Popularity: 4 (history)
| Director: | Justin Simien |
|---|---|
| Writer: | Justin Simien |
| Staring: |
| In 1989, an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own. | |
| Release Date: | May 05, 2021 |
|---|---|
| Director: | Justin Simien |
| Writer: | Justin Simien |
| Genres: | Comedy, Horror |
| Keywords | |
| Production Companies | Sight Unseen Pictures, Culture Machine |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elle Lorraine | Anna Bludso |
| Jay Pharoah | Julius |
| Lena Waithe | Brook-Lynne |
| Kelly Rowland | Sandra |
| Vanessa Williams | Zora |
| Laverne Cox | Virgie |
| Chanté Adams | Linda Bludso |
| Blair Underwood | Amos Bludso |
| James Van Der Beek | Grant Madison |
| Usher | Germane D. |
| Yaani King Mondschein | Sista Soul |
| Michelle Hurd | Maxine |
| Judith Scott | Edna |
| Robin Thede | Denise |
| Ashley Blaine Featherson | Rosalyn |
| Steve Zissis | Baxter Tannen |
| MC Lyte | Coral |
| Zaria Kelley | Young Anna |
| Corinne Massiah | Young Linda |
| Moses Storm | Executive Justin |
| Jon Gabrus | Valet |
| Nicole Byer | Gina |
| Justin Simien | Reggie Watson |
| Name | Job |
|---|---|
| Justin Simien | Screenplay, Director |
| Phillip J. Bartell | Editor |
| Topher Osborn | Director of Photography |
| Scott Kuzio | Production Design |
| Alex G. Scott | Unit Production Manager |
| Fernando Altschul | First Assistant Director |
| Pete Beaudreau | Additional Editor |
| Greg P. Russell | Sound Re-Recording Mixer |
| David Giammarco | Sound Re-Recording Mixer |
| Jon Michaels | Supervising Sound Editor |
| Karen Sori | Graphic Designer |
| Tamar Barnoon | Set Decoration |
| Orlando Duguay | Steadicam Operator, "B" Camera Operator |
| Christine Hodinh | First Assistant "B" Camera |
| Theodore Rysz III | Chief Lighting Technician |
| Andrea Monroe | Costume Supervisor |
| Kellie Robinson | Makeup Department Head |
| Nikki Wright | Hair Department Head |
| Yvette Shelton | Hairstylist |
| Jeremy Hays | Special Effects Coordinator, Special Effects Supervisor |
| Joaquin Ornelas | Special Effects Technician |
| Treven Bedwell | Property Master |
| Robert St. Laurent | Assistant Property Master |
| Jesse Lorber | Location Manager |
| Joanne Ramos | Assistant Production Coordinator |
| Judith Sunga | Casting Associate |
| Helen Geier | Casting Associate |
| Louis Dargenzio | Transportation Coordinator |
| David Christenson | Transportation Captain |
| Nancy Kirhoffer | Post Production Supervisor |
| Jeff Sawyer | Sound Designer |
| Thomas J. O'Connell | ADR Mixer |
| Jason Oliver | ADR Mixer |
| Eric Gotthelf | ADR Mixer |
| Tami Treadwell | ADR Mixer |
| Aaron Southerland | ADR Mixer |
| Catherine Harper | Foley Artist |
| Katherine Rose | Foley Artist |
| Randy Singer | Foley Mixer |
| Arianna Trames | ADR Voice Casting |
| Dan Schmit | Visual Effects Supervisor |
| Michael Caplan | Visual Effects Producer |
| Jessica Harrison | Music Editor |
| Shian S. Banks | Hairstylist |
| Stacey Morris | Hairstylist |
| Terrell Mullin | Key Makeup Artist |
| Naima Jamal | Makeup Artist |
| Tai Young | Makeup Artist |
| Ceci | Costume Design |
| Liza Montoya | Assistant Costume Designer |
| Jessica Tyger Davis | Costumer |
| Terrell Woodard | Costumer |
| Tara Sanovich | Key Costumer |
| Bleu Borkowski | Set Costumer |
| Erika D. Williams | Set Costumer |
| Hallie Overman | Script Supervisor |
| Jamila Glass | Choreographer |
| Holly McGreevy Scott | Production Accountant |
| Ashley Lambert | ADR Voice Casting |
| Kelly Matsumoto | Editor |
| Carmen Cuba | Casting |
| Tracy Keehn-Dashnaw | Stunt Coordinator |
| Angela Meryl | Stunt Double |
| Sadiqua Bynum | Stunt Double |
| Rose Sias | Stunt Double |
| Janeshia Adams-Ginyard | Stunt Double |
| Keisha Tucker | Stunt Double |
| José Antonio García | Production Sound Mixer |
| Liv Banks | Production Coordinator |
| Erin Rose Kelly | Casting Assistant |
| Angela Kwan Ang | Dialogue Editor |
| Dan Kenyon | Sound Effects Editor |
| Ranjani Brow | ADR Voice Casting |
| Tony Gardner | Makeup Effects Designer |
| Kris Bowers | Original Music Composer |
| Name | Title |
|---|---|
| Julia Lebedev | Producer |
| Leonid Lebedev | Executive Producer |
| Angel Lopez | Producer |
| Alex G. Scott | Executive Producer |
| Eddie Vaisman | Producer |
| Oren Moverman | Executive Producer |
| Justin Simien | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 23 | 7 |
| 2024 | 5 | 14 | 22 | 10 |
| 2024 | 6 | 12 | 22 | 6 |
| 2024 | 7 | 13 | 25 | 6 |
| 2024 | 8 | 10 | 17 | 6 |
| 2024 | 9 | 7 | 11 | 4 |
| 2024 | 10 | 9 | 17 | 4 |
| 2024 | 11 | 9 | 26 | 4 |
| 2024 | 12 | 7 | 14 | 4 |
| 2025 | 1 | 9 | 19 | 6 |
| 2025 | 2 | 6 | 9 | 2 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 4 | 1 |
Trending Position
While audiences are thankfully seeing more female-driven horror films in the movie world, black female horror is even more of an anomaly. That’s why writer / director Justin Simien‘s “Bad Hair” is so damn interesting. The story of one woman’s ambition and her (literal) killer weave is an absurd yet ... astute satire of popular culture with a meaningful message. This is one you’ll be talking about long after the final credits roll. Set in Los Angeles circa 1989, Anna (Elle Lorraine) prefers the au naturel look after a traumatic childhood hair accident left her with a burned scalp. She’s a hardworking assistant on a music video show for the Culture television network, but struggles to get a promotion due to the way she looks. When Anna’s supportive boss is fired and a former supermodel (Vanessa Williams) is brought in as a replacement, Anna is scared of being let go and decides to do something about her appearance. She gets a gorgeous new weave and learns her flowing locks may just be the key to success that she was missing — until her hair gets a taste for blood. The hair-raising (snort!) story is cleverly based on fictitious slave myths and superstitions that weave in (pun intended) the idea of mystical African folklore in relation to what the horror of everyday life feels like (including the pain some endure in pursuit of beauty) for black women in America. “Bad Hair” is a nontraditional horror film that’s presented in a traditional way. There are jump scares and a silly finale, but Simien blends humor with horror in this campy thriller. It’s also a pensive style of social horror that will likely be more meaningful to women as well as people of color. The film tackles the absurdity in everyday life and in particular, the system of oppression that preys on African-American women the most. The women in the film are tricked into becoming their own oppressors, all in the name of fitting in with what society defines as beautiful. This movie is super smart, brutally honest, sometimes scathing, and highly uncomfortable, but it’s also really funny.