Popularity: 4 (history)
| Director: | Steven Soderbergh |
|---|---|
| Writer: | Tarell Alvin McCraney |
| Staring: |
| During an NBA lockout, a sports agent, Ray Burke, presents his rookie client, Erick Scott, with an intriguing and controversial business opportunity. | |
| Release Date: | Jan 27, 2019 |
|---|---|
| Director: | Steven Soderbergh |
| Writer: | Tarell Alvin McCraney |
| Genres: | Drama |
| Keywords | sports, basketball |
| Production Companies | Extension 765, Harper Road Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| André Holland | Ray Burke |
| Zazie Beetz | Sam |
| Melvin Gregg | Erick Scott |
| Sonja Sohn | Myra |
| Zachary Quinto | David Starr |
| Glenn Fleshler | Intimidating Seton Colleague |
| Jeryl Prescott | Emera Umber |
| Justin Hurtt-Dunkley | Jamero Umber |
| Caleb McLaughlin | Darius |
| Bobbi Bordley | Freddy |
| Kyle MacLachlan | David Seton |
| Bill Duke | Spence |
| Eddie Tavares | Waiter |
| Farah Bala | Manager Sal |
| Skip Bayless | Himself |
| Shannon Sharpe | Himself |
| Joy Taylor | Herself |
| Evan Rosenblum | Himself |
| Van Lathan | Himself |
| Alice Callahan | Arielle Seton |
| Teéa Loreál | Flight Attendant Terry |
| Linwood Brown | Journalist |
| Stefano Villabona | Journalist |
| Kristina Pink | Herself |
| Michelle Ang | Rachel |
| Kai Quinto | Ray's Assistant |
| Harry Edwards | Himself |
| Reggie Jackson | Interviewee |
| Karl-Anthony Towns | Interviewee |
| Donovan Mitchell | Interviewee |
| Michael Durodola | Basketball Player (uncredited) |
| Name | Job |
|---|---|
| Steven Soderbergh | Director of Photography, Director, Editor |
| Tarell Alvin McCraney | Writer |
| Carmen Cuba | Casting |
| Andy Eklund | Production Design |
| Jessie Leo Poole | Graphic Designer |
| Woodrow Travers | Second Assistant Director |
| David 'Gus' Gustafson | Production Supervisor |
| Sean Hogan | Production Accountant |
| Michael Jortner | Property Master |
| Derek Gross | Gaffer |
| Robert T. Striem | Location Manager |
| Jamie Ember | Casting Assistant |
| Grant Wilfley | Background Casting Director |
| Melissa Braun | Background Casting Director |
| Sarah Konishi | Casting Associate |
| Amber Augone | Set Costumer |
| Nailah Cherry | Set Costumer |
| Katie Bova | Set Decoration |
| Ngozi Olandu | Makeup Department Head |
| LaWanda M. Pierre | Hair Department Head |
| H.H. Cooper | First Assistant Director |
| Troy Sola | First Assistant Camera |
| Thomas Varga | Production Sound Mixer |
| Steve Cascarelli | Assistant Property Master |
| Kevin Smyth | Key Grip |
| James B. Appleton | Boom Operator |
| Candice Alustiza-Lee | Casting Associate |
| Leslie J. Converse | Post Production Supervisor |
| Mae Sussman | First Assistant Editor |
| Monique C. Medley | Wardrobe Supervisor |
| Kira Wang | Wardrobe Assistant |
| Ashley Lampkin-Martinez | Wardrobe Assistant |
| Alexandra Torterotot | Script Supervisor |
| Angie Lee Cobbs | Production Coordinator |
| Ann Caprio | First Assistant Accountant |
| Nicholas DeWitt | Assistant Location Manager |
| Brittany Rostron | Location Coordinator |
| Ernie Karpeles | Location Scout |
| Daniel Carroll | Production Secretary |
| George Kotsopoulos | Second Second Assistant Director |
| Monique Shaw | Set Production Assistant |
| Sean Bredbenner | Set Production Assistant |
| Roger L. Rogers II | Production Assistant |
| Reachiny Vitandham | Production Assistant |
| Charlie Alberto IV | Location Assistant |
| Vladimir Piverger | Location Assistant |
| Christina Brunks | Art Department Assistant |
| Monica Mayorga | Art Department Assistant |
| Glenfield Payne | Supervising Sound Editor, Sound Re-Recording Mixer |
| Josh Berger | Dialogue Editor, Sound Re-Recording Mixer |
| Bobby Johanson | ADR Mixer |
| Michael Rivera | ADR Recordist |
| Tricia Schultz | ADR Supervisor |
| Joel Scheuneman | Sound Engineer |
| Avi Laniado | Sound Engineer |
| Kelsea Wigmore | Sound Post Production Coordinator |
| Darrell R. Smith | Sound Post Production Coordinator |
| Laura Heinzinger | Foley Editor |
| Emily Suber | Title Designer |
| Lesley Robson-Foster | Visual Effects Supervisor |
| Parker Chehak | Visual Effects Producer |
| Irene Park | Compositor |
| Bashir Hamid | Compositor |
| Lynn Chlumecky | VFX Artist |
| David Wilder Savage | Original Music Composer |
| Wrust Bunny | Musician |
| Marci Rodgers | Costume Design |
| Joseph Malloch | Unit Production Manager |
| Corey Bayes | Associate Editor |
| Teéa Loreál | Set Production Assistant |
| Ian Cymore | Sound Effects Editor |
| Ryan Collison | Foley Mixer |
| Leslie Bloome | Foley Artist |
| Joanna Fang | Foley Artist |
| Nick Seaman | Foley Editor |
| Nat Jencks | Colorist |
| Gregory Jacobs | Thanks |
| Name | Title |
|---|---|
| André Holland | Executive Producer |
| Joseph Malloch | Producer |
| Ken Meyer | Executive Producer |
| H.H. Cooper | Co-Producer |
| Robert T. Striem | Associate Producer |
| Corey Bayes | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 10 | 17 | 6 |
| 2024 | 5 | 13 | 20 | 7 |
| 2024 | 6 | 13 | 26 | 6 |
| 2024 | 7 | 12 | 26 | 8 |
| 2024 | 8 | 10 | 20 | 6 |
| 2024 | 9 | 7 | 10 | 5 |
| 2024 | 10 | 9 | 16 | 5 |
| 2024 | 11 | 9 | 18 | 6 |
| 2024 | 12 | 8 | 15 | 5 |
| 2025 | 1 | 8 | 16 | 5 |
| 2025 | 2 | 6 | 11 | 3 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 4 | 2 |
Trending Position
The opening scene of High Flying Bird sets up a very unconventional sports movie. Both the NBA player and the agent are broke due to a lockout and they can't even pay a coffee bill. You'd think this world would be full of agents and players swimming in money, but no. The script by Moonlight scribe T ... arell Alvin McCraney and the smooth, slick, iPhone filmmaking mastery of Steven Soderbergh make for a boardroom drama that's both engaging and educational. I loved the way the film approaches corporate greed, the struggle of basketball players in maintaining PR, and trying to find success by thinking out of the box. All in all, a solid film by a solid crew.