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Extraction Poster

Extraction

When the mission ends, redemption begins
2020 | 116m | English

(283919 votes)

TMDb IMDb

Popularity: 8 (history)

Details

A hardened gun-for-hire's latest mission becomes a soul-searching race to survive when he's sent into Bangladesh to rescue a drug lord's kidnapped son.
Release Date: Apr 23, 2020
Director: Sam Hargrave
Writer: Joe Russo, Anthony Russo, Ande Parks
Genres: Action, Thriller
Keywords drug dealer, mercenary, mumbai (bombay), india, based on comic, crime boss, rescue mission, based on graphic novel, child kidnapping, dhaka (dacca), bangladesh
Production Companies TGIM Films, AGBO, Thematic Entertainment
Box Office Revenue: $0
Budget: $65,000,000
Updates Updated: Aug 06, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Chris Hemsworth Tyler Rake
Rudhraksh Jaiswal Ovi Mahajan
Randeep Hooda Saju
Golshifteh Farahani Nik Khan
Pankaj Tripathi Ovi Mahajan Sr.
David Harbour Gaspar
Bryon Lerum Rake's Son
Ryder Lerum Rake's Son
Shivam Vichare Sachin
Piyush Khati Arjun
Sara Rumao Cute Girl
Aarti Kulkarni Pari - Ovi's Maid
Umakant Patil Cop #1 - Candie's Cafe
Praveen Indu Cop #2 - Candie's Cafe
Swapnil Kokam Prison Guard
Neha Mahajan Neysa
Pallas Prajapati Aarav
Shazia Naz Gill Saju's Housekeeper
Rob Collins Rata
Wayne Blair Koen
Adam Bessa Yaz Kahn
Sam Hargrave Gaetan
Rayna Campbell Radio Tech - Nik's Crew
Patrick Newall Merc
Chris Jai Alex Thiago
Vonzell Carter Jose
Héctor Andreu Additional Tech - Nik's Crew
Priyanshu Painyuli Amir Asif
Sumeet Thakur Kalam - Kidnapper #1
Projoy Majumdar Raju - Kidnapper #2
Sounak Kundu Jersey Guard
Pabitra Mondal Chinese Rifle Boy
Abhinav Srivastana Rooftop Boy
Suraj Rikame Farhad
Shataf Figar Silver-haired Colonel
Kundan Roy Car Crash Cop
Amritpal Singh Stunt Elite Police
Yatendra Bahuguna Hotel Clerk
Debapriya Saha Apon
Sujay Mondal Gopi's Gang Member #1
Surojit Mondal Gopi's Gang Member #2
Raj Santra Gopi's Gang Member #3
Anup Sharma Blockade Commander
Chris Romrell Mercenary #1
Craig 'Chili' Palmer Mercenary #2
Michael Lehr Mercenary #3
Brandon McClary Mercenary #4
Mutaza Khatawala Gunner #1
Alejandro Anduze Pilot - Helicopter
Aditya Paul Vocalist #1 - Band Candie's Cafe
Shreya Vivek Vocalist #2 - Band Candie's Cafe
Sharan Gulati Guitarist #1 - Band Candie's Cafe
Shitij Gulati Guitarist #2 - Band Candie's Cafe
Akshat Pathak Drummer - Band Candie's Cafe
Tejeshwar Singh Mann Misc. Player - Band Candie's Cafe
Sudipto Balav Shadek
Name Job
Joe Russo Screenplay, Original Story
Ari Costa Second Unit Director
Sam Hargrave Director
Sarah Halley Finn Casting
Newton Thomas Sigel Director of Photography
Lauren Oliver Hair Assistant
Daniel Stevens Stunt Coordinator
Thayr Harris Second Unit Director, Stunt Coordinator
Alex Belcher Original Music Composer
Henry Jackman Original Music Composer
Patrick Newall Unit Production Manager
Michael Lehr Fight Choreographer
Ananya Rane First Assistant Director
Brett Praed Stunts
Bobby Holland Hanton Stunt Double
Josh Gold Sound Designer
Anthony Russo Original Story
Anthony N. Stunts
Henry Kingi Jr. Stunts
Travis Gomez Stunts
Cody Mackie Stunts
Philip Partridge Stunts
Brett Smrz Stunt Driver
Richard Cetrone Stunts
Laurence Chavez Stunts
Vonzell Carter Stunts
Ruthie Aslan Editor
Peter B. Ellis Editor
Philip Ivey Production Design
Sorayuk Mookleemas Art Direction
Ravi Srivastava Art Direction
Harrison Yurkiw Art Direction
Beverley Dunn Set Decoration
Seema Kashyap Set Decoration
Daniel Lawson Johnston Key Makeup Artist
Daniele Nastasi Makeup Artist
Tiberio Nardi Assistant Makeup Artist
Matteo Silvi Makeup Department Head, Makeup Designer
