 
  Popularity: 4 (history)
| Director: | John R. Leonetti | 
|---|---|
| Writer: | Carey van Dyke, Tim Lebbon, Shane van Dyke | 
| Staring: | 
| With the world under attack by deadly creatures who hunt by sound, a teen and her family seek refuge outside the city and encounter a mysterious cult. | |
| Release Date: | May 16, 2019 | 
|---|---|
| Director: | John R. Leonetti | 
| Writer: | Carey van Dyke, Tim Lebbon, Shane van Dyke | 
| Genres: | Fantasy, Drama, Horror, Thriller | 
| Keywords | based on novel or book, deaf, post-apocalyptic future, survival, creature, religious cult, sign languages, deadly creature, creature attack, trying to avoid making noise | 
| Production Companies | Constantin Film, EMJAG Productions, Mister Smith Entertainment | 
| Box Office | Revenue: $2,325,977 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Stanley Tucci | Hugh Andrews | 
| Kiernan Shipka | Ally Andrews | 
| Miranda Otto | Kelly Andrews | 
| Kate Trotter | Lynn | 
| John Corbett | Glenn | 
| Kyle Breitkopf | Jude Andrews | 
| Dempsey Bryk | Rob | 
| Billy MacLellan | The Reverend | 
| Chris Whitby | Man with Shotgun | 
| Barbara Gordon | Woman with Shotgun | 
| Zoe Doyle | Mother | 
| Cory O'Brien | Subway Man | 
| Alex Hatz | Max | 
| Gregory Waters | Jock | 
| Sarah Abbott | Hushed Child | 
| Kate Corbett | Hushed Mother | 
| John Fray | Man Caver | 
| Konima Parkinson-Jones | Woman Caver | 
| Dan Duran | News Anchor | 
| Pat Kiernan | Pat Kiernan | 
| Annika Pergament | Annika Pergament | 
| Helen Stevens | Woman in Car | 
| Callum Shoniker | Child in Car | 
| Hannah Gordon | Subway Passenger #1 | 
| Taylor Love | Subway Passenger #2 | 
| Cesare Scarpone | Subway Passenger #3 | 
| Carson Durven | Subway Passenger #4 | 
| Ryan Turner | Subway Passenger #5 | 
| Luigi Raimondo | Subway Passenger #6 | 
| Michael G. Morrison | Subway Passenger (uncredited) | 
| Name | Job | 
|---|---|
| Carey van Dyke | Screenplay | 
| Tim Lebbon | Novel | 
| Sara Kay | Casting Director | 
| Michele Conroy | Editor | 
| Michael Galbraith | Director of Photography | 
| Hartley Gorenstein | Line Producer, Unit Production Manager | 
| Sarah Campbell | Second Assistant Director | 
| Robert Turi | Sound Recordist | 
| Jenny Lewis | Casting Director | 
| Matt Glover | Visual Effects Supervisor | 
| Lea Carlson | Costume Designer | 
| Stefan Steen | Production Manager | 
| Andrew Shea | First Assistant Director | 
| Bernhard Thür | Production Executive | 
| Andrea Kristof | Art Direction | 
| Dorota Mitoraj | Makeup Department Head | 
| Nathan Robitaille | Supervising Sound Editor | 
| Christopher Minos | Animation | 
| Paul Jones | Makeup Effects Designer | 
| Duff Smith | Editor | 
| Nancey Pankiw | Set Designer | 
| Allan Wylie | Video Assist Operator | 
| John R. Leonetti | Director | 
| Shane van Dyke | Screenplay | 
| Dennis Berardi | Visual Effects Supervisor | 
| Sally Bishop | Stunt Double | 
| Bob Ziembicki | Production Design | 
| Tom Hajdu | Original Music Composer | 
| Aaron Becker | Title Designer | 
| Name | Title | 
|---|---|
| Robert Leader | Associate Producer | 
| Alexandra Milchan | Producer | 
| Martin Salgo | Co-Producer | 
| Scott Lambert | Producer | 
| Martin Moszkowicz | Executive Producer | 
| Robert Kulzer | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 48 | 21 | 
| 2024 | 5 | 36 | 54 | 22 | 
| 2024 | 6 | 30 | 44 | 21 | 
| 2024 | 7 | 32 | 52 | 18 | 
| 2024 | 8 | 23 | 45 | 16 | 
| 2024 | 9 | 15 | 21 | 12 | 
| 2024 | 10 | 22 | 40 | 13 | 
| 2024 | 11 | 25 | 61 | 13 | 
| 2024 | 12 | 19 | 43 | 12 | 
