 
  Popularity: 7 (history)
| Director: | Jeannot Szwarc | 
|---|---|
| Writer: | Carl Gottlieb, Peter Benchley, Howard Sackler | 
| Staring: | 
| Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters. | |
| Release Date: | Jun 16, 1978 | 
|---|---|
| Director: | Jeannot Szwarc | 
| Writer: | Carl Gottlieb, Peter Benchley, Howard Sackler | 
| Genres: | Horror, Thriller | 
| Keywords | mayor, island, shark attack, police chief, sailing, boat accident, dying and death, panic, current, animal attack, sequel, rescue, scuba diving, creature, shark, great white shark, killer whale, high-tension current, water skiing, tourism | 
| Production Companies | Universal Pictures, The Zanuck/Brown Company | 
| Box Office | Revenue: $187,884,000 Budget: $20,000,000 | 
| Updates | Updated: Aug 02, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Roy Scheider | Police Chief Martin Brody | 
| Lorraine Gary | Ellen Brody | 
| Murray Hamilton | Mayor Larry Vaughn | 
| Joseph Mascolo | Len Peterson | 
| Jeffrey Kramer | Hendricks | 
| Collin Wilcox Paxton | Dr. Lureen Elkins | 
| Ann Dusenberry | Tina Wilcox | 
| Mark Gruner | Mike Brody | 
| Barry Coe | Tom Andrews | 
| Susan French | Old Lady | 
| Gary Springer | Andy Nicholas | 
| Donna Wilkes | Jackie Peters | 
| Gary Dubin | Eddie Marchand | 
| John Dukakis | Paul 'Polo' Loman | 
| G. Thomas Dunlop | Timmy Weldon | 
| Keith Gordon | Doug Fetterman | 
| David Elliott | Larry Vaughn Jr. | 
| Marc Gilpin | Sean Brody | 
| Billy Van Zandt | Bob | 
| Martha Swatek | Marge | 
| Gigi Vorgan | Brooke | 
| Christine Freeman | Water Skier | 
| April Gilpin | Renee | 
| Kathy Wilson | Mrs. Bryant | 
| Fritzi Jane Courtney | Mrs. Taft (uncredited) | 
| Cindy Grover | Lucy | 
| Ben Marley | Patrick | 
| Name | Job | 
|---|---|
| Jeannot Szwarc | Director | 
| John Williams | Original Music Composer | 
| Arthur Schmidt | Editor | 
| Carl Gottlieb | Screenplay | 
| Joe Alves | Production Design, Second Unit Director | 
| Peter Benchley | Screenplay, Characters | 
| Steve Potter | Editor | 
| Ted Grossman | Stunt Coordinator | 
| Gregory J. Barnett | Stunts | 
| Howard Sackler | Screenplay | 
| Michael C. Butler | Director of Photography | 
| Neil Travis | Editor | 
| W. Stewart Campbell | Art Direction | 
| Gene Johnson | Art Direction | 
| Phil Abramson | Set Decoration | 
| Bill Jobe | Costume Design | 
| Robert Jiras | Makeup Artist | 
| Philip Leto | Hairstylist | 
| Stephen A. Hope | Music Editor | 
| James Troutman | Sound Effects Editor | 
| Roy Arbogast | Special Effects | 
| Robert A. Mattey | Special Effects | 
| Dorothy Parkinson | Makeup Artist | 
| Name | Title | 
|---|---|
| Richard D. Zanuck | Producer | 
| David Brown | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 37 | 63 | 26 | 
| 2024 | 5 | 40 | 66 | 26 | 
| 2024 | 6 | 36 | 60 | 23 | 
| 2024 | 7 | 42 | 59 | 31 | 
| 2024 | 8 | 33 | 48 | 22 | 
| 2024 | 9 | 23 | 50 | 18 | 
| 2024 | 10 | 24 | 49 | 14 | 
| 2024 | 11 | 23 | 35 | 19 | 
| 2024 | 12 | 23 | 39 | 14 | 
| 2025 | 1 | 28 | 50 | 19 | 
| 2025 | 2 | 19 | 29 | 4 | 
| 2025 | 3 | 6 | 25 | 1 | 
| 2025 | 4 | 4 | 7 | 2 | 
| 2025 | 5 | 4 | 8 | 2 | 
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| 2025 | 9 | 6 | 7 | 4 | 
| 2025 | 10 | 6 | 8 | 5 | 
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| 2025 | 10 | 600 | 820 | 
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| 2025 | 9 | 540 | 836 | 
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| 2025 | 5 | 789 | 915 | 
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| 2025 | 4 | 539 | 766 | 
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| 2025 | 3 | 153 | 649 | 
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| 2025 | 2 | 664 | 800 | 
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| 2025 | 1 | 636 | 840 | 
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| 2024 | 12 | 917 | 917 | 
| Year | Month | High | Avg | 
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| 2024 | 11 | 941 | 941 | 
| Year | Month | High | Avg | 
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| 2024 | 10 | 644 | 866 | 
| Year | Month | High | Avg | 
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| 2024 | 9 | 694 | 872 | 
| Year | Month | High | Avg | 
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| 2024 | 8 | 577 | 835 | 
**Excellent sequel!** Intense sequel directed by Jeannot Szwarc (who also directed episodes of Columbo alongside Steven Spielberg!) Performances here are every bit as good as the original and Szwarc manages to infuse of great sense of style to the proceedings - building upon and adding even m ... ore depth to the Brody story. The camerawork is extremely stylish - some great gliding point of view shots. John Williams outdoes his work in the original movie with his Jaws 2 score. The film feels more brutal than the original and leads to a nerve shredding climax. A great counterpart to Jaws (1975). - **Ian Beale**
Adequate but still entertaining sequel has some okay practical effects with the shark though still really silly given what happened in the last one nobody in charge would listen to Brody. Nothing overly special and doubt I'd revisit this anytime soon, but an okay sequel. **3.25/5** ...
just as good as the original, if not better ...
A disappointing follow-up. I enjoyed Roy Scheider's performance and the core action sequences near the end, but everything else is a bit boring. 'Jaws 2' puts high focus on the teenagers, though their story never possesses any intrigue. The effects for the shark, meanwhile, are a step down from t ... he original. It's not terribly far from being watchable, a slightly shorter run time might've helped in that regard, but I just personally found it to be an uninteresting 115 minutes or so. Perhaps initial director John D. Hancock's ideas would've came out better, though he was fired during production; speaking of which, the issues behind the scenes for this - and even the first film, really - are pretty fascinating.
It's only after watching this that you realise just how crucial to the success of the first film Robert Shaw was. This is not the worst sequel I've seen by any means, but without his gnarled and charismatic "Quint", we are left with a pretty mundane effort from all concerned. This time our hungry fi ... nned friend has a group of young sailors - including, of course, the Brady bunch - "Michael" (Mark Gruner) and "Sean" (Marc Gilpin) firmly in it's sights. This necessitates their sheriff father (Roy Scheider) having to defy his own loathing of the water to try and rescue them. Director Jeannot Szwarc tries to mix it up a little, but there is just too much inevitability about the ending; and the screaming hysterics of the weans - especially the truly irritating "Jackie" (Donna Wilkes) started to get under my finger nails quite quickly. The photography is good, and some effort has been made to disguise the more mechanical elements of the shark attacks, but the calamitous fire pan to fire scenarios recycle themselves once too often. John Williams' score still works well to help generate some semblance of a sense of peril, but I'm afraid this isn't remotely scary and was quite a disappointing watch.