Joe Whelan Key Hair Stylist
Ande Parks Graphic Novel, Original Story
Tom Wolfe Music Supervisor
Manish Raval Music Supervisor
Mark Owen Forker Visual Effects Supervisor
Stan Salfas Additional Editor
Tim Pedegana Post Production Supervisor
Bojana Nikitović Costume Designer
Eric Hedayat Unit Production Manager
Lee Cleary First Assistant Director
Deborah Antoniou Second Assistant Director
Anthony J. Vorhies Production Supervisor
Nicholas Simon Line Producer
Benoît Jaubert Line Producer
Chidchanok Plodripu Production Manager
Raweeporn 'Non' Srimonju Production Supervisor
Inthira Sawantrat First Assistant Director
Supat Rangsipat Second Assistant Director
Pranav Sahni Unit Production Manager
Krishan Pratap Singh Second Assistant Director
Sanjay Kumar Production Supervisor
Sunil Rodrigues Stunt Coordinator
Seng Kawee Stunt Coordinator
Monty Bass Additional Editor
Lynzi Grant Visual Effects Producer
Charlie Revai Supervising Art Director
Woraphol 'Pao' Dhanashoti Art Direction
Nicholas Dare Set Designer
Kitjanat Burinrum Set Designer
Anthony Liberatore Storyboard Artist
Pacharachan Buranasamut Set Decoration
Witoon Suanyai Set Decoration
Keith Walters Property Master
Simon Christidis Underwater Director of Photography
Kristin Witcombe Script Supervisor
Guntis Sics Sound Mixer
Thomas Harrison Boom Operator
David Tickell Gaffer
Wirot Sittiwech Gaffer
Ramesh Sadrani Gaffer
Kim Olsen Key Grip
Tesakarn Laopakdee Key Grip
Mustafa T. Merchant Key Grip
Karambiah Kodendre Appaya Key Grip
Luka Antonić Costume Supervisor
Atchariya Pinitsanpirom Costume Supervisor
Watana Garum Makeup Artist
Damian Martin Prosthetic Makeup Artist
Peter Nicastro Hairstylist
Maneerath Vijob Hairstylist
Jasin Boland Still Photographer
Ishika Mohan Motwane Still Photographer
Jon Mallard First Assistant Director
Frances Stafford Second Assistant Director
Mary Barltrop Location Manager
Luke Torrevillas Location Manager
Brian Cox Special Effects Supervisor
Rangsan 'Rang' Rangsimaporn Special Effects Supervisor
Craig 'Chili' Palmer Military Consultant
Shawn Sweeny Military Consultant
Cary Lalonde Second Unit Director of Photography
Quinn Kawata Post Production Coordinator
Mark Binder Sound Supervisor, Sound Re-Recording Mixer, Sound Designer
Trevor Cress Sound Recordist, Sound Re-Recording Mixer
Donald Flick Sound Effects Editor
Michael Gilbert Sound Editor
Matthew Coby Sound Editor
Cameron Barker Sound Editor
Rick Owens Foley Artist
Maverick Dugger Additional Music
Jon Monroe Additional Music
Ariq Anam Khan Location Manager
Fernando León González Graphic Novel Illustrator
Amit Grover Stunts
Tyler Witte Stunts
David Bueno Stunts
Rico Burgos Stunts
Luca Vannella Hair Department Head, Hair Designer
Chaiyan Chunsuttiwat Art Direction
Chris Romrell Stunts
Name Title
Joe Russo Producer
Chris Hemsworth Producer
Ari Costa Executive Producer
Anthony Russo Producer
Pravesh Sahni Co-Producer
Wang Zhongjun Executive Producer
Wang Zhonglei Executive Producer
Kelly Gallagher Co-Producer
Patrick Newall Executive Producer
Eric Gitter Producer
Peter Schwerin Producer
Hu Junyi Executive Producer
Todd Makurath Executive Producer
Steven V. Scavelli Executive Producer
Ben Grayson Co-Producer
Fred Goodman Co-Producer
Eric Hedayat Co-Producer
Shelby Malone Associate Producer
Mike Larocca Producer
David Guillod Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 92 148 61
2024 5 134 171 115
2024 6 101 161 59
2024 7 60 81 39
2024 8 64 122 36
2024 9 44 55 38
2024 10 59 136 39
2024 11 56 69 44
2024 12 52 60 35
2025 1 66 94 55
2025 2 51 68 12
2025 3 16 54 3
2025 4 13 17 8
2025 5 13 16 11
2025 6 11 14 8
2025 7 8 9 7
2025 8 7 9 6
2025 9 7 10 6
2025 10 7 9 6

