casting
Dana Terrace Storyboard Artist
Name Title
Will Allegra Executive Producer
Dan Chuba Co-Producer
Carey Smith Co-Producer
Vanessa Choy Co-Producer
Phil Lord Producer
Christopher Miller Producer
Kurt Albrecht Producer
Louis Koo Executive Producer
Organization Category Person
Academy Awards Best Animated Feature N/A Nominated
Golden Globes Best Animated Feature N/A Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 41 49 28
2024 5 52 67 39
2024 6 48 66 35
2024 7 58 93 30
2024 8 38 58 30
2024 9 37 60 26
2024 10 46 73 28
2024 11 45 84 31
2024 12 36 47 29
2025 1 39 59 27
2025 2 31 44 9
2025 3 12 43 3
2025 4 8 10 5
2025 5 8 9 7
2025 6 6 7 6
2025 7 7 8 5
2025 8 5 7 4
2025 9 5 8 3
2025 10 5 6 5

Trending Position


Year Month High Avg
2025 9 830 897
Year Month High Avg
2025 8 508 763
Year Month High Avg
2025 7 678 852
Year Month High Avg
2025 5 580 798
Year Month High Avg
2025 4 983 983
Year Month High Avg
2025 3 175 421
Year Month High Avg
2025 2 675 771
Year Month High Avg
2025 1 657 795
Year Month High Avg
2024 12 743 799

