Popularity: 8 (history)
| Director: | Bennett Miller |
|---|---|
| Writer: | Aaron Sorkin, Steven Zaillian, Michael Lewis, Stan Chervin |
| Staring: |
| The story of Oakland Athletics general manager Billy Beane's successful attempt to put together a baseball team on a budget, by employing computer-generated analysis to draft his players. | |
| Release Date: | Sep 23, 2011 |
|---|---|
| Director: | Bennett Miller |
| Writer: | Aaron Sorkin, Steven Zaillian, Michael Lewis, Stan Chervin |
| Genres: | Drama |
| Keywords | underdog, california, baseball, sports, oakland, california, based on true story, job transfer, oakland athletics, talent manager, statistics, 2000s, major league baseball (mlb) |
| Production Companies | Columbia Pictures, Scott Rudin Productions, Michael De Luca Productions, Rachael Horovitz Productions |
| Box Office |
Revenue: $110,206,216
Budget: $50,000,000 |
| Updates |
Updated: Aug 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Brad Pitt | Billy Beane |
| Jonah Hill | Peter Brand |
| Philip Seymour Hoffman | Art Howe |
| Robin Wright | Sharon |
| Chris Pratt | Scott Hatteberg |
| Stephen Bishop | David Justice |
| Reed Diamond | Mark Shapiro |
| Brent Jennings | Ron Washington |
| Ken Medlock | Grady Fuson |
| Tammy Blanchard | Elizabeth Hatteberg |
| Jack McGee | John Poloni |
| Vyto Ruginis | Pittaro |
| Nick Searcy | Matt Keough |
| Glenn Morshower | Ron Hopkins |
| Casey Bond | Chad Bradford |
| Nick Porrazzo | Jeremy Giambi |
| Kerris Dorsey | Casey Beane |
| Arliss Howard | John Henry |
| Reed Thompson | Young Billy |
| James Shanklin | Billy's Dad |
| Diane Behrens | Billy's Mom |
| Takayo Fischer | Suzanne - Billy's Secretary |
| Derrin Ebert | Mike Magnante |
| Miguel Mendoza | Ricardo Rincon |
| Gerardo Celasco | Carlos Peña |
| Tom Gamboa | Scout Martinez |
| Barry Moss | Scout Barry |
| Artie Harris | Scout Artie |
| Bob Bishop | Scout Bob |
| George Vranau | Scout George |
| Phil Pote | Scout Pote |
| Art Ortiz | Eric Chavez |
| Royce Clayton | Miguel Tejada |
| Marvin Horn | Terrence Long |
| Brent Dohling | Mark Ellis |
| Ken Rudulph | Reporter |
| Lisa Guerrero | Reporter |
| Christopher Dehau Lee | Eric Kubota |
| Joe Satriani | Self |
| Simon James | Voos |
| Greg Papa | Game Announcer (voice) |
| Bob Costas | Sports Announcer (voice) |
| Tim McCarver | Sports Announcer (voice) |
| Eddie Frierson | Call-In Radio Host (voice) |
| Glen Kuiper | Oakland A's Announcer (voice) |
| Joe Provost | Oakland A's Security Guard |
| John Brantley Cole | Young Jongewaard |
| Jake Wilson | Sabatini |
| Robert P. Macaluso | Coach Bob |
| Keith Middlebrook | Coach Parker |
| Damon Farmar | Shapiro's Advisor |
| Michael Gillespie | Ken Macha |
| Chad Kreuter | Rick Peterson |
| Blake Pike | John |
| Robert Ninfo | Eric Byrnes |
| Gary 'G. Thang' Johnson | Jermaine Dye |
| Corey Vanderhook | Ramon Hernandez |
| Melvin Perdue | Ray Durham |
| Ari Zagaris | Jim Mercir |
| Jon Stein | Seymour |
| Madeleine G. Hall | Hattebergs' Daughter |
| Holly Pitrago | Shapiro's Assistant |
| Ken Korach | Radio Color Commentator (voice) |
| Julie Wagner | Clubhouse Reporter |
| Ken Colquitt | Clubhouse Reporter |
| Eric Winzenried | PR Guy |
| Richard Padilla | Umpire - Game 20 |
| Ed Montague | Umpire - Indians |
| Jack Knight | Umpire - 1984 |
| Patrick Riley | Umpire - 1989 |
| Phil Benson | 1st Base Umpire |
| Joyce Guy | Flight Attendant |
| George Thomas | Security Guard #2 |
| Spike Jonze | Alán (uncredited) |
| Derek Jeter | Himself (archive footage) |
| Deanna Marks | Player's Wife (uncredited) |
| Bobby Kotick | Stephen Schott |
| Name | Job |
|---|---|
| Zoran Veselić | First Assistant Camera |
| Megan Blake | Graphic Designer |
| Bennett Miller | Director |
| Aaron Sorkin | Screenplay |
| Steven Zaillian | Screenplay |
| Wally Pfister | Director of Photography |