| 2025 | 1 | 27 | 41 | 18 | 
| 2025 | 2 | 19 | 33 | 3 | 
| 2025 | 3 | 7 | 20 | 2 | 
| 2025 | 4 | 4 | 7 | 2 | 
| 2025 | 5 | 4 | 7 | 2 | 
| 2025 | 6 | 3 | 5 | 2 | 
| 2025 | 7 | 2 | 3 | 2 | 
| 2025 | 8 | 3 | 5 | 3 | 
| 2025 | 9 | 5 | 7 | 4 | 
| 2025 | 10 | 3 | 4 | 1 | 
Trending Position
Same story as "Sshhh" and "Bird Box", In this movie you can speak (loudly).But you can see, which is different by Netflix. ...
The Silence mutes any and all brain activity, sending viewers into a quiet sleep. “Shhhh! Be vewy vewy quiet! I’m hunting carnivewous ancient bats!”. For even the most minuscule of noises will send a swarm of ‘Pitch Black’ ‘Doctor Who’-esque bat demons that will scratch, bite and gnaw at your flesh. ... Based on a novel apparently, however any and all originality was tossed out of the family car window when both the superior ‘A Quiet Place’ and hugely popular ‘Bird Box’ were capitalising on the whole “sense prevention” horror schtick. Basically, it’s both those films put together. Ancient bat creatures are released from an uncharted cave system and are terrorising the continent of North America, where we follow a family trying to survive and reach a refuge. Problem is, this family is so chilled and relaxed during this heightened state of emergency, that any and all threat is relinquished from the nonchalant acting and careless attitudes. Urgh, honestly! Leonetti is doing his absolute best in unimaginatively mimicking other similar films, where veteran and all-round talent Tucci is waltzing around the countryside showing a face of “I can’t be bothered, release me from this torturous nightmare”. Plagued by infuriatingly stupid plot conveniences and character choices, the severe lack of tension halts the momentum entirely. Heck, it’s not even in neutral anymore. It’s reversing! Examples include (brace yourself...): handing a handgun to the uncle who is then left to die, ginger son conveniently switching cars before one of them veers over a verge, iPhones instantly muting themselves when submerged in water for a total of three seconds and bringing an obviously loud dog with you. That last example, accompanied with an unnecessary scene involving members of the public banishing a mother and her baby due to generating far too much noise, are simply utilised to showcase the destructive nature of humanity. Yup. Humans suck, and this film wants you to know that. You shan’t be scared by the horrifically visualised bat demons that look smoother than Tucci’s bald head. It’s the characters that’ll get under your skin and infuriate you. Need more proof? The entire third act. Father and daughter wander off to the nearest pharmacy, surprisingly making zero noise whatsoever on the way there, and encounter a mentally unstable reverend who yearns to fertilise young girls to maintain the population and chop their tongues off (after the foreplay, obviously...). What. The. Hell? That was so left field that even the flying angels didn’t see that coming. The narrative focus shifts constantly, making an already boring premise even more tediously mundane. Aside from one sacrifice towards the conclusion that had some emotional gravitas, The Silence offers nothing more than another forced extraction of this now dull horror concept. Actors weren’t trying, direction was unstable and the insufficient amount of scares were, well, insufficient. Oh wait, I forgot! It literally ends on the daughter becoming survivalist-styled Lara Croft and hunting these winged menaces down. Oh no no! I’m done! Just watch ‘A Quiet Place’ instead...