Popularity: 6 (history)
| Director: | Tony Giglio |
|---|---|
| Writer: | Tony Giglio |
| Staring: |
| In Seattle, detective Quentin Conners is unfairly suspended and his partner Jason York leaves the police force after a tragic shooting on Pearl Street Bridge, when the hostage and the criminal die. During a bank heist with a hostage situation, Conners is assigned in charge of the operation with the rookie Shane Dekker as his partner. The thieves, lead by Lorenz, apparently do not steal a penny from the bank. While chasing the gangsters, the police team disclose that they planted a virus in the system, stealing one billion dollars from the different accounts, using the principle of the Chaos Theory. Further, they find that Lorenz is killing his accomplices. | |
| Release Date: | Jan 17, 2005 |
|---|---|
| Director: | Tony Giglio |
| Writer: | Tony Giglio |
| Genres: | Action, Drama, Crime |
| Keywords | fight, chaos theory, investigation, police, power outage, bank robbery, cybercrime, fbi agent |
| Production Companies | Current Entertainment, Epsilon Motion Pictures, Pierce-Williams, Zero Gravity Management, Mobius Entertainment, Rampage Entertainment, Chaotic Productions, Mobius International |
| Box Office |
Revenue: $7,000,000
Budget: $30,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jason Statham | Det. Quentin Conners |
| Ryan Phillippe | Det. Shane Dekker |
| Wesley Snipes | Lorenz / Jason York |
| Henry Czerny | Capt. Martin Jenkins |
| Justine Waddell | Det. Teddy Galloway |
| Nicholas Lea | Det. Vincent Durano |
| Jessica Steen | Karen Cross |
| Rob LaBelle | Bank Manager |
| John Cassini | Det. Bernie Callo |
| Damon Johnson | Brendan Dax |
| Paul Perri | Harry Hume |
| Keegan Connor Tracy | Marnie Rollins |
| Natassia Malthe | Gina Lopez |
| Ty Olsson | Damon Richards |
| Terry Chen | Chris Lei |
| Ken Medlock | Officer MacDunner |
| Michasha Armstrong | Xander Harrington |
| Mike Dopud | Lamar Galt |
| Garvin Cross | SWAT Commander |
| Fulvio Cecere | Det. Thomas Branch |
| Iris Paluly | Forensics Technician |
| Angelique Naude | Conner's Girl |
| Gaston Morrison | John Curtis |
| Michael Adamthwaite | Sniper #1 |
| Nigel Vonas | Sniper #2 |
| Bill Mondy | FBI Agent Doyle |
| Kristina Agosti | Mrs. Callo |
| Emy Aneke | Officer at Callo House |
| James Ashcroft | Emergency Medical Technician |
| Mike Mitchell | Det. Jerome Knight |
| Pascale Hutton | Pretty Waitress |
| Tiara Sorensen | Stewardess on Private Plane |
| Name | Job |
|---|---|
| Tony Giglio | Writer, Director |
| Graham Sutton | Music Editor |
| Paolo G. Venturi | Art Direction |
| Diana Conway | Set Decoration Buyer |
| Heike Brandstatter | Casting |
| Terry Ewasiuk | Set Decoration |
| Sean Barton | Editor |
| Dan Mannix | Camera Operator |
| Andy Nieman | Property Master |
| Michael Feinberg | Dialogue Editor |
| Jon Lavender | Boom Operator |
| Anne Spiers | Makeup Designer, Hair Designer |
| Vanessa Baker | ADR Voice Casting |
| Gregg Campbell | Grip |
| Sean Elliott | First Assistant Camera |
| Dan Henshaw | Focus Puller |
| Darren McLean | Gaffer |
| Doug Reynolds | Grip |
| Harvey Fedor | Key Grip |
| Andy Hill | Loader |
| Cary Lalonde | Second Assistant Camera |
| Chris Cove | Second Assistant Camera |
| Jonathan Cheetham | VFX Artist |
| Ron Otis | Stunts |
| Sam Harris | Second Unit First Assistant Director |
| Karen Margolese | Second Assistant Director |
| James Robert 'J.R.' Davis | Set Decorating Coordinator |
| Nathalie Morin | Set Dresser |
| Marc Marot | Music Supervisor |
| Adam W. Rosen | Legal Services |
