 
  Popularity: 5 (history)
| Director: | Clea DuVall | 
|---|---|
| Writer: | Clea DuVall, Mary Holland | 
| Staring: | 
| A young woman's plans to propose to her girlfriend while at her family's annual holiday party are upended when she discovers her partner hasn't yet come out to her conservative parents. | |
| Release Date: | Nov 26, 2020 | 
|---|---|
| Director: | Clea DuVall | 
| Writer: | Clea DuVall, Mary Holland | 
| Genres: | Comedy, Romance | 
| Keywords | holiday, marriage proposal, coming out, romcom, lesbian relationship, in the closet, orphan, family holiday, lgbt, woman director, holiday season, pittsburgh, pennsylvania, christmas, candid, mayoral campaign, sister sister relationship, playful, lesbian, joyous, dramatic, sentimental, amused, familiar, hopeful, sympathetic | 
| Production Companies | Temple Hill Entertainment | 
| Box Office | Revenue: $1,401,954 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Clea DuVall | Screenplay, Director, Story | 
| Mary Holland | Screenplay | 
| Rich Delia | Casting | 
| Doug Coleman | Stunt Coordinator | 
| Season Kent | Music Supervisor | 
| Helena Barrett | Stunts | 
| Anthony Mecca | Stunts | 
| Heidi Germaine Schnappauf | Stunts | 
| Kelly Richardson | Stunts | 
| Chelsea Banglesdorf | Executive Producer's Assistant | 
| Deb Adair | Sound Re-Recording Mixer | 
| Hal Rosenfeld | Musician | 
| Erin Rose Kelly | Casting Assistant | 
| John Guleserian | Director of Photography | 
| Maggie Srmayan | Art Direction | 
| Kathleen Felix-Hager | Costume Design | 
| Ian Mclaughlin | Stunts | 
| Amie Doherty | Orchestrator, Original Music Composer | 
| Melissa Bretherton | Editor | 
| Theresa Guleserian | Production Design | 
| Shanna Worsham | Set Decoration | 
| Richard E. Chapla Jr. | Unit Production Manager | 
| Sooze Buliavac | Script Supervisor | 
| Rich Schutte | "B" Camera Operator | 
| Amanda Rotzler | First Assistant "B" Camera | 
| Dan Sotak | Second Assistant "B" Camera | 
| Darcie Buterbaugh | Key Costumer | 
| Gina Lamonica | Costumer | 
| Olivia Becker | Costumer | 
| Kimberly Amacker | Key Makeup Artist | 
| Tina Fabulic | Key Hair Stylist | 
| Armando Ballesteros | Chief Lighting Technician | 
| Tom Morrison | Electrician | 
| Dakota Hadix | Electrician | 
| Greg Edwards | Dolly Grip | 
| Don Yockey | Grip | 
| Taylor Flick | Grip | 
| George Simpson | Production Sound Mixer | 
| Anthony Cargioli | Boom Operator | 
| Doug Stanczak | Video Assist Operator | 
| Jacob Hays | Key Special Effects | 
| Chris Ruppenthal | Assistant Location Manager | 
| Billy Cole | Production Coordinator | 
| James Croal Jackson | Production Secretary | 
| Giela Fredman | First Assistant Accountant | 
| Nicole Basile | Payroll Accountant | 
| Jonathan Pitcher | Construction Coordinator | 
| John Finnell | Art Department Coordinator | 
| Justin Pellisero | Leadman | 
| Angela Donatelli | Assistant Property Master | 
| Lacey Terrell | Still Photographer | 
| Jonathan Medeiros | Second Second Assistant Director | 
| Jake Salcudean | Producer's Assistant | 
| Nathaniel Fitzgerald | Production Assistant | 
| Dylan McCully | Production Assistant | 
| Isaac Shuppas | Production Assistant | 
| Jim Kateluzos | Production Assistant | 
| Nathaniel Peters | Production Assistant | 
| Emmanuel Savary | Stunts | 
| Jonathan McCoy | Unit Production Manager | 
| Alyssa Batchelor | Second Assistant Director | 
| Rob Fiks | Property Master | 
| Michael W. Craven | Camera Operator | 
| Deb Peterson | First Assistant Camera | 
| Yev Shrayber | Second Assistant Camera | 
