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Deep End Poster

Deep End

If you can't have the real thing— you do all kinds of unreal things.
1970 | 92m | English

(8440 votes)

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Popularity: 4 (history)

Details

London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
Release Date: Sep 01, 1970
Director: Jerzy Skolimowski
Writer: Bolesław Sulik, Jerzy Skolimowski, Jerzy Gruza
Genres: Comedy, Drama
Keywords love triangle, london, england, swimming pool, surrealism, co-workers relationship, teenage boy, older woman younger man relationship, boyfriend girlfriend relationship, bathhouse, swinging london
Production Companies Maran Film, Kettledrum-Lownes Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Jane Asher Susan
John Moulder-Brown Mike
Karl Michael Vogler Gym Teacher
Christopher Sandford Chris
Diana Dors Bathhouse Female Client #1
Louise Martini Beata
Erica Beer Bathhouse Cashier
Anita Lochner Kathy
Anne-Marie Kuster Angie
Cheryl Hall Red Hat Girl
Christine Paul-Podlasky White Coat Girl
Dieter Eppler Bathhouse Boiler Room Manager
Karl Ludwig Lindt Bathhouse Manager
Eduard Linkers Cinema Manager
Will Danin Young Police Officer
Gerald Rowland Cap Boy
Burt Kwouk Street Food Cart Manager
Uli Steigberg Mike's Father (uncredited)
Erika Wackernagel Mike's Mother (uncredited)
Ursula Mellin Bathhouse Female Client #2 (uncredited)
Peter Martin Urtel Old Police Officer (uncredited)
Jon Laurimore Erotic Show Announcer (uncredited)
Jerzy Skolimowski Tube Passenger With Newspaper (uncredited)
Ursula Holstein Sex Film Actress (uncredited)
Flavia Keyt Sex Film Actress (uncredited)
Name Job
Charly Steinberger Director of Photography
Barrie Vince Editor
Anthony Pratt Art Direction
Karsten Ullrich Sound
Wolfgang Glattes Assistant Director
Elke Müller Makeup Designer
Bolesław Sulik Screenplay
Max Ott Jr. Art Direction
Christian Schubert Sound
Michael Bittins Production Manager
Ursula Sensburg Costume Designer
Jerzy Skolimowski Screenplay, Director
Cat Stevens Original Music Composer
Jerzy Gruza Screenplay
Can Original Music Composer
Name Title
Lutz Hengst Associate Producer
Helmut Jedele Producer
Judd Bernard Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 18 28 12
2024 5 23 43 13
2024 6 20 46 11
2024 7 17 32 9
2024 8 21 41 12
2024 9 14 20 10
2024 10 17 38 10
2024 11 19 36 8
2024 12 15 31 11
2025 1 19 43 10
2025 2 28 71 5
2025 3 8 27 1
2025 4 2 5 1
2025 5 2 4 1
2025 6 2 3 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 2 3 1
2025 10 3 4 2

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Reviews

Geronimo1967
6.0

Takes me back to the days when folks had to go to a bathhouse - we'd get half an hour and I'd share with my sister. Carbolic soap! Anyway, don't remember having attendants quite as easy on the eye as "Susan" (Jane Asher) and "Mike" (John Moulder-Brown). Most of the film is taken from the perspective ... of the latter, constantly horny, young lad who has the serious hots for his colleague. He's young and innocent and so gets his fair share of attention (and tips) from the clientele too - especially Diana Dors! "Susan" lives her life to the full, and that doesn't suit the increasingly possessive young "Mike". He starts to follow her and soon realises that she has a pretty drippy boyfriend "Mike" (Christopher Sandford) and is having a fling with his teacher (Karl Michael Vogler). Somehow he manages to get hold of a full-sized cardboard cut out of his dream girl as the latter half hour of the film descends a little too much into hormone-driven farce for me. It was rated X for the nudity, of which there is a little towards the end, but for the most part the sexual content is confined to the young man's head and JMB is quite good at imbuing his character with a degree of sexual frustration that I suspect we can all relate to. Asher, likewise, is quite effective as his manipulatrix and for an hour or so their teasing cat and mouse antics (she being the cat) are quite fun. Thereafter, though, I sort of lost interest and found it dragging. It's certainly worth a watch, but it's lost most of its oomph I'm afraid.

May 25, 2024