| Anne Jacobsen | Production Accountant |
| Robyn Wiener | Production Coordinator |
| Michael Langlois | Stunt Double |
| Caroline Field | Stunts |
| Mike Crestejo | Stunts |
| Sven Taits | Sound Re-Recording Mixer |
| Catherine Graham | Hairstylist |
| Bobbie Read | Costume Design |
| Coreen Mayrs | Casting |
| Chris August | Production Design |
| Nancy Ford | Art Direction |
| Jaydene Maryk | Art Department Coordinator |
| Neil Stemp | Music Editor |
| Jeff Upton | Gaffer |
| Charles Leitrants | Construction Coordinator |
| Adrian Rhodes | Sound Re-Recording Mixer |
| Douglas Curran | Still Photographer |
| Bill Vigars | Unit Publicist |
| Rick Dunford | Sound Effects Editor |
| Tasim Persaud | First Assistant Editor |
| Ardyth Cleveland | Set Costumer |
| Geoff Teoli | Location Manager |
| Jackie Bissley | Unit Publicist |
| Justin Peyton | Visual Effects Producer |
| Mark Clayton | Gaffer |
| Rod Newby | Rigging Gaffer |
| Brian Cyr | Still Photographer |
| Kirk Adamson | Location Manager |
| Ed Holden | Production Assistant |
| Richard Todman | ADR Editor |
| Brian Pearson | Second Unit Director of Photography |
| James Kusan | Sound Mixer |
| Peter Baldock | Sound Supervisor |
| Joel Guthro | Camera Operator |
| Jake Callihoo | Transportation Coordinator |
| Luisa Dalmagro | Set Costumer |
| Carole Kelly | Scenic Artist |
| Gary Viola | Camera Operator |
| Michael Derbas | Production Manager |
| Jeannine Dupuy | Script Supervisor |
| Dean Heselden | Steadicam Operator |
| Chris Cochrane | Best Boy Electric |
| Mark N. Tompkins | Lead Painter |
| Rolf Dekens | Second Unit Director of Photography |
| Ruth Sullivan | Foley Artist |
| Peter Gleaves | ADR Mixer |
| Steve Shaw | Digital Intermediate |
| Lucy Barnes | Foley Artist |
| John Fewell | Foley Artist |
| Alexander Beddow | ADR Recordist |
| Sharon Markell | Assistant Hairstylist |
| Tanya Howard | Key Makeup Artist |
| Cathy Darby | Assistant Costume Designer |
| Carolyn Bentley | Set Costumer |
| Sharon Mosley | First Assistant Hairstylist |
| Susan Howard | Makeup Artist |
| Carolyn Cameron | Costume Coordinator |
| Christina Petford | Truck Costumer |
| Kathy Linder | Costume Set Supervisor |
| L.A. Hilts | Extras Casting |
| Brendan Donnison | ADR Voice Casting |
| John Awoods | Extras Casting |
| Jack Cruikshank | Dolly Grip |
| Errin Lally | Casting Coordinator |
| Anthony Creery | Best Boy Grip |
| Jesse Deacon | Electrician |
| Ryan Monro | Dolly Grip |
| Don Gillie | Electrician |
| Dermot Hickey | Focus Puller |
| Nick Watson | Focus Puller |
| Rob Lee | Generator Operator |
| David Hermansen | Grip |
| Jeff Smith | Key Grip |
| David Neveaux | Rigging Grip |
| Randy Peterson | Second Assistant Camera |
| Sergio Cremasco | Digital Intermediate Colorist |
| Andrew Keys | VFX Artist |
| Connan McStay | Online Editor |
| Phil Man | Main Title Designer |
| George Young | Electrician |
| Taylor Matheson | Focus Puller |
| Dan Shoring | Focus Puller |
| Sandy MacDonald | Grip |
| Vanessa Andrascik | Loader |
| Wilf Guttmann | Rigging Grip |
| Heidi Buecking | Second Assistant Camera |
| Clare Cheetham | VFX Artist |
| Justin Lanchbury | Digital Intermediate |
| Tim Waller | Senior Colorist |
| Jonathan McGarry | First Assistant Director |
| Debra Herst | Second Assistant Director |
| Phil Gough | Assistant Property Master |
| Bryan Anderson | Set Dresser |
| Herminio Kam | Painter |
| Kym Crepin | Production Accountant |
| Andrea Boorman | Production Coordinator |
| Jane Pearson | Second Assistant Accountant |
| David Mylrea | Stunts |
| Danny Virtue | Stunts |
