Popularity: 8 (history)
| Director: | Jonathan Liebesman |
|---|---|
| Writer: | David Leslie Johnson-McGoldrick, Greg Berlanti, Dan Mazeau |
| Staring: |
| Perseus tries to live a quieter life as a village fisherman while – dangerously weakened by humanity's lack of devotion – the gods are losing control of the long-imprisoned Titans and their ferocious leader, Kronos. | |
| Release Date: | Mar 28, 2012 |
|---|---|
| Director: | Jonathan Liebesman |
| Writer: | David Leslie Johnson-McGoldrick, Greg Berlanti, Dan Mazeau |
| Genres: | Fantasy, Adventure, Action |
| Keywords | hades, mythology, greek mythology, zeus, god, perseus, ancient greece, ares, based on myths, legends or folklore |
| Production Companies | Warner Bros. Pictures, Legendary Pictures, Thunder Road, Cott Productions, Furia de Titanes II, A.I.E. |
| Box Office |
Revenue: $301,970,083
Budget: $150,000,000 |
| Updates |
Updated: Sep 14, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Worthington | Perseus |
| Liam Neeson | Zeus |
| Ralph Fiennes | Hades |
| Rosamund Pike | Andromeda |
| Bill Nighy | Hephaestus |
| Edgar Ramírez | Ares |
| Toby Kebbell | Argenor |
| Danny Huston | Poseidon |
| Sinéad Cusack | Clea |
| John Bell | Helius |
| Lily James | Korrina |
| Alejandro Naranjo | Mantius |
| Freddy Drabble | Apollo |
| Kathryn Carpenter | Athena |
| Matt Milne | Elite Guard No. 1 |
| Birkett Turton | Elite Guard No. 2 |
| Spencer Wilding | Minotaur |
| Juan Reyes | Prison Warden |
| Jorge Guimerá | Theodulus |
| Asier Macazaga | Theron |
| Daniel Galindo Rojas | Eustachius |
| Lamberto Guerra | Timon |
| George Blagden | Soldier 1 |
| Killian Burke | Soldier 2 |
| Alastair Cording | Villager 1 |
| Caoilfhionn Dunne | Woman 1 |
| Martin Bayfield | Cyclops |
| Paul Warren | Hermes (uncredited) |
| JD Roth-Round | Spartan Archer / Argos Warrior (uncredited) |
| Name | Job |
|---|---|
| Jonathan Liebesman | Director |
| David Leslie Johnson-McGoldrick | Screenplay, Story |
| Javier Navarrete | Original Music Composer |
| Jany Temime | Costume Design |
| Martin Walsh | Editor |
| Ray Chan | Supervising Art Director |
| Ben Davis | Director of Photography |
| Greg Berlanti | Story |
| François Baranger | Conceptual Illustrator |
| Nick Davis | Visual Effects Supervisor, Visual Effects Producer, Second Unit Director |
| Jay Maidment | Still Photographer |
| Sanaz Missaghian | Costume Coordinator |
| Matt Curtis | Title Designer |
| Frédéric North | Aerial Coordinator |
| Candice Banks | Hairstylist |
| Neil Corbould | Special Effects Supervisor |
| Dixie Chassay | Additional Casting |
| Flora Moody | Makeup Artist |
| Jo McLaren | Stunts |
| Peter Burgis | Foley Artist |
| Marc Mailley | Stunts |
| Barrie Gower | Prosthetics |
| Vincent Papaix | Digital Compositor |
| Buddie Wilkinson | Standby Property Master |
| Glen Gathard | Foley Mixer |
| Thomas Brown | Art Direction |
| Jordan Crockett | Art Direction |
| Stuart Kearns | Art Direction |
| Mike Stallion | Art Direction |
| Mark Swain | Art Direction |
| Lee Sandales | Set Decoration |
| Annie Crawford | Costume Supervisor |
| Enrica Sciandrone | Other |
| Daniel Erickson | Camera Technician |
| Aaron Williams | VFX Artist |
| Jatinder Singh Manhas | Visual Effects |
| VFx Star | Visual Effects |
| Géza Kovács | Stunts |
| Richard Davies | Assistant Costume Designer |
| Paul Kirby | Art Direction |
| Kevin Alexander | Hair Designer |
| Romaine Bowman | Makeup Artist |
| Paul Engelen | Makeup Designer |
| May Gascoigne | Makeup Artist |
| Jo Grover | Makeup Effects |
| Dana Kalder | Hairstylist |
| Melissa Lackersteen | Makeup Artist |
| Daniel Lawson Johnston | Makeup Artist |
| Sebastian Lochmann | Prosthetic Makeup Artist |
| Jose Mora-Perez | Makeup Effects |
| Conor O'Sullivan | Prosthetic Designer |
| Paula Price | Hairstylist |
| Valentina Visintin | Prosthetic Makeup Artist |
| Tim Grover | Post Production Supervisor |
| Marianne Jenkins | Post Production Supervisor |
| Terry Needham | First Assistant Director |
| Jennifer Bowes | Art Department Coordinator |
| Richard K. Buoen | Conceptual Design |
| Jamie Wilkinson | Property Master |
| John Cochrane | Supervising Dialogue Editor |
| Mike Dowson | Sound Re-Recording Mixer |
| Michael Fentum | Sound Designer |
| Dominic Gibbs | Supervising Sound Editor |
| Jed Loughran | Sound Effects Editor |
| James Mather | ADR Supervisor |
| Kevin Penney | Foley Editor |
