Popularity: 6 (history)
| Director: | Rob Savage |
|---|---|
| Writer: | Scott Beck, Bryan Woods, Mark Heyman |
| Staring: |
| Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late. | |
| Release Date: | May 31, 2023 |
|---|---|
| Director: | Rob Savage |
| Writer: | Scott Beck, Bryan Woods, Mark Heyman |
| Genres: | Horror, Mystery, Thriller |
| Keywords | based on novel or book, amused, cliché |
| Production Companies | 21 Laps Entertainment, 20th Century Studios |
| Box Office |
Revenue: $66,978,229
Budget: $41,900,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sophie Thatcher | Sadie Harper |
| Vivien Lyra Blair | Sawyer Harper |
| Chris Messina | Will Harper |
| David Dastmalchian | Lester Billings |
| Marin Ireland | Rita Billings |
| Madison Hu | Bethany |
| Maddie Nichols | Natalie |
| Mabel Tyler | Abby |
| Leeann Ross | Cassidy |
| Shauna Rappold | Cara Harper |
| LisaGay Hamilton | Dr. Weller |
| Cristala Carter | Detective Garland |
| Shayla Bagir | Woman With Nosering |
| Han Soto | Mild-Mannered Man |
| Seylan Baxter | Medium |
| Aadyn Encalarde | Classmate |
| Rio Sarah Machado | Anne |
| Ellie Bogert | Annie Billings |
| Maisie Bogert | Annie Billings |
| Noah Brand | Well-Meaning Freshman |
| Name | Job |
|---|---|
| Scott Beck | Screenstory, Screenplay |
| Bryan Woods | Screenstory, Screenplay |
| Mark DeSimone | ADR Mixer |
| Chris Navarro | ADR Mixer |
| Chelsea Bruland | Stunt Coordinator |
| Peter Gvozdas | Editor |
| Jeremy Woodward | Production Design |
| Adam McClain | Art Direction |
| John Sanchez | Art Direction |
| Tim Cohn | Set Decoration |
| Kari Perkins | Costume Design |
| Russell Topal | Sound Designer |
| Trevor Gates | Supervising Sound Editor |
| Jonie Bertin | Set Costumer |
| Christina Graff | Visual Effects Producer |
| Paul Graff | Visual Effects Supervisor |
| Chelsea Barber | Hairstylist |
| Gabrielle Burns | Hairstylist |
| Tracie A. Harper | Hairstylist |
| Myeisha Wade | Hairstylist |
| Miranda Welsh | Key Hair Stylist |
| Wittney Horton | Casting |
| Colin MacLellan | First Assistant Director |
| Jason Chandler | Second Second Assistant Director |
| Jenna Dalla Riva | Foley Editor |
| Alan Freedman | ADR Mixer |
| Jerry Gilbert | ADR Mixer |
| Steven Huerstel | Boom Operator |
| Craig Mann | Supervising Sound Editor, Sound Re-Recording Mixer |
| Richard Schexnayder | Sound Mixer |
| Tyler Hohmann | Location Manager |
| Courtney Lether | Makeup Artist |
| Melissa Stryker | Makeup Artist |
| Elias Duhe Jr. | Special Effects Technician |
| Matt Kutcher | Special Effects Supervisor |
| Justin Kane Miller | Special Effects Technician |
| Allen Parks | Gaffer |
| Jamie Marie Dunn | Stunts |
| Max Patrucco | Stunts |
| Stephen King | Short Story |
| Rob Savage | Director |
| Mark Heyman | Screenplay |
| Eli Born | Director of Photography |
| Patrick Jonsson | Original Music Composer |
| Judd Wild | Stunts |
| Molly Miller | Stunts |
| Sarah Fisher | Stunts |
| Patti Perret | Still Photographer |
| Name | Title |
|---|---|
| Adam Kolbrenner | Executive Producer |
| Ryan H. Cunningham | Executive Producer |
| Emily Morris | Executive Producer |
| John H. Starke | Executive Producer |
| Robyn Meisinger | Executive Producer |
| Shawn Levy | Producer |
| Scott Beck | Executive Producer |
| Dan Cohen | Producer |
| Dan Levine | Producer |
| Bryan Woods | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 57 | 25 |
| 2024 | 5 | 46 | 82 | 27 |
| 2024 | 6 | 38 | 53 | 27 |
| 2024 | 7 | 43 | 73 | 32 |
| 2024 | 8 | 38 | 80 | 21 |
| 2024 | 9 | 28 | 38 | 20 |
| 2024 | 10 | 37 | 81 | 22 |
| 2024 | 11 | 23 | 33 | 17 |
| 2024 | 12 | 21 | 29 | 15 |
| 2025 | 1 | 30 | 62 | 18 |
| 2025 | 2 | 19 | 29 | 4 |
| 2025 | 3 | 8 | 31 | 2 |
| 2025 | 4 | 4 | 6 | 2 |
| 2025 | 5 | 3 | 7 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 629 | 814 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 863 | 904 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 547 | 734 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 327 | 592 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 712 | 849 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 869 | 925 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 551 | 846 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 339 | 673 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 794 | 882 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 808 | 906 |