Trending Position


Year Month High Avg
2025 10 396 717
Year Month High Avg
2025 9 156 733
Year Month High Avg
2025 8 296 751
Year Month High Avg
2025 7 290 683
Year Month High Avg
2025 6 310 643
Year Month High Avg
2025 5 218 620
Year Month High Avg
2025 4 352 739
Year Month High Avg
2025 3 482 776
Year Month High Avg
2025 2 255 708
Year Month High Avg
2025 1 294 770
Year Month High Avg
2024 12 457 779
Year Month High Avg
2024 11 343 752
Year Month High Avg
2024 10 533 783
Year Month High Avg
2024 9 829 922
Year Month High Avg
2024 8 475 752

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Reviews

msbreviews
7.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com A lot of times, people can’t figure out who was really in control of a particular movie. Was the director truly the person in charge of every creative and technical choice? Were the producers the one ... s responsible for most of the film? Or was the cast that carried the whole thing? Having in mind that Extraction is Sam Hargrave’s directorial debut, I have no doubt that the Russo brothers helped him achieve the spectacular action that this movie possesses. The complexity of each choreography screams Russo all the way through. Now, I don’t want to take any credit from Hargrave! He has a clear vision of how the film should be like, and he delivers the best Netflix original action movie ever. While it’s true that this last sentence doesn’t really mean that much, it’s genuinely great and far better than every other original action flick distributed by the streaming network. Two key components make Extraction a success: its unbelievable, jaw-dropping action, and Chris Hemsworth’s extraordinary physical (and emotional) performance. I’ll start with the actor. Chris Hemsworth is one of the most underrated actors working today. Everyone looks at his portrayal of Thor in the MCU, and think that he can’t do anything else. First of all, Thor is one of the characters that changed the most within that universe. Chris has demonstrated both his dramatic and comedic range interpreting this superhero. However, in Extraction, not only his physical display and stunts are out of this world (he actually does quite a lot of them), but he’s able to slow down and really delve into an emotionally compelling state. Brilliant performance! Nevertheless, the action steals the show. Joe and Anthony Russo bring their Marvel’s experience of having to balance dozens of characters at the same time, and the impressive choreography elevates the film so damn much. During the promotion campaign, people kept talking about a stunning oner (one-take sequence), which Chris Hemsworth himself described as “the most complicated action sequence” he’s ever done… They were not joking nor overselling their movie. It’s genuinely a work of art. I was so surprised by those (approximately) twelve minutes that I stopped the film, went back, and watched them again. I believe it’s one of the pros that home viewing has against theaters. Just to be clear, it’s not actually just one take. It’s a collection of long takes “stitched” together to make it seem (and feel) like a oner. However, it doesn’t diminish this incredibly technical achievement in any way, much on the contrary! The long takes are packed with all kinds of action: car chases, shootouts, knife fighting, hand combat, running, jumping, crawling, you name it. I’m going to put myself at risk and state that it’s one of the best oners of an action flick in the last few years, especially if we don’t count the two best action sagas of today (Mission: Impossible, John Wick). Throughout the whole runtime, the action is exceptionally filmed. The editing is impeccable, the excitement is always there, and the sense of urgency is never lost. It rarely gets over-the-top, every time our protagonist gets hit, cut, or even shot, it never feels like he should be down and dead. It’s that base of realism inside an action movie that can make it become an outstanding success or a massive fail, and Extraction built a very solid one. This film has all the ingredients of popcorn-entertainment, and I’m confident it will get huge praise from, at least, the general public. However, it’s evident that the Russo brothers and Hargrave didn’t offer the screenplay the same care that they had with the action. Even though it’s a pretty simple premise, the attempts at making secondary characters important or emotionally resonant fail its target completely. Even Tyler Rake gets a pretty cliche backstory that everyone has seen hundreds of times. I struggled to care for a single person or a relationship. The reason behind the whole extraction procedure being due to some drug warlords is so formulaic that it’s honestly becoming annoyingly unimaginative. There isn’t even a logical reason for them to be fighting each other over one’s son. The movie also wraps up by leaving tons of questions unanswered regarding its plot, and with a ridiculous try at either being philosophical or actually ruining the entire thing. Finally, I was never a fan of films starting with a flashforward of the protagonist, especially in this genre. It takes away tension and suspense during the actual movie since the viewer knows the flashforward scene hasn’t happened yet. In the end, Extraction is going to be remembered by its insane action and a fantastic lead performance by Chris Hemsworth. The latter is one of the most underrated actors working today, and he delivers not only a phenomenal physical performance but also an emotionally powerful display. The action is jaw-dropping at every level. The outstanding choreography plus the seamless editing are able to elevate the action into some of the best I’ve seen in the last few years, including a technically mind-blowing oner. The excitement levels are super high throughout the entire runtime, credit to the Russo brothers, who definitely helped the debutant Sam Hargrave in making a great film. However, the focus went all to the action, making the actual story and characters suffer from formulaic storytelling, cliche backstories, and an overall lack of emotional attachment. Still, Extraction is the best Netflix original action movie of its history, so don’t miss it! Rating: B+

