 
  Popularity: 3 (history)
| Director: | Nisha Ganatra | 
|---|---|
| Writer: | Mindy Kaling | 
| Staring: | 
| A legendary late-night talk show host's world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline. | |
| Release Date: | Jan 25, 2019 | 
|---|---|
| Director: | Nisha Ganatra | 
| Writer: | Mindy Kaling | 
| Genres: | Comedy, Drama | 
| Keywords | talk show, honesty, tv ratings, showbiz, new job, woman director, change of plan, parkinson's disease, long term relationship, publicist, replacement, late-night show, female writer, talk show host, secret, new format | 
| Production Companies | 3 Arts Entertainment, FilmNation Entertainment, Imperative Entertainment, 30WEST, MK International | 
| Box Office | Revenue: $22,384,741 Budget: $4,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Emma Thompson | Katherine Newbury | 
| Mindy Kaling | Molly Patel | 
| Max Casella | Burditt | 
| Hugh Dancy | Charlie Fain | 
| Denis O'Hare | Brad | 
| Reid Scott | Tom Campbell | 
| Amy Ryan | Caroline Morton | 
| Paul Walter Hauser | Mancusco | 
| John Early | Reynolds | 
| John Lithgow | Walter Lovell | 
| Megalyn Echikunwoke | Robin | 
| Ike Barinholtz | Daniel Tennant | 
| Annaleigh Ashford | Mimi Mismatch | 
| Halston Sage | Zoe Martlin | 
| Marc Kudisch | Billy Katsner | 
| Seth Meyers | Himself | 
| Bill Maher | Himself | 
| Jake Tapper | Himself | 
| Maria Dizzia | Joan | 
| Sakina Jaffrey | Molly's Mom | 
| Luke Slattery | Hayes Campbell | 
| Blake DeLong | McCary | 
| David Neal Levin | Plant Manager | 
| Paige Gilbert | Dee | 
| Kerry Flanagan | Female Reporter | 
| Lucas Caleb Rooney | Gabe Eichler | 
| Rupak Ginn | Teacher | 
| Glo Tavarez | Young Woman | 
| Jia Patel | Pavarti | 
| Name | Job | 
|---|---|
| Maribeth Fox | Casting | 
| Julie A. Bloom | First Assistant Director | 
| Eleanor Infante | Editor | 
| Aileen Abercrombie | Assistant Costume Designer | 
| Eleonora de Simone | Assistant Art Director | 
| Justin Situ | Rigging Gaffer | 
| Richard Hebrank | Construction Coordinator | 
| Joe Landry | Second Second Assistant Director | 
| Jeff Mazolla | Set Dresser | 
| Angela Persico | Set Dresser | 
| Chris Gano | Set Dresser | 
| Julian J. Delacruz | Steadicam Operator, Camera Operator | 
| Matthew Montalto | Second Assistant "A" Camera | 
| Jeff Makarauskas | Camera Loader | 
| Tom Kerwick | Key Grip | 
| Shai Goldenberg | Dolly Grip | 
| Allison Jackson | Sound Mixer | 
| Jonathan Jackson | Utility Sound | 
| Sara Dangler | Key Costumer | 
| Jon Can Coskunkas | Tailor, Costumer | 
| Tiffany Marie Walker | Assistant Production Coordinator | 
| Milagros Medina-Cerdeira | Key Makeup Artist | 
| Todd Toon | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Chris Navarro | ADR Mixer | 
| B.J. Novak | Thanks | 
| Matt Warburton | Thanks | 
| Judah Getz | ADR Mixer | 
| Krissopher Chevannes | ADR Mixer | 
| Evan Joseph | Thanks | 
| Susan Carnival | Thanks | 
| Ariel Dumas | Thanks | 
| Matt Whitaker | Thanks | 
| Daniel J. Goor | Thanks | 
| Bill DeBlasio | Thanks | 
| Sonia Kharkar | Thanks | 
| Brent White | Thanks | 
| Henriette Vittadini | Set Decoration | 
| Gwen Roach | Property Master | 
| Elizabeth Jones | Production Design | 
| Laura Rosenthal | Casting | 
| Vincent Giarratano | Second Assistant Director | 