| Mychael Danna | Original Music Composer |
| Francine Maisler | Casting |
| Jess Gonchor | Production Design |
| Kasia Walicka Maimone | Costume Design |
| Deb Adair | Sound Re-Recording Mixer |
| Ron Bochar | Supervising Sound Editor, Sound Re-Recording Mixer |
| P. Scott Sakamoto | Camera Operator |
| Scott Robertson | Assistant Director |
| Chris O'Hara | Stunt Coordinator |
| Benjamin Hardy | Software Engineer |
| Eddie Braun | Stunts |
| Dean Bailey | Stunts |
| Carolyn Pickman | Casting |
| Hank Corwin | Additional Editorial Assistant |
| Brad Haehnel | Scoring Mixer |
| Rob Simonsen | Additional Soundtrack |
| Ranjani Brow | Other |
| Kyle Cooper | Title Designer |
| Michael J. Fisher | Other |
| Mustafa Harris | Other |
| Wendy Hoffmann | Other |
| Paul Stula | Sound Mixer |
| Michael Lewis | Book |
| Darrin Prescott | Stunt Coordinator |
| Nancy Haigh | Set Decoration |
| Brad Ricker | Art Direction |
| Stan Chervin | Story |
| Cheree Welsh | Art Department Coordinator |
| Thomas Milano | Music Editor |
| Kevin Crehan | Music Editor |
| Debra L. Tennant | First Assistant Editor |
| Sharron Reynolds-Enriquez | Script Supervisor |
| Mark Peterson | Costume Supervisor |
| David Giammarco | Sound Re-Recording Mixer |
| Knox White | Boom Operator |
| Francisco X. Pérez | Makeup Department Head |
| Kathrine Gordon | Hair Department Head |
| Jason Tamez | Production Supervisor |
| David E. Scott | Art Direction |
| Stacey Butterworth | Wigmaker |
| David Witz | Unit Production Manager |
| Adam Moos | Executive In Charge Of Production |
| Doug E. Williams | Special Effects |
| Robert Cole | Special Effects |
| Alex L. Worman | Unit Publicist |
| Bridget Bergman | Makeup Artist |
| Jean Ann Black | Makeup Artist |
| Debra Dietrich | Hairstylist |
| Andrea Pino | Makeup Artist |
| Yvette Stone | Key Hair Stylist |
| Amy Lederman | Makeup Artist |
| Sian Richards | Makeup Artist |
| Heidi Erl | Production Supervisor |
| Casey Mako | Second Assistant Director |
| Jonas Spaccarotelli | Second Assistant Director |
| Brendon Breese | Second Assistant Director |
| Courtenay Miles | First Assistant Director |
| Gary Deaton | Construction Coordinator |
| Maureen Farley | Property Master |
| Carmine Goglia | Standby Painter |
| Gregory S. Hooper | Set Designer |
| Tyler Lafferty | Propmaker |
| Vincent Luizzi | Set Dresser |
| Jon Nicholson | Set Dresser |
| Dave Preston | Prop Designer |
| Steven M. Saylor | Set Designer |
| Mark Weissenfluh | Leadman |
| Dean Wolcott | Assistant Art Director |
| Jane Wuu | Set Designer |
| Michael J. Benavente | Supervising ADR Editor |
| Anita Cannella | Foley |
| Amy Kane | Foley |
| Howard London | Sound Mixer |
| Melissa Lytle | Assistant Sound Editor |
| Charles Maynes | Sound Effects Editor |
| Solange S. Schwalbe | Foley Editor |
| Michael Backauskas | Visual Effects Editor |
| Celine Chew | Visual Effects Coordinator |
| Joseph Derrico III | Visual Effects Editor |
| Chris Grun | Art Direction |
| Praveen Kilaru | Production Manager |
| Gary Nolin | Visual Effects Producer |
| David Robinson | Visual Effects Producer |
| Ray Garcia | Key Grip |
| Scott Garfield | Still Photographer |
| James Gutierrez | Camera Operator |
| Michael J. Hogan | Video Assist Operator |
| John Lacy | Rigging Gaffer |
| Charlie McIntyre | Rigging Gaffer |
| David Pearlberg | Dolly Grip |
| Blake Pike | Rigging Grip |
| Philip Shanahan | First Assistant Camera |
| Larry Sushinski | Chief Lighting Technician |
| Hans Bjerno | Aerial Director of Photography |
| Adam Camacho | Grip |
| Chris Bustard | Casting |
| Elizabeth Chodar | Casting Assistant |
| Lauren Grey | Casting Associate |
| Matt Bouldry | Casting Assistant |
| Garet Reilly | Key Costumer |
| Jessica Albertson | Set Costumer |
| Myron Baker | Set Costumer |
| Steve Bowen | Digital Intermediate |
| Ashley Lambert | ADR Voice Casting |
