 
  Popularity: 4 (history)
| Director: | Adrian Lyne | 
|---|---|
| Writer: | Joe Eszterhas, Thomas Hedley Jr. | 
| Staring: | 
| Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream. | |
| Release Date: | Apr 14, 1983 | 
|---|---|
| Director: | Adrian Lyne | 
| Writer: | Joe Eszterhas, Thomas Hedley Jr. | 
| Genres: | Drama, Romance | 
| Keywords | dancing, dance, locksmith | 
| Production Companies | Paramount Pictures, The Guber-Peters Company, Don Simpson/Jerry Bruckheimer Films, Polygram Pictures | 
| Box Office | Revenue: $201,500,000 Budget: $7,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Jennifer Beals | Alex Owens | 
| Michael Nouri | Nick Hurley | 
| Sunny Johnson | Jeanie Szabo | 
| Kyle T. Heffner | Richie | 
| Cynthia Rhodes | Tina Tech | 
| Lee Ving | Johnny C. | 
| Ron Karabatsos | Jake Mawby | 
| Lilia Skala | Hanna Long | 
| Philip Bruns | Frank Szabo | 
| Micole Mercurio | Rosemary Szabo | 
| Malcolm Danare | Cecil | 
| Belinda Bauer | Katie Hurley | 
| Lucy Lee Flippin | Secretary | 
| Durga McBroom | Heels | 
| Liz Sagal | Sunny | 
| Stacey Pickren | Margo | 
| Robert Wuhl | Mawby's Regular | 
| Matt Landers | Mawby's Regular | 
| Steve Price | Mawby's Regular | 
| Frank Pesce | Mawby's Regular | 
| Don Brockett | Pete | 
| Marc Lemberger | Mr. Freeze | 
| Wayne 'Frosty Freeze' Frost | Frosty Freeze | 
| Debra Gordon | Dancer at Repertory | 
| Tony De Santis | Waiter | 
| Ann Muffly | Woman at Hanna Long's | 
| Monique Gabrielle | Stripper (uncredited) | 
| Name | Job | 
|---|---|
| Joe Eszterhas | Screenplay | 
| Michael Kaplan | Costume Design | 
| John Robotham | Stunts | 
| George Fisher | Stunts | 
| Giorgio Moroder | Original Music Composer | 
| Ted Grossman | Stunts | 
| Louie Elias | Stunts | 
| Keith Forsey | Original Music Composer | 
| Casey Silver | Production Assistant | 
| John R. Woodward | Location Manager | 
| Conrad E. Palmisano | Stunt Driver | 
| Donald Peterman | Director of Photography | 
| Charles Rosen | Production Design | 
| Dickson P. Sorensen | Additional Photography | 
| Joanie Blum | Script Supervisor | 
| Adam Fields | Music Supervisor | 
| Paula Cain | Costume Supervisor | 
| Victor Paul | Stunts | 
| Donna M. Belajac | Location Casting | 
| Tom Jacobson | Unit Production Manager | 
| Marty P. Ewing | Second Assistant Director | 
| James E. Webb | Sound Mixer | 
| Walt Mulconery | Editor | 
| Jeffrey Hornaday | Choreographer | 
| Bud S. Smith | Editor | 
| Robert Glass | Sound Re-Recording Mixer | 
| Robert L. Stevenson | Hairstylist | 
| Cecelia Hall | Sound Effects Editor | 
| Robert Lederman | Associate Editor | 
| Thomas Hedley Jr. | Screenplay, Story | 
| Gretchen Rennell | Casting | 
| Marvin March | Set Decoration | 
| John R. Shannon | Still Photographer | 
| Joel Marrow | Transportation Coordinator | 
| Jim Henrikson | Music Editor | 
| Phil Ramone | Music Supervisor | 
| George Robotham | Stunts | 
| Rita Clarke Holt | Location Casting | 
| Albert M. Shapiro | First Assistant Director | 
| John J. Connor | Camera Operator | 
| Rick Sharp | Makeup Artist | 
| Sylvester Levay | Conductor | 
| Don Digirolamo | Sound Re-Recording Mixer | 
| Louis L. Edemann | Sound Effects Editor | 
| George Watters II | Sound Effects Editor | 
| M. Scott Smith | Associate Editor | 
| Mitchell Sinoway | Associate Editor | 
| Julie Selzer | Casting Assistant | 
| Richard Alderete | Associate Editor | 
| Matt Casella | Casting Assistant | 
| Ken Topolsky | Music Coordinator | 
| Joe Dunne | Stunt Coordinator | 
| Clay H. Wilson | Dolly Grip | 
