Popularity: 3 (history)
Director: | Niki Caro |
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Writer: | Andrea Berloff, Misha Green, Peter Craig |
Staring: |
A deadly female assassin comes out of hiding to protect the daughter that she gave up years before, while on the run from dangerous men. | |
Release Date: | May 04, 2023 |
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Director: | Niki Caro |
Writer: | Andrea Berloff, Misha Green, Peter Craig |
Genres: | Action, Thriller |
Keywords | female assassin, woman director, mother and daughter |
Production Companies | Vertigo Entertainment, Nuyorican Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jennifer Lopez | Mother |
Lucy Paez | Zoe |
Omari Hardwick | Cruise |
Joseph Fiennes | Adrian |
Gael García Bernal | Hector |
Paul Raci | Jons |
Jesse Garcia | Tarantula |
Yvonne Senat Jones | Sonya |
Edie Falco | SAIC Eleanor Williams |
Michael Karl Richards | Zoe's Adopted Dad |
Link Baker | Marcus Stone |
Mayumi Yoshida | C-Section Nurse |
Ryan Cowie | New Father |
Todd Matthews | Fed at Zoe's House |
Yadier Fernández | Cuban OB / GYN |
Olivia Lucas | Medical Clinic Nurse |
Mehdi Regragui | Arms Dealer |
Jay Cardinal Villeneuve | Exal Room Doctor |
Daniel Whittaker | FedEx Worker |
Richard Miro | FBI Tip Line (voice) |
Juan Jose Rodriguez Gil | Cuban Cab Driver |
Karl McMillan | Car Rental Manager |
Noah Crawford | El Globo (uncredited) |
Fahim Fazli | Afghan Hammam (uncredited) |
Saif Mohsen | Mohamed (uncredited) |
Gabriel Bonilla | Looper (voice / uncredited) |
Yorkie Joaquin | Cleaner (uncredited) |
Leslie Lluvet | Looper (voice / uncredited) |
Carlos Robles | Kentucky Sniper (uncredited) |
Isaac Gonzalez Rossi | Looper (voice / uncredited) |
Damon Zolfaghari | Zippo Vendor (uncredited) |
Name | Job |
---|---|
Jean-François Campeau | Production Design |
Bina Daigeler | Costume Design |
Jeriana San Juan | Costume Design |
Alayn Crespo | Boom Operator |
Chris Duesterdiek | Production Sound Mixer |
Ann Scibelli | Sound Designer |
Jesse Pomeroy | Dialogue Editor |
Daniel Saxlid | Dialogue Editor |
John Andrew Berton Jr. | Visual Effects Supervisor |
Andrea Berloff | Screenplay |
Andrew Berry | Supervising Art Director |
Andrew Li | Art Direction |
María Fernanda Muñoz | Art Direction |
Sandra Nieuwenhuijsen | Art Direction |
Felicity Nove | Art Direction |
Shannon Gottlieb | Set Decoration |
Laura Musso | Set Decoration |
Lilia Afsahi | Hairstylist |
Merc Arceneaux | Makeup Artist |
Liz Bernstrom | Makeup Department Head |
Kate Best | Makeup Artist |
Emanuela Daus | Makeup Artist |
Jezabel De Leon | Makeup Artist |
Toby Lindala | Makeup Designer |
Pearl Louie | Makeup Artist |
Lorenzo Martin | Hairstylist |
Teresa Tso | Hairstylist |
Cody Usak | Hairstylist |
Debra Wiebe | Hair Department Head |
Marjorie Wood | Makeup Artist |
Chad Belair | Second Assistant Director |
Haley Lauten | Third Assistant Director |
Andrey García Mijailov | Second Assistant Director |
Crystal Munson | Second Assistant Director |
Joel Márquez | Third Assistant Director |
Ester Bovard | Set Decoration Buyer |
Shannon Courte | Assistant Art Director |
Randy Hutniak | Assistant Art Director |
Román Labrador | Set Dresser |
Jim Ramsay | Set Designer |
Ángel Sarrión | Set Dresser |
Rachel Terry | Set Dresser |
Bob Lacivita | ADR Mixer |
Nancy MacLeod | Sound Effects Editor |
Michael W. Mitchell | Sound Effects Editor |
Alex Nomick | Sound Effects Editor |
Willard Overstreet | Foley Supervisor |
Daniel Pagan | Sound Effects Editor |
Will Riley | ADR Supervisor |
Paul Benjamin | Special Effects Coordinator |
Colton Friesen | Special Effects |
Tevin Maker | Special Effects Technician |
Richard Marmion | Special Effects Technician |
Juan Ramón Molina | Special Effects Coordinator |
Brett Yavis | Special Effects Technician |
Jonathan M. Anderson | Visual Effects Coordinator |
John Cherniack | Visual Effects Supervisor |
Tim Christensen | Visual Effects Supervisor |
Curtis Corona | Visual Effects Coordinator |
Simon Deighton | VFX Artist |
Sabrina Demers | VFX Artist |
Dan Kaufman | Visual Effects Supervisor |
Michael Perdew | Visual Effects Producer |
Michael Sarkis | VFX Artist |
Nicole Saucerman | Visual Effects Coordinator |
G. Allen Stewart | Visual Effects Coordinator |
Elaine Essex Thompson | Visual Effects Producer |
Troy Castaneda | Stunt Double |
Álex Cuadrado | Stunts |
Leif Havdale | Stunts |
Darcy Hinds | Stunts |
Samanta Kolbeck | Stunt Double |
Dani Medina | Utility Stunts, Stunts |
Stephen A. Pope | Stunt Coordinator |
Dan Rizzuto | Stunt Coordinator |
Juan José Rodríguez | Stunts |
Mike Santana | Stunt Double |
George Zador | Utility Stunts |
Isi Amador Rodríguez | Grip |
Stuart Haggerty | Gaffer |
Namowan Kirby | Grip |
Chris Yestin Lee | Grip |
Sasha Proctor | "A" Camera Operator, Steadicam Operator |
Cat Mudryk | Set Costumer |