| Curtis Abbott | Digital Imaging Technician | 
| Tori Musial | Costumer | 
| Lindsey Waltonbaugh | Costumer | 
| Stacey Panepinto | Makeup Department Head | 
| April Schuller | Hair Department Head | 
| Alta Marie Bialon | Hairstylist | 
| Jon D. Morrison | Assistant Chief Lighting Technician | 
| Denair Isaac | Electrician | 
| Keith Seymour | Key Grip | 
| Jason Kirker | Dolly Grip | 
| Doug Cronin | Grip | 
| Joe Seifert | Grip | 
| Christopher Strollo | Production Sound Mixer | 
| Jason Jouver | Utility Sound | 
| Ray Tasillo | Special Effects Coordinator | 
| Eric Dilucente | Location Manager | 
| Bethany Dilucente | Assistant Location Manager | 
| Amber Robson | Assistant Production Coordinator | 
| Cabernet Murray | Production Accountant | 
| Nathan Matt | Second Assistant Accountant | 
| Buster Pile | Construction Coordinator | 
| Kate Dougherty | Set Designer | 
| Brad Towell | Graphic Designer | 
| Matthew McCloskey | On Set Dresser | 
| Rachael M. Roth | Unit Publicist | 
| Darin Rivetti | First Assistant Director | 
| Avital Siegel | Producer's Assistant | 
| Kailee Greb | Production Assistant | 
| Alexis Owen-Guenther | Production Assistant | 
| Mark Gazica | Production Assistant | 
| Bálint Oltvai | Production Assistant | 
| Adam Shahen | Production Assistant | 
| Stephanie Tolksdorf | Production Assistant | 
| Donna M. Belajac | Local Casting | 
| Chuck Peterson | Extras Casting | 
| Miranda Wodzinski | Craft Service | 
| Frank Conforti | Transportation Coordinator | 
| Terence Mahoney | Transportation Co-Captain | 
| Cynthia E. Thornton | Assistant Editor | 
| Kathryn Madsen | Supervising Sound Editor | 
| Frédéric Dubois | Sound Effects Editor | 
| Stefan Fraticelli | Foley Artist | 
| Ron Mellegers | Foley Mixer | 
| Brad J. Bakelmun | Foley Mixer | 
| Fabiana Arrastia | ADR Voice Casting | 
| Ellie Cumming | Additional Music | 
| Shalini Vijayan | Musician | 
| Kamari Somers | Production Assistant | 
| Chelsea Lynn Peterson | Extras Casting | 
| Ginny Minuto | Craft Service | 
| Dustin Derosa | Set Medic | 
| Jonathan Pishko | Transportation Captain | 
| Mark Perzely | First Assistant Editor | 
| Dylan Martin | Post Production Assistant | 
| Alexandra Fehrman | Sound Re-Recording Mixer | 
| Matt Temple | Supervising Sound Editor | 
| Paul Hammond | Dialogue Editor | 
| Jason Charbonneau | Foley Artist | 
| Randy Wilson | Foley Mixer | 
| Phil Lee | Mix Technician | 
| Erica Weis | Music Editor | 
| Damon Tedesco | Scoring Mixer | 
| Natalie Goldstein | Music Coordinator | 
| Alyssa Park | Musician | 
| Luke Maurer | Musician | 
| Natasha Leonnet | Digital Colorist | 
| James Pastorius | Visual Effects Supervisor | 
| Liz Flush | Visual Effects Production Manager | 
| Kevin Konitsch | VFX Artist | 
| Henry Borrasso | VFX Artist | 
| Karen Bellamy | Costume Supervisor | 
| Kim H. Winther | First Assistant Director | 
| Tim Loo | Musician | 
| Loan Phan | Digital Intermediate Producer | 
| Brice Liesveld | Visual Effects Producer | 
| H Haden Hammond | VFX Artist | 
| Luke Ewing | VFX Artist | 
| Tim Turner | VFX Artist | 
| Eric Rasmussen | Production Assistant | 
| Adam Richards | Casting Associate | 
| Ashley Pynn | Stunts | 
| Laurel Thomson | Production Executive | 
| Name | Title | 
|---|---|
| Isaac Klausner | Producer | 
| Wyck Godfrey | Executive Producer | 
| Jonathan McCoy | Executive Producer | 
| Jaclyn Huntling Swatt | Co-Producer | 
| Marty Bowen | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Supporting Actress | Mary Steenburgen | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 31 | 47 | 18 | 