| Matthew Clark | Director of Photography | 
| Linda Cohen | Music Supervisor | 
| David Scharf | Post Production Supervisor | 
| Starlet Jacobs | Art Direction | 
| Eva Z. Cabrera | Script Supervisor | 
| Charity Thomas | Art Department Coordinator | 
| Eugene Hitt | Special Effects Coordinator | 
| Kimberly Asa | Assistant Set Decoration, Set Decoration Buyer | 
| Tom LaVecchia | Set Dresser | 
| John Polster | Set Dresser | 
| Matthew Vidalis | Graphic Designer | 
| Ken Shibata | Gaffer | 
| Anthony Pennachio | Additional Second Assistant Director | 
| Michael Dilella | Set Dresser | 
| Gary Martori | Key Hair Stylist | 
| Anthony Taratunio | Set Dresser | 
| Adriana Brunetto-Lipman | First Assistant "B" Camera | 
| Emily Aragones | Still Photographer | 
| Ian O'Neill | Best Boy Grip | 
| Ryan Dunne | Grip | 
| Allison Howe | Boom Operator | 
| Anna Tringali | Costume Supervisor | 
| Randi Featherstone | Costume Coordinator | 
| Nadine Gallo | Production Secretary | 
| Kimberly Amacker | Makeup Artist | 
| Lisa Renee Thomas | Hairstylist | 
| Kate Cossolotto | Location Coordinator | 
| Victor A. Pineda | Payroll Accountant | 
| Noa Isabella | Casting Assistant | 
| Jensine Joseph | Extras Casting Assistant | 
| Kelly Budish | Assistant Editor | 
| Charles Martin Inouye | Music Editor | 
| Glynna Grimala | Supervising Sound Editor | 
| Pernell L. Salinas | First Assistant Sound Editor | 
| Vince Nicastro | Foley Artist | 
| Dominic Boucher | ADR Mixer | 
| Lesley Barber | Orchestrator, Original Music Composer | 
| Phil Noto | Thanks | 
| Jen Small | Thanks | 
| Laura Gordon | Thanks | 
| Lang Fisher | Thanks | 
| Emmy Blotnick | Thanks | 
| Charlie Grandy | Thanks | 
| Dave Stassen | Thanks | 
| Rob Burnett | Thanks | 
| Abi Wurdeman | Thanks | 
| Jenny Hagel | Thanks | 
| Thom Browne | Thanks | 
| Charlotte Cox | Art Department Coordinator | 
| Pedro Corcega | First Assistant "A" Camera | 
| Maria Gonzales | Second Assistant "B" Camera | 
| Evan Dalcher | Best Boy Electric | 
| Ben Kanegson | Dolly Grip | 
| Neal Luberda | Rigging Grip | 
| Gabriel Sanders | Boom Operator | 
| Olivia Janczyk | Key Costumer | 
| Elizabeth Howell | Tailor | 
| Laura Calcagni | Production Coordinator | 
| Marjorie Durand | Makeup Department Head | 
| Jasen Joseph Sica | Hair Department Head | 
| Michele Baker | Location Manager | 
| Mariarosa Calderon | Production Accountant | 
| Christian Noe | Craft Service | 
| Anne Reeves | Extras Casting | 
| James Harkerss | Transportation Captain | 
| Asim Matin | Assistant Editor | 
| Alice Wood | Music Editor | 
| Shane Hayes | Dialogue Editor | 
| Shawn Kennelly | Foley Mixer | 
| Scott Cannizzaro | ADR Mixer | 
| James Shearman | Orchestrator | 
| Tory Burch | Thanks | 
| Robert Steuer | Thanks | 
| Lorene Machado | Thanks | 
| Aimee Pitta | Thanks | 
| Frank Lesser | Thanks | 
| Carol Chrest | Thanks | 
| Matthew Crothamel | Assistant Location Manager | 
| Kareem O'Neill | First Assistant Accountant | 
| Kimberly Guzman | Casting Associate | 
| Brad Kenny | Extras Casting | 
| Thomas O'Connor | Transportation Co-Captain | 
| Chris Pelphrey | Assistant Editor | 
| Luke Gibleon | Sound Effects Editor | 
| Gabriel J. Serrano | Sound Re-Recording Mixer | 