Eva Salas | Costume Supervisor |
Barry Lee Moe | Hairstylist |
Misha Green | Writer |
Niki Caro | Director |
Peter Craig | Writer |
Ben Seresin | Director of Photography |
David Coulson | Editor |
Kath Raisch | Colorist |
Nancy Nayor | Casting |
Anna Behlmer | Sound Re-Recording Mixer |
Jeff Habberstad | Second Unit Director |
Liz Tan | First Assistant Director |
David Jobe | Foley Mixer |
Fraser Aitcheson | Stunts |
Marcus Aurelio | Stunt Double |
Jason Bell | Stunts |
Dacio Caballero | Stunt Coordinator |
Tommy Europe | Stunt Double |
Naomi Frenette | Stunt Double |
Kory Grim | Stunts |
Amy Johnston | Stunt Double |
Mónica López Aleman | Stunt Double |
Abián Padrón | Stunts |
Chris Reid | Stunt Double |
Hugo Steele | Stunts |
Alvar Kõue | Gaffer |
Andrus Ilp | Lighting Technician |
Mallory Thompson | Stunt Double |
Jolene Van Vugt | Stunt Double |
Germaine Franco | Original Music Composer |
Dianne Greenwood | Set Costumer |
Kirstyn König | Stunts |
Name | Title |
---|---|
Benny Medina | Producer |
Elaine Goldsmith-Thomas | Producer |
Marc D. Evans | Producer |
Molly Allen | Executive Producer |
Jennifer Lopez | Producer |
Roy Lee | Producer |
Miri Yoon | Producer |
Misha Green | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 47 | 66 | 33 |
2024 | 5 | 51 | 92 | 38 |
2024 | 6 | 43 | 59 | 32 |
2024 | 7 | 47 | 62 | 35 |
2024 | 8 | 43 | 86 | 27 |
2024 | 9 | 29 | 37 | 23 |
2024 | 10 | 35 | 54 | 22 |
2024 | 11 | 32 | 58 | 21 |
2024 | 12 | 30 | 53 | 20 |
2025 | 1 | 39 | 64 | 26 |
2025 | 2 | 28 | 43 | 5 |
2025 | 3 | 9 | 34 | 2 |
2025 | 4 | 4 | 7 | 2 |
2025 | 5 | 4 | 8 | 2 |
2025 | 6 | 4 | 6 | 2 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 814 | 878 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 900 | 937 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 777 | 815 |
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "The Mother is an instantly forgettable Netflix film about a spy mother who must protect her estranged daughter because "bad people from the past". Jennifer Lopez is good, Lucy Paez is GREAT, but n ... one save it from its bland, generic story. Expected more from Niki Caro." Rating: D+
Ironically, these tale about a mother and daughter, fails because the male characters have no depth. The villain is evil sure, but also extremely stupid and escaping from her first attempt to kill him in a very unbelievable and unexplained way. The romantic tension between Cruise and the mother a ... lso doesn't work and the age old friendship with Jons is also not given any backstory. I'm enclined to blame the casting here. Well, the story was lacking and oddly edited as well, but it may be because there wasn't much to work with. Either way, it's clear this is supposed to be about a mother/daughter relationship, but also be an action move and the director / writers / actors couldn't make it work. 3/10, 2 points cause I've seen worse, not because I can find something positive in it.
**The Mother is an average straight-to-stream action thriller that does a decent job but won’t last too long in your memory or heart.** The Mother is a generic assassin turned parent protecting/avenging their child from a mob of drug runners/arms dealers. While in the vein of films like Taken or ... Peppermint, The Mother makes a critical error the other films didn’t - a 2-hour runtime. Its bigger budget made this movie feel slightly more polished, but stretching its meager story 30 minutes longer than many in this subgenre took its toll. The pacing dragged along between the action sequences, sometimes leaving the movie feeling too long and tedious. The production quality of the action set pieces was decent, but the action itself was fairly basic. Jennifer Lopez is fun as the intense and withdrawn mother assassin and undoubtedly is the best part of the movie. The Mother is nowhere near an awful film, and reviews that say otherwise probably set their expectations too high. It's a run-of-the-mill action streamer that gets the job done, blows some stuff up, shoots some bad guys, and despite being forgettable, didn’t feel like a total waste of time.
In spite of the rather, by now, predictable and formulaic story, woke-ness and a dash of US exceptionalism (for those paying attention) The Mother does have something to offer the viewer. The first thing, is surprisingly engaging acting, from Jennifer Lopez. I'd always associated her with music, ... although I was aware of her forays into acting, over the years. Lopez hands in an above average performance as a assassin, with mothering instincts. Lopez's chemistry with Lucy Paez, who plays her her daughter, really binds this film together and elevates it, beyond its otherwise pedestrian credentials. Action wise, there's a lot on offer too but its also rather forgettable. Ultimately, its the performances of the lead cast, that make this film, a modest success.