Popularity: 3 (history)
Director: | Halina Reijn |
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Writer: | Sarah DeLappe, Kristen Roupenian |
Staring: |
In an isolated family mansion, a group of rich 20-somethings decides to play Bodies Bodies Bodies, a game where one of them is secretly a "killer" while the rest tries to "escape". Things take a turn for the worse when real bodies start turning up, setting off a paranoid and dangerous chain of events. | |
Release Date: | Aug 05, 2022 |
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Director: | Halina Reijn |
Writer: | Sarah DeLappe, Kristen Roupenian |
Genres: | Comedy, Horror, Mystery |
Keywords | love triangle, infidelity, gun, sword, hurricane, rain, paranoia, satire, mansion, whodunit, accidental death, power outage, lgbt, woman director, paranoid, murder mystery, candid, generation z, anxious, playful, dreary, cautionary, party, witty, hilarious, antagonistic, farcical, sarcastic |
Production Companies | A24, 2AM |
Box Office |
Revenue: $13,900,000
Budget: $3,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Amandla Stenberg | Sophie |
Maria Bakalova | Bee |
Myha'la | Jordan |
Rachel Sennott | Alice |
Chase Sui Wonders | Emma |
Pete Davidson | David |
Lee Pace | Greg |
Conner O'Malley | Max |
Name | Job |
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Elise H. Clark-Johnson | Set Decoration |
Katina Danabassis | Costume Design |
Luke Green | Art Direction |
Taylor Levy | Editor |
Sarah Graalman | Makeup Department Head |
Chris Liang | Sound Effects Editor |
Luciano Vignola | Sound Re-Recording Mixer, Supervising Sound Editor |
Craig Crawford | Visual Effects Supervisor |
Jeremy Beadell | Visual Effects Producer |
Julia Bloch | Editor |
Mariusz Glabinski | Sound Designer |
Aishwarya Shree Sharma-Porter | Key Costumer |
Lani Barry | Makeup Artist |
Jennie Shea | ADR Recordist |
Jamie Amadio | Hair Department Head |
Eric LaFranchi | First Assistant Director |
Hans Augustave | Second Second Assistant Director |
Micah Blaichman | Foley Mixer |
Ailin Gong | Assistant Sound Editor |
Dan Green | Boom Operator |
Laura Heinzinger | Foley Supervisor |
Matthew Kay | Foley Mixer |
Dimitri Kouri | Sound Mixer |
Jay Peck | Foley Artist |
Matt Rigby | Dialogue Editor |
Samuel Stevenson-Yang | Utility Sound |
Dimitra Bixby | Special Effects Coordinator |
Johann Kunz | Special Effects |
Marisa Umsawasdi | Special Effects Technician |
Devon Catucci | Steadicam Operator |
Seth Andrew Bridges | Stunt Double |
Nancy Cantine | Utility Stunts |
Erin E. Clyne | Stunt Double |
Dolores Degand | Stunts |
Jaime Wallace | Stunt Double |
Melanie Licata | Key Makeup Artist |
Ben Spaner | Steadicam Operator, "A" Camera Operator |
Matthew Atwood | Gaffer |
Kim Ostroy | Casting Associate |
Jodi Angstreich | Casting |
Laura Rosenthal | Casting |
April Lasky | Production Design |
Zack Alliger | Property Master |
Halina Reijn | Director |
Jasper Wolf | Director of Photography |
Sarah DeLappe | Screenplay |
Kristen Roupenian | Story |
Kelsey Sasportas | Costumer |
Mark DeSimone | ADR Mixer |
Chris Navarro | ADR Mixer |
Jenna Hellmuth | Stunt Double |
Drew Leary | Stunt Coordinator |
Rich Vreeland | Original Music Composer |
Chloe Okuno | Thanks |
Alexa Marcigliano | Stunts |
Teddy Blanks | Title Designer |
Naiesha Petty | Key Hair Stylist |
Vincent Schicchi | Special Effects Makeup Artist |
Ana Cuadra | Production Supervisor |
Isabel Henderson | Post Production Supervisor |
Bruno Vernaschi-Berman | Unit Production Manager |
Jonathan Wu | Second Assistant Director |
Allie Ayala | Set Dresser |
Kyra Boselli | Art Department Coordinator |
Kevin Cabello | Graphic Designer |
Alison Hepler | Set Decoration Buyer |
Christopher Hu | Set Dresser |
Caroline Pigou | Art Department Assistant |
John Posca | Carpenter |
Joseph Sorelle | Leadman |
Brian Tubbs | Scenic Artist |
