Popularity: 2 (history)
| Director: | Mario Martone |
|---|---|
| Writer: | Mario Martone, Ippolita Di Majo, Ermanno Rea |
| Staring: |
| Felice returns to his native Rione Sanità in Naples to look after his dying mother, having lived abroad for the last forty years. Here he discovers that his old friend Oreste has become a notorious crimeboss. | |
| Release Date: | May 25, 2022 |
|---|---|
| Director: | Mario Martone |
| Writer: | Mario Martone, Ippolita Di Majo, Ermanno Rea |
| Genres: | Drama, Crime |
| Keywords | |
| Production Companies | Medusa Film, MiC, Rosebud Entertainment Pictures, Picomedia, Mad Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jul 23, 2025 Entered: Jul 23, 2025 |
| Name | Job |
|---|---|
| Ursula Patzak | Costume Design |
| Luca Federico | First Assistant Director |
| Rosario Cammarota | Digital Imaging Technician |
| Andrea Grossi | Camera Operator |
| Carlo Postiglione | Best Boy Grip |
| Mario Martone | Story, Director, Screenplay |
| Jacopo Quadri | Editor |
| Paola Gattabrusi | Makeup Artist |
| Anna Redi | Dialect Coach |
| Paola Rota | Casting |
| Francesco Sabez | Sound |
| Giancarlo Rutigliano | Sound Mixer |
| Rodolfo Migliari | VFX Supervisor |
| Simon Cappi | Second Assistant Director |
| Andrea Papa | Second Assistant Director |
| Cinzia Corpetti | Second Assistant Camera |
| Imma Napoletano | First Assistant Camera |
| Claudio Trotti | Post-Production Manager |
| Ippolita Di Majo | Story, Screenplay |
| Carmine Guarino | Production Design |
| Ermanno Rea | Novel |
| Paolo Carnera | Director of Photography |
| Marco Perna | Hairstylist |
| Raffaele Di Florio | Casting |
| Emanuele Cecere | Sound |
| Silvia Moraes | Sound Editor |
| Chiara Grassi | Delegated Producer |
| Andrea Leone | Line Producer |
| Name | Title |
|---|---|
| Roberto Sessa | Producer |
| Maria Carolina Terzi | Producer |
| Carlo Stella | Producer |
| Gennaro Fasolino | Executive Producer |
| Luciano Stella | Producer |
| Angelo Laudisa | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 20 | 6 |
| 2024 | 5 | 16 | 31 | 10 |
| 2024 | 6 | 14 | 26 | 6 |
| 2024 | 7 | 10 | 18 | 5 |
| 2024 | 8 | 12 | 29 | 5 |
| 2024 | 9 | 7 | 10 | 5 |
| 2024 | 10 | 10 | 26 | 6 |
| 2024 | 11 | 8 | 12 | 5 |
| 2024 | 12 | 7 | 10 | 5 |
| 2025 | 1 | 8 | 15 | 4 |
| 2025 | 2 | 6 | 8 | 3 |
| 2025 | 3 | 4 | 8 | 2 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 1 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 267 | 580 |
Pierfrancesco Favino is "Felice", who returns to his native Naples to find his elderly mother "Teresa" (Aurora Quattrocchi) living in a basement apartment, rarely washing and taking much care of herself. He determines to hang around and help her get back on her feet whilst at the same time working w ... ith the local priest "Luigi" (Francesco Di Leva) to reunite with his childhood friend "Spasiano" (Tommaso Ragno) who has meantime become the elusive local criminal kingpin. It has been many a year since "Felice" could consider himself a local, and the city is largely new and unfamiliar to him, as is the angry and violent criminal fraternity that holds much of the place in it's grip. Can he meet and reconcile with his erstwhile friend? Is he even safe to do so? This is a great looking film capturing well the beauty and the turmoil of this ancient city whilst director Mario Martone offers us a chance to relive some of the memories this, now Muslim and married, visitor recalls as he retraces many of the steps of his childhood. There is very little joy in this film, it's a rather depressing affair that at times really does labour the despair facing many in this community. That's not to say it isn't worth watching, but after a while I felt drained and a bit confused before an ending that I couldn't quite get my head around. Anger? Spite? Pity, even? It's a long watch and I probably wouldn't ever watch it again - but I am glad that I did, once.