| A re-imagining of the old mystical folklore that follows a woman and a tight-knit Jewish community that is besieged by foreign invaders. She conjures a dangerous creature to protect them but it may be more evil than she ever imagined. | |
| Release Date: | Aug 27, 2018 |
|---|---|
| Director: | Doron Paz, Yoav Paz |
| Writer: | Ariel Cohen |
| Genres: | Drama, Horror |
| Keywords | monster, legend, ritual, evil, folklore, ancient, golem, kids |
| Production Companies | SE Film Production |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Hani Furstenberg | Hanna |
| Ishai Golan | Benjamin |
| Lenny Ravich | Horrovits |
| Brynie Furstenberg | Perla |
| Konstantin Anikienko | Golem |
| Oleksii Trytenko | Vladimir |
| Kirill Cernyakov | The Golem Kid |
| Lenny Ravitz | Horrovits |
| Adi Kvetner | Jacob |
| Mariya Khomutova | Sarah |
| Veronika Shostak | Rebecca |
| Gennadiy Kuleshov | Stas |
| Katya Gaydak | Sveta |
| Il'ya Tiltikoff | Rabbi |
| Oleh Voloshchenko | Ivan |
| Evelina Kosheleva | Abigel |
| Name | Job |
|---|---|
| Doron Paz | Director |
| Ariel Cohen | Writer |
| Yoav Paz | Director |
| Roman Kruter | First Assistant Director |
| Viktoriia Savtsova | Stunts |
| Anton Zubchenko | Stunts |
| Sergiy Zubchenko | Stunts |
| Olga Kozhema | Script Supervisor |
| Rotem Yaron | Director of Photography |
| Rutie Blum | Casting Director |
| Ooroshenko Nataliya | Casting Director |
| Itamar Goldwasser | Editor |
| Einat Glaser-Zarhin | Editor |
| Sasha Drobot | Production Design |
| Yuval Bar-on | Sound Designer |
| Tal Yardeni | Music |
| Dima Osmolovsky | Stunt Coordinator |
| Name | Title |
|---|---|
| Shaked Berenson | Executive Producer |
| Shalom Eisenbach | Producer |
| Patrick Ewald | Executive Producer |
| Yoav Paz | Producer |
| Doron Paz | Producer |
| Ariel Cohen | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 18 | 8 |
| 2024 | 5 | 12 | 20 | 8 |
| 2024 | 6 | 11 | 18 | 7 |
| 2024 | 7 | 12 | 27 | 7 |
| 2024 | 8 | 9 | 18 | 6 |
| 2024 | 9 | 8 | 11 | 6 |
| 2024 | 10 | 11 | 27 | 6 |
| 2024 | 11 | 8 | 12 | 5 |
| 2024 | 12 | 8 | 12 | 5 |
| 2025 | 1 | 9 | 12 | 6 |
| 2025 | 2 | 6 | 10 | 3 |
| 2025 | 3 | 4 | 6 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 3 | 4 | 1 |
| 2025 | 10 | 5 | 6 | 4 |
Trending Position
Emphasising humanity over inhumanity, ‘The Golem’ manages to stand out from the pack not only by being a slick-looking period piece featuring an underused monster, but also an immersive morality tale that is as hopeful as it is horrific. - Jake Watt Read Jake's full article... https://www.maket ... heswitch.com.au/article/review-the-golem-a-horrifying-spin-on-jewish-folklore