Jun 23, 2021
msbreviews
7.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ www.msbreviews.com A lot of times, people can’t figure out who was really in control of a particular movie. Was the director truly the person in charge of every creative and technical choice? Were the producers the ones respon ... sible for most of the film? Or was the cast that carried the whole thing? Extraction might be Sam Hargrave’s directorial debut, but he’s been a stunt coordinator in Marvel films, working with the Russo brothers in Captain America: Civil War and Avengers: Endgame. The complexity of each choreography screams their names all the way through. Now, I don’t want to take any credit from Hargrave! He has a clear vision of how the film should be like, and he delivers the best Netflix original action movie ever. While it’s true that this last sentence doesn’t really mean that much, it’s genuinely great and far better than every other original action flick distributed by the streaming network. Two key components make Extraction a success: its unbelievable, jaw-dropping action, and Chris Hemsworth’s extraordinary physical (and emotional) performance. I’ll start with the actor. Chris Hemsworth is one of the most underrated actors working today. Everyone looks at his portrayal of Thor in the MCU, and think that he can’t do anything else. First of all, Thor is one of the characters that changed the most within that universe. Chris has demonstrated both his dramatic and comedic range interpreting this superhero. However, in Extraction, not only his physical display and stunts are out of this world (he actually does quite a lot of them), but he’s able to slow down and really delve into an emotionally compelling state. Brilliant performance! Nevertheless, the action steals the show. Joe and Anthony Russo help Sam Hargrave in bringing their Marvel’s experience of having to balance dozens of characters at the same time, and the impressive choreography elevates the film so damn much. During the promotion campaign, people kept talking about a stunning oner (one-take sequence), which Chris Hemsworth himself described as “the most complicated action sequence” he’s ever done… They were not joking nor overselling their movie. It’s genuinely a work of art. I was so surprised by those (approximately) twelve minutes that I stopped the film, went back, and watched them again. I believe it’s one of the pros that home viewing has against theaters. Just to be clear, it’s not actually just one take. It’s a collection of long takes “stitched” together to make it seem (and feel) like a oner. However, it doesn’t diminish this incredibly technical achievement in any way, much on the contrary! The long takes are packed with all kinds of action: car chases, shootouts, knife fighting, hand combat, running, jumping, crawling, you name it. I’m going to put myself at risk and state that it’s one of the best oners of an action flick in the last few years, especially if we don’t count the two best action sagas of today (Mission: Impossible, John Wick). Throughout the whole runtime, the action is exceptionally filmed. The editing is impeccable, the excitement is always there, and the sense of urgency is never lost. It rarely gets over-the-top, every time our protagonist gets hit, cut, or even shot, it never feels like he should be down and dead. It’s that base of realism inside an action movie that can make it become an outstanding success or a massive fail, and Extraction built a very solid one. This film has all the ingredients of popcorn-entertainment, and I’m confident it will get huge praise from, at least, the general public. However, it’s evident that the Russo brothers and Hargrave didn’t offer the screenplay the same care that they had with the action. Even though it’s a pretty simple premise, the attempts at making secondary characters important or emotionally resonant fail its target completely. Even Tyler Rake gets a pretty cliche backstory that everyone has seen hundreds of times. I struggled to care for a single person or a relationship. The reason behind the whole extraction procedure being due to some drug warlords is so formulaic that it’s honestly becoming annoyingly unimaginative. There isn’t even a logical reason for them to be fighting each other over one’s son. The movie also wraps up by leaving tons of questions unanswered regarding its plot, and with a ridiculous try at either being philosophical or actually ruining the entire thing. Finally, I was never a fan of films starting with a flashforward of the protagonist, especially in this genre. It takes away tension and suspense during the actual movie since the viewer knows the flashforward scene hasn’t happened yet. In the end, Extraction is going to be remembered by its insane action and a fantastic lead performance by Chris Hemsworth. The latter is one of the most underrated actors working today, and he delivers not only a phenomenal physical performance but also an emotionally powerful display. The action is jaw-dropping at every level. The outstanding choreography plus the seamless editing are able to elevate the action into some of the best I’ve seen in the last few years, including a technically mind-blowing oner. The excitement levels are super high throughout the entire runtime, credit not only to the Russo brothers but also to the debutant director Sam Hargrave (who definitely leaves his mark action-wise) in making a great film. However, the focus went all to the action, making the actual story and characters suffer from formulaic storytelling, cliche backstories, and an overall lack of emotional attachment. Still, Extraction is the best Netflix original action movie of its history, so don’t miss it! Rating: B+