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Reviews

msbreviews
9.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com When it comes to deciding if a certain film is added to my watchlist or not, I consider various factors. From genre and synopsis to cast, directors, and screenwriters, sometimes just a familiar name ... can convince me to give that movie a go. Producers and/or executives are far from being remotely influential in this type of decision. However, Phil Lord and Christopher Miller have directed/written/produced some of my favorite animated films of the last decade (The LEGO Movies, Spider-Man: Into the Spider-Verse), so obviously, I needed to watch The Mitchells vs. The Machines, previously known as Connected. Mike Rianda has his debut as a director, screenwriter, and voice actor (Aaron Mitchell, son), accompanied by Jeff Rowe, the other writer. 2021 is shaping up to be a phenomenal year. It truly is. I absolutely loved Soul and Wolfwalkers, but if this Sony Pictures Animation flick came out last year, I genuinely don't know which one would I put higher on my Top10. Rianda and Rowe deliver a brilliantly original screenplay, packed with incredibly relatable characters and beautifully handled themes. I can't quite remember the last time I laughed out loud when watching an animated feature by myself. Every joke about technology is hilariously clever, making fun of ridiculous yet realistic human behaviors regarding malfunctions, low speed, and even lack of Wi-Fi. I cried of laughter, but I was also close to dropping a couple of tears due to the main narrative. I'll start with the protagonist, Katie Mitchell. As a young, aspiring filmmaker, Abbi Jacobson's character follows a well-known arc about not having friends, being the so-called weirdo, and having parents - in this case, more her father - who simply don't understand who she is, what she likes, or why she loves something they simply don't understand. While it's true that this storyline isn't exactly new, it doesn't mean it's not captivating and emotionally powerful when written and developed properly. Rianda and Rowe make Katie an extremely relatable character in such a seamless manner that it's harder to not connect with her than the contrary. Anyone has at least once in their lifetime felt left out or alone. Obviously, since I share the exact same passion as Katie, it's easier for me to feel precisely the same as her once she discovers new friends with whom she can talk about the art she loves the most. I still have no circle of friends who I can meet daily to discuss the latest movie news or newly released films (in-person), so Katie's journey does have a more significant impact on me than it might have on other viewers. However, it doesn't have to be about art or a specific subject. In a general analysis, Katie just feels lonely and wants to follow her dreams, but feels unsupported by her father, Rick Mitchell (Danny McBride). One of the most compelling aspects of The Mitchells vs. The Machines is the fact that Rick and Katie share the same arc, just going in different directions. While Katie feels like getting out of the house and going away forever is the best solution to all her problems, Rick believes that her staying with the family is the safest route, one that features no failures that could hurt her emotionally - something that Rick learned from his past, hence the necessity of overprotecting her daughter at all costs. Since they're on opposite sides of the spectrum, constant fights, lies, and hurtful comments drive them apart, leading to a wonderfully written story about family, love, friendship, and understanding the other side of the argument. Katie's mother, Linda Mitchell (Maya Rudolph), and brother, Aaron Mitchell (Rianda), serve more as triggers to heartfelt conversations with the two main characters, but they also have their own personal journey. While Linda feels jealous of her Instagram-perfect neighbors and embarrassed of showing off her own family photos, Aaron deals with his bizarre love for dinosaurs in a lighter, funnier way than Katie's dramatic arc. Both storylines carry their own lovely messages to transmit to the audience, but Katie and Rick's confrontational relationship embodies sensitive issues that tons of families across the globe never find a solution for. Another remarkable characteristic of this screenplay is how Rianda and Rowe never take a definite stance on any topic. They always try to follow one of the movie's main messages and present good points for both sides of the conflict. For example, The Mitchells vs. The Machines could easily be misinterpreted as an attack on the Internet and technology in general, but every dialogue is exceptionally balanced. While comments are made about using our phone at the dinner table or during family moments, as well as excessive screentime and overreliance on social media, new technology can give birth to the most inspirational, motivational, and influential works of art. Without it, Katie's dreams would be totally different. Transitioning to the more technical elements of the film, it's impossible not to tackle the new animation style. Into the Spider-Verse was an experimental movie, and its success might have changed the future of animation forever. The mix of a more illustrative, hand-painted approach with another focused on the CGI realism seen in most films today offers - just like the movie itself - a seamless balance between the two supposedly opposing styles. This blend allows keeping the expressiveness and extreme level of detail of the classic method while also maintaining the realistic environment of the 3D/CGI design. The action sequences are extraordinarily energetic, riveting, and quite impressive, to say the least. The film's soundtrack (score by Mark Mothersbaugh) is on-point, elevating dozens of scenes with excellent music choices that most viewers didn't even remember already. Exquisite editing (Greg Levitan) and outstanding voice work across the board. I genuinely can't find a single issue with this movie, and I'd be extremely surprised - and disappointed - if it doesn't end up being a frontrunner for next year's awards season. Both kids and adults will have tremendous fun with this fast-paced, highly entertaining film while also getting a few valuable life lessons along the way. And who knows? Maybe this movie will inspire families to make that road trip they've been planning for ages… The Mitchells vs. The Machines might not have the catchiest title, but it's definitely one of the best animated feature films of the last years. With a beautiful blend of two animation styles - that may impact the future of this type of movie - Mike Rianda and Jeff Rowe deliver an emotionally resonant story about family, love, and more explicitly, placing ourselves in someone else's shoes. Featuring incredibly relatable characters, the remarkably written screenplay strikes a perfect balance in every topic it approaches by presenting arguments for both sides without ever defining something as right or wrong. The character arcs might be well-known storylines, but the exceptional writing elevates every personal journey, especially Katie and Rick's, daughter and father. Boasting great voice work from everyone involved, the fast-paced narrative still holds impressive, colorful, screen-popping action sequences filled with energy, excitement, and fantastic song choices. It's one of those uncommon films where I can't find a single flaw with it. A must-watch, *hilarious* film for both kids and adults. Rating: A

Jun 23, 2021
Kamurai
6.0

Decent watch, probably won't watch again, but can recommend. Expecting this to be a Dreamworks picture, I was surprised to see Sony heading this one up. Watching this robo-apocalypse story, it feels like just a weird amalgamation of other movies that happen to be cg animated, involve robots, d ... ysfunctional families, and corporate hostilities. While all these are great elements, their combination, with the movie's special flare just falls short for me. While my disbelief is fully suspended, it just broke off after a bit with some of the goofy stuff the humans end up doing contrasted with some of the amazing things the robots are doing that actually makes some sense. The movie looks great, and is technically great, but the characters and story just fall just short for me.

Jun 23, 2021