Popularity: 4 (history)
| Director: | Eric Bress |
|---|---|
| Writer: | Eric Bress |
| Staring: |
| A group of World War II American soldiers encounter a supernatural enemy as they occupy a French castle previously under Nazi control. | |
| Release Date: | Jul 03, 2020 |
|---|---|
| Director: | Eric Bress |
| Writer: | Eric Bress |
| Genres: | Science Fiction, Horror, Thriller, War |
| Keywords | video game, world war ii, castle, supernatural, haunted castle, bold |
| Production Companies | Miscellaneous Entertainment, Highland Film Group, Day Tripper Films |
| Box Office |
Revenue: $345,289
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Brenton Thwaites | Chris |
| Theo Rossi | Kirk |
| Skylar Astin | Eugene |
| Kyle Gallner | Tappert |
| Alan Ritchson | Butchie |
| Billy Zane | Dr. Engel |
| Shaun Toub | Mr. Helwig |
| Matthew Reese | Sergeant Elks |
| Laila Banki | Mrs. Helwig |
| Shannon McKain | Lieutenant Morgan |
| Nathan Cooper | Private #1 |
| Alexander Behrang Keshtkar | Leader |
| Yanitsa Mihailova | Christina |
| Rebecca Flinn-White | |
| Kaloyan Hristov | Helwig Boy |
| Amber Townsend | Camp Victim |
| Alexandra Spasova | Famished Mother |
| Name | Job |
|---|---|
| Peter Amundson | Editor |
| Michael Suby | Music |
| Ivan Ranghelov | Art Direction |
| Jovana Krstić | Assistant Art Director |
| Sasho Idakiev | Electrician |
| Shirley Luong | Visual Effects Producer |
| Hrista Ilieva | Extras Casting |
| Eric Bress | Screenplay, Director |
| Mark Roper | First Assistant Director |
| Anna Andreeva | Makeup Department Head |
| Brandon Henry Rodriguez | Casting |
| Irina Kotcheva | Costume Design |
| Dora Somova | Assistant Set Decoration |
| Maria Stankovich | Makeup Artist |
| Nelly Teova | Key Hair Stylist |
| Lorenzo Senatore | Director of Photography |
| Geo Ivanov | Camera Operator |
| Rajeev Kumar Rastogi | Visual Effects Producer |
| Dario Bonito | Digital Compositor |
| Davide Tubaro | Compositor |
| Matteo Bozzolan | CG Artist |
| Veselin Dimchov Hristov | Camera Trainee |
| Evgeni Yordanov | Construction Manager |
| Milena Mihaylova | Script Supervisor |
| Vladislav Todorov | Ager/Dyer |
| Elizabeth Amoroso | Foley Recordist |
| Hristo Idakiev | Gaffer |
| Amit Malviya | Visual Effects Supervisor |
| Lorenzo dal Pra | CG Artist |
| Petar Cvetanov Kadiyski | Boom Operator |
| Fabrizio Amoroso | CG Artist |
| Valentina Lucano | Compositor |
| Sergey Zhelezko | Epk Camera Operator |
| Sandro Magliano | Digital Imaging Technician |
| Marco Nella | Digital Compositor |
| Yana Sheremetova | Costumer |
| Alessandro Orlati | Visual Effects Producer |
| Albert Nikolinski | Rigging Grip |
| Tatyana 'Tita' Sleptsova | Makeup Artist |
| Anna Hadzhieva | Art Department Coordinator |
| Franco Valenziano | Visual Effects Producer |
| Brian Berger | Dialogue Editor |
| Ivan Vatsov | Second Unit Director of Photography |
| Peter Rakovski | Property Master |
| Vittoria Marini | CG Artist |
| Dimitar Liubomirov Petrov Zeiss | Rigging Grip |
| Iva Slavova | Drone Cinematographer |
| Martin Genchev | Set Dresser |
| Swati Kumbhar | Compositor |
| Lawrence He | Foley Artist |
| Antonello Rubino | Production Design |
| Desislav Dimitrov | Best Boy Grip |
| Sachin Satpute | Visual Effects Supervisor |
| Konstantin Vasilev | Second Assistant Camera |
| Taylor Westerfield | Sound Effects Editor |
| Yossif Mladenov | Set Designer |
| Emil Evtimov | Sound Mixer |
| Jonathan Wales | Sound Re-Recording Mixer |
| Paula Nenova | First Assistant Camera |
| Will Morton | ADR Recordist |
| Velemira Petkova | Costume Supervisor |
| Russell Johnson | ADR Recordist |
| Ivaylo Ivanov | Camera Operator |
| Georgi Petkov | Key Grip |
| Yasen Denev | Storyboard Artist |
| Corrado Borean | CG Artist |
| Stefania Velichkova | Script Supervisor |
| William E. Garrett | Visual Effects Supervisor, Second Unit Director |
| Marieta Duncheva | Seamstress |
| Matteo Toffanello | CG Supervisor |
| Rumyana Popova | Casting Assistant |
| Briana Frapart | Casting Associate |
| Petar Stoianov | Rigging Grip |
| Dimitar Krustev | Drone Pilot |
| Emiliano Topai | First Assistant "A" Camera |
| Konstantin Bodurov | Electrician |
| Michele Zelioli | Digital Compositor |
| Zhelyazko Zhelyazkov | Assistant Editor |
| Petia Petrova | Assistant Production Coordinator |
| Vladimir Vladovski | Production Assistant |
| Iliva Zaikov | Special Effects Assistant |
| Ivan Kotsev | Second Unit First Assistant Director |
| Roopesh Gujar | Visual Effects Producer |
| Gabriele Natali | CG Artist |
| Eric Offin | Sound Designer |
| Heather Toll | Visual Effects Producer |
| Atanas Stoyanov | Key Rigging Grip |
| Svetozar Karatanchev | Special Effects Supervisor |
| Alessandro Tagliabue | Digital Compositor |
| Massimiliano Pareschi | Visual Effects Supervisor |
| Georgi Petrov Yakimov | Set Costumer |
| Ivan Todorov Ivanov | Assistant Editor |
| Katerina Atanasova | Second Assistant Director |
| Nina Lucia | Additional Editor |
| Lily Lacheva | Production Accountant |
| Stasi Petrova | Production Coordinator |
| Radoslav Ignatov | Stunt Double |
| Georgi Lozanov | Special Effects Technician |
