Popularity: 2 (history)
Director: | Mark Atkins |
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Writer: | Mark Atkins |
Staring: |
Gigantic monsters threaten to destroy everything in their path as mankind remains defenseless | |
Release Date: | Jun 01, 2019 |
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Director: | Mark Atkins |
Writer: | Mark Atkins |
Genres: | Science Fiction, TV Movie |
Keywords | kaiju |
Production Companies | The Asylum |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Adrian Bouchet | Billy Ford |
Natalie Robbie | Sarah Murray |
Chris Fisher | Riley James |
Eric Roberts | General Horne |
Toshi Toda | Lieutenant Maxwell |
Margot Wood | Rena Hangaroa |
Donna Cormack Thomson | Cherise Ramon |
Jonathan Pienaar | Captain Mato |
Meghan Oberholzer | Susan Meyerhold |
Ryan Kruger | Navigator Thompson |
Andrew Dennison | Submarine Captain |
Lindsay Sullivan | Captain Hansen |
Craig Young | Jason Underwood |
DeWet Du Toit | Jorg Koing |
Name | Job |
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Chris Cano | Original Music Composer |
Chris Ridenhour | Original Music Composer |
Eliza Swenson | Original Music Composer |
Madeleine Botha | Makeup & Hair |
Anel Dippenaar | Costume Designer |
Ray Wahl | Production Design |
Mark Atkins | Writer, Director, Editor, Director of Photography |
Erica Steele | Casting, Editor, Line Producer |
Glenn Campbell | Visual Effects Supervisor |
Giedre Apanaviciute | Production Coordinator, Second Assistant Director |
Laszlo Bene | First Assistant Director |
Matt Frank | Creature Design |
Michael Hardman | Foley Editor, ADR Supervisor |
Craig Polding | Dialogue Editor, Sound Re-Recording Mixer |
Lisa Ries | Supervising Sound Editor |
Sasha Burrow | Visual Effects Coordinator |
Casper Erasmus | Gaffer |
Juan Le Roux | First Assistant Camera |
Marq Morrison | Editor |
Sive Menzi | Second Assistant Camera |
Mario N. Bonassin | Post Production Coordinator |
Julia LaJuett | Post Production Coordinator |
Avery Guerra | Publicist |
Naima Sebe | Still Photographer |
Ian Klopper | Set Medic |
Rachel Anderson-Lebron | Music Supervisor |
Nancy Ehlert | Production Accountant |
Sarah Dorrian-Chini | Makeup Artist |
Mark Quod | Colorist |
Sandi Schultz | Location Manager |
Name | Title |
---|---|
Paul Bales | Co-Producer |
David Rimawi | Executive Producer |
David Michael Latt | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 8 | 15 | 4 |
2024 | 5 | 12 | 23 | 4 |
2024 | 6 | 7 | 19 | 3 |
2024 | 7 | 9 | 14 | 5 |
2024 | 8 | 8 | 14 | 4 |
2024 | 9 | 4 | 7 | 2 |
2024 | 10 | 7 | 18 | 2 |
2024 | 11 | 4 | 9 | 2 |
2024 | 12 | 5 | 12 | 3 |
2025 | 1 | 7 | 16 | 2 |
2025 | 2 | 4 | 9 | 1 |
2025 | 3 | 2 | 4 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
I've seen worse, though that's not to say this isn't bad - it most certainty is. The premise is fairly interesting but, as usual with films from the The Asylum, the special effects and overall acting let it down massively. With that said, the actors are probably the most noteworthy part - I'd say ... the performance are, mostly, better than your average production of this type. Natalie Robbie (Sarah), Jonathan Pienaar (Mato) and Margot Wood (Rena) are alright, while I always like seeing Eric Roberts (Horne) in a film. The onshore locations look quite nice, also. As for the downsides, the score and pacing are two issues. Alongside that, you've got the already mentioned poor CGI but also the dialogue; which is very basic. <em>'Monster Island'</em> definitely has more cons than pros, unfortunately. Not horrific, but not at all good either.
Monster Island, a syfy original movie from 2019. Wow, I gotta say the CGI is so bad I know it isn't a movie with a huge budget but still it looks like it was made 15 years ago. The acting ain't that bad, it's slightly below average for me at least. The story is good though I love me a good kaiju mo ... vie, especially one where a ton of monsters appear and starting destroying shit everywhere. If this was a bigger budget movie I would probably love it more. But the cheap looking graphics take away any enjoyment I might have had. It's not the worst movie ever but I'm still not average either so I gave it one stars.