Billy Gardner | Sound Re-Recording Mixer |
Rae King | Sound Assistant |
Maxwell Austin | Digital Compositor |
Vincent Burt | Digital Compositor |
Sergio DiGirolamo | Matte Painter |
David J. Gutierrez | Digital Compositor |
CJ Harris | Digital Compositor |
Elyssa Houser | Digital Compositor |
Jason Hubbard | VFX Production Coordinator |
Jay Lalime | Digital Compositor |
Robert Liscombe | Compositing Supervisor |
Evander Major | Digital Compositor |
Mike C. Pare | Digital Compositor |
Travis Pinsonnault | CG Supervisor |
Peter Steffan | Digital Compositor |
Chris Wood | Digital Compositor |
Evelyn O. Vaccaro | Stunt Double |
Travis Staton-Marrero | Stunts |
Ben Rezendes | Stunts |
Gwen Capistran | Still Photographer |
Jonnie Gearin | Aerial Camera |
Mike Gearin | Aerial Camera |
Justin Hartough | Digital Imaging Technician |
Caleb Keeler | Second Assistant Camera |
Anthony S. Lenzo | Underwater Camera |
Benjamin Logan | Key Grip |
Neicy McFadden | Second Assistant "A" Camera |
Matthew Montalto | First Assistant "B" Camera |
Conor Murdock | Electrician |
Chris O'Keeffe | Grip |
Kodi Perryman | First Company Grip |
Brent Poleski | Key Rigging Grip |
Luke Provenzano | Best Boy Electric |
Zach Rubin | First Assistant "A" Camera |
Julian Tran | Generator Operator |
Tracy Kaczorowski | Casting Assistant |
Max Archimedes Levitt | Ager/Dyer |
Celeste Montalvo | Assistant Costume Designer |
Davis Clenney | Dailies Operator |
Nicole Guillermo | Dailies Manager |
C.J. Julian | Colorist |
Kevin Krout | Colorist |
Joao Marcos Machado | First Assistant Editor |
Lorena Lomeli Moreno | Post Producer |
James Reyes | Digital Intermediate Producer |
Damien van der Cruyssen | Colorist |
Justin Stowell | Location Scout |
Meghan Currier | Music Supervisor |
Joseph S. DeBeasi | Music Editor |
Tamara Hansen | Script Supervisor |
Nathaniel Carota | Post Production Accountant |
Evan Cathcart | Production Coordinator |
Marie Hunter | Payroll Accountant |
Nikki Moriello | Production Secretary |
Sarah Shepherd | Dialect Coach |
Inman Young | Head of Production |
Charli xcx | Songs |
Name | Title |
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Dani Bernfeld | Executive Producer |
Lara Costa Calzado | Co-Producer |
Sebastian Bear-McClard | Executive Producer |
Tatiana Bears | Co-Producer |
Sarah DeLappe | Executive Producer |
Christine D'Souza Gelb | Executive Producer |
Ali Herting | Producer |
David Hinojosa | Producer |
Jacob Jaffke | Executive Producer |
Amandla Stenberg | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 44 | 26 |
2024 | 5 | 34 | 45 | 22 |
2024 | 6 | 37 | 64 | 24 |
2024 | 7 | 40 | 70 | 23 |
2024 | 8 | 32 | 64 | 19 |
2024 | 9 | 24 | 33 | 16 |
2024 | 10 | 30 | 56 | 21 |
2024 | 11 | 27 | 48 | 20 |
2024 | 12 | 23 | 32 | 17 |
2025 | 1 | 24 | 37 | 19 |
2025 | 2 | 16 | 28 | 4 |
2025 | 3 | 8 | 30 | 1 |
2025 | 4 | 5 | 11 | 3 |
2025 | 5 | 5 | 11 | 3 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 3 | 4 | 3 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 972 | 972 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 672 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 400 | 712 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 763 | 784 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 647 | 781 |
I can't say I am a bit disappointed about this film, I can't really say that there was one thing in particular that I did not enjoy, it just didn't work for me as much as I would have liked. The plot line was fairly predictable, even with the twists and turns. Characters consistently make stupid dec ... isions for plot's sake, even though that is the M.O. for slasher films, I expected a bit more from A24. The slasher elements were barely present, even though I knew that coming in, the marketing still makes this look like a different movie altogether. The comedy was lackluster, I understand it was suppose to be dry social commentary based humor, but I did not really find it funny one bit. Even with all my critiques, I still found this movie somewhat enjoyable. **Score:** _65%_ **Verdict:** _Decent_ **Theater Verdict:** _Stream It_