MORE SPOILER-FREE MINI-REVIEWS @ www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "The Boogeyman quickly becomes one of my favorite horror flicks of this year! It won't leave any viewers used to these formulaic stories surprised, but director Rob Savage tremendously elevates a film that ... would otherwise fall into oblivion once the end credits started rolling. Creative, clever build-ups for truly suspenseful sequences, as well as efficient jumpscares that I haven't experienced in a long time. But the cast is essential to the success of this movie. I've no words to describe how impressive Sophie Thatcher, Chris Messina, and Vivien Lyra Blair (11 years old!) are. Absolutely outstanding performances! For fans of the genre. Definitely see it at the cinema!" Rating: B+
Oh well, I suppose I was being overly optimistic in expecting anything different from this. The "Harper" family are still grieving after the death of the wife/mother and with each struggling to deal with this aftermath the father (Chris Messina), elder daughter "Sadie" (Sophie Thatcher) and the youn ... ger one "Sawyer" (Vivien Lyra Blair) are all just drifting along. When dad "Will", who is a therapist, gets a visit from "Billings" (the always slightly sinister looking David Dastmalchian) and then a few pots of mother's paint get spilled, it becomes clear that the eponymous creature is out to capitalise on their familial misery. Can the family realise the peril they are in in time to thwart it's evil intentions? Could the beastie do us all a favour and just come for the audience first? To be fair there are a few jump points, but otherwise this is a really dialogue heavy, family melodrama that focusses way to much on the who's neglecting/loving/hating whom and nowhere near enough on trying to create something original and/or scary. It may well be based on a Stephen King short story but that doesn't mean it has the credentials to stretch into one hundred minutes of pretty mediocre storytelling and acting. The lack of light works to a certain extent, but after a while it appears (or not) to be all that the film is relying upon to create any sense of jeopardy. I suppose the moral of the story might be: always keep a set of portable Christmas lights handy? Halloween television fodder only, sorry.
I've watched a couple of former cinematic takes on Stephen Kings Boogeyman novel and this is by far, the least inspiring. The real issue lies, in what can best be described, as the treatment of the tale of the cruel, child stalking creature, that potentially lives in every closet. Its tone is ... obsessively analysing, of the dysfunctional family dynamic, to the point of neurosis. Yes, grieving families don't work too well, unsurprisingly. The less than optimistic over statement of this fact, overtakes the actual horror story. This, in turn, renders this film, too dark and too depressing, for its own good. The results a predictable, not terribly enjoyable watch, that left this reviewer feeling a little washed out and disappointed. In summary, the too dark and maudlin treatment, robs this film of the glimmer of hope, that lies at the heart of any half decent, horror film.
Based on a 1973 short story of Stephen King, the movie itself doesn't bring neither anything new and follows the pragmatic of 80% of the terror movies out there. The issue isn't the style of Stephen King, that is more than know today, but the way you convey it on a screenplay. It simply didn't ... have any jump scare of of the obvious. I expected a bit more from Rob Savage ("The Host" released in lockdown, and that I still need do see) but it wasn't this time. The actors are ok in their roles but nothing much there. I still search to find another horror movie that innovates somehow, but it gets harder and harder. Basing the horror around a real character instead of fictional also didn't help at all, because all the logic you can make of how defeating it (that isn't so hard) is lost in the way...oh and yeah it left a little of the closet door open for a sequence. For this one a 5,0 out of 10,0 score / C.