Popularity: 3 (history)
Director: | Joseph Kosinski |
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Writer: | Rhett Reese, Paul Wernick |
Staring: |
A prisoner in a state-of-the-art penitentiary begins to question the purpose of the emotion-controlling drugs he's testing for a pharmaceutical genius. | |
Release Date: | Jun 17, 2022 |
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Director: | Joseph Kosinski |
Writer: | Rhett Reese, Paul Wernick |
Genres: | Science Fiction, Thriller |
Keywords | psychological stress, dystopia, prison escape, psychological thriller, inmate, based on short story, psychotronic, drug testing |
Production Companies | Grand Electric, The New Yorker Studios |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Chris Hemsworth | Steve Abnesti |
Miles Teller | Jeff |
Jurnee Smollett | Lizzy |
Mark Paguio | Mark Verlaine |
Tess Haubrich | Heather |
BeBe Bettencourt | Emma |
Nathan Jones | Rogan |
Angie Milliken | Sarah |
Ron Smyck | Dave |
Joey Vieira | Miguel |
Sam Delich | Adam |
Daniel Reader | Ryan |
Stephen Tongun | Ray |
Luca De Massis | Mark (uncredited) |
Ben Knight | Clyde |
Name | Job |
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Tommy Harper | Unit Production Manager |
Samantha Smith McGrady | Second Assistant Director |
Lynzi Grant | Visual Effects Producer |
Joseph Trapanese | Original Music Composer |
David E. Hall | Post Production Supervisor |
Simon Cooke | Key Grip |
Amelia Gebler | Costume Design |
Georgina Marquis | Line Producer, Unit Production Manager |
Jeremy Hindle | Production Design |
Nancy McIlvaney | Set Decoration |
Stevie Ray | Casting |
Alexander H. Gayner | First Assistant Director |
Ryan Tudhope | Visual Effects Supervisor |
Keir Beck | Stunt Coordinator |
Steve Garrad | Visual Effects Producer |
Bill Booth | Art Direction |
Susan Higgins | Art Department Coordinator |
Tucker Korte | "A" Camera Operator |
Margie McClymont | "B" Camera Operator |
Jason Binnie | First Assistant "B" Camera |
Audra Murray | Second Assistant "A" Camera |
Emily Murray | Second Assistant "C" Camera |
Carolina Häggström | Script Supervisor |
Scott Bruce | Boom Operator |
Matt Slattery | Gaffer |
Adam Dalli | Costume Supervisor |
Nancy Hennah | Hair Designer, Makeup Designer |
Tracey Henton | Hair Supervisor, Makeup Supervisor |
Lynne O'Brien | Key Hair Stylist, Key Makeup Artist |
Dan Cole | Second Second Assistant Director |
Shayla Girdler | Third Assistant Director |
Kimberly Patrick | Foley Editor |
Chris Frazier | Foley Editor |
Meow Nutjaree Wannasri | VFX Artist |
Yvette Metoyer | Music Supervisor |
A. Todd Holland | Supervising Art Director |
Jim Millett | Assistant Art Director |
Bob Booker | Property Master |
Richard Bradshaw | "B" Camera Operator |
Chris Child | First Assistant "A" Camera |
Warren Lazarides | First Assistant "C" Camera |
Dermot McNamara | Second Assistant "B" Camera |
Lukas Davidson | Digital Imaging Technician |
Mark Cornish | Production Sound Mixer |
Kempsey Lyon | Utility Sound |
Jade van der Lei | Production Coordinator |
Julian Summers | Special Effects Supervisor |
Rebecca Keros | Third Assistant Director |
Chris Gridley | Dialogue Editor |
Brad Semenoff | Dialogue Editor |
Alyssa Nevarez | Foley Editor |
Jana Vance | Foley Artist |
Richard Duarte | Foley Mixer |
Joseph Kosinski | Director |
Stephen Mirrione | Editor |
Claudio Miranda | Director of Photography |
Rhett Reese | Screenplay |
Paul Wernick | Screenplay |
George Saunders | Short Story |
Kirsty McGregor | Casting |
Duncan Jones | Location Manager |
Ren Klyce | Sound Designer |
Tom Myers | Supervising Sound Editor, Sound Re-Recording Mixer |
Gary Rizzo | Sound Re-Recording Mixer |
Kim Foscato | Dialogue Editor |
Ronni Brown | Foley Artist |
Name | Title |
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Paul Wernick | Producer |
Rhett Reese | Producer |
Tommy Harper | Producer |
Agnes Chu | Producer |
Jeremy Steckler | Producer |
Geneva Wasserman | Producer |
Sarah Bowen | Executive Producer |
Emily Cheung | Associate Producer |
Eric Newman | Producer |
