Popularity: 5 (history)
| Director: | Bridget Savage Cole, Danielle Krudy |
|---|---|
| Writer: | Bridget Savage Cole, Danielle Krudy |
| Staring: |
| While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village. | |
| Release Date: | Apr 26, 2019 |
|---|---|
| Director: | Bridget Savage Cole, Danielle Krudy |
| Writer: | Bridget Savage Cole, Danielle Krudy |
| Genres: | Comedy, Drama, Mystery |
| Keywords | prostitute, small town, sister, cover-up, murder, maine, disposing of a dead body, whorehouse, sister sister relationship |
| Production Companies | Secret Engine, Tango Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Morgan Saylor | Mary Beth Connolly |
| Sophie Lowe | Priscilla Connolly |
| Margo Martindale | Enid Nora Devlin |
| June Squibb | Susie Gallagher |
| Annette O'Toole | Gail Maguire |
| Marceline Hugot | Doreen Burke |
| Gayle Rankin | Alexis |
| Will Brittain | Officer Justin Brennan |
| Skipp Sudduth | Officer Coletti |
| Ebon Moss-Bachrach | Gorski |
| David Coffin | Singing Fishman |
| David Pridemore | Singing Fishman |
| Adam Wolf Mayerson | Singing Fisherman |
| Mark S. Cartier | Singing Fisherman |
| Meredith Holzman | Dee |
| Linda Shary | Mary Margaret Connolly |
| Owen Burke | Paulie |
| Neil Odoms | Bob Gallagher |
| Kendrey Rodriguez | Beauty Shop Girl |
| Mary Coombs | Bartender |
| Kat Palardy | Tanya |
| Thomas Kee | Declan Crawley |
| Name | Job |
|---|---|
| Kate Wilson | Dialect Coach |
| Kalle Bailey | Second Assistant Camera |
| Matt Keyser | Best Boy Grip |
| Rebecca Birstock | Casting Assistant |
| Karla Santos | Assistant Costume Designer |
| Holly Popowski | Production Accountant |
| Barbara Barton | Production Assistant |
| William Plausse | Production Assistant |
| Kevin Perez | Production Assistant |
| Daniel Regenstreif Axe | Set Dresser |
| Joy Seaboch | Set Costumer |
| Daniel Sweren-Becker | Script Consultant |
| Jeff Griecci | Second Assistant Camera |
| Spencer Forgham-Thrift | Dolly Grip |
| Anna Kelman | Digital Intermediate Producer |
| Jasmine Ballou Jones | Production Design |
| Danny James Walton | Art Direction |
| Katie Lobel | Set Decoration |
| Brooke Bennett | Costume Design |
| Marc Vives | Editor |
| Rebecca Dealy | Casting |
| Jessica Kelly | Casting |
| Ralph Lambiase | Special Effects Makeup Artist |
| Kymberly Murphy | Visual Effects Producer |
| David C. Sales | Visual Effects Producer |
| Michael Flannery | Dialogue Editor |
| Chris Foster | Supervising Sound Editor, Sound Re-Recording Mixer |
| José Frías | Boom Operator |
| Laura Heinzinger | Foley Editor |
| Nora Linde | Foley Editor |
| Matt Rigby | Dialogue Editor |
| Chris Falkowski | Steadicam Operator |
| Josh Hensley | Gaffer |
| Nicholas Huynh | First Assistant Camera |
| Benjamin Logan | Key Grip |
| Jake Westphal | Digital Imaging Technician |
| Max Allman | Assistant Editor |
| Gil Litver | Digital Intermediate Assistant |
| Matt Yaple | Assistant Editor |
| Melissa Chapman | Music Supervisor |
| Annie Pearlman | Music Supervisor |
| Michael Kefeyalew | Script Supervisor |
| Danielle Mandel | Production Coordinator |
| David Coffin | Songs |
| Laura Klein | First Assistant Director |
| Kat Hess | Second Assistant Director |
| Maggie Ambrose | Second Second Assistant Director |
| Rebecca Myshrall | Production Assistant |
| Milla Bell-Hart | Local Casting |
| Dalton Slade Kimball | Local Casting |
| Bridget Rafferty | Property Master |
| Stacey Hummell | Makeup Department Head |
| Isata Allen | Hair Department Head |
| Tywan Williams | Hair Department Head |
| Toby Sells | Makeup Effects Designer |
| Kenneth Kildee | Dolly Grip |
| Laura Cunningham | Sound Mixer |
| Gideon Jensen | Boom Operator |
| Jay Fisher | ADR Mixer |
| David Lebensfeld | Visual Effects Supervisor |
| Grant Miller | Visual Effects Supervisor |
| Philip McGuire | Visual Effects Supervisor |
| Bridget Savage Cole | Writer, Director |
| Danielle Krudy | Writer, Director |
| Todd Banhazl | Director of Photography |
| Brian McOmber | Music Editor, Original Music Composer |
| Jordan Dykstra | Original Music Composer |
| Tatiana Bears | Production Manager |
| Ryan Collison | Foley Mixer |
| Joanna Fang | Foley Artist |
| Nick Seaman | Foley Mixer |
| Jeong Park | Still Photographer |
| Jennifer Lamb | Stunt Coordinator |
| Eliza Coleman | Stunts |
| Tayarisha Poe | Still Photographer |
| Leslie Bloome | Foley Artist |
| Nat Jencks | Colorist |
| Name | Title |
|---|---|
| Max Silva | Co-Producer |
| Drew P. Houpt | Producer |
| Lucas Joaquin | Executive Producer |
| Jason Reif | Co-Producer |
| Alex Scharfman | Producer |
| Albert Berger | Executive Producer |
| Ron Yerxa | Executive Producer |
| Tim Headington | Producer |
| Lia Buman | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 17 | 10 |
| 2024 | 5 | 14 | 21 | 9 |
| 2024 | 6 | 13 | 20 | 7 |
| 2024 | 7 | 15 | 34 | 8 |
| 2024 | 8 | 11 | 16 | 7 |
| 2024 | 9 | 9 | 13 | 6 |
| 2024 | 10 | 10 | 15 | 6 |
| 2024 | 11 | 9 | 14 | 6 |
| 2024 | 12 | 10 | 16 | 7 |
| 2025 | 1 | 10 | 15 | 8 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 5 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
Trending Position
I was led to watch this on the recommendation of a couple friends. They liked it and mentioned it was set in our home state of Maine. I guess I wasn’t as impressed with it as much as they were, for I only finished watching it because of that recommendation and the Maine connection. I write novels ... , so I suppose plotting matters to me for that reason, and I had some difficulty from nearly the beginning here. When you have two cops in this small town investigating a crime energetically (at least by one of them — the other was a little more folksy about it), it doesn’t quite wash with me that the same police would turn a blind eye to a house of prostitution for decades. And there is vagueness here: vague threats, mysterious references to the past, motivations are hinted at but not defined. It reminds me of a Bob Dylan song, whose lyrics often reveal more by the details he leaves out. But that works better with a five-minute song than with a 90 minute movie. Anyway, it doesn’t seem like it wouldn’t have taken much to greatly improve the film. If you are looking for mood and a distraction while doing g something else like — I dondon’t know, housework or phone texting or internet surfing, the movie might intrigue you, but less so if you sit down with popcorn and really dig into the logic and the complexities of the story.