Popularity: 7 (history)
Director: | George Miller |
---|---|
Writer: | George Miller, Augusta Miller |
Staring: |
A solitary scholar discovers an ancient bottle while on a trip to Istanbul and unleashes a djinn who offers her three wishes. Filled with reluctance, she is unable to come up with one, so the djinn tries to inspire her with his stories. | |
Release Date: | Aug 24, 2022 |
---|---|
Director: | George Miller |
Writer: | George Miller, Augusta Miller |
Genres: | Fantasy, Drama, Romance |
Keywords | mythology, longing, djinn, desire, storytelling, wish fulfillment, genie, public speaking, istanbul, turkey, scholar, lonely woman, wishes, doctorate, romantic |
Production Companies | FilmNation Entertainment, Kennedy Miller Mitchell, Elevate Production Finance, Sunac Pictures |
Box Office |
Revenue: $20,300,000
Budget: $60,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tilda Swinton | Alithea |
Idris Elba | The Djinn |
Erdil Yaşaroğlu | Professor Günhan |
Sabrina Elba | British Council Lady / The Watcher |
Sarah Houbolt | Airport Djinn |
Seyithan Özdemir | Pale Djinn |
Aamito Lagum | The Queen of Sheba |
Nicolas Mouawad | King Solomon |
Ece Yüksel | Gulten |
Matteo Bocelli | Prince Mustafa |
Lachy Hulme | Sultan Suleiman |
Megan Gale | Hürrem |
Oğulcan Arman Uslu | Murad IV |
Jack Braddy | Ibrahim |
Zerrin Tekindor | Kösem |
Anna Adams | Sugar Lump |
George Shevtsov | The Old Storyteller |
David Collins | Ozmet the Jocular |
Burcu Gölgedar | Zefir |
Vincent Gil | Old Merchant |
Melissa Jaffer | Clementine |
Anne Charleston | Fanny |
Pia Thunderbolt | Orhan's Pa |
Berk Ozturk | Semih the Driver / Bazzar Young Shopkeeper |
Anthony Moisset | Hotel Porter |
Alyla Browne | Young Alithea |
Sage Mcconnell | Dormitory Girl |
Abel Bond | Enzo |
Agani Gecmez | Turkish Hotel Waiter |
Ayantu Usman | Sheba's Handmaiden |
Peter Bertoni | Jack |
Lianne Mackessy | Emmeline Porter |
Harlan Norris | London Driver |
Leslie Krahner | Fisherman Rough Hands |
George Zammit | Male Hands |
Feride Eralp | Female Hands |
Matthew Khoury | Blacksmith Ifrit / Persian Soldier |
Burwaiss Ahmed | Byzantium Labourer |
Edoardo Michelotti | Mustafa Janissary |
Ronny Mouawad | Mustafa Janissary / Airport Surly Supervisor |
Paul Prakash | Mustafa Janissary |
Olivia Porter | Juggler |
Quaden Bayles | Quick Change Boy |
Botan Ozer | Ali |
Georgiou Thomas | Rustem Pasha |
Arshia Dehghani | Prince Cihangir |
Talia Tulin Sert | Seraglio Concubine |
Jean-Marc Agbogba | Zaouli Dancer |
Kaan Guldur | Young Murad IV |
Hugo Vella | Young Ibrahim |
Simon Abraham | Persian Soldier |
Bryony Pyke | Slender Concubine |
Hana Habbouche | Slender Concubine |
Jyoti Barry | Ibrahim's Concubine |
Madeline Berner | Ibrahim's Concubine |
Kathleen Coffey | Ibrahim's Concubine |
Nikki Hooppell | Ibrahim's Concubine |
Stephanie Julien | Ibrahim's Concubine |
Elyse Metaxas | Ibrahim's Concubine |
Debbie Correira | Ibrahim's Concubine |
Laura Foster | Ibrahim's Concubine |
Ashleigh Geitzmann | Ibrahim's Concubine |
Hannah Robinson | Ibrahim's Concubine |
Felicity Tchorlian | Ibrahim's Concubine |
Kate Wake | Ibrahim's Concubine |
Mary P | Ibrahim's Concubine |
Ron Hicks | Dead Pasha |
Glenn Levett | Dead Vizier |
Danny Lim | Storyteller |
Rellim Egroeg | Hapless Storyteller |
Eva Maria Barboza | Old Merchant's Cook |
Lulu Pinkus | Old Merchant Wife |
Karen Ainley | Old Merchant Wife |
Aska Karem | Airport Security Officer |
Melissa Kahraman | Airport Security Technician |
Bridget Maizey | Rollerblader in Love |
Eric Presnall | Rollerblader in Love |
