Popularity: 2 (history)
Director: | Agnieszka Holland |
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Writer: | Andrea Chalupa |
Staring: |
In 1933, Welsh journalist Gareth Jones travels to Ukraine, where he experiences the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin—the policy is tantamount to mass murder. | |
Release Date: | Oct 03, 2019 |
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Director: | Agnieszka Holland |
Writer: | Andrea Chalupa |
Genres: | Drama, Thriller, History |
Keywords | grave, based on true story, genocide, 1930s, holodomor, ukraine |
Production Companies | FILM.UA Group, Krakowskie Biuro Festiwalowe, Crab Apple Films, Ukrainian State Film Agency, Film Produkcja, Studio Orka, Kinorob |
Box Office |
Revenue: $2,855,316
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Bartlomiej Modrak | Electrician |
Andrea Chalupa | Screenplay |
Oleksandr Suvorov | Special Effects Supervisor |
Alla Samoilenko | Casting Director |
Olga Chajdas | Second Unit Director |
Fiona Gavin | Art Direction |
Pam Roberts | Line Producer |
Filip Krzemień | Sound Re-Recording Mixer |
Bogna Szewczyk-Skupień | Line Producer |
Rafał Lenart | Boom Operator |
Kinga Babczyńska | Set Decoration |
Michał Czarnecki | Editor |
Marcin Matlak | Sound Effects Editor, Production Sound Mixer |
Grzegorz Piątkowski | Production Design |
Robert Wischhusen-Hayes | Set Decoration |
Karolina Foltyn | Script Supervisor |
Aleksandra Staszko | Costume Design |
Paulina Korwin-Kochanowska | Set Decoration |
Michal Konwicki | VFX Supervisor |
Franciszek Jankowski | VFX Supervisor |
Colin Jones | Casting |
Gala Otenko | Costume Design |
Paweł Juzwuk | Music Consultant |
Roy Murfin | Special Effects Technician |
Krzysztof Korybut-Daszkiewicz | Assistant Editor |
Rafal Seraj | Electrician |
Marcin Kukla | Drone Cinematographer |
Bartosz Szymaniak | Electrician |
Mariusz Sojak | Electrician |
Marcin Szychowski | Electrician |
Mateusz Dybiec | Electrician |
Sebastian Frac | Key Grip |
Maksim Najdienow | First Assistant Camera |
Pavel Alekseyenko | First Assistant Camera |
Maciej Jarnot | Techno Crane Operator |
Łukasz Głaszczka | Gaffer |
Bogdan Ruslan | Steadicam Operator |
Filip Jurzyk | Drone Cinematographer |
Maciej Konopczynski | Electrician |
January Jarnot | Techno Crane Operator |
Igor Słupecki | Best Boy Grip |
Robert Pałka | Still Photographer |
Marcin Nosal | Construction Foreman |
Andrey Gontar | Construction Manager |
Marta Artyfikiewicz | Graphic Designer |
Stanislaw Dolinski | Makeup & Hair |
Błażej Pintara | Makeup & Hair |
Nataliya Gordey | Casting Assistant |
Toby Spigel | Casting Associate |
Alana Herron | Extras Casting Assistant |
Ryszard Idzik | Construction Manager |
Pawel Mlak | Extras Casting |
Shona Mackenzie | Production Coordinator |
Dorota Pabel | Graphic Designer |
Maria Wilk | Graphic Designer |
Iryna Domnina | Production Coordinator |
Iza Szpilka | Extras Casting |
Magdalena Szwarcbart | Casting Director |
Viktor Shevchenko | Location Manager |
Serhii Demydov | Unit Production Manager |
Wojciech Mielimąka | Sound Supervisor |
Janusz Kaleja | Makeup Designer, Hair Designer |
Wojciech Kowalewski | Musician |
Zbigniew Gustowski | Focus Puller |
Anna Rzepka | Camera Operator, Second Unit Director of Photography |
Michał Marciniak | Electrician |
Agnieszka Holland | Director |
Tomasz Naumiuk | Director of Photography |
Antoni Łazarkiewicz | Original Music Composer |
Jacek Wiśniewski | Foley |
Nathan Elliott | Assistant Art Director |
Name | Title |
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Leah Temerty Lord | Executive Producer |
Marcin Piasecki | Associate Producer |
Stanisław Dziedzic | Producer |
Jeff Field | Executive Producer |
Jacek Kulczycki | Associate Producer |
Patryk Tomiczek | Associate Producer |
Tomasz Karczewski | Associate Producer |
Angus Lamont | Co-Producer |
Izabela Helbin | Associate Producer |
Andrea Chalupa | Producer |
Klaudia Śmieja | Producer |
Yehor Olesov | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 20 | 36 | 12 |
2024 | 5 | 25 | 39 | 14 |
2024 | 6 | 21 | 61 | 12 |
2024 | 7 | 19 | 27 | 12 |
2024 | 8 | 18 | 49 | 11 |
2024 | 9 | 13 | 28 | 9 |
2024 | 10 | 18 | 35 | 10 |
2024 | 11 | 15 | 27 | 10 |
2024 | 12 | 14 | 24 | 8 |
2025 | 1 | 19 | 40 | 10 |
2025 | 2 | 10 | 17 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
A taut and stark thriller, one part espionage, one part survival, this is an extremely powerful true story, and one that has generally slipped under the radar. We are lucky that someone as talented as Agnieszka Holland took the helm of 'Mr Jones'. - Jake Watt Read Jake's full article... https:/ ... /www.maketheswitch.com.au/article/review-mr-jones-a-chilling-true-story
James Norton delivers really quite well here as the journalist who stumbles upon and exposes one of the worst atrocities of Stalin's Soviet regime. Deep amidst the poverty-stricken Steppe, he gradually becomes aware that the dissolution of the traditional small-holding style of family farm in favour ... of the creation of potentially more yielding grand scale operations is failing - and failing badly. Needless to say, this isn't news that the authorities wish to be conveyed to the wider world, and so his exploration becomes steadily more perilous. Fortunately, he has a degree of diplomatic status and he does try to be fair with his reporting. On the face of it, the plan had merits - greater space to exploit, centralised harvesting, centralised everything, basically. What went wrong? Well, those aspects of "Holodomor" as it became known aren't really explained so well here, so at times the lack of recorded fact leaves the historical elements frustratingly scantily dealt with. Still, the dramatic ones work well with Peter Sarsgaard on good form as is Vanessa Kirby and the clearly rather more objective approach to this tragedy taken by director Angieszka Holland presents us with the template of a catastrophe and let's us reach some conclusions about complicity of and/or the domination of a doctrine for ourselves rather potently. The effects and results are there, but the causes - well maybe that's not so straightforward than propagandists on either side might prefer us to think. It's largely filmed on location and that, paired with some intimate photography and a persuasive score from Antoni Lazarkiewicz, adds a richness to this story and delivers up a film that provokes thought and ought to stoke an interest in a famine that's probably little known of nowadays.