| Michelle Reed | Visual Effects Coordinator |
| Andrew Dearnley | Digital Intermediate |
| Rob Fournier | Armorer |
| Hugo Mellor | First Assistant Director |
| Robert Randall | Second Assistant Director |
| Max Matsuoka | Assistant Property Master |
| Carl Baron | Set Dresser |
| Victoria Seale | Music Coordinator |
| Carol Urquhart | First Assistant Accountant |
| Sandra Gould | Production Accountant |
| Lisa Ragosin | Production Coordinator |
| Greg Dela Riva | Utility Stunts |
| Dave Hospes | Stunt Double |
| Richard Greatrex | Director of Photography |
| Trevor Jones | Original Music Composer |
| Cole S. McKay | Stunt Coordinator |
| David Frazee | Camera Operator |
| Danny Cohen | Additional Photography |
| Andy Armstrong | Second Unit Director |
| Daniel Laurie | ADR Editor |
| Jonah Loop | Special Effects Supervisor |
| Crystal Pei | Colorist |
| Melissa R. Stubbs | Stunt Coordinator |
| Ron Blecker | Armorer |
| Doug Chapman | Stunt Double |
| Marny Eng | Stunts |
| Rick Pearce | Stunt Double |
| Crystal Dalman | Stunts |
| Owen Walstrom | Stunts |
| Laura Lee Connery | Stunts |
| Scott Nicholson | Stunt Double |
| Jacob Rupp | Stunts |
| Shawn C. Orr | Stunts |
| Chad Sayn | Stunts |
| Dan Shea | Stunts |
| Michael Roselli | Stunts |
| Angela Uyeda | Stunts |
| Brad Loree | Stunts |
| Jon Kralt | Stunts |
| Alex Green | Stunts |
| Duane Dickinson | Stunts |
| Colin Decker | Stunts |
| Brett Chan | Stunts |
| Ed Anders | Stunts |
| Scott J. Ateah | Stunt Double |
| Name | Title |
|---|---|
| Gavin Wilding | Producer |
| Michael Derbas | Producer |
| Huw Penallt Jones | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 29 | 42 | 19 |
| 2024 | 5 | 29 | 60 | 17 |
| 2024 | 6 | 23 | 33 | 15 |
| 2024 | 7 | 28 | 64 | 13 |
| 2024 | 8 | 23 | 36 | 12 |
| 2024 | 9 | 15 | 21 | 10 |
| 2024 | 10 | 18 | 30 | 10 |
| 2024 | 11 | 18 | 30 | 12 |
| 2024 | 12 | 18 | 29 | 12 |
| 2025 | 1 | 22 | 38 | 14 |
| 2025 | 2 | 14 | 27 | 3 |
| 2025 | 3 | 6 | 19 | 1 |
| 2025 | 4 | 4 | 9 | 1 |
| 2025 | 5 | 3 | 8 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
Chaos is an action-packed crime thriller that tries to keep you guessing, but it leans heavily on genre clichés, which can make it feel predictable at times. Jason Statham and Wesley Snipes deliver solid performances, but the lack of character buildup early on means you don’t get too attached to any ... one. The movie jumps straight into action, which might please some but leaves others craving more depth. One thing that stands out, though, is Trevor Jones’ score, especially "Incident on Pearl Street Bridge." It perfectly captures the tension and betrayal in the story and has a haunting orchestral vibe that sticks with you. The cinematography deserves a shoutout, particularly the wide city shots that feel grounded and real. Unlike the overdone CGI cities in so many films today, this one immerses you in the setting, giving the movie an authentic edge. The chaos theory references are a smart touch, blending intelligence with action, though the execution isn’t always as tight as it could be. Fans of straightforward action might find the twists excessive, but there’s no denying the script had some clever moments. While the last act banks heavily on its big twist, it stretches the reveal a bit too far, sacrificing some depth that could’ve made the finale more satisfying. Still, if you enjoy crime thrillers with a mix of grit, betrayal, and brainy concepts, Chaos might be worth a watch. Just don’t expect it to blow your mind. It’s more like a controlled storm than pure chaos