Jun 23, 2021
SierraKiloBravo
6.0

Click here for a video version of this review: https://youtu.be/5VSDwYyxjsA _Extraction_ has just been released on Netflix and stars Chris Hemsworth as Tyler Rake, a former Special Forces soldier who now works as a mercenary. He takes on a high risk job rescuing the kidnapped child of a drug lord ... . Sounds pretty much like every other action movie doesn't it? Well it kinda is, and it kinda isn't. It is a fairly standard action movie from the point of view of having a simple story, a clichéd hero with a tragic past, lots of fights, car chases, and explosions. But what steps this up somewhat is the quality of the action. This movie was put together by Sam Hargrave and the Russo brothers, who of course all made huge contributions to the Marvel cinematic universe, and are therefore people who understand how to string action sequences together.  This experience shows in brilliantly choreographed fight scenes that echo John Wick but which have a more real world feel like Jason Bourne. There’s fights that take place in a single room, others across multiple floors in an apartment block, and others out in the open street. Wherever the action needs to be the film-makers take you there and make you feel like you’re part of the action.  This is most evident in a car chase sequence that we paused and rewatched because it was so well put together. Shot to look like one like 15-ish minute take, the camera goes from outside the car to inside the car then out again and around the car and then back in and out the back window, it was excellent. I’ve seen some footage of how they filmed the externals and Hargrave literally strapped himself to the hood of a car to get the shots - a benefit of having a Stunt Co-ordinator as a Director, I guess. The end result was that it just added another level of intensity to an already balls-out sequence.  So yeah, this movie is one heck of a ride from start to finish, and while it might be light on story, the real reason to watch it is for its incredible action. 

Jun 23, 2021
amac06
1.0

The Dhaka in the film is surely from another multiverse. This may in future be tied up with Doctor Strange Multiverse Of Madness or something😑. And btw if Russo Bros call it cinema again, Mustafa Scorsese swears by Allah that he will shoot himself. ...

Jun 23, 2021
Kamurai
7.0

Really good watch, probably won't watch again, but can recommend. Chris Hemsworth gives a stellar carry of this movie. Not for lack of trying on the writers' part, the bulk of quality in this is movie is Hemsworth shooting his way through India. The reasoning of which really isn't all that impo ... rtant, in fact, it is a designed adversity that he is trying to save a kid's life. Without even watching the movie, I could have told you it wasn't worth killing so many people to rescue one kid. The action is excellent and worth watching the rest of the movie: hell, you could even fast forward through the parts where they're not fighting. It reminded me a lot of Daredevil series, but focused on guns. If you want to see some good action, give this a go, but I can't guarantee the actual story is anything you'll really get into.