| Logan Hefflefinger | Additional Editorial Assistant |
| Mo Henry | Negative Cutter |
| Conor O'Neill | Additional Editorial Assistant |
| Bart Rachmil | Assistant Editor |
| S. Todd Christensen | Location Manager |
| Matthew Riutta | Location Manager |
| Matthew Cassel | Location Scout |
| Nicholas Dodd | Orchestrator |
| Ryan Robinson | Score Engineer |
| John Bromstead | Driver |
| Robert E. Dingle | Transportation Captain |
| H. Leah Amir | Craft Service |
| Jessica Held | Other |
| Jeff Hubbard | Other |
| Tish Johnson | Production Accountant |
| Nazia Khan | Other |
| Sharon Lopez | Production Coordinator |
| Jacob Motz | Other |
| Janine Schiro | Other |
| Brian A. Alexander | Script Consultant |
| Mike Drury | Producer's Assistant |
| David A. Arnold | Dialogue Editor |
| Teri E. Dorman | Dialogue Editor |
| Christopher Tellefsen | Editor |
| Melinda Sue Gordon | Still Photographer |
| Dennis Liddiard | Key Makeup Artist |
| Ed Novick | Sound mixer |
| Name | Title |
|---|---|
| Michael De Luca | Producer |
| Sidney Kimmel | Executive Producer |
| Scott Rudin | Executive Producer |
| Rachael Horovitz | Producer |
| Mark Bakshi | Executive Producer |
| Andrew S. Karsch | Executive Producer |
| Alissa Phillips | Co-Producer |
| Brad Pitt | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
| Academy Awards | Best Actor | Brad Pitt | Nominated |
| Academy Awards | Best Director | N/A | Nominated |
| Academy Awards | Best Supporting Actor | Jonah Hill | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Golden Globes | Best Actor | Brad Pitt | Nominated |
| Golden Globes | Best Director | N/A | Nominated |
| Golden Globes | Best Supporting Actor | Philip Seymour Hoffman | Nominated |
| BAFTA Awards | Best Supporting Actor | Philip Seymour Hoffman | Nominated |
| SAG Awards | Best Supporting Actor | Philip Seymour Hoffman | Won |
| SAG Awards | Best Picture | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
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| 2024 | 4 | 35 | 57 | 24 |
| 2024 | 5 | 40 | 63 | 25 |
| 2024 | 6 | 30 | 66 | 19 |
| 2024 | 7 | 38 | 65 | 23 |
| 2024 | 8 | 40 | 86 | 21 |
| 2024 | 9 | 23 | 32 | 17 |
| 2024 | 10 | 36 | 66 | 22 |
| 2024 | 11 | 32 | 56 | 22 |
| 2024 | 12 | 27 | 54 | 19 |
| 2025 | 1 | 31 | 59 | 22 |
| 2025 | 2 | 27 | 39 | 5 |
| 2025 | 3 | 9 | 27 | 2 |
| 2025 | 4 | 9 | 15 | 5 |
| 2025 | 5 | 8 | 16 | 7 |
| 2025 | 6 | 6 | 11 | 4 |
| 2025 | 7 | 5 | 7 | 4 |
| 2025 | 8 | 5 | 7 | 4 |
| 2025 | 9 | 6 | 7 | 4 |
| 2025 | 10 | 5 | 9 | 3 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 709 | 884 |
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| 2025 | 9 | 343 | 691 |
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| 2025 | 8 | 246 | 651 |
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| 2025 | 7 | 330 | 659 |
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| 2025 | 6 | 326 | 754 |
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| 2025 | 5 | 138 | 633 |
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| 2025 | 4 | 458 | 760 |
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| 2025 | 3 | 428 | 749 |
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| 2025 | 2 | 317 | 701 |
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| 2025 | 1 | 323 | 736 |
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| 2024 | 12 | 610 | 858 |
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| 2024 | 11 | 572 | 868 |
| Year | Month | High | Avg |
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| 2024 | 10 | 635 | 810 |
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| 2024 | 9 | 925 | 959 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 665 | 882 |
A movie done to the size and skills of Brad Pitt. The story is interesting enough and is well driven and directed. Hill does a good job, mostly because nobody had seen him doing a serious role before. ...
