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The Midnight Sky Poster

The Midnight Sky

There's a universe between all of us.
2020 | 118m | English

(92379 votes)

TMDb IMDb

Popularity: 2 (history)

Details

A lone scientist in the Arctic races to contact a crew of astronauts returning home to a mysterious global catastrophe.
Release Date: Dec 10, 2020
Director: George Clooney
Writer: Lily Brooks-Dalton, Mark L. Smith
Genres: Science Fiction, Drama
Keywords based on novel or book, post-apocalyptic future, nuclear radiation, space travel, arctic polar circle region, end of the world, cancer, astronaut, space exploration, space adventure, 2040s, space walk
Production Companies Truenorth Productions, Smokehouse Pictures, Syndicate Films, Anonymous Content
Box Office Revenue: $70,018
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
George Clooney Augustine Lofthouse
Felicity Jones Sully
David Oyelowo Adewole
Caoilinn Springall Iris
Kyle Chandler Mitchell
Demián Bichir Sanchez
Tiffany Boone Maya
Sophie Rundle Jean
Ethan Peck Young Augustine
Tim Russ Mason Mosley
Miriam Shor Mitchell's Wife
Lilja Nótt Þórarinsdóttir Frantic Woman - Katherine
Hanna María Karlsdóttir Older Woman
Atli Óskar Fjalarsson Soldier
Tia Bannon Jasmine
Grant Crookes Scientific Beneficiary (uncredited)
Name Job
Matt Kasmir Visual Effects
Lily Brooks-Dalton Book
George Clooney Director
Leifur B. Dagfinnsson Line Producer
Mark L. Smith Screenplay
Martin Ruhe Director of Photography
Stephen Mirrione Editor
James D. Bissell Production Design
Rachel Tenner Casting
Jenny Eagan Costume Design
Alexandre Desplat Original Music Composer
Lilia Collar Digital Compositor
Andrea Cracknell Makeup Artist, Hairstylist
John Flemming Key Grip
Tim Browning Art Direction
Claire Fleming Art Direction
John Bush Set Decoration
Natasha Nikolic-Dunlop Makeup & Hair
Lee Grumett First Assistant Director
Jo Tew Second Assistant Director
James J. Reid Second Assistant Director
Siggi Kjartan Second Assistant Director
Jamie Graham Third Assistant Director
Pierce Bowman Props
Orin Beaton Boom Operator
Nick Docter Foley Editor
Leff Lefferts Sound Effects Editor
Bjørn Ole Schroeder Supervising Sound Editor
Randy Thom Sound Designer
Danny Hambrook Production Sound Mixer
David H. Watkins Special Effects Supervisor
Paul Herbert Stunt Coordinator
Philippe Antonello Still Photographer
Julian White Gaffer
Katy Bullock Stunts
Danusia Francis Stunts
David R. Grant Stunts
Paula Casarin Script Supervisor
Magnus Thulin Line Producer
Patsy Bouge Post Production Supervisor
Helen Jarvis Supervising Art Director
Name Title
Barbara A. Hall Executive Producer
Bard Dorros Producer
Cliff Roberts Producer
Todd Shuster Executive Producer
Keith Redmon Producer
George Clooney Producer
Grant Heslov Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 32 15
2024 5 24 37 16
2024 6 24 45 11
2024 7 31 59 15
2024 8 20 35 13
2024 9 17 25 12
2024 10 24 57 10
2024 11 19 37 10
2024 12 19 37 12
2025 1 19 27 13
2025 2 16 27 3
2025 3 7 20 2
2025 4 3 7 2
2025 5 2 7 1
2025 6 2 5 1
2025 7 1 2 1
2025 8 2 3 1
2025 9 2 2 1

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Reviews

narrator56
7.0

Okay, I get it: I have seen many critiques about this movie relying upon inaccurate science and featuring plot holes here and there. I admit to a bell going off in my head when our main hero Augustus seems to exhibit no death-like characteristics after diving into frigid arctic waters. But I have a ... tendency to suspend my disbelief in science fiction movies if the characters, the dialogue and the general story keep my interest. What kept me connected to the action was not the spaceship stuff, but rather the faltering, slowly developing interaction and relationship between Augustus and Iris, the girl left behind during the evacuation. It is handled patiently and believably. I found myself quite invested in them becoming close. (And I am setting aside the odd hints that Iris might not even exist outside Augustus’s own mind.) The scenes on board the spaceship Augustus is trying to contact were less compelling for me. My, those folks were consummate professionals, weren’t they? They bantered back and forth, but where were their emotions for the most part, except under extreme duress? Besides Maya, I wouldn’t have been shocked to learn they were androids. The Midnight Sky was entertaining enough to keep my interest, but it seemed to leave several questions in my mind, not the least of which was: it is well and good to send Adam and Eve to populate a new planet, but outside of serious incest, how are they to get past the first generation?

Jul 21, 2021