Nolan Zadarnowski | Small Child |
Patryk Zadarnowski | Father |
Nathan Susskind | Young Man Soccer Player |
Peter Stephens | Persian General |
Name | Job |
---|---|
John Seale | Director of Photography |
Tom Holkenborg | Original Music Composer |
Kym Barrett | Costume Designer |
P.J. Voeten | First Assistant Director |
George Miller | Writer, Director |
Yasca Sinigaglia | Stunt Coordinator |
A.S. Byatt | Short Story |
Nico Lathouris | Dramaturgy |
Augusta Miller | Writer |
Tim Wong | Stunts |
Guy Norris | Stunt Coordinator, Second Unit Director |
Lesley Vanderwalt | Hair Designer, Makeup & Hair, Makeup Designer |
Lisa Thompson | Set Decoration |
Roger Ford | Production Design |
Sheldon Wade | Prosthetic Designer |
Ezgi Baltaş | Casting |
Sophie Nash | Supervising Art Director |
Merilyn Cook | Production Manager |
Semih Ozkoseoglu | Post Production Supervisor |
Nicholas Dare | Art Direction |
Virginia Mesiti | Set Decoration |
Lara Jade Birch | Makeup Supervisor |
Terri Farmer | Makeup Artist, Key Hair Stylist |
Xander Collier | Second Second Assistant Director |
Jane Griffin | Second Assistant Director |
Jackson Ezard | Third Assistant Director |
Guy Norris | Action Director |
Penelope Berkemeier | Production Assistant |
Osman Çankırılı | Set Decoration Buyer |
Marcia Kelly | Visual Effects |
Yusuf Arık | Digital Imaging Technician |
Hasan Ersoy | Second Assistant Camera |
Utku Sonmezer | First Assistant Camera |
Erhan Alpdundar | Location Manager |
Toygar Saltan | Location Assistant |
Pedro Eustache | Musician |
Meow Nutjaree Wannasri | VFX Artist |
Chris Jenkins | Sound Re-Recording Mixer |
Yulia Akerholt | Dialogue Editor |
Jason Bath | Visual Effects Producer |
Jane Dawkins | Extras Casting |
Feride Eralp | Translator |
Joanna Pullen | Property Master |
Paul Jeacock | Concept Artist |
Mark Sexton | Storyboard Artist |
Peter Pound | Storyboard Artist |
Annie Zhang | Assistant Editor, VFX Editor |
Eliot Knapman | First Assistant Editor |
Andrew Corsi | VFX Editor |
Margaret Sixel | Editor |
Paul Butterworth | VFX Supervisor |
Nikki Barrett | Casting |
Robert Mackenzie | Supervising Sound Editor, Sound Re-Recording Mixer |
Ben Osmo | Production Sound Mixer |
Name | Title |
---|---|
Dean Hood | Executive Producer |
Doug Mitchell | Producer |
George Miller | Producer |
Victor Hadida | Executive Producer |
Craig McMahon | Executive Producer |
Kevin Sun | Executive Producer |
Rachael Gill | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 44 | 66 | 33 |
2024 | 5 | 42 | 63 | 35 |
2024 | 6 | 41 | 63 | 29 |
2024 | 7 | 52 | 77 | 28 |
2024 | 8 | 35 | 53 | 28 |
2024 | 9 | 29 | 39 | 22 |
2024 | 10 | 34 | 58 | 22 |
2024 | 11 | 30 | 53 | 18 |
2024 | 12 | 38 | 93 | 22 |
2025 | 1 | 31 | 49 | 18 |
2025 | 2 | 21 | 33 | 5 |
2025 | 3 | 10 | 33 | 2 |
2025 | 4 | 7 | 10 | 4 |
2025 | 5 | 8 | 12 | 4 |
2025 | 6 | 8 | 15 | 4 |
2025 | 7 | 5 | 9 | 4 |
2025 | 8 | 4 | 4 | 2 |
2025 | 9 | 7 | 7 | 7 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 771 | 880 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 411 | 511 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 811 | 906 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 925 | 925 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 865 | 929 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 316 | 495 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 998 | 998 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 821 | 821 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 220 | 577 |