Jun 23, 2021
AstroNoud
7.0

Although the action is probably too abundant and the plot leaves much to be desired, one cannot help but admire the 11 minute pursuit scene, that looks as if it's been shot in a single take. 7/10 ...

Feb 26, 2022
tmdb28039023
5.0

There's no two ways about it; Extraction is too long. On the plus side, it's violent yet painless. It gives us a fly-on-the-wall view of the action; at the same time, the over-the-shoulder third-person perspective assures us that what we have here is little more than videogame violence (except on tw ... o occasions, and even then we might give the film the benefit of the doubt, if we're feeling generous). Extraction has a sound premise and lots of action pieces to go with it; highlights include an ingeniously shot high speed chase that keeps us on the edge of the (back)seat, and a brutal, close quarters, hand-to-hand combat between Chris Hemsworth and Randeep Hooda. There is another, much less impressive fight, however. The villain employs children and teenagers as street soldiers, and there is a scene where they corner Hemsworth in an alley, and our hero, in a very un-heroic moment, proceeds to beat the crap out of them. Technically, this sequence is not gratuitous; it's actually there for a reason. The problem is that the ending somehow seems to simultaneously justify and negate that reason. The other time Extraction goes too far is when the Child in the 'Badass and Child Duo' is forced to shoot David Harbour's character dead. The rationale is that he does it to save Hemsworth's life, but this doesn't stand up under scrutiny. At a certain point Hemsworth and the kid are picked up by Harbour, an old friend and former comrade-in-arms of the former, who hides them in his house. From the moment this character is introduced we know, because we've seen it in countless other action movies, that sooner rather than later he's going to betray the hero, so we're just waiting for the other shoe to drop. It's bad enough to have a teenager pull the trigger, but doing it in the name of such a tired cliché is inexcusable. Moreover, Harbor's character and everything that has to do him should have been dropped altogether, because his introduction at the halfway point results in a slump from which Extraction only recovers half an hour later when a rocket sends a helicopter into a tailspin (at least it got my attention back). This film is the directorial debut for Sam Hargrave, who would do well to study David Mamet's Spartan or Steven Soderbergh's Haywire for two textbook examples of economical action movies. We don't really care much about the hero's past; what we want is to see him rescue the boy and get him to safety in the most entertaining and expeditious way possible – straight to the point, without beating around the bush. Now, if the filmmakers feel it necessary for him to bond emotionally with the boy, then let him do it on the go, over the course of their adventure. There is within Extraction a serviceable action movie that its creators have almost ruined by trying to stretch it beyond the limitations of its genre.

Sep 03, 2022
magic-boots
8.0

I only watched this for David Harbour and he was great. ...

Jun 28, 2023
Ahmetaslan27
6.0

**Is it the best action movie made by Netflix? Could it be true?** "Extraction" movie is an action movie based on a comic called Ciudad, which is a Spanish word means city. The story of the movie is about a mercenary who is recruited to rescue a boy who was kidnapped by a very dangerous gang. I ... saw the advertisement for this movie and said it might be vulgar. You have seen many great action scenes with many explosions, guns and pursuits. Yes, it is a strong movie in terms of performance. The world surrounding the movie is a poor, cruel, and frightening world that was shown. You see most of the scenes of the film were filmed in the slums of Bangladesh, and some in certain areas in India. It was depicted as a gloomy world with a lot of crime and corruption. The director manages to bring out this world shockingly. Director Sam Hargrave has a background in action and law, and I have seen similar films directed in this way. The director understands action scenes and knows how to build a powerful moment and hold the viewer's breath in it. There are some scenes that contributed to the decrease in the evaluation of people. I wanted to explain or explain more about some situations, so that the people's actions would be more logical to the viewer. There were many scenes that were not deep, and some scenes that contained poor and superficial effects and devoid of depth of meanings, such as the movement of smoke. Chris Hemsworth is an action star, an actual action hero, a powerful action hero, and he carried the film on his shoulders, but he did as the director told him. The director didn't want to expand the deep action scenes. I do not deny that if the shots or the frame were wider and deeper than this, if the cameras used in filming the scenes were farther away, or their movement or vibration while filming the scenes were less than this, these scenes would have become clearer and more impressive.

Jun 26, 2023