| Mark Taylor | Sound Re-Recording Mixer |
| Alex Carr | Visual Effects Coordinator |
| Crystal Compton | Visual Effects Coordinator |
| Charlotte Frances | Visual Effects Coordinator |
| Lisa Frye | Visual Effects Coordinator |
| David Frylund Otzen | Modeling |
| Sofus Graae | Visual Effects Coordinator |
| Rhonda C. Gunner | Visual Effects Producer |
| Jake Harrell | Modeling |
| Zafar Janjua | Visual Effects Coordinator |
| Stewart Kojima | Visual Effects Coordinator |
| Michelle Teefey-Lee | Visual Effects Coordinator |
| Jelle Van de Weghe | Modeling |
| Jon Veal | Modeling |
| Bill Wang | Visual Effects Coordinator |
| Susannah Marie Williams | Creature Technical Director |
| Paul Jennings | Stunt Coordinator |
| Hans Bjerno | Aerial Director of Photography |
| John Flemming | Key Grip |
| David Smith | Gaffer |
| Tim Wooster | Camera Operator |
| Charlotte-Rose Armstrong | Key Costumer |
| Mark Burton | First Assistant Editor |
| Terry Blyther | Location Manager |
| Martin Joy | Location Manager |
| Michael Connell | Supervising Music Editor |
| Karen Elliott | Music Supervisor |
| Graham Sutton | Music Editor |
| Graham Bowen | Armorer |
| Sandra Frieze | Dialect Coach |
| Peter Hall | Pilot |
| Nick Komornicki | Armorer |
| Andrew Paul Littlefair | Armorer |
| Peggy Pere | Aerial Coordinator |
| Will Samuelson | Helicopter Camera |
| Tim Wildgoose | Armorer |
| Tim Wildgoose | Armorer |
| Winnie Wishart | Production Coordinator |
| Marc Wolff | Aerial Coordinator |
| Anna Worley | Script Supervisor |
| Jeremy Johns | Unit Production Manager |
| Emma Horton | Second Assistant Director |
| Beverley Cross | Characters |
| Harvey Harrison | Second Unit Director of Photography |
| Matthew Tucker | Associate Editor |
| Betty Williams | Production Accountant |
| Ivan Sharrock | Production Sound Mixer |
| Julian Morson | Camera Operator |
| Tom Harrison | Boom Operator |
| Vivienne Jones | Assistant Costume Designer |
| Joe Hobbs | Assistant Costume Designer |
| Ana Stichini | Special Effects Coordinator |
| Adam Dale | Aerial Director of Photography |
| Phil Allchin | Transportation Captain |
| Jerad Marantz | Creature Design |
| Jason Swanscott | Foley Artist |
| Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Claire Matthews | Makeup Artist |
| Marc Pilcher | Hairstylist |
| Alex Bowens | Art Department Assistant |
| Tania Couper | Makeup Artist |
| Hayley Easton Street | Visual Effects Art Director |
| Jina Jay | Casting |
| David Malinowski | Prosthetic Makeup Artist |
| Mike Lambert | Fight Choreographer |
| Tom Whitehead | Assistant Art Director |
| Dan Mazeau | Screenplay, Story |
| Charles Wood | Production Design |
| Jonathan Fawkner | Visual Effects Supervisor |
| Callum McDougall | Unit Production Manager |
| Katherine McCormack Wherry | Unit Publicist |
| Chris Lyons | Special Effects Makeup Artist |
| Florent Lebrun | Visual Effects |
| Levan Doran | Stunts |
| Drew Jones | Visual Effects Production Manager |
| Name | Title |
|---|---|
| Polly Johnsen | Producer |
| Louis Leterrier | Executive Producer |
| Thomas Tull | Executive Producer |
| Kevin De La Noy | Executive Producer |
| Jon Jashni | Executive Producer |
| Basil Iwanyk | Producer |
| Callum McDougall | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 44 | 49 | 32 |
| 2024 | 5 | 47 | 64 | 36 |
| 2024 | 6 | 48 | 74 | 33 |
| 2024 | 7 | 57 | 89 | 38 |
| 2024 | 8 | 50 | 85 | 32 |
| 2024 | 9 | 46 | 75 | 37 |
| 2024 | 10 | 50 | 70 | 35 |
| 2024 | 11 | 49 | 81 | 35 |
| 2024 | 12 | 44 | 76 | 31 |
| 2025 | 1 | 41 | 56 | 29 |
| 2025 | 2 | 33 | 46 | 7 |
| 2025 | 3 | 12 | 51 | 3 |
| 2025 | 4 | 8 | 12 | 5 |
| 2025 | 5 | 7 | 13 | 5 |
| 2025 | 6 | 7 | 10 | 6 |
| 2025 | 7 | 5 | 7 | 4 |
| 2025 | 8 | 6 | 7 | 5 |
| 2025 | 9 | 7 | 9 | 6 |
| 2025 | 10 | 7 | 9 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 844 | 901 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 427 | 745 |
| Year | Month | High | Avg |
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| 2025 | 8 | 567 | 822 |
| Year | Month | High | Avg |
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| 2025 | 7 | 388 | 818 |
| Year | Month | High | Avg |
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| 2025 | 6 | 393 | 712 |
| Year | Month | High | Avg |
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| 2025 | 5 | 418 | 782 |
| Year | Month | High | Avg |
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| 2025 | 4 | 459 | 717 |