| Mark Sachen | Digital Intermediate Colorist |
| George Sweney | Production Accountant |
| Toni Lalov | Transportation Coordinator |
| Alexander Stanoev | Stunt Double |
| Ivaylo Nalbantov | Special Effects Technician |
| Petkova Evdokia | Third Assistant Director |
| Sufo Evtimov | Unit Production Manager |
| Susan Boyajian | ADR Voice Casting |
| Mariana Stansheva | Local Casting |
| Kevin Greutert | Additional Editor |
| C. Ryan Stemple | Colorist |
| Kaloian Vodenicharov | Stunt Coordinator |
| Name | Title |
|---|---|
| Delphine Perrier | Executive Producer |
| Alana Crow | Co-Executive Producer |
| Shelley Madison | Producer |
| Joe Simpson | Producer |
| D. Todd Shepherd | Producer |
| Charlie Dombek | Executive Producer |
| Simon Williams | Executive Producer |
| J. E. Moore | Co-Producer |
| Max Lukach | Associate Producer |
| Alastair Burlingham | Executive Producer |
| Adrian Jayasinha | Executive Producer |
| Andrew Mann | Executive Producer |
| Jonathan Bross | Executive Producer |
| Hiroshi Mikitani | Executive Producer |
| Billy Zane | Executive Producer |
| Colleen Camp | Executive Producer |
| Matthew Reese | Executive Producer |
| Arianne Fraser | Executive Producer |
| Henry Winterstern | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 23 | 13 |
| 2024 | 5 | 21 | 29 | 12 |
| 2024 | 6 | 16 | 30 | 10 |
| 2024 | 7 | 22 | 64 | 12 |
| 2024 | 8 | 17 | 36 | 11 |
| 2024 | 9 | 12 | 20 | 6 |
| 2024 | 10 | 19 | 35 | 10 |
| 2024 | 11 | 12 | 22 | 8 |
| 2024 | 12 | 12 | 17 | 8 |
| 2025 | 1 | 12 | 20 | 9 |
| 2025 | 2 | 11 | 14 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 3 | 2 |
| 2025 | 10 | 2 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 855 | 859 |
I did not know exactly what to expect here but it was a bit different, Billy Zane appeared in it and Directed it. It was surprisingly better than expected. It begins with a small group of WW2 Soldiers heading for a former NAZI controlled mansion in France, they are relieving another group of A ... merican Soldiers there. Upon arrival they find a huge Mansion, and the soldiers already there can't wait to leave and get out of the house and none of them are sleeping in any of the nice big bedrooms, they all were camped out on the Main floor together in 1 room. They leave in a rush with not much to say to the new group. This is where they find out why? the Mansion is Haunted. They are now in a fight for their lives, the people are very good I think, and it's a good story, it kept me interested. I won't give away the last part of the Movie, I probably would never watch it again as many Movies I can watch over and over, but this one, it's one and done, it's just that kind of Movie, good once, but enough for me, it just has no re-watch Value. It's fairly well made an directed, I would definitely suggest it if you like War & Ghosts.
This starts off quite well - a group of American squaddies are charged with occupying a chateau in France towards the end of WWII. Once ensconced, however, they start to hear things going bump in the night and soon discover that the Nazis had carried out the particularly brutal murders of the family ... who had lived there before, and that that family possibly hadn't quite left! Cuties Brenton Thwaites ("Chris") and Kyle Gallner ("Tapert") are decent enough as they lead their men in the hunt for the truth and at times it's a well constructed and paced (don't go looking for any meaningful dialogue) ghost story with some above-average special effects. Sadly, though, after about an hour it all goes seriously off piste and we start having science and Afghanistan (and Billy Zane) enter into the plot and we slide down a slippery slope to ridiculousness. Pity!
The ending of Ghosts of War doesn't make sense until one learns that its director, Eric Bress, also perpetrated The Butterfly Effect. Actually, it still doesn't make any sense, but you get the idea – or, rather, you don't. Five American soldiers are sent to guard a French castle formerly occupied ... by the Nazi high command. We have Chris (Brenton Thwaites), Kirk (Theo Rossi), Eugene (Skylar Astin), Tappert (Kyle Gallner), and Butchie (Alan Ritchson) – or The Leader, The Face, The Brain, The Wild Card, and The Muscle, respectively; that's how I like to refer to them because those descriptors tell you all you need to or could ever hope to know about them. Superficially, this is a haunted house movie. One would think that war, especially one in which the survival or extinction of an entire ethnic group was at stake, carries enough inherent horror without having to add a supernatural element to it. Ghosts of War, however, is not what it seems at first glance. A second layer exists below the surface; the problem is that this deeper level is even more absurd than the first. All things considered, Ghosts of War is a movie about five people playing the most sophisticated version of Call of Duty ever – down to being able to restart the game at the last save point. It's not all bad news, though; Billy Zane has a cameo, and I'll take some Billy Zane over no Billy Zane any day of the week.