I love going to the theater! Surprisingly atmospheric and immersive, I loved how it's shot/edited. Clever script and a fun cast too! Rachel Sennott is amazing here. Charli XCX credits are the cherry on top. Probably the most "gen z" movie I've ever seen. ...
So a group of fairly unlikeable, spoiled, rich kids gather at the home of one of their number ahead of an impending hurricane. As conditions turn particularly nasty outside (think "Devil Wears Prada"), they decide to play an hybrid game of "Cleudo" meets "Ten Little Indians" that involves someone be ... ing given a piece of paper with a cross on it. That person has to "kill" one of their entirely deserving friends. Thereafter, they all reconvene to deduce who the killer is and if they get it wrong, then off they go again... Things take a turn for the worst when, infused with cocaine and booze, they start to fall out and their host "David" (the panda-impersonator Pete Davidson) strops off, the power goes down and next thing he is found quite literally bouncing off the patio doors with his throat slit. Whodunit? What now ensues is a messy, expletive-ridden character study of half a dozen women who are all too readily suspicious of each other. Two of them are lovers, with a third on the periphery of that very new relationship and another has brought her rather curious boyfriend along. The seeds are sown for a sea of discord right from the get-go. At times, the dialogue is really quite good fun, delivering quite an abrasively effective analysis of these fairly stupid and odious youngsters and playing well on their vacuousness and mistrust. All to often, though, the language becomes almost puerile. A good old dose of Anglo-Saxon can work, but when repeated as often as it is here, it loses any real potency. Indeed here, it borders on the hysterical - but not in an any way menacing manner. The acting, well that's another story. It's terrible. Quite simply, nobody here ought to worry about being troubled by any juries during awards season. That's a shame, because just a little more discerning effort on the casting front could really have lifted this, especially as the ending is really quite amusing. At times the production design offers us quite a claustrophobic environment, helped along nicely by the prevailing weather conditions - but sadly, that can't excuse the mediocrity of the talent delivering here, and I left the cinema unimpressed.
**Bodies Bodies Bodies is filled with neurotic, selfish, and annoying characters that find a way to make a killer in their midst aggravating and tiresome.** I spent the entire runtime of Bodies Bodies Bodies wondering why this movie was so well received and highly rated. The plot doesn’t kick in ... until around halfway through, and the audience is left to endure young 20-somethings complaining, making out, and wondering why the world didn’t revolve around them for 45 minutes. The weak dialogue is dreadful to the point of making me wonder if any of it was actually written or just ad-libbed. Unfortunately, once the bodies start dropping, even the mystery of a vicious murderer plays the background to the self-absorbed spoiled brats whining and spilling each other’s secrets. At one point, the story attempts to shoehorn the murderer killing the victims in the order of the game, but even the characters in the movie don’t buy it. The cast does a convincing job of portraying a bunch of immature narcissists reacting to such a high-stress situation. I was so bored and disappointed until the final 3 minutes. The final twist is unique and entertaining but wasn’t worth the trash that had to be tolerated for an hour and a half to get there.