The Final Wish
Once you wish, your soul is bound.
2019 | 95m | English
Popularity: 5 (history)
| Director: | Timothy Woodward Jr. |
|---|---|
| Writer: | Jonathan Doyle, William Halfon, Jeffrey Reddick |
| Staring: |
| Following the passing of his father, Aaron Hammond returns to his hometown to help his devastated mother and to confront his past demons. Sifting through his father’s belongings, Aaron comes upon a mysterious item that is far more than it seems. | |
| Release Date: | Jan 24, 2019 |
|---|---|
| Director: | Timothy Woodward Jr. |
| Writer: | Jonathan Doyle, William Halfon, Jeffrey Reddick |
| Genres: | Horror |
| Keywords | mother, death of father, jinn, wishes come true, grim, mysterious object, suspenseful, frightened |
| Production Companies | BondIt, Global Renaissance Entertainment Group |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Lin Shaye | Kate Hammond |
| Michael Welch | Aaron Hammond |
| Melissa Bolona | Lisa |
| Spencer Locke | Lynette |
| Tony Todd | Colin |
| Kaiwi Lyman | Derek |
| Jonathan Daniel Brown | Jeremy |
| Jean Elie | Tyrone |
| Christopher Murray | Yates |
| Douglas Tait | Jinn |
| Larry Poole | Chester Hammond |
| Michelle Burke | Mrs. Mckee |
| Timothy Oman | Williams |
| Dey Young | Alice |
| Gordon Woloson | Clown |
| Randi Lamey | Waitress |
| Name | Job |
|---|---|
| Jonathan Doyle | Screenplay |
| William Halfon | Screenplay |
| Samuel Joseph Smythe | Music |
| Pablo Díez | Director of Photography |
| Ned Thorne | Editor |
| Markos Keyto | Production Design, Property Master |
| Karo Méndez | Art Direction |
| Christine Costanza | Costume Design |
| Keshaw Singh | Visual Effects |
| Minn Vo | Stunt Coordinator |
| Leah Aldarondo | Production Manager |
| Tim Gagliardo | First Assistant Director |
| Zebulun Huling | First Assistant Director |
| John J. Tierney | Second Assistant Director |
| Samantha Little | Second Assistant Director |
| Barbara de Normandie | Production Coordinator |
| Ryan Romania | Second Second Assistant Director |
| Tania Espinosa | First Assistant Camera |
| Heather Ballish | Second Assistant Camera |
| Adam Lee | Second Assistant Camera |
| Santiago Bahti | Second Assistant Camera |
| Quaid Cde Baca | Steadicam Operator |
| Robert Mendoza | Digital Imaging Technician |
| Joe Webb | Gaffer |
| Dave Stacey | Dolly Grip |
| Alex F. Harris | Dolly Grip |
| Fernando Nevarez | Dolly Grip |
| Daniel Shaffer | Dolly Grip |
| Zsolt Magyar | Sound Mixer |
| Gábor Erdei | Boom Operator |
| Cleopatra Slough | Wardrobe Assistant |
| Don Lannin | Sculptor |
| Ching Tseng | Key Makeup Artist |
| Tania Hahm | Makeup & Hair |
| Donica Denene | Makeup & Hair |
| Tommie-Ann Draper | Makeup & Hair |
| Juan Ignacio Cabrera | Colorist |
| Fran Lorite | Colorist |
| Alvaro Barrasa | Colorist |
| Josh Badger | Sound Supervisor, Foley Editor |
| Daniele Carli | Sound Designer |
| Jazz Gaudet | Dialogue Editor |
| Victor Horozov | Assistant Sound Editor |
| Tasha Skotnicki | Assistant Sound Editor |
| Kyrstin Meree Baker | Script Supervisor |
| Lori Franklin-Garcia | Script Supervisor |
| Randi Lamey | Still Photographer |
| Aaron Strelecki | Still Photographer |
| Timothy Woodward Jr. | Director |
| Jeffrey Reddick | Screenplay, Story |
| Lauren De Normandie | Casting |
| Eric Sweeney | Stunts |
| Erik Audé | Stunt Coordinator |
| Micah E. Brandt | Unit Production Manager |
| Name | Title |
|---|---|
| Johnny Cleveland | Producer |
| Jerome Davis | Producer |
| Patrick DePeters | Executive Producer |
| Joe Listhaus | Executive Producer |
| Arthur Wylie | Executive Producer |
| Gordon Woloson | Co-Producer |
| Sparling Wilson | Associate Producer |
| Mario Robinson | Associate Producer |
| James Cullen Bressack | Co-Producer |
| Dale Godboldo | Executive Producer |
| Matthew Helderman | Executive Producer |
| Thommy Hutson | Producer |
| Timothy Woodward Jr. | Producer |
| Lauren De Normandie | Producer |
| Luke Taylor | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 16 | 10 |
| 2024 | 5 | 14 | 20 | 9 |
| 2024 | 6 | 14 | 30 | 7 |
| 2024 | 7 | 16 | 36 | 9 |
| 2024 | 8 | 15 | 30 | 11 |
| 2024 | 9 | 15 | 36 | 9 |
| 2024 | 10 | 12 | 19 | 8 |
| 2024 | 11 | 10 | 22 | 7 |
| 2024 | 12 | 10 | 23 | 6 |
| 2025 | 1 | 10 | 16 | 6 |
| 2025 | 2 | 8 | 11 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 5 | 2 |
| 2025 | 10 | 5 | 5 | 4 |
Trending Position
GenerationofSwine
1.0
Horror movies used to have fun tropes. Not they have boring as hell tropes, even when the plot is about a little hell of its own. It's a slow burner that never picks up and the kind of film where the scares are too few and far between to actually make you realize that it is a horror film. They ... could have interjected drama or comedy between the excruciating long waits for fun, but instead they decided to fill it with boredom.
Jan 12, 2023