Chris Hemsworth | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 32 | 56 | 21 |
2024 | 5 | 40 | 73 | 19 |
2024 | 6 | 27 | 39 | 16 |
2024 | 7 | 31 | 51 | 20 |
2024 | 8 | 27 | 56 | 17 |
2024 | 9 | 17 | 24 | 12 |
2024 | 10 | 28 | 64 | 14 |
2024 | 11 | 24 | 44 | 13 |
2024 | 12 | 19 | 36 | 12 |
2025 | 1 | 24 | 41 | 14 |
2025 | 2 | 14 | 22 | 3 |
2025 | 3 | 7 | 25 | 2 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 3 | 8 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 2 | 4 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 3 | 3 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 865 | 894 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/spiderhead-spoiler-free-review "Spiderhead contains a fascinating high-concept sci-fi premise, but even with an extraordinary cast, it falls short of its narrative potential. Chris Hemsworth proves again that he's one of the m ... ost underrated actors working today, while Miles Teller and Jurnee Smollett share excellent chemistry. Technically, Joseph Kosinski and his team are able to generate an uneasy atmosphere in a single location without forgetting some visually impressive shot selection. Nevertheless, the story loses energy and focus during the second act, leaving dozens of creative, genuinely captivating paths unexplored or underdeveloped, ultimately choosing the safest, most generic alternative. Revelations and twists are somewhat inconsistent but undeniably impactful. I still highly recommend it. I'm very curious about the general audience's reaction." Rating: B-
The concept is fascinating enough, but the story is so slow and boring that it's hard to follow. Seems like there's a message buried somewhere in there, but it's easy to fall asleep before Evil Corporations oh my god is properly repackaged and regurgitated at whatever climax they think they wrote in ... to the script somewhere. Snore.
Can't fault the acting or the production values. This was filmed in Australia, on an island in Queensland. The premise should be more interesting than the way this film presents it. Poor directing? Perhaps. As I said, the acting is good and believable. A couple of plot holes that I couldn't wra ... p my head around. The film was based on a short story, which I'm told is a very good story. Clearly the movie got something very wrong. A few days after I watched it, and the movie is unmemorable.
Going into Spiderhead I was not expecting much due to the mixed bag of reviews, but I was really surprised. The concept is really interesting and very deranged, I found myself gasping out loud at scenarios that were presented to the inmates throughout the film. While I do agree that the third act do ... es fall bit short, I still found it enjoyable enough. The acting in this movie was superb. Chris Hemsworth does an excellent job as the "villain," he really makes you believe that he is doing this out of a good heart. It was really nice seeing him play a somewhat demented scientist, which is outside of the comedic role that he has carved himself due to the MCU. Wyatt Teller and Jurnee Smollett do a really good job as well, they have very emotionally invested scenes that bleed over to the audience. Overall, this film starts off strong and slowly fades towards the end but nothing that tremendously hurts the overall product. **Verdict:** _Good_
**Spiderhead could have been so much more but settled for bland.** Spiderhead’s concept presented compelling possibilities but fell very short of its potential. The movie focuses on pharmaceuticals that create love, fear, and other emotions in its prison-mandated test subjects. I expected the plo ... t to center on characters grappling with whether they actually love their new boyfriend/girlfriend, causing them to doubt every decision since they entered the program — a psychological angle. Instead, Spiderhead is a basic rich guy doing something shady at the expense of others movie. With a great cast and an incredible director, I wanted this movie to be so much more. Ultimately, Spiderhead is another forgettable straight-to-streaming movie that wasted its exciting premise and talent.