| Michael Lantieri | Special Effects | 
| Walt Hadfield | Construction Coordinator | 
| Calvin Sterry | Key Grip | 
| Kal Manning | Gaffer | 
| Mark Wade | Property Master | 
| David W. Gray | Dolby Consultant | 
| Adrian Lyne | Director | 
| Robert 'Buzz' Knudson | Sound Re-Recording Mixer | 
| Victoria Vanderkloot | Stunt Double | 
| Name | Title | 
|---|---|
| Peter Guber | Executive Producer | 
| Don Simpson | Producer | 
| Jon Peters | Executive Producer | 
| Tom Jacobson | Associate Producer | 
| Lynda Obst | Associate Producer | 
| Christine Forsyth-Peters | Executive Producer | 
| Jerry Bruckheimer | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 37 | 60 | 24 | 
| 2024 | 5 | 62 | 87 | 52 | 
| 2024 | 6 | 49 | 86 | 28 | 
| 2024 | 7 | 34 | 55 | 22 | 
| 2024 | 8 | 33 | 51 | 25 | 
| 2024 | 9 | 24 | 37 | 15 | 
| 2024 | 10 | 26 | 56 | 16 | 
| 2024 | 11 | 23 | 31 | 18 | 
| 2024 | 12 | 22 | 32 | 16 | 
| 2025 | 1 | 26 | 44 | 17 | 
| 2025 | 2 | 18 | 29 | 3 | 
| 2025 | 3 | 7 | 22 | 1 | 
| 2025 | 4 | 4 | 7 | 2 | 
| 2025 | 5 | 4 | 8 | 3 | 
| 2025 | 6 | 3 | 6 | 2 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 4 | 6 | 2 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 689 | 750 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 543 | 743 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 547 | 775 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 908 | 951 | 
| Year | Month | High | Avg | 
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| 2025 | 4 | 967 | 967 | 
| Year | Month | High | Avg | 
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| 2025 | 3 | 679 | 782 | 
| Year | Month | High | Avg | 
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| 2025 | 1 | 861 | 940 | 
| Year | Month | High | Avg | 
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| 2024 | 12 | 812 | 812 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 583 | 805 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 870 | 870 | 
Entertaining drama with an amazing soundtrack and great performance from Jennifer Beals. Not the strongest story at times but still was enthralled through its reasonable 90-minute running time. **3.75/5** ...
Aside from the toe-tapper that was Irene Cara's title song, the rest of this film is really only notable because it shows the sheer determination of a young woman - "Alex" (Jennifer Beals) to make it. Initially, in a man's world as a welder more than holding her own, whilst at the same time she want ... s to swap her night-time dancing pole for a ballet school bar and prove that she has what it takes to become a top dancer too. Fortunately, her wealthy boss is also her boyfriend, and "Nick" (Michael Nouri) is keen to help her along - sometimes a little too keen, which can lead to the odd bit of tension as she finds herself with an audition that could change everything. It is a very positive-looking film with an upbeat theme and that helps carry what is otherwise a really rather poorly acted affair with some clunky dialogue and a narrative that follows a fairly predictable pattern - before the ending that we just know is coming. Laura Branigan and Giorgio Moroder had a hand in the rest of the soundtrack, which when you watch this film again after all but forty years proves remarkably memorable (if not great). Like it or not, this was a groundbreaking piece of cinema that though it struggles to exude much punch now, certainly did quite a lot - cinematically speaking - back then. Benefits from big screen audio, and is still worth a watch if you are of a certain age.