| Melissa Kennelly | Foley Artist | 
| Andy Koyama | Sound Re-Recording Mixer | 
| Nisha Ganatra | Director | 
| David Rogers | Editor | 
| Mitchell Travers | Costume Designer | 
| Jolian Blevins | Production Supervisor | 
| Chris Cenatiempo | Stunt Coordinator | 
| Erika Hampson | Unit Production Manager | 
| Garry Pastore | Leadman | 
| Mindy Kaling | Screenplay | 
| Maryam Keshavarz | Thanks | 
| Laura Terruso | Thanks | 
| Elizabeth Sarnoff | Thanks | 
| Tracey Wigfield | Thanks | 
| Claire Scanlon | Thanks | 
| Gary Ross | Thanks | 
| Aline Brosh McKenna | Thanks | 
| Stella McCartney | Thanks | 
| Rupak Ginn | Thanks | 
| Carolyn Strauss | Thanks | 
| Amber Ruffin | Thanks | 
| Tricia McAlpin | Thanks | 
| Dave King | Thanks | 
| Name | Title | 
|---|---|
| Howard Klein | Producer | 
| Daniel Steinman | Executive Producer | 
| Heather Morris | Associate Producer | 
| Jillian Apfelbaum | Producer | 
| Micah Green | Executive Producer | 
| Ben Browning | Producer | 
| Mindy Kaling | Producer | 
| Milan Popelka | Executive Producer | 
| Alison Cohen | Executive Producer | 
| Erika Hampson | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 21 | 36 | 10 | 
| 2024 | 5 | 27 | 57 | 17 | 
| 2024 | 6 | 18 | 44 | 10 | 
| 2024 | 7 | 15 | 28 | 9 | 
| 2024 | 8 | 15 | 37 | 9 | 
| 2024 | 9 | 9 | 13 | 7 | 
| 2024 | 10 | 14 | 35 | 7 | 
| 2024 | 11 | 13 | 25 | 6 | 
| 2024 | 12 | 11 | 17 | 6 | 
| 2025 | 1 | 14 | 39 | 8 | 
| 2025 | 2 | 10 | 18 | 3 | 
| 2025 | 3 | 5 | 11 | 1 | 
| 2025 | 4 | 3 | 8 | 1 | 
| 2025 | 5 | 2 | 9 | 1 | 
| 2025 | 6 | 3 | 5 | 1 | 
| 2025 | 7 | 2 | 4 | 1 | 
| 2025 | 8 | 1 | 3 | 1 | 
| 2025 | 9 | 1 | 2 | 0 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Is ‘Late Night’ a perfect film? No. It could have used a few tweaks in the edit suite, and a couple more on the page. Yes, the “woman”, “women in comedy” and “woman of colour” angles are pushed and pushed hard - but then again, isn’t that what the movie is about? Nothing is too in-your-face or shove ... d down your throat, but you will notice it as these are things you don’t often come across in cinema (or ever). I just would have preferred if Kaling’s character had the personal and professional résumé to be right as well as just righteous, but that’s just me. Either way, she’s great and holds her own against the dynamo force that is Thompson, relishing in her element as a smart, powerful female with a mean streak. ‘Late Night’ is definitely worth the privilege of our time. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-late-night-the-ladies-of-comedy-have-come-to-make-waves
This had the potential to delver quite an insightful look into the workings of a late-night talkshow, but regrettably this opportunity was largely wasted. Emma Thompson plays the role of host "Katherine Newbury" well, but her character is pretty unlikeable and probably deserves for her tired old sho ... w to be cancelled. Mindy Kaling's "Molly" is the new kid on the writing team with the nouse to reverse the decline and re-establish her boss as a success, but again her persona doesn't really engage either. Sadly, the film is completely devoid of humour and aside from the few scenes with John Lithgow, is pretty unremarkable. Perhaps not quite meritorious of the "privilege of your time".