 
  Popularity: 33 (history)
| Director: | Michael Cristofer | 
|---|---|
| Writer: | Michael Cristofer | 
| Staring: | 
| Hotel night clerk Bart Bromley is a highly intelligent young man on the Autism spectrum. When a woman is murdered during his shift, Bart becomes the prime suspect. As the police investigation closes in, Bart makes a personal connection with a beautiful guest named Andrea, but soon realises he must stop the real murderer before she becomes the next victim. | |
| Release Date: | Feb 19, 2020 | 
|---|---|
| Director: | Michael Cristofer | 
| Writer: | Michael Cristofer | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | hotel, falsely accused, murder, surveillance camera, autistic | 
| Production Companies | Highland Film Group, Saban Films, Convergent Media, WulfPak Productions | 
| Box Office | Revenue: $302,127 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Tye Sheridan | Bart Bromley | 
| Ana de Armas | Andrea Rivera | 
| Helen Hunt | Ethel Bromley | 
| John Leguizamo | Detective Espada | 
| Johnathon Schaech | Nick Perretti | 
| Jacque Gray | Karen Perretti | 
| Joey Miyashima | Ron Benson | 
| Austin Archer | Jack Miller | 
| Ibrahim Quraishi | Cashier | 
| Frantz Louizia | Barber | 
| D.L. Walker | Car Salesman | 
| Pam Eichner | Saleswoman | 
| Walter Platz | Older Salesman | 
| Maria Julian | Woman #1 | 
| Ivey Lloyd | Woman #2 | 
| Brandice Brown | Young Woman | 
| Isaac Akers | Man #1 | 
| Cindy Perez | Camgirl #1 | 
| Ischa Bee | Camgirl #2 | 
| Stacey Ann Turner | Camgirl #3 | 
| Dee Macaluso | Older Woman | 
| Peter Epstein | Policeman | 
| Name | Job | 
|---|---|
| Erik Hall | Original Music Composer | 
| Diane Millett | Production Design | 
| Leslie Smoot | Set Decoration | 
| Mikaela Kester | Key Hair Stylist, Key Makeup Artist | 
| Leslie Kidman | Hair Department Head | 
| Maika Taylor | Makeup Department Head | 
| Natalie Cass | Still Photographer | 
| Fred Hayes | Additional Still Photographer | 
| Terry Prather | Extras Casting Coordinator | 
| Emily Jacobson | Key Costumer | 
| Phil Shepherd | Gaffer | 
| Kevin Woodward | Best Boy Electric | 
| Kevin Kennedy | Key Grip | 
| Scott E. Chester | Production Supervisor | 
| Briana Wall | Script Supervisor | 
| Shane Feulner | Construction Coordinator | 
| Paul W. Hazen | Visual Effects Supervisor, Post Production Supervisor | 
| Marty Jedlicka | First Assistant Director | 
| Joe Sanchez | Sound Mixer | 
| Reuben Ripley | Sound Re-Recording Mixer | 
| Jed M. Dodge | Sound Editor | 
| Lorenzo Guitierez | Sound Editor | 
| Miguel Rivera | Sound Editor | 
| Michael Cristofer | Writer, Director | 
| Rich Delia | Casting Director, Casting | 
| Noah Greenberg | Director of Photography, Camera Operator | 
| Kristi Shimek | Editor | 
| Peter Epstein | Stunts | 
| Eliza Coleman | Stunt Coordinator | 
| David M. Wulf | Unit Production Manager | 
| Ben Wilkins | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Jacqueline Johnson | Costume Designer | 
| Name | Title | 
|---|---|
| Alana Crow | Co-Producer | 
| Santosh Govindaraju | Executive Producer | 
| Nathan Klingher | Associate Producer | 
| Dan Reardon | Executive Producer | 
| Jonathan Saba | Executive Producer | 
| Ryan Winterstern | Co-Producer | 
| David M. Wulf | Producer | 
| Shanan Becker | Executive Producer | 
| Ness Saban | Executive Producer | 
| Bill Bromiley | Executive Producer | 
| Allan M. Kassirer | Co-Producer | 
| Tye Sheridan | Producer | 
| Robbie Brenner | Executive Producer | 
| Arianne Fraser | Producer | 
| Delphine Perrier | Executive Producer | 
| Henry Winterstern | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 24 | 30 | 18 | 
| 2024 | 5 | 27 | 38 | 18 | 
| 2024 | 6 | 35 | 53 | 18 | 
| 2024 | 7 | 48 | 69 | 28 | 
| 2024 | 8 | 59 | 103 | 34 | 
| 2024 | 9 | 32 | 41 | 23 | 
| 2024 | 10 | 34 | 69 | 23 | 
| 2024 | 11 | 27 | 59 | 17 | 
| 2024 | 12 | 26 | 38 | 17 | 
| 2025 | 1 | 26 | 35 | 20 | 
| 2025 | 2 | 20 | 35 | 4 | 
| 2025 | 3 | 7 | 23 | 1 | 
| 2025 | 4 | 4 | 7 | 2 | 
| 2025 | 5 | 4 | 7 | 2 | 
| 2025 | 6 | 3 | 5 | 3 | 
| 2025 | 7 | 3 | 5 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 5 | 6 | 3 | 
| 2025 | 10 | 5 | 33 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 644 | 708 | 
In moments, _The Night Clerk_ did seem as if it had potential, but by the end, and most especially focusing on the end itself, it's very clear that any potential it may have had was, to put it politely, squandered. There are about three things that happen over the entire runtime of this movie, and a ... ll three of them have been done far better, not even "ever", but recently. Like, within the past two years at most. Because doing them better than _The Night Clerk_ is a very, very low bar. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Feels like a bit of a mess, does <em>'The Night Clerk'</em>. I personally didn't feel entertained by this 2020 release. Ana de Armas gives a positive performance, though Tye Sheridan is a bit hit-and-miss. The 90 minute run time goes by a little slowly, while the story of this flick doesn't reall ... y seem all that well put together - it could've gone deeper, I feel. Or at least could have produced a more noteworthy ending. Lastly, a less serious point, but everytime Sheridan's character said "Boy oh boy oh boy" I amusingly kept getting a memory of Dug from 'Up'.