| 2024 | 5 | 34 | 82 | 19 | 
| 2024 | 6 | 26 | 56 | 13 | 
| 2024 | 7 | 23 | 40 | 15 | 
| 2024 | 8 | 21 | 40 | 11 | 
| 2024 | 9 | 16 | 22 | 10 | 
| 2024 | 10 | 17 | 40 | 10 | 
| 2024 | 11 | 24 | 38 | 15 | 
| 2024 | 12 | 31 | 49 | 23 | 
| 2025 | 1 | 27 | 45 | 16 | 
| 2025 | 2 | 14 | 22 | 3 | 
| 2025 | 3 | 7 | 21 | 1 | 
| 2025 | 4 | 4 | 9 | 2 | 
| 2025 | 5 | 3 | 10 | 1 | 
| 2025 | 6 | 3 | 5 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 3 | 6 | 1 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 276 | 767 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 820 | 820 | 
Great watch, would watch again, and do recommend. There is a huge advantage in knowing as little as possible about a movie before watching it: mostly it removes expectations, and allows little surprises to delight you through the movie. I watched it because it was a Kristen Stewart movie, but ... was happily surprised to see Clea Duvall involved, and continually delighted to see familiar faces appear: Mary Holland, Alison Brie, and Aubrey Plaza especially. I'm honestly not familiar with "a lot" of "coming out of the closet, but not quite yet" stories, but I have seen a lot of "secrets for the holidays", and "don't tell my family x", and this is very interesting that it uses that concept to knock the wind out of the sails of the story so early. While the majority of the story is basically abuse humor, it's delivered in a way that manages to both garner sympathy for Abbie and be charmingly amusing. If the movie has a real downside, then it's that it tries to do (almost) too many things, but manages to pull it off. Yeah, I pretty much hate Harper, but that's by design, and she's a victim as much as a villain. The shift in stories as things all start to resolve is the "worst" part of it, but ultimately makes for a satisfying ending.
I was surprised by how much I liked this Hulu Christmas offering, since you can get jaded at the number of holiday romantic movies the various sources crank out every year. The movie seems to combine several sub genres here, the familiar gay coming out, dysfunctional holiday family, even bordering ... in romantic triangle territory. Martin Levy’s son does him proud, as Dan Levy was a real scene stealer here. I quickly decided the more of him, the better. The chemistry between the two leads wasn’t quite evident to me and I am not sure why. I saw more chemistry between Harper and Abby’s ex-girlfriend Riley, actually. Also, I think an opportunity was lost in the perpetually frowning two kids. They should have been allowed a bit more personality I think. (And what is up with all the gender neutral names for many of the female characters here? Harper, Tipper, Sloan, Riley, Harry, Kelly and Ashley. Weird. Mary Steenburgen does her usual competent job playing the wife and matriarch, though I felt they let her fade a little into the background until she asserts herself near the end. So while this movie won’t enter my cycle of Christmas movies to watch annually, I enjoyed it just fine (tinged with the shadow of regret that it wouldn’t have taken much more to be very good). The writers do not have many film credits, so I hope they continue to write and improve. I won’t change the channel if I run across it in the future.
I usually avoid Christmas movies but some of those names grabbed me - Mack Davis, Aubrey Plaza, Dan Levy, and more. All put in a great performance, the story made sense, the plot was well done, and it was a nice little town - all good. ...