| Year | Month | High | Avg |
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| 2025 | 3 | 454 | 788 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 625 | 794 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 496 | 833 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 717 | 832 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 329 | 761 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 879 | 879 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 187 | 634 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 126 | 491 |
This could have a pass based on the 3D but, in all honesty, the script and the story is totally senseless and unconnected. The travel through the Underworld maze to the Tartarus is just the best example of how bad the story is. In addition, they just mix the Greek mythology in the most absurd ways, ... putting a minotaur where it doesn't belong. Make up is quite bad. Specially with the beards and appearance of the gods. Andromeda, who is also misplaced and doesn't really have any relevant role, is the spark to remark, played by Rosemund Pike.
The visual effects where very good. Unfortunately, that was about it. The script was just awful. I do not want to watch a movie about Greek mythology just to see the gods being portrayed as week, loosing their power and ultimately disappearing. I don’t know why so many writers today cannot do anyth ... ing better than to take a well known setting and then totally destroy it for thrills. It seems like they all have some “Lets-destroy-the-Enterprise” complex. To me the awful script ruined this movie. It became depressing despite the good visual effects.
I'm split on this one! In some ways I kinda prefer <em>'Wrath of the Titans'</em> to its predecessor, though in other ways it is a downgrade. My positives include the pacing and the use of 'the gods', with both - in my opinion - better done in this 2012 film when compared to the 2010 original. Th ... e shorter run time helps, while Liam Neeson and Ralph Fiennes are far better utilised this time. My negatives include the story and (one or two) new cast/characters. The plot didn't really hold my attention very well, at a number of moments I felt my mind drift away from what was occurring onscreen. I wasn't bored or anything, though I could feel myself lose interest immediately after a scene that promised more than it delivered. As for the latter, Rosamund Pike and Édgar Ramírez are disappointing additions. With that said, Bill Nighy is a newcomer here and he actually entertained me - probably my standout character from this sequel. Toby Kebbell is a solid newbie too, to be honest. Elsewhere, Ramin Djawadi is missed on music but Javier Navarrete does a perfectly fine job in fairness. Naturally, I can only speak for myself and to me this is an average, if admittedly forgettable, flick - nought worse.
The original "Clash of the Titans" (1981) didn't really need it's 2010 reimagining, and that film didn't need this sequel either. This time, the demi-god Perseus (Sam Worthington) has to take on the ruthless Hades (Ralph Fiennes) who has kidnapped his dad Zeus (Liam Neeson) and has him chained deep ... in the underworld. What's clear to the young man is that there is a conspiracy going on amongst the Olympian gods and that if he doesn't get his sword sharpened then there could be an all out war involving the long imprisoned and mighty Kronos - the father of Zeus, Poseidon and Hades themselves. What isn't helping the immortals is the astonishingly fickle degree of faith from the public who are enjoying a time of relative peace and therefore not really doing anywhere enough praying! Anyway, luckily Perseus has the warlike "Andromeda" (Rosamund Pike) and the arch-craftsman Hephaestus (Bill Nighy) on his team so maybe they have a fighting chance? I reckon by half way through, I was thinking that maybe Tartarus was the best place for the writers rather than poor old Kronos. They have given the stolid messrs. Worthington, Neeson et al the most meagre of stories upon which to to develop their already pretty week characterisations and though there are some fun monsters from the innards of the Earth, they're not a patch on the stop-motion creatures from the hands of Ray Harryhausen. It does liven up a bit for the last fifteen minutes, and it is my kind of film so I didn't hate it - but it's still very disappointing.