Sporting Economics I have no affinity to Baseball as a sport, I'm British you see. I tried to get in to it when British cable networks began showing it, but it never grabbed me. My only contribution to any conversation about the sport is that I support The Cleveland Indians because of the film Ma ... jor League, a film that continues to make me laugh to this day. I was intrigued by Moneyball, synopsis tantalisingly offering up a sports success story based on an improbable blend of maths (something I hate with a passion), guile and perceived misfits as a team. Sure enough, after viewing Moneyball it has landed joyously onto a personal favourites list. Unsurprisingly, when digging into the actual facts of the Oakland Athletics 2002 season at the core of the story, I found truths stretched, some character portrayals toyed with, and omissions to round out a better story. But crucially, the key element here is the moulding of a team for what in Baseball parlance is financial peanuts. This makes their 20 game wining run as being an outstanding achievement. The mathematical aspects of the story are easily explained via the interactions of General Manager Billy Beane (Brad Pitt) and his economics right hand man Peter Brand (Jonah Hill). Baseball operations behind the scenes are given fascinating clarity via the tremendous screenplay (Steven Zaillian and Aaron Sorkin). And ultimately the blend of on field action, family relationships and team assembling flows beautifully as one. In turn punch the air brilliant with heart tugging worth, and brainy into the bargain, Moneyball most certainly a film non Baseball fans can watch and maybe love for bringing something new to the sports movie table. 9/10
BORING watch, won't watch again, and do not recommend unless you're both a baseball and a statistics or financial business fan. With Jonah Hill, Chris Pratt, Brad Pitt, and Philip Seymore Hoffman, I thought it would at least be interesting if not entertaining. As the movie begins and it is cle ... arly about Baseball, I at least hoped it would be done in a fun entertaining way. I guess Jonah Hill got tired of being stereo-typed as "fun". I know 1 guy that would probably get great pleasure out of this movie as a fan of baseball statistics, and if I didn't know about that 1 guy, I wouldn't have any clue why this movie was made. I can't express this enough: this movie is about cold hard numbers and how they can be manipulated to impact real people in the world of baseball.
**A good behind-the-scenes movie about baseball.** In general, sports-themed movies are not strictly my piece of cake, I prefer to see other things. But this film already had an interesting list of award nominations, which includes six Oscars (Best Film, Best Adapted Screenplay, Best Actor, Best ... Supporting Actor, Best Editing and Best Sound Mixing) and three BAFTA, with in none of these cases it came out victorious. And the truth is that there are a lot of very good films in which the theme is sport. The theme of this film is quite simple and, however, very well-used: the director of a medium-sized baseball team finds himself in the need to recruit new players and, to a certain extent, compete on an equal footing with stronger teams. and with more money in their pockets to spend. In order to balance things out, he rethinks the entire team's strategy, from the way they recruit and evaluate players to what goes on the pitch. Therefore, it is a movie about baseball, but with very little action and game played, which is not exactly what sports movie fans prefer. I personally liked it, because it gives us an idea of what goes on behind the scenes of these high competition teams, in the offices and in the dressing room. And it was interesting to see how math, statistics and number analysis can be decisive in choosing certain players and game strategies. A subject of little interest, which seems dry and too technical, has thus become an excellent screenplay. Brad Pitt is a good actor and uses all his charisma and presence in this film. The actor is able to lead and guide us through the entire film and ensures a very satisfactory performance throughout the entire production. Also, Jonah Hill does a pretty good job as a creative mathematician who seems to be in the least likely position for a numbers man. On the other hand, I didn't particularly like Seymour Hoffman's work on this film. I think the actor was not given material to match his abilities and had little screen time and very little to do. So it's not the actor's fault... The direction of Bennett Miller does a generally decent job, and ensures a very good pace to the film, with a dynamism that prevents the film from falling into the doldrums. The cinematography is very sharp, dynamic and colorful, and the sets are very good, especially the countryside and the bathhouses, with all the details. The sound effects are quite good, and the soundtrack is discreet but competent.
**Moneyball hits a home run with remarkable directing and performances and an intriguing true story that drastically changed everything for the sport of baseball.** Moneyball is as brilliant and interesting as a sports movie gets. Bennett Miller's genius use of the film's score enhances the emoti ... on and tension by letting the film's most intense moments hang in silence. As a result, the audience feels a more profound impact from those scenes and the relief when the score returns, signaling hope and resolution. Miller also uses Brad Pitt's greatest strengths as an actor by providing plenty of playful banter and clever exchanges between his character and the various players, managers, and staff. Pitt's powerful emotion shines brightest in the scenes with his character's daughter showing a struggle to hide his fear for his future and ability to provide for his family while standing for what he believes. I am not really a baseball fan, but this movie is compelling! The fact that this is a true story only makes it better. The directing, acting, writing, and story are all exceptional. Moneyball is a winner!