"Alithea" (Tilda Swinton) is a solitary scholar who travels to Istanbul to address a conference on the relative merits of myth v science. At the seminar, she starts to hallucinate and the seed is sown that perhaps the mystical is not so far-fetched as we might think! A visit to the Grand Bazaar sees ... her acquire a small blue bottle that, when attacked rather unceremoniously with an electric toothbrush, spills it's contents into her hotel room. A giant, hairy-legged Djinn (Idris Elba). In keeping with tradition, he offers her three wishes - but she is sceptical. Easy come, easy goes thinks she - and as the couple chat, she discovers just how he became incarcerated in this, his third, bottle. His are tales of love, lust, greed, power and sadness and he depicts them to her of his life of some thousands of years. He also declares just why it is so important that she actually makes her wishes; for without those he can never attain his freedom. It's good fun this film. An anthology of scenarios that entertain and amuse with a worldly and generous effort from the sagely Swinton who gradually falls in love with her now normal-sized companion. The dynamic between the two stars is engaging and effective, the latter delivering a charming contribution to a simple story of the problems of a series of unrequited loves over the centuries that will probably never find a straightforward solution! It's a quirky film, that moves along quickly and I really quite enjoyed it.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Three Thousand Years of Longing is one of the most ambitious films of the year. Relying on the genuinely charming, mesmerizing performances of Idris Elba and Tilda Swinton, George Miller approaches a famous cautionary tale through a dist ... inctive form of storytelling, focusing on flashbacks narrated by the male protagonist. The multiple stories of the past aren't always fascinating, partially due to the chosen narrative method, which becomes repetitive despite enriching some of the core themes. The immersive, atmospheric visuals elevate the overall piece with significant impact, making this a cinematic experience to leave any viewer contemplating life, desire, loneliness, and happiness." Rating: B+
I did not have many expectations for _Three Thousand Years of Longing_, but after leaving the theater it left me longing for more. I do not think any individual part of this film was inherently bad. The performances by Idris Elba and Tilda Swinton were captivating and their on-screen chemistry was a ... mazing. The flash backs to the characters' lives were very fascinating. I really enjoyed exploring the lives of ancient civilizations in the eyes of George Miller. The overarching plot was decent, nothing spectacular. But the collection of all these different elements together just felt like a jumbled mess. The movie never gets in a groove and always feels like it is stumbling its way to the finish line. I felt the opening sequence was incredibly rushed and the audience does not really get to form a connection with Alithea before she unleashes the Djinn, and from there on the audience is whipped back and forth from flashback to present day and it feels incredibly disjointed. The jumbled up second act, deflates any type of momentum going into the third making it fall flat on its head. All this compiled together made a somewhat emotional and touching ending feel hollow and lackluster. Overall, as a collection of short stories this movie was a good time, but really does not belong together in a jumbled-up mess of a plot. **Score:** _53%_ | **Verdict:** _Average_